MUSICAL

2pp., 4to. In fair condition, on lightly-aged paper. He asks him to 'delay sending in the Piano Forte until 1/2 past Five o Clock on Monday', as 'our General Annual Meeting of Proprietors takes place on that day, and very possibly they may not break up until Five, or a little after'. He asks him what tickets to 'send to Mr. Wornum', adding 'Whatever you think right shall be done for him'.

The note and memo are on a 12mo bifolium. In good condition, lightly-aged. The letter is signed 'A. J. Hall' and addressed to 'My dear Doctor'. He explains that he would gladly visit him, 'if at liberty', but that he is 'at Wolverhampton that night with Madame Albani'. The biographical note, presumably in Stewart's autograph, is on the reverse of the second leaf of the bifolium, beneath the following, in red ink: 'Memo. by Dr. James Stewart ("Sheamus Rua") Hon. Secy.

Both items in good condition, with light signs of age. The card, with postmarks, is addressed to 'Austin Dobson Esq | 75 Eaton Rise | Ealing | W.' The letter is also to Dobson, but is only addressed 'Dear Sir'. In the card he reports that 'The old oak in the forest is now in ruins and quite dead. It has been surrounded with a railing and a young tree planted by its side.' He offers to send a photograph, and asks for 'anthing about my parish which you may publish'.

A total of 50pp., of which 46pp. are 8vo, and 4pp. are 12mo. In fair condition, lightly aged and creased. Some letters also signed on behalf of his wife Helga and their son Andreas. Also present is the first page of a fifteenth letter, dated from Paris, 19 May 1972. An affectionate correspondence, filled with personal and professional news. On 3 August 1978 he writes from St Oswald in Austria of a visit to East Germany: 'Our orchestra played for the first time at Dresden and Leipzig!!

ONE: TLS. 1p., 4to. In fair condition, on aged paper. The letter begins: 'Dear Mary, | I am writing a musical play called "Hearts Beloved". The central character is MARIA FITZHERBERT and it is the story of her love affair with GEORGE IV, (Prinny). I am very anxious for you to consider playing MARIA FITZHERBERT. The part would suit you very well and I think the present time is just the moment to produce a historical play on an English stage.' He has seen 'Tom Arnold's representative', who would be interested if she agreed. TWO: Typescript. 49pp., folio. No title page.

Both letters 2pp., 12mo. Both in good condition, on lightly-aged paper, with tape from previous mounting adhering along one edge (and in one case overlapping a few words, including the signature). The two letters concern a concert 'at the Grand Theatre on 7 January', 'entirely of Manx music', in which the recipient has agreed to sing. Having put her down for two songs, he sends her 'our Book, out of which all the items of the concert will be taken', with suggestions of two songs and three encores. The second letter gives details of the rehearsal in Fort Street.

38 items, in fair condition, lighty aged and worn. The main item is the complete score, containing all the parts, on 12pp., folio, and signed at foot of last page: 'New Theatre | April 4th. 1920 | Henri Lucas'. This is accompanied by 37 parts for separate instruments, each 4pp.in a 4to bifolium. According to the British Film Catalogue a film by the title 'The Golden Ballot' appeared in 1920.

On one side of 13 x 18.5 cm leaf removed from a 1930s album. In a good large hand, it reads: 'Souvenir | from Ania Dorfmann'.

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

In good condition, on loose leaves, with light signs of age and wear. ONE: 'Green Roomers by the Rags Wags.' A large collection of original jokes. Around 140pp., mostly 8vo. On different papers, including letterheads of 212 Finchley Road, London, the Burlington in Folkestone, and the Hermitage Hotel, Le Touquet. Hundreds of unconnected gags, each of them framed as a rhetorical question, mostly relating to the London entertainment world. The humour is now mostly impenetrable. Individuals referred to include: C. B. Cochran, H. G.

1p., 12mo. In good condition, on lightly-aged paper. The seven signatures are on top of one another, with the fifth in pencil and the others in ink. They read: 'Teddy Gwenn | [ ditto ] Michael | Lawrence | Sevier | Tommy Shale | Jan Hurst. | Patersen Story'. From the papers of Herman Finck (1872-1939), with whom Jan Hurst was connected. According to one authority: 'In 1929 [Hurst] secured the all year round post of Musical Director to the Brighton Corporation and as such, he was in charge of their Municipal Orchestra.

Jeffrey Richards, in his 'Imperialism and Music: Britain, 1876-1953' (2001), pp.272-274, discusses this piece at some length, beginning: 'There was a late entry in the imperial cycle, the now-forgotten The Song of The Drum, written by Fred Thompson and Guy Bolton, which opened at the Theatre Royal, Drury Lane, on 9 January 1931. It starred Derek Oldham as Captain Anthony Darrell, Bobby Howes as comic relief Chips Wilcox, Peter Haddon as silly-ass "Goofy" Topham and Marie Burke as glamorous spy Countess Olga von Haulstein.

75pp., 12mo. Internally in good condition, on lightly aged paper with 1860 watermark, and some leaves torn out. In worn red leather half-binding, marbled boards, with damage and loss to spine and front free endpaper torn away. The illustrations cover 19pp in the middle of the volume. Those on 15pp are in black ink, with the rest in pencil, one of them coloured. The butt of many of the jokes is music teacher 'Mr [Jack] Hardie'.

4pp., 12mo. Bifolium. In acceptable condition, aged and somewhat grubby. He thanks him for sending his article in the 'Musical Gazette', and comments that it is 'certainly curious about the Purcell Catch & the coincidence of the four notes, but it is difficult to say whether it was done purposely or by accident'.

On 13.5 x 16.5 cm piece of light-pink paper removed from autograph album. In very good condition. Reads: 'yours truly | I J Paderewski | 23/XI 1912'.

124pp., 8vo., with numerous other lists and other matter loosely inserted on pieces of paper. In shaken binding and on aged paper, but with the contents clear and legible. Accompanying the entry for January 1885 is the following note: 'These written in red ink were played on the Harmonium while the organ was being repaired.' The entries are arranged with the 'No. of Barrel in Organ', the date, and the name (omitted in later entries) and number of the hymn played.

3pp., 12mo. Bifolium. In good condition, lightly aged and worn. Addressed to 'Dear Sir & Brother'. He had been hoping to see him 'at the consecration of our Tenbury Lodge. I begged Brother Barber to invite you, & I think I told you we would put you up here on that occasion'. He hopes he will come 'at some future lodge night when we have got into work'. He informs him that he has that day 'received a notice of the Royal Arch Chapter' the following Thursday, adding 'I see I am to be ballotted for, & if elected to be exalted'.

1p., 16mo. Bifolium. In fair condition, lightly aged and worn. Docketted on reverse of second leaf 'Sir H Bishop June 17th/46' (17 June 1846 was a Wednesday, so probably a mistake for the previous day). He is much obliged by her 'kind thought, in sending me a Ticket for you Concert', but it is uncertain whether he will be in London at that time, 'but I wish you, most sincerely, every success'.

For more information about the periodical, see the entry in Brake and Demoor's 'Dictionary of Nineteenth Century Journalism in Great Britain and Ireland' (2009), which stresses the its independence: 'the Musical Standard was rare among nineteenth-century music journals in that it was not produced by a music publisher or other music issuing body'. The present item consists of around 175 items laid down in file copies of eleven issues, four of them from 1888: 21 April, 26 May and 16 and 30 June; and seven from 1891: 3 January, and 7, 14, 21, 28 February, and 7 and 21 March.

All four items in good condition, lightly aged and worn. All four in a bold, expansive hand. The two letters accompanied by their envelopes, addressed to Child in London. Letter One: Address: 'c/o Mr & Mrs G. W. Williams, | 615 East Genesee, | Saginaw | Michigan. U.S.A.' 4 July 1957. 4pp., 4to. She is 'on the first lap of my Vacation' and has asked 'Anne' to contact him. 'During the University year I am so frightfully taxed for time - my own correspondence and my personal affairs suffer in consequence and are perforce relegated to the background.

2pp., 12mo. In good condition, lightly-aged. The letter reads: 'My dear Miss Macirone | Mrs. Cowden has recd. your letter, & forwards the enclosure to Clara [the Countess of Gigliucci, another sister]. | Mrs. C. C's hands are so afflicted that she writes with greatest difficulty; so I write for her. We Villa-ites know no one of the name of "Macirone" excepting your own distinguished family. We rejoice to hear you have regained yr. health, & that sweet Minnie is flourishing. We all send kindest remembrances. Excuse gt. haste'.

Closely and neatly written on five bifoliums. Text totalling 14pp., 12mo. In fair condition, on aged and worn paper, with minor damage at head of third letter, and wear to extremities of the fourth. The first two letters (1856 and 1859) addressed formally, the third to 'Angela & Minnie', and the fourth and fifth to 'Angela'. She writes the first letter (1856) before her sister Clara's 'approaching visit to England', to thank Macirone for writing to express the pleasure she had received from Charles Cowden Clarke's sister's writing.

2pp., 8vo. In very good condition, on lightly-aged paper. She begins by asking whether the recipient is 'the same gentleman who wrote to me from Bournemouth', and to whom she replied that she was 'unable to give the information required, for many years before my husband's death we were seperated [sic]'. She explains that when Fisher was not 'travelling about in the Country he lived with his Father I believe, who has now been dead some years. The whole thing was very tragic and painful, & I shall feel obliged to you not writing to me again on the subject'.

Dibdin's letter: 1p., 12mo. On bifolium, with the Signed Autograph Copy of Chapple's reply (also 1p., 12mo) on the reverse of the same leaf. Reverse of second leaf addressed to 'C. Chapple Esq', with a nineteenth-century shelfmark at the foot of the page: 'C.68.Coll.CR.' In fair condtion, on aged paper.

All items in good condition, lightly aged and worn. ONE: Autograph Score. 7pp., 4to. On printed music paper. Sewn into green card printed wraps. Title: 'Henry Purcell | "Fantazia In Nomine" | (1680) | in seven parts for strings (viola da gamba a. s. on) | Adaptation for 12 parts for the 12 Cello-players of the Berlin Philharmonic Orchestra from the original manuscript in The British Museum, London, from Martin Fischer | (This is my first version of the adaptation) | Meinem lieben Freund Richard Hutchins, Waynflete, England, in Dankbarkeit zugeeignet. Berlin, 1976/77'.

Letter and printed text both on a 12mo bifolium. In fair condition, lightly aged and worn. Letter: 2pp., 12mo. Docketed with stamp of the Brighton Aquarium. She writes that she is 'happy to accept an Engagement for a Saturday Concert at the Brighton Aquarium as Principal Soprano' and will do her best 'to meet your terms'. Printed text: 2pp., 12mo.

2pp. 8vo. In good condition, lightly-aged. Making arrangements for a visit by Lynd's daughter Maire, 'with Thomas', the following week. 'Please let Miss Maire stay as long as possible as it is a long journey - I asked Thomas if they could not stay over the 19th when Vera Moore & Antonia Butler will be playing for me in Alnwick but I am afraid he said Term began before then but anyhow I hope they will stay as long as they possible can & get some music as I believe Vera Moore comes here about the 12th -'.

1p., 16mo. In fair condition, creased and lightly-aged, and laid down on a leaf removed from an album. In a close tiny hand, the note reads: 'Dear Mr. Mellon | can you oblige me with a private box for Monday evening next? The largest you can afford. | You are a naughty man. | Your's most truly | Erminia Rudersdorff'.

Lambert's attractive signature ('Constant Lambert') on piece of 7.5 x 11 cm thin card. Lightly aged and creased, and with evidence of previous mounting on reverse.