PRINTS

[Rowley Lascelles, antiquary.] Autograph Letter Signed to John Thomas Smith (Keeper of Prints and Drawings, British Museum), asking that his son be allowed to copy out a pedigree in the Harleian Collection for Marquess Wellesley.

Author: 
Rowley Lascelles (1771-1841), antiquary and archivist whose employment by the Record Commissioners for Ireland ended in controversy [John Thomas Smith (1766-1833), Keeper of Prints, British Museum]
Publication details: 
Without date or place. [Between 1816 and 1833.]
£65.00

1p., 12mo. On bifolium, with the verso of the second leaf addressed to 'J. T. Smith esqr.' In fair condition, on aged and worn paper.

[The eighteenth-century London print trade.] Autograph Receipt Signed ('Robt. Dunkarton') from engraver Robert Dunkarton to the printseller John Boydell.

Author: 
Robert Dunkarton, (c.1744–1811 or 1817), English engraver and portrait painter [John Boydell (1720-1804), printseller and Lord Mayor of London]
Publication details: 
[London.] 23 August 1783.
£90.00

On 4 x 14.5 cm slip of paper. In fair condition, placed in a windowpane frame, on leaf removed from album. In good condition, on lightly-aged paper, in creased mount. Reads: 'Augst. 23: 1783 Recd. of Mr Boydell Twelve Pound's [sic] on Account | Robt. Dunkarton | £12: 0: 0'. On the reverse is a receipt signed by a 'Jno Harley'. For more information about Dunkarton and Boydell, see their entries in the Oxford DNB.

[Georgian London.] Two lithographic engravings: companion pieces both headed 'Casualties of London Street Walking', and titled 'A Faint Impression' and 'A Strong Impression', showing the fine clothes of fashionable figures sullied by street hawkers.

Author: 
S. & J. Fuller, printsellers, 34 Rathbone Place, London [English social history; Georgian fashion; Regency London]
Publication details: 
Both engravings published on 2 October 1826 by S. & J. Fuller, 34 Rathbone Place, London.
£240.00

The two engravings in good condition, with light signs of age, and with 'A Faint Impression' with some offsetting in light pink (not entirely displeasing). Both headed above the image 'Casualties of London Street Walking', with the title and publication details below the image. ONE: 'A Faint Impression.' Dimensions: image, 23.5 x 18.5 cm; plate, 27 x 20 cm; paper, 29 x 22 cm.

Two Aquatint engravings by William Henry Pyne, both engraved by 'Smart & Hunt', titled 'Cheap Meat', showing an angry man bursting into an eighteenth-century bookshop, and 'A Thief in the Kirk', showing a man in tartan running through a congregation.

Author: 
William Henry Pyne (1769-1843), author and artist; S. & J. Fuller, 34 Rathbone Place, London printsellers
Publication details: 
Both 'London, Published July 1, 1822, by S. & J. Fuller, 34, Rathbone Place.'
£220.00

Both in the same style. ONE: 'Cheap Meat.' Dimensions: paper 25 x 29.5 cm; plate 22.5 x 27.5 cm; image 18.5 x 23.5 cm. In good condition, lightly aged and worn, with slight discoloration to corners from previous mounting. Beneath plate: 'W. H. Pyne delt.

'The Chinese Bridge & Pagoda, | Erected in the Park, in commemoration of the Glorious Peace of 1814.' [Handcoloured engraving by John Heaviside Clark from Matthew Dubourg.]

Author: 
Matthew Dubourg (fl.1786-1838), artist; John Heaviside Clark (c.1771-1836), Scottish engraver; Edward Orme (1775-1848), London printseller [Chinese bridge and pagoda, St James's Park, London, 1814]
Publication details: 
'Published and Sold Augt. 12th. 1814, by EDWD. ORME, Publisher to his Majesty and H.R.H. the Prince Regent, Bond Street (corner of Brook Str.) London.'
£45.00

In good condition, on lightly-aged paper, with discoloration to the reverse showing through slightly at corners. Dimensions: paper 23 x 32 cm; plate 20 x 30 cm; image 15 x 23 cm.

Handcoloured Victorian engraving showing images in a row of six bottles: a girl carrying a drink on a tray; a young woman drinking, a hanged man, an old woman tied to a stake, a man feeding a baby and a girl thrashing a boy.

Author: 
[Victorian engraving]
Publication details: 
Without date or place. [London, 1850s?]
£100.00

On piece of 12 x 22.5 cm paper. In good condition, on lightly-aged paper. Mounted on backing paper. An amusing and attractive engraving, in an English caricature style, the significance of which is now unclear.

[Victorian children's book with hand-coloured illustrations.] Caught at Last; or, What became of the Sly Fox. A Story for all Good Children.

Author: 
[Ward & Lock, London publishers; Victorian children's book]
Publication details: 
London: Ward and Lock, 158, Fleet Street. [1863.]
£280.00

16pp., 8vo. Vignette and eight full-page illustrations, all hand-coloured, depicting Sly Boots the fox, Farmer Brown, Joe the shepherd boy, and Trusty the dog. Disbound and stapled. On aged and worn paper. Scarce: the only two copies on COPAC and OCLC WorldCat at the British Library and University of California, with dating to the first entry.

[William Robert Deighton, Victorian fine art dealer.] Autograph Letter Signed ('W. R. Deighton'), giving details of 'publications after Albert Moore &c'.

Author: 
William Robert Deighton (1840-1932), London fine art dealer [W. R. Deighton and Sons Ltd, Fine Art Publishers and Dealers, Frame Makers &c., London; Albert Joseph Moore (1841-1893), English artist]
Publication details: 
On letterhead of 4 & 30, Grand Hotel Buildings, Trafalgar Square, London, W.C. 19 October 1895.
£120.00

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He has been 'asked by a gentleman who called here to advise you of publications after Albert Moore &c', and lists five engravings, with prices, the last being, for five guineas, 'a very fine work after <?> etching "A Christmas Carol" | Artist proof on vellum'. He also draws the recipient's attention to 'Phoebe Sir Fredk Leighton cut of which I enclosed'.

[Sir Thomas Dalrymple Hesketh.] Signed Autograph Address ('Thos. D. Hesketh' )'To the Gentlemen, Clergy and Freeholders of the County Palatine of Lancaster'. With two engravings by W. Le Petit of the Old Hall, Rufford, from drawings by G. Pickering.

Author: 
Sir Thomas Dalrymple Hesketh, 3rd Baronet (1777-1842) of Rufford, Lancashire [Rufford Old Hall; William Alexander Le Petit, engraver; George Pickering, artist]
Publication details: 
Letter from Rufford Hall [Lancashire]. 17 November 1829.
£180.00

The three items are attached to leaves removed from an album. All three are in good condition, on lightly aged paper. The address is 2pp., 4to. 30 lines of text. It begins: 'Gentlemen, | I should be wanting in every proper feeling of duty and respect to you and to the County of Lancaster at large, after what passed at the last General Election I were not to avail myself of the opportunity afforded me by Mr. Blackburne's address, of relieving the County from all suspence as to the part I amy be expected to take, whenever He (Mr.

Engravings of Hawaii, Tahiti, Tonga, New Guinea, Fiji, Pitcairn Islands, etc., from De Sainson, and map of Tonga, in Vol.2 [Tomo II] of the Spanish edition of Dumont D'Urville's 'Voyage Pittoresque' ('Viaje Pintoresco al Rededor del Mundo').

Author: 
M. Dumont D'Urville, Capitan de Navio [Louis Auguste de Sainson (1801-1887), official artist on board Dumont D'Urville's L'Astrolabe, during its three months' tour of New Zealand in 1827]
Publication details: 
Barcelona. Imprenta y Libreria de Juan Oliveres, Calle de Escudellers, Núm. 53. 1841.
£300.00

The 90 plates (uncoloured steel engravings) are in 4to format, in good condition, with some having creasing to corners (not affecting the illustrations themselves), on lightly-aged paper, in the second volume of the work ([6] + 382pp., 4to), which is in a worn contemporary brown leather half-binding with marbled paper covers. These show views, fauna, inhabitants, atrefacts, and incidents on D'Urville's voyage. Also present is a fold-out map (Gravé par Ambroise Tardieu') titled 'Carte des Iles Tonga pour servir au Voyage pittoresque autour du Monde par M. D'Urville.

Engravings of New Zealand, Australia, Tasmania, etc., from De Sainson, and two maps, in Vol.3 [Tomo III] of the Spanish edition of Dumont D'Urville's 'Voyage Pittoresque' ('Viaje Pintoresco al Rededor del Mundo').

Author: 
M. Dumont D'Urville, Capitan de Navio [Louis Auguste de Sainson (1801-1887), official artist on board Dumont D'Urville's L'Astrolabe, during its three months' tour of New Zealand in 1827]
Publication details: 
Barcelona. Imprenta y Libreria de Juan Oliveres, Calle de Escudellers, Núm. 53. 1841.
£350.00

The 77 plates (uncoloured steel engravings) are in 4to format, in good condition, on lightly-aged paper, in the third volume of the work ([4] + 318 + [1]pp., 4to), which is in a worn contemporary brown leather half-binding with marbled paper covers. Most of the plates carry two half-page illustrations. 28 of the plates (between pp.66 and 167; and carrying 52 illustrations, 48 of them half-page and 4 full-page) concern New Zealand, Australia and Tasmania, with the majority relating to New Zealand. These show views, fauna, inhabitants, atrefacts, and incidents on D'Urville's voyage.

[John Farleigh, wood engraver.] Wood-engraving of naked black girl with African man with garland of flowers around his groin, in same style as those for Bernard Shaw's 'Adventures of the Black Girl in her Search for God'. Apparently unpublished.

Author: 
John Farleigh, prob. [Frederick William Charles Farleigh] (1900-1965), English wood engraver [George Bernard Shaw]
Publication details: 
Place and date not stated. [London, circa 1932.]
£450.00

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

[William Monk, engraver.] Proof on large paper of his own self-designed bookplate ('W. MONK | HOGARTH STVDIOS'), depicting a peacock looking out onto a country sunrise from a wooden balcony. With five-line quotation from Chaucer.

Author: 
William Monk (1863-1937), engraver, based at Hogarth Studios, Charlotte Street, London, best-known for his 'Calendarium Londinense'
Publication details: 
'W. MONK | HOGARTH STVDIOS' [Hogarth Studios, Charlotte Street, London.] Undated [1890s?].
£120.00

Dimensions of etching 13 x 9 cm. Dimensions of plate 14.5 x 10.5 cm. Dimensions of page 32 x 25.5 cm. The image itself in excellent condition, the borders aged, with wear and closed tears to extremities.

[Charles Dickens.] Proof before the letters on India paper of steel engraving by Robert Graves of portrait of Dickens by Daniel Maclise. From the collection of Lumb Stocks, RA.

Author: 
[Robert Graves (1798-1873), ARA, engraver; Daniel Maclise (1806-1870), RA, artist; Charles Dickens; Lumb Stocks (1812-1892), RA, steel engraver]
Publication details: 
[London. 1839.]
£200.00

Dimensions of engraving 12 x 10cm. Paper size 24 x 16cm. Mount size 50 x 34cm. In fair condition, lightly aged and worn, with no foxing. Card mount with light spotting and wear to extremities. No engraved text whatsoever. Stocks has written in light pencil at the foot of the paper: 'Chas. Dickens | Painted by D. Maclise R.A Engd. by Robt. Graves ARA'. Surprisingly scarce.

Nine hand-coloured lithographic prints from the panoramic series 'The Grand Procession of Queen Victoria & Prince Albert, accompanied by the Civic Authorities, to the Opening of the Royal Exchange, on Monday, October 28th, 1844.'

Author: 
[Procession to the Opening of the Royal Exchange, London, by Queen Victoria, 28 October 1844; hand-coloured lithographic panoramic print; panorama]
Publication details: 
[London: Relfe & Fletcher, 1844.]
£150.00

Hand-coloured lithographic prints. Nine panels, each roughly 10 x 18cm, attached to make one accordion-folded strip. In fair condition, aged and worn, with three blank panels inserted in the strip to fill up gaps. Captions along the foot read: '12 Members of the Common Council in their Mazarine Gowns', 'The Sheriffs', 'Aldermens Carriages', 'The Queen's Household', 'Royal Footmen', 'Life Guards Police Officers'. The last panel shows the head of the procession arriving at the new building. The set of prints was sold by the publishers in a blue cloth folder, with title leaf.

[Original drawings for Punch cartoons; women] Four original ink drawings, later engraved and published Punch, on the subjects: women on bicycles, ice skating, women in the Oxford and Cambridge boat race, punting.

Author: 
'F. C.' [original drawings for cartoons in Punch, or the London Charivari]
Publication details: 
The cartoons were published in Punch (London): 26 August 1865; 18 May and 2 June 1866; 18 May 1869.
£250.00

Four charming and amusing cartoons from Punch's golden age. All four are executed in a similar style, but the identity of the cartoonist or cartoonists is unknown. (The first of the two cartoons in Item Two below, as published by Punch, has the monogram signature 'F C' engraved in the bottom right-hand corner. No Punch cartoonist with these initials is apparent.) ONE: Captioned: 'Another Brilliant Idea, Only Brillianter!' 21 x 13.5cm. In good condition, on leaf of browned high-acidity paper torn from a notebook. Two men idle in a punt while two women hold up sheets.

[Joseph Simpson, English artist and cartoonist.] Signed proofs of six prints, caricaturing George Bernard Shaw; Maxim Gorky; Hall Caine; Thomas Hardy; Algernon Charles Swinburne and J. Pierpont Morgan' ['London Opinion' and 'Lions'].

Author: 
Joseph Simpson (1879-1939), English artist, engraver and cartoonist [George Bernard Shaw; Maxim Gorky; Gabriele D'Annunzio; Thomas Hardy; Algernon Charles Swinburne]
Simpson
Publication details: 
[First published in the weekly magazine 'London Opinion'. Reprinted in the book 'Lions', published in New York and San Francisco by Morgan Shepard Co., [1906].]
£350.00
Simpson

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.

[Printed Paris art magazine.] Copy of 'L'Estampe et l'Affiche' [The Print and the Poster], with illustrated article by Michel-Hilaire Clément-Janin on Alphonse Legros, and short obituary of Aubrey Beardsley by 'E. de C.' [E. de Crauzat]

Author: 
Michel-Hilaire Clément-Janin and André Mellerio, editors of the Paris art magazine 'L'Estampe et l'Affiche'. [Alphonse Legros; E. de Crauzat]
Publication details: 
50 Rue St. Anne, Paris. 15 Janvier [January] 1899.
£220.00

24pp., 4to, paginated 71-94. In brown wraps, printed in black and brown, with illustration by P. Ruty on the cover. Bifolium of advertisements (4pp., 4to) loosely inserted between cover and first leaf. In fair condition, with the first page browned by the loosely inserted advertisements. Wraps (stamped 'Spécimen') chipped and worn. The article on Legros covers pp.71-79; and the Beardsley obituary is on p.90. Also present is a seven-page article (83-89) on 'Murailles'by E. de Crauzat.

Mezzotint engraving by Thomas Burke of 'IOHANNES HENRIVS HAMPE', i.e.the German-born Fellow of the Royal Society Johann Heinrich Hampe, from a painting by Angelica Kaufman, with twenty-seven line Latin inscription.

Author: 
Thomas Burke (1749-1815), Irish engraver; Angelica Kauffmann (1741-1807), Swiss artist [Johann Heinrich Hampe (1697-1777), German-born physician and Fellow of the Royal Society in 1729]
Publication details: 
No place or date [London, eighteenth-century].
£50.00

On one side of a piece of paper, roughly 28 x 21.5 cm. On aged and worn paper. The engraving, roughly 11 x 13 cm, placed at the head of the page, is a head and shoulders portrait of Hampe, depicted in an oval frame, with inscription in Greek wound round a staff with snake (recalling the rod of Asclepius) and laurel sprig. Kauffmann's name engraved at bottom left and Burke's at bottom right. Beneath the engraving is a 27-line inscription beginning: “IOHANNES HENRICVS HAMPE | SIEGENA-NASSOVICVS | MEDICINAE DOCTOR DVISBVRGENSIS CLIVORVM'.

[Robert Walton, London printer and printseller.] Two engravings: 'IULIUS CESAR. I' and 'AUGUSTUS II', with their reverses carrying manuscript accounts relating to farm rents [in Polmear, Cornwall, and owned by the Rashleigh family?].

Author: 
Robert Walton, seventeenth-century printer and printseller, at the Sign of the Globe, St Paul's Churchyard [Rashleigh family of Polmear, Cornwall?]
Publication details: 
'<P>rinted and Sold by Rob: Walton at the Globe <...> the West end of St. Pauls Church [...] Ludgate | <N>ow sold in Bow-Church-Yard.' Seventeenth century. Manuscript accounts on reverses with entries dating from 1775 to 1802 [Polmear, Cornwall?]
£450.00

BBTI has Walton trading between 1647 and 1688. Both prints roughly 17.5 x 12 cm. Both in fair condition, on aged paper. The first - 'IULIUS CESAR I' - has a rough edge on the right and a trimmed edge on the left. It shows Caesar in martial dress on horseback, beneath which: '

rinted and Sold by Rob: Walton at the Globe <...> the West end of St. Pauls Church turning to Ludgate | ow sold in Bow-Church-Yard.' At the foot of the engraving is a six line poem, beginning 'By ciuill wars unto the Empire came'. '151' in bottom right-hand corner.

[Campbell Dodgson, Keeper of Prints and Drawings at the British Museum.] Autograph Letter Signed to an unnamed male recipient, regarding a portrait of David Garrick.

Author: 
Campbell Dodgson (1867-1948), Keeper of Prints and Drawings at the British Museum and art historian [David Garrick]
Publication details: 
On letterhead of the Department of Prints and Drawings, British Museum, London. 21 June 1928.
£80.00

1p., 12mo. In fair condition, on lightly-aged paper, with a small closed tear to one edge. He informs the recipient that his portrait of Garrick is 'the second state of the engraving: the first is before all letters. | The person who engraved the lettering evidently made a mistake.' He notes an inscription sometimes found on impressions of the second state of the engraving, and change made in the third state.

[No. 41 of 65 copies, with original etching and lithograph, both signed by Brangwyn.] Prints & Drawings by Frank Brangwyn with some other Phases of his Art: By Walter Shaw Sparrow.

Author: 
Walter Shaw Sparrow [Frank Brangwyn]
Publication details: 
London: John Lane, The Bodley Head. New York: John Lane Company. 1919.
£1,200.00

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

[Samuel Cousins, engraver.] Autograph Note Signed ('Saml: Cousins.') to the London printseller Martin Colnaghi, sending sixty proofs of his 'plate of "Miss Macdonald"'.

Author: 
Samuel Cousins (1801-1887), English engraver [Martin Colnaghi, London printseller]
Publication details: 
Without place or date [1830].
£65.00

On 8 x 17cm piece of paper. In good condition, on aged paper, with small spike hole. Reads: 'To Martin Colnaghi Esqre | Sir | I have the pleasure to send you 60 Proofs from my plate of "Miss Macdonald," 30 of which number are before the Publication. | Saml: Cousins.' Docketted on reverse 'S. Cousins.' Cousins's engraving of Miss Julia Macdonald, from a portrait by Sir Thomas Lawrence, was published in 1830.

[Frederick Lee Bridell.] Three pencil sketches of Elizabethan figures, including one of William Shakespeare.

Author: 
Frederick Lee Bridell (1830-1863), English painter and friend of Elizabeth Barrett Browning
Publication details: 
Without place or date.
£300.00

On piece of 16 x 25.5cm paper. In fair condition, aged and spotted, with slight damp-staining to one corner, and remains of mount adhering to the reverse, on which is written in pencil: 'Sketches by Frederick Lee Bridell | born Southampton | died London 1864'. The three sketches are well finished, and placed alongside one another. The one on the left depicts a nobleman seated on a throne with a coronet on top of its backrest, his feet on a footstool, and left hand on an arm-rest, an animated look on his face.

[Thomas Medland, engraver.] Signed Autograph Receipt of payment for two engravings executed for the London booksellers Cadell & Davies.

Author: 
Thomas Medland (c.1765-1833), engraver, and drawing-master at Haileybury College [Cadell and Davies, London booksellers; Thomas Cadell the younger (1773-1836) and William Davies]
Publication details: 
24 July 1802.
£80.00

On 9.5 x 19cm piece of paper. With twopenny embossed official stamp 'For Receipts'. In good condition, on lightly-aged paper, with minor traces of mount on blank reverse. Reads: '24 July 1802 | Recd. of Messrs. Cadell & Davies the sum of Twenty pounds Nine Shillgs. & 6. as pr. bill delivered for engraving two Plates St. Geo: de Mina & a Naval Medal. | Thos: Medland | £20 . 9 . 6'. Itemised at foot in another hand: 'View of St. Geo: de Mina - 18 . 18 . 0 | A naval Medal 1 . 11 . 6 | [total] 20 . 9 . 6'.

[Samuel Cousins, engraver.] Autograph Note Signed ('Saml. Cousins'), inviting the unnamed recipient to a meeting of the Chalcographic Society.

Author: 
Samuel Cousins (1801-1887), English engraver [The Chalcographic Society]
Publication details: 
12 Regents Park Terrace. 1 November 1847.
£80.00

1p., 12mo. In good condition, on lightly-aged paper, with minor traces of former mount on blank reverse. The message reads: 'Dear Sir | I shall have the pleasure to receive the Chalcographic Society on Friday evening next, when I hope to be favor'd with your Company'. For information about the Chalcographic Society, , founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011). A society set up for the encouragement of interest in engravings, ridiculed in a Blake notebook.

[Sir Michael Clapham, while proprietor of the Cloanthus Press, Cambridge.] Scrapbook of Sir Michael's wife Elisabeth, containing forty examples of items either printed by him, or with woodcuts by his sister Christiana, or a combination of both.

Author: 
Sir Michael Clapham (1912-2002), printer and industrialist; his sister Christiana Muriel Clapham (d.1967), engraver; children of Sir John Harold Clapham (1873-1946) [Cloanthus Press, Cambridge]
Publication details: 
Items dating from between 1932 and 1937; many from the Clapham family home, Storey's End, Cambridge.
£850.00

The 40 items range in size from 25 x 19cm to 5 x 4.5cm. All in good condition, lightly-aged, and all but five laid down on the grey paper leaves of a heavily-worn album, with back cover loose, and with ownership signature of Sir Michael's wife Elisabeth Clapham at head of first page. The couple married in 1935, and one of the 40 items is a card with text in red featuring Elisabeth's maiden name. It conveys 'Good wishes for Christmas & the New Year from Elisabeth Rea | 6 Barton Street, S.W.1'.

[Samuel Cousins, engraver.] Autograph Letter Signed ('Saml. Cousins'), accepting an invitation from Edward William Cooke to dine with him and 'meet the President and Council of the Royal Academy'.

Author: 
Samuel Cousins (1801-1887), engraver associated with the Royal Academy [Edward William Cooke (1811-1880), RA, marine gardener and engraver]
Publication details: 
On letterhead of 24 Camden Square, London NW. 20 February 1865.
£40.00

1p., 12mo. In good condition, on lightly-aged paper. He writes 'My dear Sir | I have the pleasure to accept your kind Invitation to Dine with you on the 4th March [amended from '28 Inst'] to meet the President and Council of the Royal Academy.' For more information about both men, see their entries in the Oxford DNB.

[John Gere, Keeper of Prints and Drawings, British Museum.] Autograph transcriptions of 16 communications from E. H. W. Meyerstein, with unpublished poem by Gere on his death and other matter. With a copy of Watson's selection of Meyerstein's letters

Author: 
John Gere (1921-1995), Keeper, Department of Prints and Drawings, British Museum; E. H. W. Meyerstein [Edward Harry William Meyerstein] (1889-1952), scholar and poet; Rowland Watson
Publication details: 
Watson's book: London: Neville Spearman, 1959. The other material dating from the 1940s and 1950s.
£180.00

One: Holograph poem by Gere in red ink on slip of paper. Apparently unpublished, it reads: 'I.M. E.HWM | buried Hampstead 18. 9. '52 | Grave scholar of a Grays Inn cell, | Gay naturalist of Norfolk fen, | Divion [sic, corrected in pencil to 'Division'] now ordains farewell. | I shall not see your like again. | JG'. Items Two to Seventeen: Sixteen transcriptions of letters and notes from Meyerstein to John Gere (as 'J G'). Each on a separate piece or slip of paper, and all written out in red ink.

[Edward Smith, engraver.] Autograph Letter Signed ('Edwd. Smith') to the London book and print seller John Martin, stating his terms for engraving 'the Game Keeper after W. Hunt'.

Author: 
Edward Smith (c.1780-c.1849), Scottish engraver, based in London [John Martin, bookseller, and printseller, of the London firm of Rodwell & Martin]
Publication details: 
3 College Street, Camden Town. 28 March 1831.
£150.00

1p., 4to. In very good condition, neatly placed within a windowpane mount. Addressed at head to 'Mr. John Martin'. Laying out, in detail, the 'Terms on which I agree to engrave the Game Keeper after W. Hunt'. The terms are described over twelve lines, beginning: 'The Engraving to be 7 by 5 inches in my best manner, the charge to be seventy Guineas, one third to be paid on the Etching, the remainder on delivery of the work, which I undertake to do in about four months.'

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