AUTOGRAPH

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

'There are three rules for writing plays', Oscar Wilde is said to have declared. ‘The first rule is not to write like Henry Arthur Jones; the second and third rules are the same.’ See his entry in the Oxford DNB. 1p, 12mo. In good condition, slightly trimmed at the edges, and in a windowpane mount. With two folds for postage. Addressed to ‘J E Woodrow Esqre / London Library’, and signed ‘Henry A Jones’.

See his entry in the Oxford DNB. Friswell was described by Tennyson as ‘the would-be poet, / Friswell, Pisswell - a liar and a twaddler’. 1p, 16mo. With mourning border. In good condition, lightly aged. Folded once. Fourteen lines of text. Addressed to ‘Messrs Virtue & Co.’ Signed ‘J. Hain Friswell’. Begins: ‘Gentlemen, / Many thanks for your fine print of the Chandos Portrait of Shakspere which I will notice in the P. C.

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

2pp, 12mo. On first leaf of grey-paper bifolium, the blank second leaf carrying a thin strip of tape from the mount. In good condition, folded once. Signed ‘John W. Calcraft’. The recipient is not named. Thirty-four lines of text, in a somewhat difficult hand. After a reference to ‘Mrs. Cook’s letter’ he gives the details of a forthcoming production, including the dates, ending with the benefit. ‘Terms as understood 10£ per night & [?] halfbenefit. I do not usually play on the Friday Night at this time of the year as they are uniformly bad nights’.

2pp, 4to. In good condition, lightly aged. Folded twice. Thirty-nine lines, closely written. Signed ‘Gilbert Thomas’. He begins by thanking him ‘most warmly for your letter and the most kind and generous review to hand this morning.

See his entry in the Oxford DNB (from which the scandalous Broadley is unaccountably absent). 2pp, 12mo. On bifolium of grey paper. Tears to the second leaf (not affecting signature) have been unobtrusively repaired with archival tape, and its blank reverse carries a thin remnant of the mount. One postage fold. Addressed to ‘My Dear Broadley’ and signed ‘Ernest Hart’.

See his entry and Blewitt’s in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, on lightly aged laid paper, with thin strip of tape from mount on reverse of second leaf. Thirty-seven lines of text. Addressed to ‘Octavian Blewitt Esq.’ and signed ‘G. L. M. Strauss’. He begins by describing his situation: ‘I venture to solicit your kind friendly advice.

See her entry in the Oxford DNB. The Swanboroughs were a significant Victorian theatrical dynasty, and the absence of any member of the family from the same work is puzzling. 3pp, 12mo. Bifolium. In fair condition, on aged and lightly worn paper, with traces of glue and strip of tape from mount adhering to blank reverse of second leaf. Folded twice. Addressed to ‘Mr. Swanborough’ and signed ‘Fanny Stirling’.

1p, 12mo. On thin paper. In good condition, lightly aged, in trimmed and spotted windowpane mount. Good bold signature ‘Fanny Brough.’ Addressed to ‘Revd. J. C. [Westly?]’. She has ‘much pleasure’ in sending him ‘the autograph’, and will do her best to get him ‘a few others which may be interesting to send out to you’.

See his entry, and those of his father, wife and Kenney, in the Oxford DNB. 2pp, 12mo. On first leaf of a bifolium, the blank second leaf of which carries a thin strip of tape from the mount. In good condition, lightly aged. Folded twice. Good bold signature ‘C. Kean’. Begins: ‘My dear Kenney / Would you like a P[rivate]. Box or stalls next Friday, being the opening night of our season - I should like you to give a kind of notice of my past season and of my intended retirement from management next July, to which I shall refer in the parting words I purpose delivering according to the custom’.

See his entry in the Oxford DNB, as well as that of Manby who had, as the letter indicates, strong French connections. In addition to his work as Secretary to the Institution of Civil Engineers, Manby was also the business manager of the Adelphi Theatre in London. 3pp, 12mo. Bifolium. Letter of thirty-eight lines on the first three pages, with address and four postmarks (two French and two English) on reverse of second leaf: ‘C. Manby Esq. / Institution Civil Engineers / 25 Great George St. / Westminster / London / Angleterre’.

See his entry in the Oxford DNB, which states that he had two children - Charles Horace Kenney and the actress Rosa Kenney - by his marriage to Miss Rosa Stewart at the Paris embassy in 1859. 4pp, 12mo. In good condition, lightly aged. On bifolium, with thin strip of tape from mount adhering to the reverse of the second leaf. Folded once. Sixty-six lines of text, addressed to ‘Dearest Wife’ and signed ‘Your affectionate husband / C. L.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See his entry, and that of his son, in the Oxford DNB. The topic of this letter is referred to in the second volume of Dickens's edition of the son's life, 1879. 3pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering at edge of blank second leaf and two folds for postage. Addressed to ‘Dear Harley’ and signed ‘C Mathews.’ He begins by thanking him for his ‘kind enquiries’, and (with regard to his son the actor Charles James Mathews) writes that ‘Our dear good Charles thank God! is recovered, and writes in excellent spirits from Florence.

See his entry, and that of his father Charles and wife Madame Vestris, in the Oxford DNB. 3pp, 8vo. Bifolium with mourning border. In fair condition, on lightly aged paper, with slight damage at head of second leaf, the blank reverse of which carries traces of glue from mount. Folded once. Madame Vestris had died two and a half months before the writing of this letter, which evinces a surprising intimacy. Begins: ‘My dear Mrs Williams / Here’s a pretty business! Was there ever such disappointment.

See his entry in Encyclopaedia Britannica. 1p, 4to. In fair condition, lightly aged, with thin strip of discoloration at edge, and traces of glue from mount on blank reverse. Two folds. Addressed to ‘Sigr. Ministro del Brasile presso la S. Sede’ and signed ‘G Card Antonelli’. The signature is in Antonelli’s autograph, the rest is written out by a secretary, and laid out in the customary fashion, with the block of seventeen lines of text on the right side of the page.

See her entry in the Oxford DNB. LETTER: 3pp, 12mo. Thirty-one lines. Bifolium. In fair condition, with slight staining at foot of first leaf, and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher, until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, in trimmed windowpane mount, with a little light creasing and one fold. Addressed to ‘Dear Mr. Peacock’ and signed ‘Herbert Card Vaughan’. He is ‘greatly obliged’ to Peacock for his note which he has ‘read through with much interest’. He thanks him for publishing it in the Archaeological Journal, ‘where it occupies a public & as it were official position of authority. / God bless you’.

See her entry in the Oxford DNB, from which the scandalous recipient, a high-society fixer, is unaccountably absent. 4pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. Fifty-seven lines of text, sloping upwards. Addressed to ‘Mr Broadley’ and signed ‘Burdett Coutts’. The handwriting is difficult, and the following reading tentative.

See his entry in the Oxford DNB. Wilfred Scawen Blunt’s assessment was brutal: ‘It is strange his poetry should be such poor stuff, and stranger still that he should imagine it immortal.’ And it is ironic that Austin may not have even written the lines for which he is now principally remembered, on the illness of the Prince of Wales: ‘Flashed from his bed the electric message came | He is not better, he is much the same’. 1p, 12mo. On the first leaf of a bifolium of good watermarked wove paper.

Eleven lines of closely-written text. 1p, 16mo. On recto of first leaf of bifolium, the verso of the second addressed in another hand to ‘F Chapuy / 6 Bis. Rue Rodier’. In good condition, lightly aged, with strip of tape from mount adhering to the second leaf. Folded once. Attractive vignette letterhead of illustration based around the letter W. Signed ‘Albert Wolff’. It will render him ‘un bien grand service’ if the recipient will act on his promise made when they dined together to place ‘un très brave et très digne garçon de mes amis’, as ‘il a besoin pour vivre’.

See his entry in the Oxford DNB. Although Windham was elected as member for the county of Norfolk in the general election of 1806, the election was declared void on petition. In fair condition, lightly aged, attached to neatly-trimmed border of windowpane mount. With creases from folding. Reads ‘Dear Sir, / I should have apprized you earlier that the Ballot for the Norfolk Petition is appointed for to day, when, I hope you may be able to make it convenient to you to attend / Your’s with great truth’.

See his entry in the Oxford DNB. Book: 351 + [1]pp, 8vo. In original green boards, with lettering on spine and monogram 'WG' on cover in silver. No dustwrapper. Worn copy, with foxed and grubby pages. However the front free endpaper, carrying the inscription is clean, and the inscription reads, 'Dear Arthur Lyne, / Herewith the novel at last, delayed a little beyond its natural season by the printing strike. / Again thank you for all the quite invaluable help and advice you gave me in this novel, from its inception right through to the finished article. I really am most grateful.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In fair condition, worn and creased. Addressed to ‘Dear Miss Cond’, and signed ‘Winston Graham’. It was ‘nice’ to hear from her again, and he is happy to send her ‘the usual autograph’. ‘What a fine collection of first editions you must have. No, I didn’t know you ran a gift shop in Sidmouth. If I am ever in the town I will certainly call in.’

See his entry in the Oxford DNB. The recipient Philip Dosse (Summerson spells it ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. The five items are in good condition, lightly aged. The three letters signed ‘John Summerson’. ONE: ALS, 3 October 1973. 1p, 12mo. Two previous letters from Dosse were sent while Summerson was in Canada. ‘The book on Fischer von Erlach I will review with pleasure. I’m not sure that I want to do the Raj book as well – anyway, not in the same review.

See her entry in the Oxford DNB. ONE: ALS to Bagnall. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Bagnall. / How very kind of you to write me such a charming letter. I did appreciate all you said – thank you very much / Sincerely yrs / Sybil Thorndike’. TWO: ACS addressed to ‘Victor Jones Esq. / 83. Ravenhurst Road. / Harborne. / Birmingham.’ Signed ‘Sybil Thorndike.’ Aged and discoloured, with address side lightly stained. She is not sure whether she thanked him for his ‘sweet letter & card for Xmas -it was such a very kind thought & I must seem ungracious!

See his entry in the Oxford DNB. Slip of grey paper, 11 x 4 cm, cut from letter. In good condition, lightly aged, with central vertical fold and spotting on reverse (a few dots of which show through) from glue. Bold signature ‘Sydney Buxton’. Text on reverse: ‘[…] paper you thought [?] […] / or if too late for […]’.

See his entry in the Australian Dictionary of Biography. Despite the Prince of Wales’s endorsement, the novelist Sally Emerson (b. 1954) proved to be the last editor of ‘Books and Bookmen’, which followed the suicide of the proprietor Philip Dosse of Hansom Books. (See her article ‘Death of a Bookman’, in Standpoint magazine, October 2018.) 2pp, 4to. On two leaves stapled together, the first with letterhead in blue ink with biblical quotation and illustration of a cross and a crown of thorns. Signed ‘T Noffs’.

See his entry in the Oxford DNB, and the entry for ‘scientist’ in the OED. Whewell first used the word in 1834 in the Quarterly Review, stating that ‘some ingenious gentleman proposed that, by analogy with artist, they might form scientist, and added that there could be no scruple in making free with this termination when we have such words as sciolist, economist, and atheist’. It is probable that the ‘ingenious gentleman’ is Whewell himself. 2pp, 12mo. On first leaf of a bifolium. In good condition, lightly aged, with the blank second leaf slightly damaged by removal from mount.