J.

Two pages, 12mo. Good, on spotted paper. Folded twice.He is obliged to his correspondent for 'sending me a copy of the Disraeli letter in your possession'. He will not trouble his correspondent for a loan of the original 'as the contents are rather of private than of public interest'.

One page, quarto. On aged and lightly creased paper. He is sending the signature with 'one or two others'. 'Possibly the work I have done for South Africa (I have been upholding the Imperial cause for a quarter of a century) is your reason for paying me the compliment.' Thinks he recognises from Freeman-Matthews' crest that he is 'a descendant of the Llandaff Mathews family'.

One page, 12mo. On blue paper discoloured from glue by previous mounting. Seven-line printed biographical cutting in top right-hand corner. 'I am very happy to comply with your request [for an autograph].'

12mo: 2 pp. On first leaf of bifolium. Good, on lightly aged and creased paper, with dogeared corners. Nine lines of text. The 'man for your purpose' is 'Mr G. Gray, the Diocesan Registry Peterboro''. 'He is intelligent & will do the work well I doubt not on receiving your instructions.' Loosely inserted is a leaf carrying biographical information in a contemporary hand.

8vo: ii + 14 pp. Unbound. Stapled and in original brown printed wraps. Very good on art paper. Six photographic illustrations, including 'Clothing of a man struck by lightning' and 'Farm-house at Whaddon, near Stamford, struck and practically wrecked by lightning.' Hands is described as 'Member of the Institution of Electrical Engineers, Fellow of the Royal Meteorological Society, Member of the Astronomical Society of France, Senior Partner of J. W.

Dimensions of photograph 9 x 5.5 cm. Good sepia image, on backing card with Mayall's details printed in red at foot. Reverse of card mostly covered with remains of previous cream paper mount. This image does not feature among the three portraits of Martin listed in the National Portrait Gallery's online catalogue of its collection.

Octavo: 32 pp. Stapled and unbound. Rather worn, particularly at first and last leaves. A few pencil marks and notes, and slight ink staining at head of first leaf. Twenty illustrations. 168 items; three-part index on final page. Influential catalogue, the collection sold in its entirety to Duke University. One of Birrell & Garnett's managers was Graham Pollard, co-author of the book which unmasked T. J. Wise as a forger.

English philosopher (1820-71). 24 pages, 12mo. Very good, neatly bound in brown cloth binding. Bound in are the original grey printed wraps, affected with foxing, and with very slight damage from glue to front wrap. The rear wrap carries an advertisement of 'BOOKS LATELY PUBLISHED | BY J. VINCENT OXFORD.', including 'NINEVEH: the Best Newdigate for Years; therefore not recited in the Theatre, Oxford, July 3, 1851. 12mo. 1s.' A brilliant satire on academic reformers and German philosphers. Copac only lists copies of the third, fourth and fifth editions.

4to. Pages: [4] + 30. Uncut and in large part unopened, in original plain grey wraps. Stabbed as issued, but with thread worn away and signatures loose within wraps. Grubby and with some offsetting, but overall a very good survival of a scarce and fragile item. A handsome production which does great credit to its place of origin. Half-title, with vignette of castellated building. Title-page with circular medal of the Society of Antiquaries of Newcastle upon Tyne (before whom the work was read). Engraving on page one by Isaac Nicholson ('I. NICHOLSON, DEL.

Two pages, 12mo. Good. Horsley has 'promised to do the illustration as soon as he possibly can'. Mitford has 'told him the sort of thing which was needed, and he seemed to take it in quite clearly, and I also impressed upon him that the time is short for the completion of the book.' Hopes he will see her at 65 Prince's Square.

Dimensions of paper roughly eight and a half inches by six and a half wide. Illustration roughly five and a half inches by five wide. Good on slightly aged and creased paper. A grey-haired Gregory, fashionably dressed in striped waistcoat and cravat, and wearing a white apron, stares at the viewer while holding a book in his left hand and writing its details in a ledger with a quill in his right hand. BBTI gives Robert Loder's trading dates as 1822-39, and Gregory's as 1793-1851.

Octavo, 216 pages. One of 'only fifty copies printed, on thick paper'. Title-page in red and black. Aged and a little stained, in recent half-leather rebinding. 9670 items listed, 'for the most part second-hand'.

Proof with manuscript changes in pencil and printed additions pasted onto p.viii. 14 pages, folio. Five plates and five illustrations in text. In original green printed wraps. In good condition: paper discoloured and with some creasing at head; wraps grubby, creased and worn, with small closed tear along top end of spine. An attractive production, 'reprinted from J. & J. Leighton's illustrated catalogue of early-printed books, manuscripts, &c. part xiv.' Describes the edition of the Golden Legend published by Caxton in 1483, and a block-book published in Germany around 1470.

Three pages, octavo. Very good on lightly aged paper. Kenyon's paper was 'much enjoyed' when read on Saturday, and there was 'a good attendance'. '[T]he pleasantries were not missed': '1. the confusion of the inexhaustible emender; 2. the thrift of the canny Odysseus in his role of wooer; 3. Burne Jones's Law.' 'At the end some interesting questiosn were asked', for example, 'why second-rate Greek annalists shd. seemingly have been preferred to Herodotus & Thucydides'.

The studio photograph, with printed label of 'Walter Baker, 159, Mosely Road, Birmingham. Highgate Studios.' on reverse, and the manuscript number '24704 | 98'. is a good clear head and shoulders portrait (dimensions roughly three and a half inches by two and a quarter wide), in very good condition. Although untitled, it seems to be Carl, as represented on the title-page of his book, without the moustache and a little younger. The book is twenty-eight pages, octavo, in original coloured printed boards. Numerous line drawings.

One page. On piece of paper roughly seven inches by three and a half wide. Bottom part of letter cut away. Reads 'Dr Sir | In compiance with your wish | I subscribe myself | truly yours | [signed] J. M. Weston | To/ | Jas. Reese Esq'. Docketed by Rees 'The above autograph is that of my friend J M Weston, Stage Manager of the St Charles Theatre - he is the Author of Several popular pieces, among which is the beautiful drama of Lucretia Borgia'. Dated in another hand on reverse. Not much appears to be known about Weston, whose translation of Victor Hugo's play was first published in 1850.

Letter, docketed 'Mrs Honey', addressed to ' Esqre | York - Leeds - or Hull | Theatre Royal'. Three pages, quarto. Good, though aged and creased, and with small section cut away on breaking seal. Text clear and complete. Small strip of mount adhering to one edge. Interesting and intriguing letter addressed to 'Dearest Papa' and beginning 'Barnett has never been near me nor do I know where to find him - write by return and tell me where I commence and what you would like me to '. Ends by saying she is 'very busy indeed just now'. Signed 'Laura'.

All items octavo. All in good condition, on aged paper, bound together in heavily-worn contemporary half-calf. Ownership inscription of the art dealer Faris C. Pitt on front free endpaper. The various issues of the 'Catalogue of Books' vary in length from eight pages to twenty-eight.

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.

12 pages, octavo. Unbound. Folded once, down the centre, vertically. Good, though grubby, and with marks from paperclip. Each of the three contributes a section. PRESENTATION COPY, with slip from Samuel, on his notepaper '32, PORCHESTER TERRACE, W.2.' on which is typed 'WITH LORD SAMUEL'S COMPLIMENTS'.

Octavo. 84 pages. A disbound pamphlet from the Churchill Babington collection. Very good with light foxing to prelims. 'Amongst all the institutions which contribute to strengthen the bonds of society, by establishing and confirming that mutual trust and confidence among men which is necessary to its very existence, there is none which exercises a more considerable and beneficial influence than that of oaths, when applied to those purposes for which it was intended.' Scarce: only three copies on COPAC.

Octavo. 16 pages. Disbound pamphlet from the Churchill Babington collection. Very good, though paper somewhat discoloured and lightly foxed.

First edition. 12mo. Pages: 2 ('BIBLIOGRAPHY OF LAPSUS CALAMI.') + x + 84 + 4 pages of publishers' advertisements. Very good in original worn light-blue cloth with heavily-worn label on spine. Ownership inscription of Richard E. Benson (1892) on front free endpaper. Stephen was first put forward as Jack the Ripper in Michael Harrison's biography of Prince Albert Victor, 'Clarence' (1972).

British art historian (1866-1939) whose papers are now in the Courtauld Institute, London; Turner specialist and founder of the Walpole Society. Both items one page, quarto, very good. Both docketed and bearing the Society's stamp, and signed 'A. J. Finberg'. First letter enquires whether 'a full list of the recipients of [the Society's awards] has been published, or whether the materials for the compilation of such a list are in existence & are accessible to research'.

Antiquary (1803-85), first editor of Notes and Queries. Sepia. Dimensions roughly 2 1/4 inches by 3 1/2 inches. Faded image of a bespectacled Thoms knees upward, seated in profile at a table examining a small book on top of another book and leaning against a pile of six others. The oval is in a frame beneath which, in copper-plate letters (in the photograph and not manuscript), 'William J Thoms'. Stuck to a piece of card on the reverse of which is a grubby, foxed, nineteenth-century plate of William Cowper the poet.