&

Series of articles complete. Periodical issued quarterly, individual issues, vol. xviii, March, September, Dec. [1924], March, June 1925. Issues containing the series of articles/letters in Good + condition. Presumably found bound up with other issues of the journal, and an edition was published by the Toucan Press (1985) which is scarce (represented in four US and one British library only). See also "Grand Larceny, Being the Trial of Jane Leigh Perrot: Aunt of Jane Austen" and "A Memoir of Jane Austen: and Other Family Recollections".

A scarce item, and considering its perforation, fortunately found in its complete state. No copy on OCLC WorldCat, which does however have entries for copies of similar Liberty's 1910 ('SERIES XXXIII') and 1913 catalogues, the latter at the Museum of Fine Arts, Boston. 64pp, 8vo. Stitched into oat-coloured cloth soft covers, with decorative border and title printed on front cover. In fair internal condition: on lightly aged and spotted paper. In worn and stained wraps. The five pages of text and fifty-nine full-page illustrations are printed in brown on cream paper.

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. For information regarding this renowned firm of silversmiths, which possessed the royal warrant and mounted a sumptuous display at the Great Exhibition, see Norman Mosley Penzer, 'Paul Storr, 1771-1844, Silversmith and Goldsmith' (1954), and John Culme, 'Directory of Gold and Silversmiths' (2000). The nature of the '”Australian” implement' which is the subject of the letter is unclear, but information on Hunt's partner's connection with Australia is to be found in L. W.

20pp., 4to. Stapled into card wraps printed in blue and red. In fair condition, aged and worn, with vertical crease and rusted staples. The front inside wrap carries an 'Introductory Note' (including the claim: 'Half-an-hour's daily practice will produce material results in a very short time.') Labels and stamp of the Board of Education Library. The cover is illustrated with an engraving of two hands emerging from mountains and icebergs and shaking across the waters, above which are the Union Flag and two ensigns (Australia and Canada?), captioned 'Semper Fidelis'.

The only copy of this item on OCLC WorldCat is in the Canadian National Archives. An attractive and characteristic piece of late nineteenth-century French printing. The present copy is 14 + [1] pp, 16mo. With frontispiece and eight illustrations and vignettes. Stitched booklet (13 x 7.5 cm). In wraps printed in black and red. In fair condition, lightly aged, in grubby wraps.

A rare and unusual item, distributed as news of the execution broke, no other copy of which has been traced, either on OCLC WorldCat or on COPAC. Printed on one side of a 59 x 48.5 cm piece of watermarked laid paper. In four columns of small print, surrounded by a thick-thin ruled border. Engraving (13.5 x 14.5 cm) of the moment of execution by guillotine at head of the central two columns. Aged and worn, with small drops of ink spattering, but with the text entirely legible and the engraving practically unmarked. Folded four times.

1p, 4to. Bifolium. In fair condition, lightly aged and worn, and folded several times. The main text reads: 'Gentn | By inserting the following correct [last word underlined] Statement of Benefits at the Liverpool Theatre (this season) in your next Mirror you'll particularly oblige your most obt. Servt. | Edwd. Murray'. Beneath this is a list of the names of 15 individuals, with the amount of money made by each one's benefit, coming to a total of £2665. The list begins with 'Miss Murray £263' and ends with 'Mr Simmons 101'. The penultimate entry is for 'Mr Wild (Prompter) 103'.

The recipients Todd [or Tod] and Romanes, Writers to the Signet, were prominent Edinburgh solicitors, acting for Trotter's kinsman Robert Trotter, R.N., one of the sons of Rev. Robert Trotter (c.1732-1807) of Windyhaugh, 'minister of the dissenting congregation of Morpeth during the long space of 51 years'. 2pp, 4to. Bifolium. In fair condition, lightly aged and worn, with thin strip of paper from mount adhering to the reverse of the second leaf, which is addressed, with postmarks and endorsement signed by 'J. R.' (John Romanes), 'To | Messrs.

2pp, 12mo. Bifolium, addressed on reverse of second leaf to 'Messs. Cadell & Davies'. In good condition, lightly aged, with thin strip of paper from mount adhering to one edge. An interesting document, providing an insight into the world of Georgian publishing. Without preamble or salutation, reads: 'This work, in point of style, composition, & sentiment – everything, in short, in which the writer's merit is concerned, is much below mediocrity. But whether its subject, & the side it takes in party, might not at the present moment gain it some public favour, is what I cannot answer.

[12]pp, 8vo. Paginated to 14, but twelve pages on six leaves, comprising half-title, title and eight pages of text. Sewn into raspberry printed wraps. Title with engraving of the church, duplicated on front cover. Internally in fair condition, with slight creasing, but with blue ink (or wine?) stain at foot of outer edge of front cover. Bloomfield & Mendelson A46, which states that the edition was printed in November 1963 and limited to 250 copies, 'sent out to a number of personal friends whose names were mainly suggested by Mrs. MacNeice'. In this case, from the library of Christopher Fry.

Both in fair condition, lightly aged, on bifoliums, stitched together. ONE: 4 December 1884. 4pp, 12mo. The recipient is not identified. Begins: 'My dear Sir | I am advised by more than one common friend to take the liberty of writing to you. Mr. Oates [publisher], amongst others, tells me that you have great knowledge of old Catholic literature & have collected many curious & valuable books. As I think you see the Tablet, I should like to direct your attention to a letter which I hope may appear in the next or the following number on some points on which I wish for information.

7 + [1]pp, 4to. On two loose bifoliums. In fair condition, worn and aged. Stamped twice on cover: 'CORRECTION COPY' with date 1 July 1938, and second date, 29 November 1946. On the cover is an attractive stylized children's illustration, Curwen press style, hand-coloured in blue and orange, depicting three policemen walking in a line, truncheon aloft, before a row of houses and a church. The second page is blank; the third carries 'Hints for Performance', including 'Directions for Marching'. The musical score (for voice and piano) and words cover the four pages 4-7.

Four pages, 4to, bifolium, some foxing but mainly good condition.The work was hugely popular, going through numerous editions between 1894 and 1907. The title is (deliberately) misleading. The work is an exploration of theological rather than biological questions, with the author stating that 'The How, Why, and Wherefore have not received the full amount of profound and reverent study that the ineffably intrinsic importance of the subject to ourselves warrants.' Lewis Carroll had a copy in his library.

16mo, twelve leaves (last leaf blank). Unpaginated: a total of twenty printed pages, comprising four prelims, fifteen pages of poems, colophon. Stitched into light brown boards, with 'POMES PENYEACH | by | JAMES JOYCE' printed in green on front board, and 'PRICE ONE SHILLING | Herbert Clarke, Paris' likewise on rear board. Errata slip at rear. First trade edition, following a limited edition of, according to the colophon, 'thirteen copies [...] been printed on Dutch hand-made paper and numbered 1 to 13'.

Full title: 'By Direction of Dominion Student's [sic] Hall Trust. | Particulars, Plans and Conditions of Sale of | The Freehold Foundling Estate Bloomsbury, W.C.1 | producing a Gross Income of about £112,000 per ann. increasing in the near future to about £118000 per ann. and comprising Ground Rents, Rack Rents and Tenancies secured on Shops, offices, private hotels, flats, institutional hostels and other residential properties. Cleared building sites. Vacant possession of Lot 118, viz.

The four letters are in good condition, with light signs of age and wear. Written in Payne's neat and mannered hand, and all four signed 'J Bertrand Payne'. For the background to the correspondence see Jim Cheshire's article 'The Fall of the House of Moxon', Victorian Poetry, Spring 2012. Payne was manager of the London publishing house Edward Moxon & Co., celebrated for their association with poets.

1p., 4to. In good condition, lightly aged. Addressed in type to 'My dear Shepard,' but with the last word corrected in autograph to 'Ernest'. He has now 'made sufficient progress with Monmouthshire' to be able to give Shephard 'a line': 'The first two verses bear upon the Wye valley and the Usk valley, of which Tintern is the best symbol.

The three letters are in good condition, lightly aged. All three signerd 'J Bertrand Payne'. The first has a letterhead in red, the other two have a different letterhead in blue. Both designs feature exuberant monograms and lettering in Victorian Gothic type, which, together with Payne's exuberant handwriting (the last letter also being written in purple ink), accurately reflect the character of the man Tennyson angrily dismissed as 'peacock Payne'. Three excellent letters, the background to which is of interest.

1p., 4to. In good condition, lightly aged. He acknowledges Wilson's 'kind letter regarding Dalglish', who 'suffered a good deal during the latter weeks of his life, but I am glad to say that even then he still retained that brightness of disposition of which you speak'.

1p., landscape 12mo. In good condition, lightly aged and worn. The letter reads: 'Dear Madam, | As far as I am concerned I shall be very glad for you to copy Cromwell into Braille, but I think you ought to get the formal permission of my publishers, Messers Sidgwick and Jackson, which I am sure that they will give you.'

1p., 12mo. In good condition, lightly aged. The brothers ask Gregory to 'please accept this special copy of RIDERS ACROSS THE BORDER, with our warmest regards, and with every good wish for Christmas and the New Year.' Gregory had published his book with the firm earlier in the year.

R. J. L. Kingsford, in his history of the Publishers Association, describes Young as 'a bookseller of outstanding character and ability, a friend of Arnold Bennett, and the discoverer of the literary distinction of George Sturt'. 1p., 12mo. Neatly and closely written. Headed 'private', and addressed to 'Dear John'. Young is apparently following a dinner (of the Publishers Association) at which George Bernard Shaw was present, and the subject of the letter would appear to be an exhibition Wilson's firm has mounted of books by the London publisher John Murray.

1p., 12mo. In good condition, lightly aged, with small circle of ink placed by Hake at bottom right. Regarding his 'Parables and Tales', illustrated by Arthur Hughes and published by Chapman & Hall in 1872, he writes: 'Dear Sir [sic] | Please to give me a line to say when Mr Hughes drawings will be ready for press and when you will require my proofs - | Yours truly | T. G. Hake'.

2pp., 4to. In good condition, lightly aged, with the two leaves pinned together. Referring to his wife Emilie, Harmsworth has written in red pencil at the head of the letter 'Em to see'. Physick begins by thanking Harmsworth and his wife for their 'most generous appreciation of our efforts'.

On the back of a printed 'Ceylon | Post Card | For use to British countries'. With Galle postmark of 18 May 1939. Pannasara signs 'D. Pannasara' and gives his details as: 'Bhikku [sic], D. Pannasara Thero | Jayawardhanarama | Dangedara, Galle | Ceylon'. An enquiry in English regarding the 'Milinda Panha – translated from Pali by J. W. Rhys Davids Vol. I-ii'. Annotations in pencil and ink by the recipients.

vi + 268pp., 12mo. In sturdy red morocco half-binding, with brownish-black boards in ribbed patterned cloth, and gilt tooling, marbled endpapers. Binders' ticket at rear: 'Bound by Blackie and Son'. On browned high-acidity paper, with slight damage to title-leaf. On the front free endpaper is the ownership inscription of 'Chas Sarolea', i.e. Professor Charles Sarolea [ Charles Louis-Camille Sarolea ] (1870-1953), noted Belgian philologist and author who settled in Scotland. Facing this, on a flyleaf, is the ownership inscription of 'J.

On both sides of a piece of thin laid paper, roughly 10 x 12.5 cm, torn from a letter. Aged and worn, with chipping to extremities. The recto reads: '[…] work is to be published? I sh also be much obliged to you i you will give me any informat about America. Is anything done with that distracted countr in the way of early copies? I dare say it is time to sen Baron Tauchnitz the proofs through Williams & Norgate. I trust you will kindly see to that for m We shall be g to the coun […]'.

157pp., 4to. Carbon typescript, with a few manuscript corrections. Each page paginated in type, and on a separate leaf. The leaves punch-holed and attached in a buff folder. Aged and worn, with the first few leaves a little ragged, but intact and legible. The author is not named, but is referred to in the text as 'Tam', and is therefore clearly the 'C. Tamkin' who is named in 1946 as one of the directors of A. E. Watson & Co, 21 Tothill Street, London, 'Consulting, civil and constructional engineers, etc.'. Title at head of first page: 'THE WAY WE CAME'.

1p., 12mo. In fair condition, lightly aged, with tissue labels from mount adhering to the blank reverse. Tinsley Brothers of 8 Catherine Street, Strand, were Ainsworth's publishers during this period. The letter begins: 'Dear Mr. Tinsley, | You are quite incorrigible.' Ainsworth complains that Tinsley has sent him a letter, 'delayed since Novr. 11th. last', and that he has 'been obliged to write a long letter of explanation and apology'. He hopes that 'the lady – for the writer is a lady – will be satisfied'.