AUTOGRAPH

See his entry in the Oxford DNB. Signed 'Oliver Lodge' in pencil at foot of 10 x 11 cm piece of paper, in which slits have been made for loose insertion of the cigarette card. The signature is clear and clean, but the paperr and card are spotted, and the paper is worn with border of discoloration made by tape. The caricature is in colour, by Alick P. F. Ritchie. No 38 out of 50 in a series titled 'Straight Line Caricatures', issued by John Player & Sons. Scan on application

The War of Jenkin’s Ear had ended a few months before, and Daniel A. Baugh, ‘British Naval Administration in the Age of Walpole’ (Princeton, 1965) describes the sorry state into which the Navy Board had fallen at this point. 1p, foolscap 8vo. On recto of the first leaf of a bifolium, the verso of the second leaf being addressed ‘To / Mr Turnpenny / Navy Office’ and docketted ‘Com[missione]rs of Navy to Mr Turnpenny’. In poor condition and urgent need of archival repair. The laid and watermarked paper is flaking away, and part of text, including a couple of the signatures, is lacking.

See W. Moister, ‘A History of Wesleyan Missions in all Parts of the World’ (1871). Each item 4pp, 12mo bifolium. All three with engraved illustration on first page, which has a drophead title. The three are worn and discoloured, with loss of text in caption in Item One (see below), and the first two items with cover illustrations crudely hand-coloured. ONE: No. LXXII, June 1838. Mostly consisting of ‘An appeal to the sympathy of the Christian public, on behalf of the cannibal Fejeeans’.

A black and white publicity photograph on an 11 x 15 cm collotype print. Signed at bottom right: ‘Yours sincere / Mary Ellis / Feb. 1844’. A head and shoulders portrait of a dreamy-looking Ellis in front of netting, staring downwards to her right, with her head cradled in her right hand, which is clasped by her left. In good condition, lightly aged. Scan on application

On piece of pink paper roughly 13.5 x 9.5 cm. Reads: ‘Every good wish / Paul Robeson.’ No other writing, and the good firm signature with plenty of space around it. In good condition lightly aged, with thin strip of discoloration running through the ‘E’ of ‘Every’. Scan on application.

See his entry and Wordsworth’s in the Oxford DNB. The Prince was Chancellor of Cambridge University from 1811 to his death. Wordsworth was Vice-Chancellor twice: 1820-1821 and 1826-1827. On 13 x 7 cm panel cut from the cover of the envelope. In fair condition, lightly aged, laid down on brown paper cut from album, with slight wear to corner of letter just touching the initial ‘W’ of the Prince’s name. Laid out in the customary fashion, and reading: ‘London June Twenty seven 1827 / The Revd / Dr. Wordsworth / Vice Chancellor of the University / of Cambridge’.

8 x 11 cm collotype print on 9 x 14 cm postcard, with caption (‘Richard Tauber / als Schubert / im “Dreimädlhaus”’) and publication details in blank space at foot. Tauber has signed emphatically, between two lines, at the foot of the card: ‘Richard Tauber / 1931 / London’. In good condition, lightly aged, but with dink to bottom-left corner, affecting neither image nor signature. Depicts Tauber, in the character of a bespectacled Franz Schubert, seated before a dark background. Scan on application.

Fourteen items from the papers of Sir Noel Galway Holmes, all but the last relating to his three decades of service in the British Army, with reports and recommendations by superior officers from 1920 to 1939.

Anderson spent six years in England in the 1880s, acting to much acclaim at venues including the Shakespeare Memorial Theatre in Stratford-on-Avon. In 1887 she was the first actress to take on both roles of Perdita and Hermione at once in the Winter’s Tale. On 14 x 9 cm postcard, addressed (by the recipient) to ‘Norman Wetton / 7, Claremont Road, / Forest Gate, / Essex.’ Slightly grubby and worn, but in fare condition overall. On the blank side she writes: ‘Broadway / Worc / Mary Anderson de Navarro / Auto Graph only’. Scan on application

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

9 x 14.5 cm glossy publicity photograph. On reverse: “A Gaumont-British Star / Raphael Tuck and Sons’ “Real Photograph” Postcard No. 66”. In fair condition, lightly aged, with a couple of indentations. Inscribed at bottom right: ‘Best Wishes / Jessie Matthews’. A black and white head-and-shoulders shot of a wide-eyed Matthews staring at the viewer over her left shoulder, with short hair, in a white feather hat and white fur coat, against a black background. Scan on application.

Sepia portrait on 10 x 15 cm photographic print, on card. In good condition, lightly aged. Good bold inscription across foot: ‘Best wishes / Joan Barry’. A soft-toned head-and-shoulders portrait of a Marcel-waved Barry, staring dreamily to the left, with pursed made-up lits, in a sleeveless white gown with pearls and bracelet, left hand to chin and right hand supporting left elbow. Scan on application.

Glossy publicity portrait (‘Real Photograph’) on 8.5 x 14 cm post card with publication details on reverse. In good condition, lightly aged. Inscribed diagonally at bottom right: Best wishes / Julie Suedo.’ A black and white head-and-shoulders shot of an Mediterranean-looking Suedo, with curled hair with flower jewellery in it and toothy smile, looking joyfully to her left, with bright necklace and pearl bordered sleeveless gown.

See his entry in the Oxford DNB. On 11 x 7 cm panel cut from the cover of the envelope. In good condition, lightly aged, laid down on brown paper cut from album. The intial ‘C’ of the Duke’s name curls under the rest of the signature with a loop, and with end of flourish possibly trimmed in cutting the panel. (Comparison with other examples of the future king’s signature as Duke of Clarence indicate that whatever loss there may be would be minimal.) Laid out in the customary fashion. Reads: ‘Bushy. December twenty third 1827 / Mrs: Skelton / Sandridge Lodge / St: Alban’s / Street’.

Novello’s three decades of unprecedented success began with the First World War song ‘Keep the home fires burning’. See his entry in the Oxford DNB. 8.5 x 13.5 cm publicity photograph on postcard, printed in sepia. In good condition, with tiny dink at top left. Captioned at foot ‘MR. IVOR NOVELLO’. Prim-looking with side-parting in white shirt, tie, and dark double breasted suit, the darkness of which makes the signature ‘Ivor Novello’ rather difficult to make out. Scan on application

11.5 x 16 cm image on 18 x 12.5 cm card. Signed at foot ‘Herbert Marshall.’ An urbane Marshall is seated, looking over his left shoulder while cradling his hands on his knees, in a grey pin-striped suit, in front of a plain white background. In good condition, but with a horizontal strip of the card trimmed above Marshall’s head. Scan on application.

10 x 13 cm glossy publicity photographic print, on 10.5 x 15.5 cm piece of card, with ‘PHOTO: JOHN VICKERS / COPYRIGHT’ in blank space beneath image. In good condition, lightly aged, with mounts at corners on blank reverse. Black and white head-and-shoulders portrait of McDermott in pub setting, looking sharply to his left in a double-breasted Royal Navy jacket, whiskey tumbler in hand. Scan on applicatioin

Glossy black and white publicity photograph on 8.5 x 13 cm postcard, embossed with studio details at bottom right. ‘MISS DOROTHY WARD’ in white print at foot. Autograph inscription across foot: ‘Best wishes / Dorothy Ward / 1926’. In good condition, lightly aged. A head-and-shoulders image of Ward with right shoulder slightly forwards, looking upwards, with a laurel wreath around her head and frizzy short hair, in pearls and a white sleeveless gown. With stamp and Liverpool postmark on reverse, which is addressed to ‘F. J. Clare / 5 Delamere Grove / Leacombe / Wallasey’. Scan on application

Publicity photograph on 8.5 x 13.5 postcard. In good condition, lightly aged, with a tiny piece worn away from bottom left. Inscription diagonally at bottom left: ‘Best wishes / Elizabeth Allan’. A black and white head-and-shoulders portrait of a young Allan, against a white background, with short wavy hair and side parting gazing to her left with beatific smile.

7.5 x 11.5 cm black and white publicity photograph by ‘ “Philco” London W.C.1.’ Expansive genuine signature ‘Gladys Cooper’ across bottom part of image, in addition to facsimile signature in white at bottom right. In good condition, on postcard with border trimmed. Dark sepia-toned image. A head-and-shoulders portrait, with Cooper staring to her right, with short frizzy hair, in fashionable gown. Scan on application

See her entry in the Oxford DNB. Good bold signature ‘Gracie Fields’, underlined and rising upwards. On 11.5 x 9 cm piece of thin light-grey card. In good condition, lightly aged, but with border of discoloration created by tape, a tiny part of which has encroached on the initial ‘G’ of the signature.

Hale is best-remembered for singing ‘Spread a Little Happiness’ in the musical ‘Mr. Cinders’ (1929), and for strarring in ‘No, No, Nanette’ (1925). 9 x 13 cm postcard, printed in light-brownish grey. In good condition. Nice signature ‘Binnie Hale’ running diagonally across lower right-hand corner. She looks wistfully at the camera, with a Marcel wave and pursed made-up lips. Not among the 32 images of Hale list on the National Portrait Gallery website. Scan on application.

See her entry in the Oxford DNB. 8 x 13 cm collotype print, with 8 x 2 cm space at bottom in which she signs ‘Wendy Hiller.’ In good condition, lightly aged. Black and white, with Hiller’s face in left profile, her body at three-quarters, squinting to her right while wearing what looks like a buttoned-up sou’-wester. Scan on application.

Black and white photographic portrait, on 4.5 x 6.5 cm piece of shiny card. Signature 'Doris Keane' across bottom of image. In fair condition, lightly aged and worn, with strips of tape around the edges to make a border, but hardly discoloured. Printed at head: 'SUPPT. TO GREAT NOVELS.', and at bottom 'DORIS KEANE / BASSANO'. A head and shoulders portrait, in which Keane faces the viewer, in fur hat and coat with fur collar. Scan on application.

The topic of this material is wartime training (in part during the Blitz) of sergeants for ‘Search Light Control’ or SLC (nicknamed ‘Elsie’). A larger archive of similar material from the papers of Sgt. J. L. B. Royall on the same theme is offered separately. Sixteen items, a few of which are discoloured and creased, but the collection being in good overall condition. The first three items are in manuscript (i.e. Royall’s autograph).

See his entry in the Oxford DNB. On 10 x 12 cm leaf removed from an autograph album. He signs and dates floridly at the foot of the page: 'Austen Chamberlain / 4. 3. 27'. Slits have been cut into the leaf to loosely insert the cigarette card. In poor condition, worn and spotted, with border of discoloration (extending over the end of the signature) caused by tape. The caricature, in colour, by Alick P. F. Ritchie is No. 11 of 50 in the 'Straight Line Caricatures' series of cigarette cards by John Player & Sons.

Johnson’s career began with a job singing on an NBC radio show. His 1940s Hollywood films included “Keep Your Powder Dry”. He later returned to Broadway, where in 1956 he received a Tony nomination for his performance as ‘Doc’ in Rodgers and Hammerstein's last musical ‘Pipe Dream’. He died of a heart attack in 1957. 10.5 x 10 cm black and white glossy photographic print on shiny art paper. In good condition. Stylish signature 'Bill Johnson' in white at bottom left.

An attractive collection, by an unidentified artist, on uniform pieces of waxed or oiled cloth, cut to 10 cm squares with rounded edges. Each illustration features a different butterfly or moth, arranged with a different single leaf. Very nicely executed, in a wide range of colours, and suitable for display. Seen to their full advantage with a light source behind them. See Scan.

See his entry in the Oxford DNB, in which ‘deep professional commitment and mental toughness’ are said to be qualities whose possession he demonstrated ‘heroically’. On 8 x 5 cm piece of light blue-grey paper. Good large firm signature 'Beatty'. No other writing on page. In good condition, lightly aged.

See his entry in the Oxford DNB. A 10 x 3 cm slip of paper, cut from the end of a letter in response to a request for an autograph. In good condition, lightly aged. Reads: ‘Yours Sincerely / Percy Scott’. Beneath this, in contemporary hand, in pencil: ‘Admiral Sir Percy Scott (Terrible)’.