Art and Architecture

[Printed pamphlet.] Catalogue. Landscapes in Oil and Water-colour by Ethelbert White. A New Carving, "Lazarus" and other Recent Sculpture by Jacob Epstein.

Author: 
[Ernest Brown & Phillips Ltd, The Leicester Galleries, Leicester Square, London; Ethelbert White; Jacob Epstein]
Catalogue. Landscapes in Oil and Water-colour by Ethelbert White.
Publication details: 
March 1950; Claridge, Lewis & Jordan Ltd., 68-70 Wardour Street, W.1. [London]
£56.00
Catalogue. Landscapes in Oil and Water-colour by Ethelbert White.

16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.

Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson to his 'brother-artist' David Sassoon of Kirkcudbright. With signed print of a landscape by Stevenson.

Author: 
Robert Macaulay Stevenson (1854-1952), Scottish artist, associated with the 'Glasgow Boys' school [David Sassoon (1888-1978), Kirkcudbright artist]
Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson
Publication details: 
'Kirkcudbright | Yuletide 1934'.
£75.00
Autograph Card Signed from the Scottish artist Robert Macaulay Stevenson

Dimensions of card 14.5 x 11 cm. Bifolium. Good, on lightly-aged paper. Cloudy print of landscape on recto of second leaf, signed in pencil 'R Macaulay Stevenson'. Neat pen inscription on recto of first leaf: 'My dear brother-artist Sassoon and dear Madame Sassoon this is just from Stansmore and myself to wish you a Merrie Christmas and a Happy New Year | [signed] R Macaulay Stevenson | Kirkcudbright | Yuletide 1934'.

Lithograph of drawing of Thomas Hardy by Sir William Rothenstein, from his series 'English Portraits' (1898), printed by Thomas Way.

Author: 
Sir William Rothenstein (1872-1945) [Thomas Way (1837-1915), lithographic printer; Thomas Hardy]
Lithograph of drawing of Thomas Hardy by Sir William Rothenstein
Publication details: 
[Print published in 1898; drawing dated 1897.] ['T. WAY, IMPT. LONDON'.]
£135.00
Lithograph of drawing of Thomas Hardy by Sir William Rothenstein

Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.

Autograph Letter Signed ('W. J. Newton') from the miniature painter Sir William John Newton to James Lakyn, regarding damage to his house in Argyle Street caused by building works.

Author: 
Sir William John Newton (1785-1869), miniature painter to King William IV and Queen Victoria [Richard Westmacott (1799-1872); Burrell & Valpy, architects]
Sir William John Newton (1785-1869), miniature painter to King William IV and Qu
Publication details: 
19 October 1864; 6 Argyle Street, London.
£60.00
Sir William John Newton (1785-1869), miniature painter to King William IV and Qu

12mo, 3 pp. Text clear and complete. Fair, on aged paper. 'Mr Westmacott [the sculptor Richard Westmacott the younger?]' has called on him, and he has 'shown him the settlement all down my Wall - I told him that you had seen it but did not contemplate any immediate danger - he said that Mr Valpy [Henry Valpy (fl.1851-1885) of the architects Burrell & Valpy] was out of town'. Westmacott will write to Valpy, as he thinks there ought to be 'a conference with' Lakyn, who 'should be requested to make a report'.

[Pamphlet] Le Corbusier. Architecture Town Planning Painting Sculpture Tapestry[.] An international exhibition First shewing in this country[.] Exhibition Guide.

Le Corbusier.
Publication details: 
No place or date [1950s?]
£325.00
Le Corbusier.

Four folding leaves (6 pages of print, probably mimeographed or similar), 12mo, unpaginated but apparently complete, one staple, illustrated cover with title as above, damage to spine, closed tears, contents good, two minor changes (including imitate changed to mitigate). Two galleries are mentioned in the text (containing works), the Wavertree Gallery, Bowring Gallery, and the Prince George Gallery. Wavertee suggests Liverpool, but I aait ilumination as to place. However the only copy recorded on COPAC and WorldCat finds itself in Cardiff (minimally described).

Woven silk portrait of Adolphe Thiers by J.-B. Champrony of Saint-Étienne, on printed backing, as a souvenir of the Exposition Universelle, Paris, 1878.

Author: 
J.-B. Champromy, Fabricant à Saint-Étienne, Portraits et Cravates en Soie [Exposition Universelle, Paris, 1878; Adolphe Thiers]
Woven silk portrait of Adolphe Thiers by J.-B. Champrony of Saint-Étienne
Publication details: 
[Exposition Universelle, Paris, 1878.]
£125.00
Woven silk portrait of Adolphe Thiers by J.-B. Champrony of Saint-Étienne

[Stevengraph] Piece of silk, 7 x 11 cm, woven in red, white, blue, black and gold. Portrait of a bespectacled Thiers in an oval, draped with two French flags, with decorations including a quill and a book, and topped by castellated coronet and banner reading 'A. THIERS'. Woven beneath the portrait is 'LIBERATEUR DU TERRITOIRE | 1ER PRESIDENT DE LA REPUBLIQUE'. Laid down on original printed bookmark, reading 'EXPOSITION UNIVERSELLE | 1878 | GALERIE DU TRAVAIL | METIERS POUR RUBANS | PORTRAITS ET CRAVATES EN SOIE | J.-B. CHAMPRONY | FABRICANT A SAINT-ÉTIENNE'.

Original finished coloured comic drawing, showing a large penguin [Jan Tschichold?] dragging a bearded man [Montague Shaw?] who clutches a set of letters spelling 'Fabers', signifying the man's move from the publishers Faber & Faber to Penguin Books.

Author: 
[Montague Shaw, production manager, Faber & Faber Ltd; Jan Tschichold, typographer for Penguin Books]
Original finished coloured comic drawing
Publication details: 
[London.] 1966.
£200.00
Original finished coloured comic drawing

Dimensions 29 x 12 cm. Pasteboard mount, 31 x 14.5 cm. In blue, black and white. In good condition on lightly-aged paper. In front of a background of ricketty railings, a jolly bespectacled penguin [with Tschichold's sprightly eyes], with a Penguin book under his left arm, and preceded by a letter P and followed by an n, drags a bespectacled, bearded man (looking a little like a young Michael Bentine) towards the right of the drawing.

[Printed pamphlet.] Explication des Tableaux, Statues, Bustes, etc. composant les Galerie [sic] du Palais de la Chambre des Pairs de France.

Author: 
[Pierre Didot, l'ainé, printer; Musée national du Luxembourg, France ]
 Explication des Tableaux, Statues, Bustes, etc.
Publication details: 
A Paris, de l'Imprimerie de P. Didot l'Ainé, Imprimeur de la Chambre des Pairs de France, rue du Pont de Lodi, no 6. 1814.
£125.00
 Explication des Tableaux, Statues, Bustes, etc.

12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.

[Book; verse] Graphidae, or Characteristics of Painters [Inscribed by author]

Author: 
H.R. [Henry Reeve (see New DNB, 1813-1895), translator of de Tocqueville's Democracy in America, and editor of Greville's Diaries]
Publication details: 
Printed by Richard and John E. Taylor, Red Lion Court, Fleet Street [London], 1838.
£250.00

Privately Printed. [40]pp., 8vo, buckram gt, wear to spine and edges, faint foxing, hinge strain, front cover partly deatched, staining to edges inside covers. Inscribed by author, Mrs. Alfred Shaw [actress] with the Author's best regards. | September 1838.

Autograph Note Signed S Howitt to [William] Ford, Bookseller, Market Street Lane, Manchester [address panel on verso].about his etchings.

Author: 
Samuel Howitt, English painter, illustrator and etcher of animals, hunting, horse-racing and landscape scenes
Samuel Howitt, English painter,
Publication details: 
Tamworth, 31 Aug. 1809.
£125.00
Samuel Howitt, English painter,

One page, cr.8vo, two pinholes, text clear and complete: I did hope for a Line in amswer to mine by which I acquainted you I was Low - and it will oblige me if you will favor me with one to say if any of the Etchings are sold &c-- Jany 12. 1800 - 156 Etchings@ [1 gn?] selling price- | I thought myself favored by your taking them a Sale or Return - and I assure I am very sincerely ...

Nine Typed Letters Signed, one Typed Note Signed and one Autograph Card Signed (all eleven 'Nicolette') from the author and artist Nicolette Devas to the military historian Antony Brett-James.

Author: 
Nicolette Devas [née Macnamara; other married name Shephard] (1911-1987), author and artist [Antony Brett-James (1920-1984), military historian and Sandhurst lecturer]
Nicolette Devas
Publication details: 
[1960-74?] All from West London. Card postmarked 11 October 1960, on cancelled letterhead of Anthony Devas, 12 Carlisle Square. Three items (none with year) on letterhead 18 Wetherby Gardens; seven (two from 1974) on letterhead 68 Limerston Street.
£550.00
Nicolette Devas

Apart from the card (12mo, 1 p), totalling 4to, 10 pp; 12mo, 2 pp. All items in good condition, with text clear and complete, on lightly-aged paper. All post-1960. Two of the eleven (20 January and 13 June 1974) are fully dated by Devas; another four have day and month. The card from 1960 is the earliest item; the three from Wetherby Gardens date from between this point and Devas's second marriage to Rupert Shephard in 1965, and the seven from Limerston Street from after the marriage. A good-natured correspondence, written in a chatty style.

Autograph Letter Signed by Victorian artist Alfred Purchase, to 'H W R A [the Royal Academician Henry Weekes?]', containing a description of Tredegar in Wales and its young girls, and a pencil 'sketch of our valley looking towards Newport'.

Author: 
Alfred Purchase [Henry Weekes (1807-1877), Royal Academy; Tredegar and Newport, Gwent, Wales]
Autograph Letter Signed by Victorian artist Alfred Purchase
Publication details: 
'Tredegar Sunday' [1850s?].
£95.00
Autograph Letter Signed by Victorian artist Alfred Purchase

12mo, 4 pp. Bifolium. 57 lines. Text clear and complete. Fair, on aged and lightly-creased paper. Weekes is by far the most likely of the four Royal Academicians whose initials correspond to those of the recipient of this letter, the others being Henry Tamworth Wells (1828-1903); Henry Woods (1846-1921); Hubert Worthington (1886-1963). Well-written and entertaining letter, addressed to 'Dearest old Boy'. Begins with a discussions of the merits of 'Scilly as a sketching ground'.

Five coloured posters by Australian artist Ellis Silas, each in the style of a frieze or panorama, depicting eleven 'British' explorers, from the Cabot brothers to Captain Oates, before scenic backgrounds.

Author: 
Ellis Silas (1883-1972), Anglo-Australian artist, official war artist with ANZAC forces in the First World War [British poster art]
Ellis Silas (1883-1972), Anglo-Australian artist
Publication details: 
[1930s? Place and publisher not stated.]
£250.00
Ellis Silas (1883-1972), Anglo-Australian artist

The five posters, presumably produced for the classroom, are scarce, with no reference to them on the internet or elsewhere. They are attractively painted in a bold and vivid panoramic frieze style. Each carries a single illustration showing two (counting the Cabot brothers as one) explorers in front of groups of men, with a merged background behind them.

Two Autograph Letters Signed Bernard Rackham, ceramics expert, to Roderick D. Mackenzie.

Author: 
Bernard Rackham, sometime Keeper of the Dept of Ceramics at the Victoria and Albert Museum i
Two Autograph Letters Signed  Bernard Rackham
Publication details: 
[Headed notepaper] Victoria and Albert Museum, South Kensington, London, SW7, 22 & 29 December 1920
£56.00
Two Autograph Letters Signed  Bernard Rackham

Total 5pp., 12mo, minimal marking, good condition. [Letter One, 22nd] He discusses his correspondent's offer of a gift through the [National Art Collection] Fund three Chinese ridge-tiles of the Ming Dynasty. He says that they would like to examine the tiles before formal acceptance and would send a packer from Marlow. He suggests a time. [Letter Two, 29] He apologises for not having understood the nature of the tiles (blaming the Secretary of the Fund), and anticipates their being brought in as suggested. Two items.

[Specimen copy for the Plates only] The Marchioness of Brinvilliers

Author: 
Albert Smith, illustrator John Leech
[Specimen copy for the Plates only] The Marchioness of Brinvilliers
Publication details: 
London: Richard Bentley & Son, 1886
£280.00
[Specimen copy for the Plates only] The Marchioness of Brinvilliers

pp.1-10 text, 15 detached plates with tissue-guards (as called for), text (concluding mid-sentence, bound in to grey-blue printed wraps, reinforced spine, 2 closed tear, chipped and sunned. Full quotation of title om front wrap: Specimen copy for the Plates only | The Marchioness of Brinvilliers | By | Albert Smith | Illustrated by John Leech | [Bentley insignia] | With fifteen spirited full-page Etchings on Steel, only once before printed from,* onthe first publication of the story, in its serial | form, about 1842. | *Besides twenty-seven impressions for the Leech Catalogue.

Original seventeenth-century Dutch etching of man vomiting while onlookers hold their noses, attributed to Jan Both after his brother Andries Both, with caption beginning 'Seecker dat is geen Roy, wat mach dat varcken drinckien'.

Author: 
Jan Both [Jan Dirksz Both] (c. 1614-1652), Dutch engraver and painter, brother of Andries Both (c. 1612-1642)
Publication details: 
[Dutch, seventeenth century.]
£125.00

On a piece of watermarked laid paper, roughly 26.5 x 20 cm. Dimensions of image 18 x 13.5 cm. The image and text are clear and complete. Fair, on foxed and aged paper, with fraying to margin at edges. Complete text reads 'Seecker dat is geen Roy, wat mach dat varcken drincken | Die Reuck is niet heel moy, gans velten is dat stincken.' Depicts a group of five peasants in the countryside, one sitting on a tree stump vomiting, while another puts her hand on his head, and two hold their noses. The attribution is in the entry on the copy in the Wellcome Library (no.

Photographic reproduction of ink drawing by the English artist C. W. Furse, for an 1892 menu, titled 'GHOULS', and carrying an original signed inscription by Furse 'To my friend H[ercules]. [Brabazon] Brabazon. [signed] Charles W Furse.'

Author: 
C. W. Furse [Charles Wellington Furse (1868-1904); Hercules Brabazon Brabazon (1821-1906), English painter]
Ghouls [C.W. Furse].
Publication details: 
Dated as part of the design 25 January 1892 and 'C. W. FURSE ./ 92'.
£325.00
Ghouls [C.W. Furse].

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

[Broadside; architectural proposals] Buckingham House [Extracted from the John Bull, of July 31, 1831].

Author: 
[F.W. Trench, M.P. for Cambridge]
Broadside; architectural proposals] Buckingham House
Publication details: 
[London, 1831].
£180.00
Broadside; architectural proposals] Buckingham House

Two pages, folio, 3 small closed tears, small part of a corner torn off, some marginal staining, mainly good condition. The article states that Trench some years since proposed forming a continuous quay along the nothern shore of the Thames, has published other proposals: A Proposition for the Disposal of Buckingham House, for a National Picture Gallery, A National Statue Gallery, and for the King's College; leaving one entire end of the Palace and one Wing, with the whole of the other Attics, for other public purposes.

Six Typed Letters and Notes Signed 'Cecil Harcourt Smith' (Director, V & A) to Sir Henry Truman, Royal Society of Arts. With additional copy letter from Somers Clarke.

Author: 
Cecil Harcourt Smith, sometime Director and Secretary of the Victoria and Albert Museum.
Six Typed Letters and Notes Signed 'Cecil Harcourt Smith'
Publication details: 
Victoria and Albert Museum, 1917-1919.
£120.00
Six Typed Letters and Notes Signed 'Cecil Harcourt Smith'

Total (Smith letters) 7pp., 8vo, RSA stamp on all, good condition. Subjects: (1917) letter from a Mr. W. Foxton; a word with a Mr. Kendrick about judging; reception of parcels for the Owen Jones Competition; (1918) measures taken because of possible increase of risk from attack by hostile aircraft; need for the RSA to take back some works deposited by them to make room in the basement for withdrawals from exhibition (pencil note attached about the deposit); arrangements for Mr.

Anonymous album containing 29 quarto pages of superior ink drawings of teddy bears and other stuffed toys in cartoonish and anthropomorphic style.

Author: 
[An album of strikingly original illustrations of teddy bears]
An album of strikingly original illustrations of teddy bears
Publication details: 
The album dates from the 1930s; the drawings are undated, and would appear to be slightly later.
£250.00
An album of strikingly original illustrations of teddy bears

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

Four ink drawings, portraits in the style of Daniel Maclise's illustrations to William Maginn's 'Gallery of Illustrious Literary Characters' in Fraser's Magazine, and possibly depicting John Nichols, Theodore Hook, Percival Bankes and William Jerdan.

Author: 
[Daniel Maclise; William Maginn; John Nichols; Theodore Hook; William Jerdan; Percival Bankes; Count D'Orsay; David Moir; James Fraser]
Four ink drawings, portraits in the style of Daniel Maclise
Publication details: 
London; 1820s and 1830s?
£450.00
Four ink drawings, portraits in the style of Daniel Maclise

Fraser's Magazine launched in London in February 1830, and to begin with its most popular feature was Maginn's 'Gallery of Illustrious Literary Characters', with illlustrations by Maclise (collected in book form in 1873). The four portraits, all busts, are somewhat reminiscent of those in that work, but must be earlier if the identification of John Nichol, who died in 1828, is correct. The four are on separate pieces of paper, laid down 2 X 2 (with the four sitters looking inwards towards the centre of the page) on a leaf torn from an album.

In excess of 500 original engravings, from the professional collection of the draughtsman Arthur F. E. Poley, and mainly done from his detailed illustrations, for advertising and other purposes, including armorial, natural history and other topics.

Author: 
Arthur F. E. Poley [Arthur Frederick Edward Poley, c. 1886-1968, English illustrator and engraver], RIBA
Arthur F. E. Poley , Designs
Publication details: 
Undated, but all English, and from the early part of the twentieth century, and mainly the 1920s.
£950.00
Arthur F. E. Poley , Designs

Poley was awarded the Royal Institute of British Architects Silver Medal for the 'Measured Drawings' which formed the basis of his book on St Paul's Cathedral in London, and his work is notable for its attention to detail. This collection (with very few exceptions his own work) gives a splendid indication of the nature and range of English commercial engraved illustration at the beginning of the twentieth-century. Around 150 loose 'pulls', varying in size from 18.5 x 14.5 cm to 4 x 6 cm. Including trade marks (The Cork Hat Company; Cook's World Travel Service; The Swifan; A. C.

[Pamphlet printed at Canterbury College of Art.] The Garden of Pleasure. Translated from "La Maison Rustique" by Charles Estienne, 1572. With linocuts by Jessie Kennett.

Author: 
Charles Estienne [Jessie Kennett, illustrator; Canterbury College of Art]
Charles Estienne [Jessie Kennett, illustrator; Canterbury College of Art]
Publication details: 
Canterbury College of Art, 1949.
£75.00
Charles Estienne [Jessie Kennett, illustrator; Canterbury College of Art]

Small 4to, 4 pp. Stitched. In original brown and black decorative wraps. Good, on lightly-aged paper. A pretty piece of printing, with the title-page printed in light blue and black, and the vignette on illustration on the reverse of the title leaf in the same light blue. The text covers two pages. Scarce: no copy on COPAC.

Autograph Letter Signed Jack Pritchard, furniture designer, to Molly [Rosemary (Molly) Cooke], his future wife, a sprightly letter with eccentric presentation about a book she apparently published anonymously .

Author: 
Jack Pritchard, British furniture designer (1899–1992).
Autograph Letter Signed Jack Pritchard, furniture designer
Publication details: 
Pembroke College, Oxford, [1921]
£125.00
Autograph Letter Signed Jack Pritchard, furniture designer

FURNITURE DESIGNER AUTOGRAPH CAMBRIDGE UNDERGRADUATE WOMEN POETRY POEMS

Signature (and subscription) only from letter, signed Lancelot Speed, book illustrator.

Author: 
Lancelot Speed (1860 – 1931), Victorian illustrator of books, usually of a fantastical or romantic nature
Lancelot Speed
Publication details: 
No place or date surviving.
£23.00
Lancelot Speed

Part of letter, 11 x 5cm, good condition, saying, yours try | Lancelot Speed.

Signature only, cut from letter, "Yrs truly | Henry Barraud", artist.

Author: 
Henry Barraud (1811-1874), English portrait, subject and animal painter
Henry Barraud (1811-1874), English portrait, subject and animal painter
Publication details: 
No place or date survivung.
£23.00
Henry Barraud (1811-1874), English portrait, subject and animal painter

Paper, 11 x 3cm, formerly laid down in an album, some remnants of process on reverse, otherwise good condition.

Five Autograph Letters Signed Gaspard Farrer, Art Patron, to Jean Inglis, artist and copyist.

Author: 
Gaspard Farrer, Merchant Banker (Barings) and Art Patron.
Gaspard Farrer, Merchant Banker (Barings) and Art Patron.
Publication details: 
7 St James's Square, SW1 (3) and The Salutation, Sandwich (2), 17 & 29 July and 15 Nov.1933.
£175.00
Gaspard Farrer, Merchant Banker (Barings) and Art Patron.

Total 10pp, 12mo, good condition. Subjects: (1) as executor of a lady who by her will directs that a copy should be made of the portrait of her husband by the late Sir George Reid to the Aberdeen Infirmary . . .; National Gallery suggested her; he wants to fix up appointment to discuss; (2) agrees to her terms; discusses the house being locked up by Sothebys who are conducting the sale; (3) commission discussed; (4) discusses the circumstances which lead to his asking he to copy the picture in his house; (5) Aberdeen Infirmary happy with her work.

Autograph Letter Signed from the English painter Adrian Allinson to fellow-artist Jean Inglis.

Author: 
Adrian Allinson (1890-1959), English artist [Jean Inglis]
Autograph Letter Signed from the English painter Adrian Allinson
Publication details: 
29 March 1956. Postmark of St John's Wood, London.
£56.00
Autograph Letter Signed from the English painter Adrian Allinson

4to, 2 pp. 46 lines. Clear and complete. Good, on aged paper. He thanks her for putting the commission of 'Mr Proger' his way, discussing the circumstances. 'Just 3 days before I received his letter, while Molly & I were making some sort of order in the Augean Stable which is my lower studio, workshop & general storage place I came across this little panel (a view of Burleigh) which I had thrown asside [sic] as a dud.

Autograph Letter Signed from the Shakespearian actor Balliol Holloway to the artist Jean Inglis.

Author: 
Balliol Holloway (1883-1967), English stage and screen actor, specialising in Shakespeare
Autograph Letter Signed from the Shakespearian actor Balliol Holloway
Publication details: 
24 June 1924; King's Theatre, Hammersmith.
£23.00
Autograph Letter Signed from the Shakespearian actor Balliol Holloway

4to, 1 p. Fourteen lines, in pencil. Text clear and complete. Good, on aged paper. In envelope addressed by Holloway to Inglis. He apologises for his 'rudeness' in not answering earlier: 'I plead rush of work'. He would be delighted to sit for her, but 'the trouble is that I may have to leave town on Monday to produce a play in the country and then on to S[tratford]-on-A[von] for the 7 weeks Festival'. Suggests a later meeting.

Autograph Letter Signed from English painter Henry Lamb, R.A., to fellow-artist Jean Inglis.

Author: 
Henry Lamb (1883-1960), R.A. English artist of the Camden Town Group [Jean Inglis]
Autograph Letter Signed from English painter Henry Lamb
Publication details: 
4 July 1944; St John's Cottage, Cambridge.
£125.00
Autograph Letter Signed from English painter Henry Lamb

Landscape 12mo. 12 lines. Text clear and complete. Good, on aged paper, in envelope addressed by Lamb to Inglis. On 'seeing the picture after that long interval' he was 'not ashamed of it', but 'when it was new my friends used to rag me about my "Morgue" pictures', there being 'a few others of similar gruesome import'. Now that he is 'far past youth' he is 'painting mostly scenes of sweetness & serenity'. He is sorry that she is 'denied the priviledge [sic] I have enjoyed all these sinister times', that of being able to paint.

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