THE

Folio, 2 pp. 31 lines. Text clear and complete. On aged paper, chipped at extremities. The elaborate letterhead features a circular engraving by Heuer of two classical female figures in front of a press.

Printed on one side of a long sheet, equivalent to two leaves of landscape 4to on top of one another. Text clear and complete. Good, on lightly-aged paper. The opening paragraph lays out the purpose of the notice: 'The Baking Trade Board (England and Wales) hereby give notice that they propose to vary for certain classes of workers in certain areas the minimum rates at present operative in the trade and set out in the Trade Board's Notices BK. (SW.) and BK. (19).

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

4to, 8 pp. Stitched. Text clear and complete. Fair, on aged paper, with dog-eared corner. In original blue plain wraps. In double column, with the French and English texts in parallel. Scarce: the only copy on COPAC at the British Library.

12mo, 4 pp. Bifolium. 47 lines. Text clear and complete. Good, on lightly-aged paper. As 'an intimate personal friend from 1865', Birdwood endorses Wood's application, stating that he was 'a frequent Examiner in political economy for Bombay University' between 1874 and 1880. He explains that Bombay University took in 'the greatest interest' in the subject, and 'always endeavoured to secure the best qualified examiners, - having the whole Civil Service, beside the Educational Department to select from', and that they 'always preferred' Wood.

4to, 7 pp. In original printed wraps. Fair, with an unobtrusive closed tear to the title leaf. The purpose of the article is to explain the relationship between John Washington, the issuer of the token the article describes, and the first American president. Both sides of the token are illustrated on the front page. The last page carries a family tree of 'The Washingtons of Northamptonshire, Sussex and Virginia'. The only copy of this offcut on COPAC is at the British Library.

4to, [ii] + 12 + [ii] pp [i.e. 16 pp in toto]. Prelims paginated I-IV. Boasting of being 'the first Journal to be devoted exclusively to the interests of legal assistants'. Containing some light-hearted matter, including 'Office Yarns. No. I - The Firm and the Feminine', 'Relevant Irrelevancies', but also with reviews ('The Law Book-Worm') and columns containing useful information ('Municipal Mems', 'Practice').

4to, 6 pp, with a seventh leaf carrying the title 'The Ludlow Hunt Alphabet. An Adaptation.' (The title at the head of the poem itself is 'The Ludlow Alphabet. An Adaptation.') A genuine typescript, and not a reproduction. A poem of 128 lines, divided into 32 4-line stanzas. Fair, on aged paper, with the last leaf laid down on a leaf of an autograph album, with traces of a newspaper cutting on the reverse. Consisting of playful references to members of the Hunt, arranged alphabetically. First stanza: 'A's for Allcroft, on chestnut | With frontlet of blue.

Landscape folio leaf (32.5 x 40.5 cm), 1 p. On paper watermarked 'JOHN HALL | 1810'. Neatly ruled to make a complex, detailed table, in three columns of 31 rows each. The table has a central vertical fold, with the left hand side of the reverse mounted on a leaf removed from an autograph album. In poor condition, with around an eighth of the total area of the paper and text lacking, mostly from the bottom right-hand corner. Despite the loss the table (presumably prepared for the British War Office) contains a mass of valuable information.

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

12mo, 4 pp. Bifolium. 51 lines. Text clear and complete. Good, on aged paper. Chatty and spirited letter. 'I propose myself the honour and pleasure (seldom indeed, save in common parlance!) of paying you a visit, - to present you with a copy of "Westminster Abbey"', which has 'emerged from the press in the orthodox three volumes'. Does not want to give him 'an excuse for not flashing your eye through it'.

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

Folio, circa 360 pp. Label of the stationers E. B. Horwood & Co. Ltd. In sturdy half-calf binding, with red leather label stamped 'MINUTE BOOK' on spine. Text clear and complete. Internally tight, on lightly-aged paper with slight damp staining at foot. Binding worn and with damp damage to back board. Titled 'Society of Chemical Industry | Chemical Industry Club', and with manuscript note on flyleaf by 'G. S.

Albumen printh, 8.5 x 5.5 cm, laid down on card, 10.5 x 6 cm. In fair condition: lightly faded on slightly-aged card. Card printed in red on both sides, with Nadar's address and facsimile signature on reverse, and his initial within the border containing the photograph on the other side. Head and shoulders shot of the singer, staring at the viewer in a dark dress attached at the neck.

Small 4to, 4 pp. Bifolium. Text clear and complete. Fair, on browned high-acidity paper. Neat strip of stub from mounting in album still adhering to inner margin of verso of second leaf. Headed 'Words.' All but first chorus in double-column. A mixture of the original 'House that Jack built' with 'Jack and Jill'. Begins with 'Chorus. - "This is the house that Jack built."', the first lines of which are 'Our labours are done, our recompense won, | And anger has been on no back spilt, | So now with one voice we'll laugh and rejoice | As this is the house that Jack built.' Characters are: Mr.

12mo, 1 p. Eight lines. Text clear and complete. Fair, on aged paper. Asking if Webster requires a seat at a celebratory dinner for George Washington, 'Tickets not to exceed one Guinea'.

Around the size of a modern cheque. Fair, on lightly-aged paper. A nice item, considering Rogers' background. A printed cheque for £40 cash, written out to himself (as 'S R'). With a lattice of five lines over Rogers' signature ('Saml Rogers') indicating payment. Denominations to be paid indicated on back.

Two pages, 12mo, one stain, fold marks, sl. grubby, text clear, as follows: The Prince of Wales has at the same time desired Sir W. Knollys to tell My Dighton that H.R.H. thinks the likeness of the King of the Belgians would be much improved if he could make the nose a little longer and the beard a little darker -- The portrait shall therefore remain in Sir W. Knollys's room should nr Dighton wish to take it away with the view of making the improvements which the Prince has suggested. A list of names in pencil (Dighton's hand) has been added, including Thomas Baring and Combermere.

12mo, 2 pp. Bifolium. Fair, on aged paper. He begins 'Print the farce', and gives two conditions, ending 'There that's definite'. He will have the farce published after it is performed in London, 'at a good theatre of course'. 'But get on with it and lets have the proofs.' He will 'most likely' play it himself 'at Manchester and somewhere else, when I will put all this stage business &c in'. Ends 'Toole wants to do it. | Yours Tooley - I mean Truly'. In one of two postscripts he hopes Lacy has 'a good supply of Billy Taylor. Hopewood & Crew publish it.'

4to, [16] pp. Drophead title. Disbound and with some leaves loose. Text clear and complete. On aged paper. From Patron King George III and President Sir Joseph Banks to the last of the 'Foreign Members' 'D. Eustatius Zanotti, Astronom. Bonon.' Scarce: the only copy on COPAC at the British Library.

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

4to, 3 pp. Bifolium. Neatly and closely written. Text clear and complete. Fair, on aged paper. Evaluations of the conduct of more than thirty families, from a staunchly Bourbon point of view. First entry: 'Lorraine. Des sentiments trés pur. Ils quitterent ce Pais et furent trouver l'Empereur, qui les Emploie dans ses Armées.' Some families come in for criticism: 'Bethune. Cette maison si illustre s'est couverte d'ignomenie, un seul Bethune d'Artois a Emigrée.' Longest entry (twenty lines) on the Durfort Boissier family.

Folio, 3 pp. Bifolium. Printed on laid, watermarked paper. Around thirty-four lines to the page. Text clear and complete. Fair, on aged paper, with loss to one corner (not affecting text). Reverse of second leaf docketed, and with thin strip from mount adhering at fold. Written in a neat seventeenth-century hand, with a number of emendations (including a deletion of three lines) suggesting that this copy was made by the anonymous author himself.

8vo, 1 p. Image clear on aged paper, with the leaf loosely attached to the letterpress title of the work whence it comes (see below), that title being laid down in a folder with a window cut into the front for viewing the card through. The dimensions of the engraved illustration are roughly 12.5 x 8 cm, with the main feature of the elaborate design being contained in a circle 8 cm in diameter.

The prospectus is folio, 3 pp, in a bifolium. Loosely inserted is a folio leaf, with the testimonials printed on one side, and a quarto leaf with four engraved illustrations: two of wheels under carriages, and two showing details of the springs on those wheels. The three items are on aged paper, with the illustrated leaf in good condition, and the other two items with chipping and closed tears. The texts and illustrations of all three items are clear and complete, apart from some loss to a footnote to the testimonials, caused by the page being printed too low on the leaf..

One page, thirteen lines, 8vo, small closed tears, text clear and complete. "As I cannot continue my lectures on [? see scan], for some time to come I return a proportion of the balance of money collected in various towns. I have not taken one penny for my labours, but I propose to retain about one third of the balance [underlined] as there were innumerable etceteras about a work like mine. If any of the subscribers object to this, please let me know. - I enclose a cheque for £5." Best has listed 6 recipients of shares of this £5 on the verso of a conjoint leaf ,and with a small sum.

12mo, 2 pp. Bifolium. Twenty lines. Text clear and complete. Fair, on aged paper. Because of the 'Very great outlay attending the production of the work at the onset', asks for a year's advance subscription of £1 10s 0d. Gives the publication date, adding 'from the distinguished literary aid I have received I am sanguine enough to hope that it will mert your full approval'.

12mo, 8 pp. Fair, on aged laid paper. On four leaves removed from a pocket book, with two leaves numbered in manuscript '41' and '42'. Apparently a first-person draft of information for an appeal by the oldest surviving member (from the inception of the group) for a stipend. Begins 'Depuis le commencement de l'an 1760 que j'ai ete recu a la Musique du Roi, j'ai été en exercice jusqu'en 1792, avec 222. sujets qui s'y sous dont 40 vivant encore au 18 Janvier 1815. [...]'.