POETRY

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

120pp, 12mo. No dustwrapper. In fair condition, on lightly-aged paper, tight in lightly-worn green cloth with dulled gilt. Inscribed by Williams in pencil on front free endpaper: 'For Michal'. A collection of around fifty poems, including five addressed to the author's wife: 'To Michal: After a Vigil'. 'To Michal: On Forgiveness', 'To Michal: On Brushing her Hair', 'To Michal meditating a new Costume', 'To Michal: On Disputing outside Church'. Accompanying the volume is an Autograph Letter Signed from 'Neil' to 'Dear Christopher and Dear Phyl', i.e. Christopher Fry and his wife Phyllis.

[55]pp, 8vo. Number 448 of 500 copies, with colophon signed by 'Robert Lax' and illustrator 'Emil Antonucci'. In quarter binding of spine in plain black cloth and paper boards on which are printed circus photographs by Charles Harbutt. Nice inscription on front free endpaper: 'For Mr & Mrs Chistopher Fry, merely to think of whom gladdens the heart & makes the countenance shine, | Robert Lax'. Lacking the original plain glassine dustwrapper. In good condition, apart from a 6 cm horizontal cut or rub mark to the front board, which is not overly obtrusive.

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

A total of 8pp of closely-typed text. In good condition. Also present are an additional four-page copy on pink paper of the first letter and its enclosure. First letter signed 'Kevin Bailey', two others signed 'Kevin B.' aq2 One letter lacks its last page and signature.

Dunn was a teacher (presumably at Dulwich College), Sussex naturalist and poet. Around 1984 he published his own poem 'Death of a Scarecrow' at his Poet and Printer press, Hatch End. The present collection, from the Christopher Fry papers, is in good condition, lightly aged. ONE: Autograph Letter Signed ('Ruby Dunn') to Christopher Fry. 1p, 12mo. She begins by asking him to accept a 'small token' of her thanks 'for a memorable occasion', presumably a memorial reading of Dunn's poems in which Fry was involved. She continues: 'I can think of no greater pleasure for me, Peter's widow.

1p, 8vo. In fair condition, lightly aged. On Croxley Script cartridge paper. Folded three times. Typed at top left: 'For Andrew Young'. From the Fry papers, with the playwright apparently stating that he found the typescript in a copy of Robert Frost's poems. Hassall's poem is apparently unpublished (but see below). It is divided into two sonnets, numbered I ('Yours is the Wildern World beyond my door') and II ('Speak for us to the earth, interpreter -').

'Ondra Lysohorsky' is the pen-name of the Lach poet Ervin Goj [Erwin Goy] (1905-1989), who, as a Silesian, was largely responsible for the creation of Lach as a literary language. (Born into the Austro-Hungarian Empire, he repudiated the Czechoslovakian citizenship he inherited.) Having fled the Nazis, Lysohorsky was feted in the Moscow literary circles of the 1940s, with Boris Pasternak among his translators. Feeling that academic promotion was being denied him, he appealed directly to Stalin, but following his return to Czechoslovakia after the war, his situation worsened.

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.

3pp, 12mo. Bifolium. In fair condition, aged and worn, but with slight water staining and damage to blank area at foot of second leaf. The male recipient is not named. The letter begins: 'My dear Sir | If you present the enclosed to the porter of the Garrick Club, I have no doubt all the Art Treasures of the Garrick will be open to your inspection.

2pp, 12mo. On bifolium. Twenty lines of text. In fair condition, aged and worn, with chipping and short closed tears to extremities. Folded twice. Addressed on reverse of second leaf to 'Joseph Blunt Esqre.' Signature underlined with a flourish.

3pp, 12mo. Bifolium. In fair condition, aged and worn, but with slight water staining and damage to blank area at foot of second leaf. The male recipient is not named. The letter begins: 'My dear Sir | If you present the enclosed to the porter of the Garrick Club, I have no doubt all the Art Treasures of the Garrick will be open to your inspection.

A nice item, in which, writing to a friend in London, Moulton describes, and encloses a holograph copy of, the poem she has written that very day for the following day's New Year's Eve party to celebrate the engagement of Longfellow's youngest daughter Anne Allegra to Joseph Gilbert Thorp Jr. (1852-1931). 4pp, 12mo. Bifolium. Aged, worn and creased, with damage resulting in loss of a couple of words of text, due to tearing of the letter away from mount. The letter covers three pages, the last written lengthwise, and is forty-six lines long.

Stanford's study of Fry in the British Council's 'Writers and their Work' series was re-published several times, and the early letters in the present collection refer to the preparation of the fourth edition, published by Longmans in 1971 (the bibliography to which Stanford refers as 'CHRISTOPHER STATE PAPERS'). A total of twenty-six items. The material in good condition, lightly aged. Stanford's nineteen letters total 65pp, 12mo. In an undisciplined hand, in different-coloured ink, on different-coloured paper. Stanford's 19 letters between 17 February 1970 and 31 October 1978.

See the appreciative obituary of Lowbury by Christopher Hawtree, Guardian, 15 October 2007. Nineteen items, five of which are accompanied by envelopes addressed to Fry at his home The Toft, East Dean, Chichester, Sussex. The material is in good condition, lightly aged. ONE: Edward Lowbury's ten ALsS and one ACS, 1972-1989, with one undated Christmas card. A total of 17pp, 12mo.

Four items, in good condition, lightly aged. The three letters with date stamps of the Society of Arts, and two with pencil annotations. All three signed 'Cloudesley Brereton'. ONE: ALS of 4 January 1900. 2pp, 12mo. He thanks him for his 'kindly intervention with the Board of Education', which he believes 'will in time bear good fruit'. He has been 'thinking over' Wood's 'suggestion of giving a lecture on the Rural Schools of France', and would 'much like to take it up if you have still a vacant date & you do not want it too soon - as I am just now overwhelmed with work'.

Tiller's entry in the Oxford DNB explains the background to this poem. In 1939 he 'went to Cairo to teach English literature and history at Fuad I University. During the Second World War he became closely associated with the group surrounding Personal Landscape, a review in the Middle East that had been founded and was edited by Lawrence Durrell, Robin Fedden, and Bernard Spencer'. Two items, both in good condition, lightly aged. ONE: Autograph Draft of the poem, in pencil, with numerous deletions, emendations and rubbings-out. 1p, folio.

2pp, 8vo. On a gilt-edged leaf of umwatermarked wove paper. In good condition, lightly aged. A fair copy in Milnes's autograph. A curious poem, in which Milnes's Napoleon-worship wins through over considerations of the futility of war. Retitled 'The Funeral of Napoleon', the poem was first published in 1841 in the Spectator, and in slightly different form in Milnes's 1844 collection 'Poems, Legendary and Historical'. There are a number of differences between the present version and that published in the Spectator. The final stanza is entirely recast.

1p, 4to. In fair condition, on aged and worn paper with one corner torn away (without any loss of text). Folded three times. The recipient is not named. The letter begins: 'Sir | Your letter enclosing a prospectus of your proposed work has just reached me. I beg you will excuse me for not entering into a discussion of the subject, which is a rule I have found it necessary, under my engagements, to make.

1p, on the reverse of an advertisement, with engraving, for his 1886 book 'Tales and Sketches of Lancashire Life', cut down to 16 x 13 cm. On aged paper, with horizontal cut repaired with archival tape. Reads: '[Sent?] me very well. | The poems I propose reading will be | "The New Shirt." | and "The Gravelgate Flood." | You can take your choice betwixt "The New Shirt," and "The Bradley's Visit to Thisle Ho." Please send me a programme as soon as printed.'

For the context see Gardiner's entry in the Oxford DNB. Gardiner's disastrous last mission to Patagonia ended with his death on 6 September 1851, as the last of the seven missionaries to starve to death on Picton Island. No other copy of the present item has been traced, either on OCLC WorldCat or on COPAC. 4pp, 16mo. Bifolium. Well printed. In fair condition, lightly aged and worn, and folded several times.

3pp, 4to. Bifolium. On wove paper with Whatman watermark dated 1820. In fair condition, lightly aged and worn, with slight loss of paper at one corner of second leaf, resulting in loss of one word of text. Folded twice. From the papers of William Jerdan, editor of the Literary Gazette, who published the poem with one other ('In the Ivy'), in the edition of 23 June 1821, giving the identity of the author given in a footnote: 'We have to thank the elegant pen of MRS. HEMANS, for these two exquisite poems. Ed.' Heman's manuscript is endorsed by Jerdan: 'Poetry origl | 231 | W J | Mrs. Hemans'.

On one side of a piece of paper cropped to 11 x 8 cm, resulting in loss of text at edges. Otherwise in fair condition, lightly aged. Reads: 'Septr 13th 18[...] | [...] dear Sir - | As Mrs. Moore is [...] | [...]ith a parcel for Beafort Build[...] | [...] the opportunity of returning a book whi[...] | [...] to a set, you may be inconvenienced [...] | [...], and I have got all I wanted out of it [...] | You will have the goodness to send the [...] | [...] basket to Mrs. Dyke. | Yours ever | T.

This unusual item is scarce: no copy has been located on OCLC WorldCat, and no reference to the poem has been discovered. Not dated, but the printer was active at the end of the nineteenth century: two other items at least were printed by 'C. Oswald' in Staines, one in 1887 and the other in 1898. Its subject is now obscure, but perhaps may be illuminated by the local historian. 8pp, 12mo. Stapled. Aged, worn and creased, with closed tear at foot of fold to outer bifolium.

1p, 12mo. In good condition, lightly aged. In envelope with penny red stamp and postmark, addressed to Steggatt at 53 Norwich Street, Cambridge. The letter reads: 'Dear Sir | I regret that I cannot give you an order. I have no doubt of the excellence of the cigars, but I never by any chance smoke a cigar. | Believe me | Yours truly | C S. Calverley'. A nice Cambridge association, given that Calverley's most famous poem is 'Ode to Tobacco', and that it features in Cambridge on a brass plaque on the wall of the former Bacon's tobacconists.

1p, 12mo. In fair condition, lightly aged, with slight nick at gutter of bifolium. Addressed 'To | Revd G Bainton.' Reads: 'Dear Sir | You are quite at liberty to publish my letter. - If it finds its way into the papers, I should be obliged if you would kindly forward me a copy. | Ever yours truly | Chas Mackay'.

14 + [1]pp, 8vo. Stapled eight-leaf pamphlet. Publishers' slug on reverse of final leaf. In good condition, lightly aged and worn. Scarce: no copy at the British Library, and the only copy located on OCLC WorldCat at Princeton. A pleasing memento of a grand affair, attended by a host of dignitaries, including Princess Margaret, the Prince of Wales (who read the first lesson) and Betjeman's publisher John Murray (who read the second lesson).

On one side of 4.5 x 10.5 cm piece of paper, cut from end of letter for autograph hunter. In good condition, lightly aged. Reads: 'Believe me, dear Mr Browne | Yours very sincerely | Katharine Tynan Hinkson | Robert Browne Esq.'

Despite the four years (1840-1844) Howitt spent in the colony with his brother the entomologist Godfrey Howitt (1800-1873), the present letter has nothing to do with Australia. The letter is addressed to the editors of 'The Aurora Borealis: A Literary Annual edited by Members of the Society of Friends'. This periodical was the work of a group of Quakers in Newcastle-upon-Tyne, with George Atley Brumell (1800-1877) one of the founding editors. Another of those involved was Joseph Watson (1807-1874), named in the letter's address.

The four-line Latin poem in this letter by Lord Stratford de Redcliffe (better known as Sir Stratford Canning and cousin of Prime Minister George Canning) is apparently unknown, and certainly unpublished. The letter is 3pp, 16mo. Bifolium. In good condition, lightly aged. Folded twice.