Printed Ephemera

1.Of Printers' Flowers ("Contributed to the B. Franklin No. of the AMERICAN PRINTER", Pelican Press, 1922)2.[FOUR SPECIMEN PAGES] "IN THE FOUR SPECIMEN PAGES WE SHOW […]"3.New Year's Card (Pelican Press, 1923)4.[Programme] Victoria House & Pelican Press Annual Outing to Margate on Eleventh June MCMXXVII 5."A Christmas Greeting sent by Mr. and Mrs. Arthur Meadem and Family […] (Printed by A.H.M [Arthur Meaden, Works Manager] at the Pelican Press […]).6.Sundry Christmas Cards to Walter Corrie & Family, many sent by people (and families) listed on 5. (Programme for Outing), i.e.

The poster, in the mixture of typeface and font size characteristic of the period, is 31 x 25 cm, and headed: 'TO THE | Gentlemen, | CLERGY, | AND | FREEHOLDERS | OF THE | County Palatine of Lancaster.' Signed and dated in type at foot: 'JOHN BLACKBURNE. | HALE, | November 12th, 1829. Printed on one side of a piece of wove paper, and with one central horizontal fold.

1p., 12mo. In good condition, on lightly aged and worn paper. The poem, of 60 irregular lines, is placed (with a facsimile of Verhaeren's signature at the foot) within a thick floral border, reminiscent of the Arts and Crafts movement. It begins: 'Ce n'est qu'un bout de sol dans l'infini du monde. | Le Nord | Y déchaîne le vent qui mord. | Ce n'est qu'un peu de terre avec sa mer au bord | Et le déroulement de sa dune inféconde.' Scarce: no copy in the Bibliotheque Nationale, on COPAC or in the Imperial War Museum.

110 x 150mm, albumen print laid down on larger card, very good condition

4pp., 4to. Printed on brown paper. In good condition, lightly-aged and with one corner dogeared. The only copy traced on OCLC WorldCat in the Thomas P. O'Neill Library at Boston College, in whose entry it is tentatively dated to the 1960s, with the note about the series to which it belongs: 'Primarily a selection and reprinting from Cuala Press' collected edition of Broadsides (new series), originally issued Jan.-Dec.

Each proof is on 29 x 23 cm paper, and each is laid down on a piece of 38 x 31.5 cm card. In good condition, on lightly-aged and spotted paper, with wear and bumping to mount. The first engraving The Spectator for 23 December 1848 carried an advertisement by Cundall for 'ILLUSTRATED WORKS BY LADY AMATEURS', at the head of which was 'THE BABES IN THE WOOD. Illustrated with Ten Original Designs, Etched on Steel. | Colombier 8vo. price 1l. 1s.; or Coloured after the Drawings, 2l. 2s.

Both items in very good condition, on lightly-aged paper. Item One (galley proofs): On piece of 13 x 49 cm. paper. In manuscript at head: '7 Harley Gardens SW | Monday | Dear Mrs Butterworth | The Printer will send you a proper proof tomorrow | Yours in haste | E Lowe'. The first part only, in small type, with one minor correction. The article is attributed to Augusta de Grasse Stevens in Helen O. Black's 'Notable Women Authors of the Day' (1893). Item Two (manuscript biography): 4pp., 4to. With a few minor emendations.

On 11 x 6.5 cm rectangle of paper, laid down on the pastedown of a 12mo calf front board. Beneath the title: 'This Library is enriched with every work of merit, as soon as published; and comprises such a variety of Travels, Histories, Biography, Novels, Plays, and Literature in general, as cannot fail to graify every Class of Readers. | The Daily Papers taken in.' Following this are the yearly, half-yearly, quarterly and monthly terms for borrowing two and four books. Further text follows, beginning: 'Books read by Non-subscribers charged according to the Size.' and ending 'T. M.

The three items are in good condition, on lightly-aged paper. ONE. Autograph Letter Signed from Haldane to Potter. Head Quarters, VI Corp; 11 August 1916. 1p., 4to. In a difficult hand. He apologises for having to 'depart so hurriedly'. 'I want to thank you for the very loyal way you helped me when I was in command of the 3 Division and express my thanks through you to Buchanan and Prideaux and of your staff.

On one side of a strip of wove paper, 46.5 x 9.5 cm. Cut down. In fair condition, on aged and lightly ruckled paper. 96 lines arranged in 12 numbered eight-line stanzas.

1p., on 29 x 7 cm piece of unwatermarked laid paper (probably cut down), with no indication of printer or date. Printed with the long s. In good condition, on lightly-aged paper. 64 lines, arranged in eight eight-line stanzas. The first stanza reads: 'BRITAIN! brave and generous nation, | Listen to my plaintive strain, | Tho' exalted be my station! | Day and night I sigh in pain; | Here I came a helpless stranger, | With no friend to take my part, | Braved the stormy ocean's danger, | From home for ever to depart.' She appeals to her 'Good Uncle' (i.e.

7.5 x 15 cm. With green overprint. In poor condition: worn and with one small hole, and faded manuscript signature and endorsement.

Carte-de-visite size, c.6 x 10cm, faded photograph of Bridget Winthrop (or engraving of), sl. spotted, on reverse the following information in MS., Bridget Winthrop married to Wm Maunsell | Mrs Wm Maunsell gt grandmother of H.O. Donnell[MA CLK?] [space] great great Grandmother to Mrs Petronella O'Donnell and to Mr Elliot O'Donnell". [Printed on reverse: Mrs. C. Flynn | Bookseller & Stationer | Circulating Library | Photographic Studio | 20 George Street | Limerick".From the archive of Elliot O'Donnell, Irish ghost-hunter. Note: Limerick: Mrs. C.

Handbill, one page, crudely coloured border with images of a black troubadour with banjo[?] , a native American, and a trapper [?], 26 x 17cm, three stanzas each eight lines plus chorus, edges chipped, laid down on a larger page. Commences, "Oh! listen a while., a story I will tell; | It will please you to death, I know berry well [...]" Decorative border signed "E A Sparks" ("Printed within colored pictorial border (De Marsan trapper border J, in Wolf, E. Amer. song sheets)." One copy of this imprint listed by WorldCat, two of another imprint (later).

On one side of a piece of wove paper, 15.5 x 9.5 cm. In fair condition, on aged paper, with one creased corner and a small nick at the head. The drop-head title is in capitals, with the second line having only the opening quotation marks (before the initial word 'BEWARE'). The poem is 29 lines long, with three seven-line stanzas followed by an eight-line one. At the foot of the poem: 'Albury. Mary Frances Tupper.' The first stanza reads 'The stamp of Rome is on their heart, | Take care! take care! | They play the Jesuits' crafty part, | Beware! beware!

Nicely printed on laid paper, on sheet folded to make a bifolium, with the facsimile of the letter on the reverse of the first leaf, and the photograph of Bridges facing it on the recto of the second. As he is unable 'to write personal thanks to each of the many friends who contributed to honour my 80th birthday by their lovely gift', he asks them to accept the photograph 'as a memento'. 'Apart fr.

A loose 8vo leaf, roughly 26.5 x 19.5cm. In fair condition, on aged paper, with the edges strengthened with cream paper strips. The cover is decoratively printed, in a variety of types and point sizes. Priced at two shillings, and stated to be entered at Stationers' Hall. At the foot of the page, in capitals: 'The present arrangement is copyright; and the only correct edition of this beautiful negro melody in which the words are faithfully true to the original story, so popular among the negros [sic] in Alabama.' The reverse carries the beginning of the song, by 'Edwd.

Certificate, c.41,5 x 38cm, fold marks, slight foxing, mainly good condition. Text surrounded by border with simple celtic theme, headed by recumbent pipes with gaelic script. Text: The War Memorial School of Pipers Certificate | This is to certify [...] receive a _______Certificate ; [Signatures in Manuscript (apparently pencil) including 'Examiner' W.G. Burn Murdoch whose litho signature also appears in the border at the bottom.

One page, 12mo,green paper, bifiolium (rest blank), 3 verses, 14 lines each (total 42 lines), preceded by the statement "Written for the Charity Bazaar") and 6 line quotation from Cowper ("Here stay thy foot; - how copious and how clear ... from an Eternal source"). Verses start "Welcome to Ikley! Lady fair ... That God hath bless'd the spring!". No other copy traced (none on COPAC etc). See scan on website inventory.

8pp., 4to. In stiff printed wraps. Printed in black and white. Photographic portrait of the artist tipped-in as frontispiece, twenty illustrations in text, and loosely inserted in a wallet at the rear a facsimile (2pp., 8vo) of an article from the Argentine Magazine, Christmas 1929: 'How MAUZAN makes lively posters' by A. Lancelotti. Cover carries image of smiling fat black man shining his foot with a shoebrush, above facsimile of Mauzan's signature. Scarce: does not appear to be present in the Bibliotheque Nationale.

1. Ulster Facts and the Ulster Question (From the "Belfast Telegraph," July 9. 1924, printed by W. & G. Baird, Belfast), handbill, 4pp., 8vo, bifolium, very good condition. It includes "facts" about N. Ireland (agriculture, industry, etc) and reasons to reject the Boundary Commission.2. Ulster and Peace (Reprinted from "Belfast Telegraph," August 2, 1924, printed by W. & G. Baird, Belfast), handbill, 2pp. 8vo, bifolium, very good condition.3. The Attacks on Ulster (Reprinted from "Belfast Telegraph," August 4, [1924?], printed by W. & G. Baird, Belfast4. The Case for Ulster.

3pp., 16mo. Bifolium. Fair, on aged paper with fold lines. The front page carries the printer's slug, and gives the price of $6 for 'Course Tickets', 'For sale at the houses where the readings are to be given, on and after FEBRUARY 19th.' The middle two pages give the addresses, with owner's names, of the houses at which the six readings are to take place.

Poem: On one side of a piece of 12mo paper. Fair, lightly-aged and a little ruckled, with traces of gum from previous mounting on the blank reverse. The 12-line poem is written in heroic couplets, and begins 'POOR, faithful animal, adieu! - | To Nature's kind affection true, | For fourteen years, thy grateful heart, | Devoted, play'd its humble part.' At the end a contemporary hand has ascribed the poem to 'B. B.', and the same hand gives the date as 'September 3d'.

2 pp, 12mo. On the first leaf of a bifolium of wove paper. Fair, on lightly-aged paper. Signed 'L. N.' in type at end. A 114-line poem, in rhyming alexandrine couplets, beginning 'Messieurs, au jeu du whist adoptez constamment | L'air grave britannique et le flegme allemand.

4 pp, 16mo. Paginated [1] to 4. On a bifolium of wove paper. Fair, on lightly-aged and creased paper, with thin strip of previous mount adhering to inner margin of first page.

Printed on one side of a 4to leaf, to which a black mourning border has been given by hand. Well printed on wove paper. Fair, on lightly-aged and ruckled paper. The author's name is not given, and the title reads 'SONNET | ON THE LATE | DUTCHESS [sic] OF GORDON.' The poem begins: 'IS then the bright expansive spirit flown, | That wont to animate the admiring throng? | Does the fair theme of many a poet's Song | Exist in pleasing memory alone?' The poem was also printed in 'The Poetical Register, and Repository of Fugitive Poetry, for 1810-1811' (London: F. C. and J.

4pp., 4to, bifolium, good condition. It includes a list of the executive elected for 1908 (H.W. Nevinson, Mrs N.F. Dryhurst and others) and of "Names of Affiliated Socities ... with their Representatives" (including the Aborigines Protection Society, Friedns of Russian Freedom, Georgian Relief Committee, National Council of Ireland and others). A space has been left for "Co-opted Members". P.3 comprises "The Rights of Subject Races", four clauses including adherence to the Hague Convention of 1907. P.4 is blank. No listing on COPAC or WordCat but informative references on Googlebooks.

4pp., 4to, bifolium, good condition. It includes a list of the executive elected for 1908 (H.W. Nevinson, Mrs N.F. Dryhurst and others) and of Names of Affiliated Socities ... with their Representatives (including the Aborigines Protection Society, Friedns of Russian Freedom, Georgian Relief Committee, National Council of Ireland and others). A space has been left for Co-opted Members. P.3 comprises The Rights of Subject Races, four clauses including adherence to the Hague Convention of 1907. P.4 is blank. No listing on COPAC or WordCat but informative references on Googlebooks.

All 54 are printed on paper 12 x 9 cm. Each is captioned and numbered in roman numerals, with the first as III and the last as XCVII. Carter published his 'Views of Ancient Buildings in England' between 1786 and 1793, and the six volumes contained a total of 120 views. Those LACKING from this collection, in arabic numerals, are 1, 2, 6-10, 15, 16, 18, 19, 21, 26, 36-38, 43, 48, 53, 57-59, 63-66, 69-71, 73, 75, 76, 78, 81-84, 90-94, 96, and 97-120.

4to, 2 pp. On first leaf of a bifolium. Text clear and complete. Good, on lightly-aged laid paper with watermark of 'A ANNANDALE & SONS'. Stuck down on the reverse of the blank second leaf of the bifolium is a square of paper from the leaf to which it was attached in an album, and beneath this square, visible when held up to the light, is the inscription: 'Imperfectly printed | Annie Stirling Stuart | Castlemilk | 1871'. The poem is 48 lines long, arranged in twelve stanzas. Signed 'H. M.