CENTURY

See the two men’s entries in the Oxford DNB. 2pp, 12mo. On the first leaf of a bifolium, the second leaf being blank, apart from the end of the signature ‘Jas Sant’, which has extended across from the bottom right corner of the reverse of the first leaf. In good condition, lightly aged, with the reverse of the second leaf laid down on a rectangle of grey paper cut from a leaf of an album. Addressed to ‘G. Lance Esqr.’ The letter begins: ‘My Dear Sir / My best thanks for your note. Depend upon it I will look to myself and in doing so look to yr.

See his entry in the Oxford DNB. 1p, 12mo. With mourning border. In good condition, lightly aged, folded for postage. Recipient (‘Sir’) not named. Signed ‘A. C. Fraser’. He is ‘pleased to think that anything [he has] written has given pleasure’ to the recipient. ‘As yet my productions have been occasional & fragmentary, but I am now engaged in a larger work - an edition of Berkeley’s writings, for the Oxford Press.’ Postscript: ‘I have an article in the last (September) North British Review on Mill & Hamilton, & in the October Macmillans Magazine on the “Literary Life of Isaac Taylor”’.

While his entry in the Oxford DNB notes that Birrell was a loyal supporter of Gladstone in the early part of his parliamentary career, it does not allude to his intimate involvement during that period in what would now be called the public relations of his party, as evidenced by this correspondence, which comes from the papers of Arthur George Liddon Rogers (1864-1944), son of the editor of the economist Thorold Rogers, and written while Rogers was Secretary of the Liberal Publication Department, a position to which he was appointed in November 1891.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 4to. In good condition, lightly aged and creased. Folded twice for postage. Signed ‘Miron Grindea’.

Puzzlingly, considering his prominence in his field, Kinross is denied an entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. Each letter is 1p, landscape 12mo. One of the nine items has creasing to one edge, otherwise the collection is in good condition, with light age and wear.

An interesting range of content. See her entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The letter, with her printed letterhead, is somewhat worn and creased, the other four items are in good condition. Three items (including the letter) signed ?Doris Moore? and one ?DLM?.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The present material is in good condition, lightly aged. A total of 18pp, 12mo (nine pages apiece in autograph and typed).

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The present material is in good condition, lightly aged. ONE: Autograph inscription. Flyleaf and half-title of 'A Bookseller at the Ballet' have been neatly extracted, and are both in good condition.

See Craig’s entry, and that of Chesterfield, in the Oxford DNB. 4pp, 4to. Bifolium. The second leaf had been neatly inserted into a windowpane mount. On brittle and aged paper; complete, but coming away at foot from torn remains of mount, with slight chipping at foot of first leaf, the central horizontal fold of which has closed tears along its crease. The item is unsigned, but ‘Lord Craig’ is identified as the author in pencil in nineteenth century hand twice on the mount. Ninety-two closely-written lines, with extensive revision and amendation.

An attractive collection of chromolithographs, suited to display. The plates are all in good condition, laid down on the aged and sometimes damaged leaves of a small 4to (17 x 21 cm) album with good tight bevelled-edged binding in dark brown cloth, on which an embossed stylized pattern of foliage and two storks is printed in black with the word ‘ALBUM’ on the front cover and blind-stamped on the back cover. The album has an ornate title page, printed in red, with illustration of flowers, branches and a butterfly, together with the word ‘Album’ and publishers’ details.

Stapled periodical in black and white: iv + 12 pp, 4to. The outer leaves carry advertisements, with the front leaf paginated i-ii and the back leaf iii-iv. Engraved masthead at top of front cover. Containing thirteen articles between ‘Foreword’ (the journal aims ‘to address itself to all who, caring to read about Books, care especially to read about the Best - about those which are, beyond question, always worth reading and worth writing about’) and ‘Editorial Notices’, including ‘Books and Life’ by W. Macdonald, ‘The Birth of a Classic’ (i.e.

2pp, 16mo. Twenty-four lines of text. In good condition, lightly aged. Signed ‘Merle d’Aubigné’ and addressed ‘A Miss Caroline Thompson, / Bedford’ at foot of second page. Begins by stating that his ‘livre sur la Réformation est peu de chose’. What is important is how it shows that God transforms hearts, ‘et plusieurs personnes de divers pays m’ont écrit: “En voyant comment Luther trouva Christ, par la bonté de Dieu je l’ai trouvé moi même!”’ He continues with reference to Claudine Levet and Calvin.

Anne Williamson, author of two books on Henry Williamson and of his entry in the Oxford DNB, was married to his youngest son Richard (1935-2022). The present typewritten material (88pp, 8vo) consists of several drafts and duplicates of material intended for circulation to production companies she hoped to interest in a television documentary on Williamson. It is in good condition, with each page printed on a separate leaf of A4 cartridge paper.

Each of the seven plans is on a 27 x 35.5 cm piece of paper.The source has not been established, and each carries the pencil date 1878 in a modern hand. They are uniform in layout, each with heading of the name of the theatre followed by a plan in the form of a 22 x 15 cm lithographic illustration of the respective theatre, as viewed from the stage, with the seating numbered. Beneath each plan are names of proprietors, lessees and managers, prices of admission, and in every case the details of the two ticket agents ‘Mr.

See Atkyns’ entries, and those of his father, in the Oxford DNB and History of Parliament (the latter referring to his ‘great Ancient and Present State of Glostershire, eulogizing the Stuarts’). Both items (seemingly unconnected) date from after George Smyth’s acquisition of Nibley House on his marriage in 1691. The papers of Smyth’s family are in the Gloucestershire Record Office.

A scarce item relating to provincial history and printing. A similar poster, from 1897, is offered separately, and is the only other item relating to the Salt-Hill Society present on ViaLibri. Large poster, printed on one side of 45 x 76 cm sheet of discoloured and brittle wove paper. The item is complete, but there are numerous long tears along the four fold lines (which might be easily repaired with archival tape).

See his entry in the Oxford DNB. The correspondence dates from the year 1901, Bligh having acceded to the earldom on the death of his elder brother Edward on 31 October 1900, and the material consists of what is probably the first set of banking instructions, mainly relating to his ‘accession account’, with recipients of payments ranging from the Dowager Countess to Rochester Golf Club. 10pp, foolscap 8vo; 2pp, 4to; 10pp, 12mo. The fifteen items range in size from foolscap 8vo to 12mo. Four items (letters to Coutts from Wadeson & Malleson) are typed and the rest are in manuscript.

See his entry in the Oxford DNB. On 11 x 7.5 cm piece of paper, cut from a printed document. The signature is large, bold and undamaged, on heavily-worn paper with several instances of damage, laid down on a piece of card. The printed text reads: ‘[...] / I [have] the honour to be, / Sir, / Your most obedient / and very humble Servant, / [Autograph Signature ‘Wm. Yarrell’] / Treasurer.’

See his long and appreciative entry in the Oxford DNB. 1p, 12mo. Worn and aged, with part of paper mount adhering over half of the reverse. Written in a tight close hand. Begins: ‘My dear Jerdan / The inclosed is for you to do what you like with. / I am off to Lord Albert’s tomorrow morning - the weather is improving.’ He suggests that ‘Smith [i.e.

With the surge of interest in the slave trade attention has lately been directed at Simond and Hankey, a ‘past constituent’ of the NatWest Bank. These two items are nice artefacts of the firm. Both are in good condition, lightly aged, and laid out in the same way, with the bill written out on one side of a 22.5 x 9 cm slip of laid paper. One is for ‘Deux Cent Livres Sterling a trente quatre Sols neuf deniers de gros’ and the other for ‘Cent Soixante Sterling a Trente quatre Sols dix deniers de gros’. Both drawn on ‘Messrs. Vernede & Co’.

See his entry in the Oxford DNB. The three items are laid down on a leaf from an album, the letter on one side and the other two items on the other. The material is in good condition, lightly aged, with the letter slightly ruckled. LETTER: 1p, 12mo. Letterhead printed in red. Beneath the letter, on the album leaf, in a contemporary hand: ‘In reply to my congratulatory note upon his being made a baronet.’ Addressed to ‘Charles Klugh Esqr’ and signed ‘James Paget’. Reads: ‘My dear Mr. Klugh / By mistake, your note was not sent to me at Lucerne, and I have only lately received it.

Not only an unusually intimate letter for a member of royalty to write, but also an interesting communication from a poet to her mentor.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In fair condition, lightly aged and worn, with slight damage to the blank reverse of the second leaf from mount. Folded three times, with a short closed tear at the edge of one crease. The recipient is named by Bute as ‘A. Milne Esq’ (the Aberdeen merchant Alexander Milne of Crimonmogate?). The letter is signed ‘Bute’.

See his long and appreciative entry in the Oxford DNB, concluding with the praise of his ‘pioneering achievements, especially in the fields of Vedic studies and comparative philology’. 2pp, 12mo. Aged and discoloured, with hole at foot caused by removal from mount, causing loss to words ‘to show’. Addressed to ‘Dear Sir’ and signed ‘Max Müller’. Begins: ‘I am not a Servian scholar, and I know of no Servian Grammar except one by Wuk Stephanowitch, translated into German by Jacob Grimm.

See his entry in the Oxford DNB. LETTER: 1p, 12mo. In fair condition, lightly aged, in remains of windowpane mount. Folded twice. Addressed to ‘Dear [Derrick?]’ and signed ‘J: R: Planché’. The year has been supplied in another hand in pencil. He informs him that ‘Charles Dance is out of town’, and that ‘the price would be one guinea - but I am sure that being for a benefit he will make no charges’. Planché is ‘of course not authorized to say so’, but he has ‘no doubt upon the subject’ and will tell Dormer so on his return.

Within a couple of years of his death Norbury’s nickname was given as ‘the hanging judge’ (see ‘The Georgian Era’, vol.2, 1833), and yet no mention is made of the fact in his entry in the Oxford DNB. The present document is 1p, 4to. On the recto of the first leaf of a bifolium. In fair condition, lightly aged.

An uncommon signature of a neglected artist. Hawkins was a founding member of the Society of British Artists, exhibiting there prolifically from 1824 to 1881. He also showed at the Royal Academy eight times between 1822 and 1849. (See Holmes's entry in the Oxford DNB.) On 14 cm square piece of watermarked wove paper, cut from a frank. The letter is written on the reverse of the cover, which is laid out in the customary way: ‘London third July 1838 / Wm. Loney Esq / Macclesfield.’ With red dated postmark, and signed in the customary way at bottom left: ‘John [Baron?]’.

On one side of 21 x 33 cm piece of wove paper. Somewhat creased, with one dogeared corner and a closed tear neatly repaired on reverse with archival tape, but in good overall condition. A typical piece of late-Victorian corporate typography. Headed (all in capitals): ‘County Borough of Blackburn. / Danger of handling / Carcases of Animals infected / with Anthrax.

See the entries in the Oxford DNB on Browning and firm’s founder Adam Black (1784-1874). 1p, 12mo. In fair condition, lightly aged and creased. Folded three times. Addressed to ‘Oscar Browning Esq’ and signed ‘A. &. C. Black’. The firm is replying to a note of Browning’s of 7 July 1891, ‘desiring our assent to the separate publication in book form of your Articles, from the Ency[lopaedi]a Brit[annic]a. on Dante & Goethe’. They ‘have pleasure in complying therewith, on the usual understanding that the sources of the articles is duly acknowledged & a copy of the book sent to us when published’.

See his entry in the Oxford DNB. The postcards are bromide prints, and 9 x 14 cm. The two identical images of Scott, dressed for the theatre, with curled moustache and flower in his buttonhole, are both inscribed. In the bottom margin of one he has written ‘late of the D. T.’; in the same position on the other, and rather poignantly considering his later history, ‘Remember me / Clement Scott / 1902’. The former card is addressed by Scott on the reverse, with Ingatestone postmark dated 27 February 1904, to ‘Mr S. Le Sage / Maisonette / Ingatestone / Essex’.