RICHARD

Note to be confused with the Kew curator William Watson (1858-1925). Both cards are plain: the first with a self-printed stamp and the second with stamp affixed. Both in fair condition, lightly aged. ONE (to Grinling): He identifies the fungi he sent, adding a comment on bacteoles of mallow. Ends in the hope of attending ‘the Epping Forest foray this year’. TWO (to Whitaker). The previous Saturday he noted ‘Pyrus torminalis in the old rough lane between fences nearly opposite the Bull Inn on Shooters Hill (? Jack Wood Lane)’.

See his entry in the Oxford DNB: ‘Following Raglan's instructions, he wrote out the order which led to the fateful charge of the light brigade on 25 October 1854, but unfortunately in the heat of battle kept no duplicate. Subsequently, he had to request a copy from Lieutenant-General Lord Lucan, the cavalry division's commander, to whom the order was addressed and who strongly resented implications that he was at fault. In writing and in person Airey attempted to placate Lucan, reputedly arguing that “it is nothing to Chillianwallah”’.

See the entries for Beresford and Temple in the Oxford DNB (in an unfortunate omission, Ramsay - ‘The King of Kumaon’ - is not represented in that work). 3pp, 12mo. Ruckled, with second leaf laid down on a piece of card, and damage along the gutter repaired with archival tape. Twenty-nine lines of text. Signed ‘Charles Beresford’. He has received ‘a long explanatory letter from General Sir Henry Ramsey [sic] containing the explanation of a grievance by which he has lost £300 a year since 1884.

On both sides of a 14.5 x 10.5 cm plain postcard. In good condition, with large firm signature ‘Richard Ingrams’. He thanks him for ‘the interesting Cobbett item’ and would like ‘your Elgar postcard’ if available. Ends: ‘Enclose cheque. Cobbett always welcome. Also G. K. Chesterton.’ Ingram had published an anthology of Cobbett in 1974, and would publish a biography of him in 2005, and a book on Chesterton in 2021.

See the entries for the two men in the Oxford DNB, as well as that of the subject of the letter, Sir Richard Temple’s eldest son Captain Richard Carnac Temple (1850-1931), the future second baronet. 3pp, 12mo. Bifolium. Aged, with the gutter repaired with archival tape, and the reverse of the second leaf adhering to part of its mount. Headed ‘Private’ and addressed to ‘Dear Sir Richard’.

See the entries for writer and recipient in the Oxford DNB. 2pp, 12mo. In good condition, folded once. In envelope (with Oxford crest on flap), with stamp and two postmarks, addressed by Magrath to ‘Henry Jenner Esq / British Museum / London E.C.’ From ‘a communication I have received from Madan’ (Falconer Madan, Bodley’s Librarian) he gathers that Jenner ‘would be interested to know the results of the kind assistance you gave a Committee of the Hebdomadal Council in May in the matter of the extension of the Bodleian Library’.

See his entry in the Oxford DNB. The valediction of a typed letter, on slip of paper, 8.5 x 3.5 cm. Somewhat creased, and with two thin printed slips ‘DIRECTOR | R. H. TAWNEY, B.A.’ and ‘London School of Economics’) laid down near the signature (‘R H Tawney’), above which is typed ‘Yours very sincerely,’.

See Procter’s entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition on lightly-aged paper. 85 lines of closely- and neatly-written text. He begins by thanking Sutton for ‘the welcome portrait of Sir Edward Lugden’. He gives an example of Lugden’s ‘happy election repartee’(a joke about ‘Lather’ and ‘the present price of “Soap”’), for which, if no other reason, he ‘deserves a niche in my tonsorial gallery’.

On one side of slip of laid paper, with watermark date ‘1811’. Dimensions: 18.5 x 7.5 cm. In good condition, folded three times. Good firm signature. Reads: ‘Received Feby: 18th: 1814. of Mrs. Campbell One Hundred & fifty Pounds for a Monument to the Memory of Coll. Campbell - including cases - Inscriptions - &c | £150 | Henry Westmacott.’ For Westmacott's work on Nelson's tomb, see the Archaeological Journal, 1894, vol. 51 (2nd series no. 1), p.161..

1p, 4to. In fair condition, lightly aged. Folded once. The printing of the letterhead, in red and black, extends along three edges, with decorations including an oriental-style architectural motif in front of a tree at bottom right. At the head of the page the letterhead reads 'Williamson presents The King and I as originally produced by Richard Rodgers & Oscar Hammerstein 2nd.' The four directors of Williamson Music Limited are named at the foot, including Rodgers, Hammerstein and 'Louis Dreyfus (British formerly American)'. The note, addressed to 'Mr.

2pp, 12mo. In fair condition, lightly aged. A daughter from Lady Derby's first marriage was married to the Earl of Galloway, from whose seat Derby writes. Addressed to 'G. [sic] Norbury. Esq.' Having received the letter of the unnamed male recipient, he feels he 'must decline to give my name as patron of the now proposed society of water colour painters in Liverpool: not because I do not approve of the formation of such a society, but because your invitation to join it is the first intimation I have received of any such project being in contemplation'.

See his entry in J. F. Smith, 'The Admission Register of the Manchester School'. 6pp, 12mo. Written in a neat, close hand. In fair condition, lightly aged. Folded three times. A vivid example of the methodology of the nineteenth-century English clerical antiquary. The main subject is the controversialist Richard Montagu (1577-1641), Bishop of Norwich, about whom, in January of the following year (that of his death), Backhouse would publish a letter in 'The Academy' under the title 'The Abbreviations in Bishop Mountagu's [sic] Dedication'. The recipient is not identified.

Beautiful stitched pamphlet, with three gorgeous colour natural history prints by Wadsworth, comprising frontispiece and one other full-page print, and double-page print incorporating the words of the title. Near fine. Text unpaginated, printed on eleven pages, over eight leaves of green laid paper. Numbered 44 on the colophon, which carries the device of the Rampant Lions Press, and is signed 'Richard Wilbur' and 'Charles E.

Evidently written out as a gift for Christopher Fry, from whose papersit derives. A 10.5 x 24 cm piece of printed manuscript paper, on grey mount in glazed black wooden 17.5 x 31 cm frame. In good condition. Signed at top right 'Richard Kayne.' Towards top left: 'The Lady's Not For Burning. | Chichester, 1972.' Within the uppermost of three lines of staves Kayne has written and underlined 'THE LADY THEME'. The central stave contains the opening bars, for alto flute.

In 1850 Lord John Russell had set up a Royal Commission to enquire 'Into the State, Discipline, Studies, and Revenues of the University and Colleges of Oxford'. The Law Magazine, in its issue of August-November 1852, praised the Commission's report as 'most valuable' and 'meritorious', noting among the obstacles to its completion 'the resolute and dogged refusal of information on the part of many, intimately connected with the University', including Harington's college Brasenose. The Spectator discussed the report on 29 May 1852, and reproduced all 47 recommendations on 5 June 1852.

A significant document by an Oxford college head, responding negatively to the 1852 Report of the Royal Commission appointed in 1850 by Lord John Russell to enquire 'Into the State, Discipline, Studies, and Revenues of the University and Colleges of Oxford'.

A highly-interesting document, written by a college head on the verge of the reforms resulting from the passing of the Oxford University Act of 1854 and setting up of the Hebdomadal Council, in which Harington states - in detail, at length and with great emphasis - his opposition to 'those who propose to strip the favoured classes of the privileges which Founders of Colleges have thought proper to confer on them', arguing that this will not 'necessarily ensure the election of the most distinguished candidates'.

In 1850 Lord John Russell had set up a Royal Commission to enquire 'Into the State, Discipline, Studies, and Revenues of the University and Colleges of Oxford'. The Law Magazine, in its issue of August-November 1852, praised the Commission's report as 'most valuable' and 'meritorious', noting among the obstacles to its completion 'the resolute and dogged refusal of information on the part of many, intimately connected with the University', including Harington's college Brasenose. The Spectator discussed the report on 29 May 1852, and reproduced all 47 recommendations on 5 June 1852.

A nice artefact, a number of Carlile's celebrated radical journal 'The Republican' (espousing not only republicanism but also atheism, abolitionism and birth control) as it appeared from the press. For information on Carlile - described by E. P. Thompson as a 'Showman of Free Thought' - and his 'moral wife' the suffragist Eliza Sharples, see their entries in the Oxford DNB. For publishing various 'blasphemous' works by Thomas Paine, Carlile was fined £1500 and sentenced to three years in Dorchester Gaol.

For information on Carlile - described by E. P. Thompson as a 'Showman of Free Thought' - and his 'moral wife' the suffragist Eliza Sharples, see their entries in the Oxford DNB. At the time of writing Carlile was in prison for refusal to pay the church rates. The proofs Carlile asks to be allowed to receive in the first letter are presumably those of his journal 'The Gauntlet'. The phrenologist 'Mr. Hohn' referred to in the second of the letters - the 'Mr. Holme' of the accompanying slip - is the German-born physician and phrenologist John Diederick Holm (d.1856).

On one side of 8 x 19 cm piece of paper, torn from the end of a document. In fair condition, lightly aged, with strip of paper from mount adhering to the reverse. Two folds. The signature 'Cavan' is between two horizontal lines. The rest of the document would appear to be in a secretarial hand, but the matter is not quite certain. It reads: '[...] | I have the Honor | to be | Sir | Your Royal Highness's | Most Obedt. Faithful | & Much Obliged | Humble Servt. | Cavan'. It is dated 'Cowes. | March 1st 1804' and addressed to 'His Royal Highness | The Duke of York'.

2pp, 8vo. On a gilt-edged leaf of umwatermarked wove paper. In good condition, lightly aged. A fair copy in Milnes's autograph. A curious poem, in which Milnes's Napoleon-worship wins through over considerations of the futility of war. Retitled 'The Funeral of Napoleon', the poem was first published in 1841 in the Spectator, and in slightly different form in Milnes's 1844 collection 'Poems, Legendary and Historical'. There are a number of differences between the present version and that published in the Spectator. The final stanza is entirely recast.

Lauriston Leonard Batten studied at Trinity College, Cambridge (see his entry in Alum. Cantab.). He was admitted at the Inner Temple in 1882 and called to the bar four years later. KC, 1905. Bencher, 1914. The present collection is from the papers of his colleague on the Oxford Circuit, Sir Richard Harington (1861-1931), 12th baronet, who was educated at Eton and Christ Church, Oxford. Called to the Bar in 1886, he practised on the Oxford Circuit before taking up an appointment as a Puisne Judge in the High Court of Justice at Fort William in Bengal in 1899.

1p, 12mo. In good condition, lightly aged, with stub from mount adhering to reverse of blank second leaf of bifolium. The subject is an item acquired by Milnes for his celebrated collection of manuscripts, which Milnes considered the present letter worthy of joining. The letter begins: 'My dear Milnes | Of the paper you have sent me, the first paragraph about Queen Caroline & the last about Sir Robert Walpole have already appeared, & you will find them in my Edition.

Printed in black ink on both sides of a 26 x 30 cm piece of thick shiny art paper. Worn and folded twice. One side carries a priced list of eleven 'Natural History Works by R. KEARTON, F.Z.S.

[4] + 78 + [1]pp, 8vo. In printed wraps. Internally in fair condition, on lightly discoloured paper, in worn and stained wraps. Verse translation of the French source of Shakespeare's Richard II, 'Histoire du Roy Angleterre Richard'.

2pp, 12mo. On grey paper with letterhead of his name. In fair condition, lightly aged and worn, with slight staining tape staining to two corners from mount. Addressed to 'Mrs Richard Eyre, | Bullsmead, | Maiden Newton, | Dorset.' The subject of the letter is the preparation for the 1948 British film 'Scott of the Antarctic', in which Mills starred in the title role. The recipient is the mother of the noted English director Sir Richard Eyre (b. 1943), whose father Charles Royds was Scott’s First Lieutenant.

The three letters total 7pp, 12mo. All three in good condition, on lightly aged paper. From the papers of Sir Richard Harington (1835-1911), 11th Baronet, whose father Rev. Dr Richard Harington (1800-1853), had been Principal from 1842 to his death. All three endorsed by Harington with date of receipt. The subject is the replacement of a stained glass window in the college, with Harington receiving the old window, which he put up at his Worcestershire country house, Whitbourne Court.

3pp, 12mo. Bifolium. In good condition, lightly aged, with white paper stub from mount still adhering. From the distinguished autograph collection of Richard Monckton Milnes (Lord Houghton). The letter begins: 'Mon cher Ministre, | J'ai lu avec un vif interêt l'écrit que vous avez eu la bonté de me communiquer'. He had told him, the other day, that it was 'une belle question à traiter', and he was certain that the recipient would deal with it 'supérieurement'.

The earldom of Glengall was created in 1816 for Lord Cahir who died three years later; the second and last earl held the title from 1819 to his death in 1858. Another of the signatories, Dr Richard Burgess, was active in Clonmell in the Regency period. On one side of 24 x 19 cm piece of watermarked laid paper. Clearly the left hand half (only) of a 24 x 38 cm petition addressed 'To the Kings Most Excellent Majesty'. In fair condition, aged and worn, with closed tears and chipping along one edge, and one signature cut away, leaving only the acronym 'D.