CENTURY

See Dilke’s entry in the Oxford DNB. Lurid claims of three-in-a-bed adulteries put a paid to his political ambitions (he had been touted as a future prime minister), and rendered him the butt of musical hall jokes. The recipient is not named. On one side of a plain 11.5 x 9 cm postcard. In fair condition, lightly aged, with the two right-hand corners creased.

1p, 8vo. On grey laid paper. In good condition, lightly aged. Folded twice. Reads: ‘Madam / Permettez-moi de joindre à cette lettre l’annonce du bazar de charité que va avoir lieu dans notre maison et que j’espère sera visité par Votre Altesse Royale. / Designez agréer, Princesse, mes plus respectueux hommages. / Marie Radziwill’.

See Webb's entry in the Oxford DNB. 1p, 4to. In fair condition, aged and worn with traces of glue from mount at head. Folded twice. Addressed to ‘Rev. A. R. F. Hyslop, M.A. / Warden, / Glenalmond College, PERTHSHIRE.’ Following on from previous correspondence, Webb is ‘desired to explain’ that ‘the Board feels strongly the advantage of a training in freehand drawing as a preliminary to architectural training’, and that they do not consider ‘the geometrical drawing of architecture more particularly from plates’ ‘generally helpful’.

See his entry in the Oxford DNB. On 16 x 10 cm rectangle cut from leaf of an autograph album. In good condition, on wove paper, lightly aged and creased. Nothing on the leaf apart from the signature ‘John Herman Merivale’, with the helpful addition ‘(Dead)’ in a near-contemporary hand beside it.

See Tony Lopez's obituary in the Guardian, 11 April 2021.The letter was sent, with Items One and Two at least, while Guest was Lecturer in English at Yokohama National University, 1966-1972. All four items are neatly written in black ink in a close hand. The first three items are in good condition; Item Four is in fair condition, on aged paper and with wear to the outer edges. The parallel drafts of ‘Climbing a Volcano’ in Item One present an excellent example of the working process of a poet in the pre-digital age. ONE: Autograph Manuscript (2pp, folio) on one leaf.

See his entry in the Oxford DNB. 2pp, 16mo. Bifolium. In good condition, lightly aged, with minor traces of mount to blank reverse of second leaf. Folded twice. Le Jeune’s handwriting is strangely childlike. The recipient is not named. He begins: ‘Dear Sir / Your little picture of “The Bather” has been finished some time, & I should be glad to shew it you at your earliest convenience.’ He briefly suggests arrangements for a showing.

Painfully appropriate words (‘The old friends leave us soon or late’), set to music within days of the composer’s death. Among Weatherly’s many lyrics are ‘Danny Boy’ and ‘Roses of Picardy’. See his obituary in the Oxford DNB, and Löhr’s three-page obituary, with portrait, in the Musical Herald, London, February 1889. Löhr was the father of the composer Hermann Löhr (1871-1943). 2pp, 4to, on the facing pages of a bifolium. In fair condition, lightly aged, with a couple of closed tears unobtrusively repaired with archival tape. At head of first (left-hand) page: ‘Friends.

See her entry in the Oxford DNB, where she is described as a ‘philanthropist’. 2pp, 12mo. With mourning border. A 4cm triangle of paper has torn away from the bottom of the letter, far below Mrs Gladstone’s slightly-smudged signature, otherwise in good condition, lightly aged and folded twice. Reads: ‘Downing St. / Saturday / Dear Sir. / You have often encourage me to appeal to you upon matters of charity. it will be very kind if you will give the enclosed [a] place in your Paper. / Yours truly / Cath Gladstone’.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded once. In a loose, untidy hand. He is ‘much obliged for the note of the 4th.’, and as she wishes has sent instructions to ‘Davy’, to whom he asks her to ‘send all communications’. He is ‘very sorry indeed’ to ‘loose [sic]’ her as a tenant.

2pp., 12mo. On leaf with mourning border. In good condition, lightly-aged, with neat repair to a short closed tear. He is returning a memorandum, 'which is quite correct & may be acted on', and has made a payment of £380 to his account with Drummonds Bank.

See the entries for Jones and Chantry in the Oxford DNB. 3pp, 12mo. On bifolium. An interesting letter of 39 lines with text intact, in poor condition, aged and with closed tears, and discoloration from tape used in repair, and ink blot to first page. The surname of the recipient is not given, but the close friendship between the two men (Jones published a memoir of Chantrey in 1849) puts Chantrey’s identity beyond doubt.

An excellent letter, in which a serving Victorian ambassador discusses the nature of diplomacy, and gives a vivid assessment of his former superior Sir Hamilton Seymour, whom he jokingly characterizes ‘the great Elchee’. See both men’s entries in the Oxford DNB. 7pp, 4to. On two bifoliums. In good condition, lightly aged and with creases from folding into a packet. Minuted on reverse of last leaf. Addressed to ‘The Honble. George Elliot’ (he received his KCB in 1862) and headed ‘Private’.

See Napier’s entry, and that of his sister Maria’s husband John Gellibrand Hubbard (1805-1889), 1st Baron Addington, in the Oxford DNB. 3pp, 4to. In good condition, lightly aged and discoloured, with small closed tear to a crease. Part of letter torn away on opening, and now under small black wax seal (good impression of crest with letter N). Folded four times. Addressed, with three postmarks, on reverse of second leaf, to ‘The Rt Honble | The Lady Napier | Kew Green’. Minuted by Lady Napier: 'Cambridge Novr. 1838’. 64 lines of neatly-written text.

See the entries for writer and recipient in the Oxford DNB. The three items in good condition, lightly aged, with the last carrying minor rusting from paperclip. ONE: 3pp, 8vo. She got his office number from ?Mrs. Popie?, ?but the line has been busy all the time?. She asks for ?a pass for darling Ivor?s [i.e. Ivor Novello?s] memorial service?. The previous week she was ?playing at the Regent Theatre, Hayes, & on the Monday night I was weighed down by a dreadful foreboding of disaster?.

For more information on writer (one of West End theatre?s ?most dominant and successful landlords?) and recipient (the foremost British theatre historian of the twentieth century), see their entries in the Oxford DNB. The five items (the TNS is Item Three, the others are ALsS) are in good condition, lightly aged; Item Five with slight paperclip damage to a margin. Each folded once. All five signed ?Prince Littler? and addressed to ?Popie?, two at the Theatre Royal, Drury Lane, one at 9 Oakdale, London N14, and one at Coventry House, Coventry St, W1.

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).

2pp, 12mo. On bifolium. Folded once. The first page is scored through in ink, with pencil annotations at head. The final page, with Saléza’s signature, is unmarked. He asks him for as many seats as possible for that evening. He would like ‘une bonne loge, deux Stalls et plusieurs petites places’. He will pass by the office to collection, and asks for them to be left in his name.

1p, 12mo. On bifolium. In fair condition, with two pencil notes at head, one in orange. Folded twice. He hopes he is not abusing the kindness of 'Monsieur Menager' (i.e. the house manager) by asking for two seats, for his wife and her friend, as they would like to go to the opera that night. After terminating the letter in the customary Gallic fashion, he adds a postscript asking for the reply to be left with the porter.

The present item is the producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with John, broadcast in the groundbreaking BBC series 'Face to Face' on 15 May 1960. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 3pp, foolscap 8vo, on three leaves stapled together.

Fragment of letter in Gladstone’s autograph, with his signature, on both sides of 10 x 6 cm rectangle. In good condition, with one vertical fold. Five lines on recto read: ‘<...> It was most kind of you to send me the delightful pearl studs - & to write so friendly a letter. Lady Paget gave me a set’. Recto reads: ‘<...> & preserve your kind thought | With many thanks to you & Mrs Robson | Always | W E Gladstone’. See image.

See Procter’s entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition on lightly-aged paper. 85 lines of closely- and neatly-written text. He begins by thanking Sutton for ‘the welcome portrait of Sir Edward Lugden’. He gives an example of Lugden’s ‘happy election repartee’(a joke about ‘Lather’ and ‘the present price of “Soap”’), for which, if no other reason, he ‘deserves a niche in my tonsorial gallery’.

See Powell’s entry in the Oxford DNB. While presiding over the 1712 trial of Jane Wenham for witchcraft he ruled that there was ‘no law against flying’. 1p, long 8vo. On recto of first leaf of bifolium. Folded twice. On laid paper with government watermark, with two blind-stamped sixpenny tax stamps at head of page. Text intact, but with wear, closed tears and slight loss to some edges and a crease. Text by Powell himself, signed ‘John Powell’, with red wax seal (without any impression). Signed at foot of page: ‘Wittness | W Price’. Endorsed with date on reverse of second leaf.

Boehm had executed a bronze bust of Wolseley two years before. It may be that the present letter is in response to congratulations from Boehm on his forthcoming elevation to the viscountcy, with occurred 28 September 1885. 1p, 12mo. Folded once. In good condition, with unobtrusive folds to two corners. Reads: ‘Dear Lord Wolseley | Many thanks for your kind note & the Norfolk jaquet which arrived safely this morning | Yours sincerely & obliged | J. E. Boehm’.

Clearly given in response to an autograph collector, and written for display on front panel of envelope. Dimensions: 10.5 x 8.5 cm. In good condition, lightly aged. Horizontal crease along bottom not affecting signature, which reads ‘Emma Albani Gye | 1883.’ In 1883, after several years of enormous success in Europe, Albani returned to Canada to give a series of recitals. Thousands turned out to greet her arrival in Montreal.

Dupré is thinking of retaining Brett as architect in the rebuilding of a house on an attractive site, and the two items deal with the practicalities. Both signed 'Lionel Brett', and both in fair condition, lightly aged. ONE: TLS. 2pp, 4to, Folded three times. Forty-two lines of text. Addressed to Dupré at The Lodge, Windlesham, Withyham, Sussex. Deals firstly with ‘the estimate for demolition’, with comments ‘On the technical side’, before moving on to the question of ‘salvage materials’.

3pp, 12mo. Bifolium, folded once. In good condition. 29 lines of text. He thanks her for her kindness, ‘in the midst of your great sorrow’, in writing to inform the Robertses of her husband’s death. ‘We have often talked of you both, and wondered where you were living.’ He had thought it was ‘somewhere in the valley of the Thames, at least I thought you told me so when last I met you both walking in Regent Street - some 10 years ago’. After a brief comment on Tierney’s ill health, he recalls how ‘He, Alfred Torrens, and I sat next to each other at Mills School.

At top right-hand corner of part of printed English libretto to Leoncavallo’s ‘Pagliacci’. Dimensions: 13.5 x 17.5 cm. Sloping upwards towards the corner, and underlined: ‘Luigi Montesanto | 1936’. On shiny art paper and in fair condition, lightly creased and a little dog-eared at the corner of the signature. The cutting is headed: ‘Prologue (Pagliacci) ... ... ... ... Leoncavallo | LUGI MONTESANTO | PROLOGUE’, with thirty-two lines of English translation.

See Gould’s entry in the Oxford DNB, with that of Lady Lyte’s husband. The Lytes were Somerset neighbours of Gould. 1p, 12mo. In good condition. He is glad to hear that ‘Mr Logsdail has done the drawing for you for he would be able to do far more justice to it than I could possibly have achieved’. On the occasions when he is called upon to ‘put sentiment into a cartoon’ he is ‘always conscious of failure and it is well to know one’s limitations’.

See Gould's entry in the Oxford DNB. 2pp, 12mo. In good condition. The two leaves of the bifolium on which the letter is written have been separated, and each bears minor evidence of mounting on the blank reverse. He thanks Ashford for allowing him to ‘look through your very interesting collection of autographs’, which ‘does equal credit to your energy and to the good nature of mankind in general’. He continues: ‘The pages of an autograph book always make me realise that people are not so crabbed and disagreeable to each other as pessimists imagine or profess to believe.

1p, 12mo. On laid paper, folded once. Informing her that ‘Fanny’ will be returning in a few days, and that ‘we shall be very happy to come to your Garden Party on Thursday 10th. which is one of my chief pleasures of the Season’.