ILLUSTRATION

The author of the text of the present volume, J. B. Payne, was manager of the book's publisher Moxon, and ruined the firm with his sumptuous editions, including one of Tennyson's 'Idylls of the King' with illustrations by Gustav Doré, which determined Tennyson to forbid future illustrated editions of his work. The market for the present volume would have been limited, and the cost of producing it so high, that it is hard to see how it can have covered its costs. [3] + 53pp., 4to. Each of the 56 pages is lithographed in black against a light-brown background, on thick art paper.

2pp., 12mo. In good condition, lightly aged. The 'Gentlemen' are clearly the publishers of a book which they wish Bell to review. She writes that she is greatly obliged to them for offering her 'a copy of your beautiful book on Japan', and has written 'to 4 editors to ask for space for early notices of it'. The book is 'indeed a marvel of technical skill in reproduction & it would be a pleasure to me to speak as highly of it as it deserves'.

1p., 16mo. In good condition, lightly aged. He has been called away at the last moment, and asks him to 'tell Mr. Brown anything that you may have to arrange respecting the Phiz Exhibition'. From the papers of Arthur Allchin. The Athenaeum reported in 1883 that 'Mr. Arthur Allchin, who was an intimate friend of the late Hablot K. Browne, has written an article on his life and work which will appear shortly in the Century Magazine, and will be copiously illustrated from original drawings by " Phiz."'

The work for which these proofs were prepared, Burke's 'Genealogical History of the Dormant, Abeyant, Forfeited, and Extinct Peerages of the British Empire', was published in London by Harrison in 1866, and was a revision of his father John Burke's 'General and Heraldic Dictionary of the Peerages [...] extinct, dormant, and in abeyance', first published in 1831, with a third edition in 1846. The present collection is largely in fair condition, on aged and worn paper, but with some of the items damaged.

John Vaughan, in his 'Winchester Cathedral, its Monuments and Memorials' (1919), describes the Philpot Window on p.303, stating that it was executed by Messrs. Powell of Whitefriars, and was 'the gift of Mrs. Alice Philpot, whose husband and son are also commemorated'. On the strength of the present illustration, Alice Philpot is quite capable of having designed the window in addition to donating it. It is on one side of a piece of laid grey tracing paper, roughly 57 x 36 cm.

Pritchard was Architect to the Commission on Ancient Monuments in Wales. His collection of 71 volumes of atlases and early geographies was purchased by the National Library of Wales in 1940. After study at Bangor University, he was articled in 1903 to Joseph Owen of Menai Bridge. Moving to London, he studied at the Architectural Association and Royal Academy schools and trained as assistant to a succession of architects: Walter Frederick Cave (1863-1939), Louis Amber (1862-1946) and Messrs Henry Victor Ashley (1872-1948) and Francis Winton Newman (1878-1953), before qualifying in 1911.

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

Elliot's illustrations, attractively executed in great detail, recall the style of those in the volumes produced by the publisher B. T. Batsford during the same period. All in excellent condition, the majority with tissue guards; album in good good condition. Fifty-eight of the illustrations, all of Swiss knockers, on paper ranging in size from 21 x 5 cm to 23.5 x 16 cm (the latter the majority), are laid down on the rectos of the first 45 leaves of a 47-leaf landscape folio album (leaf dimensions 36 x 16 cm). All have tissue guards.

Printed in pastel colours on the shiny side of a piece of white sateen. Landscape. Dimensions roughly 240 x 385 mm. Good, bright image on slighty grubby cloth, with fraying along the long edges (not affecting image). Depicts three head-and-shoulder portraits of pretty nineteenth-century ladies in hats (captioned 'Lady Pattie', 'Miss Betty' and Cousin Prue'), in Gainsborough style, hanging in frames on a wall of Georgian wallpaper.

All but three of the silhouettes are laid down on 23 pages of an album of 32 leaves (leaf dimensions 31 x 25 cm) bound in worn brown buckram, with attractive metallic cobweb endpapers. In very good condition. The three silhouettes not in the album are laid down on a loose piece of blue paper (22 x 27 cm) and consist of three full length portraits of infant girls. One of these is the largest silhouette in the collection at 14.5 x 7 cm. The smallest, less than a centimeter high by half a centimeter wide, is of a golfer taking a swing. A delightful collection, including portraits of 'J.

Four leaves. Eight unpaginated pages. 16mo. Nine and a half centimeters by twelve and a half centimeters. Stitching thread untied. Evan Gill 392 describes a copy dated 1927, but makes no mention of an undated issue. Engraving of aspidistra in vase on table before curtains on cover-title. Engravings by Gill: initial G, verso of first leaf; Christ on cross, verso of second leaf; glue pot, recto of third leaf; domestic interior, verso of third leaf; printer's device, verso of last leaf. No copy currently on AddAll.

On 7.5 x 11 cm slip cut from the end of a letter. In fair condition, lightly aged. On one side reads: 'Gentlemen | Your Obt. Servt. | Fred R Pickersgill | 36 Mornington Crescent | 24 May 1853.' and on the other '[...] at the ensuing half yearly distribution of the Funds of the Institution - | Mr. Varrall is not personally known to me but from the representation of Mr WIlliams ARA [...]'.

1p., 4to. In good condition, lightly aged. He is enclosing 'Squeaker Toys', which are 'a few of a large series which I designed for a toy Firm'. He thinks they may assist Adams 'to get interesting "expressions" on the faces of some of your less sophisticated sitters!' He concludes: 'They would be a variation of the old request to "Watch for the dickey bird."' Adams was Britain's foremost children's photographer, patronised by the Royal Family, and was famed for his Dover Street studio disguised as a children's playroom, complete with toys.

Albumen print photograph, dimensions 15 x 10 cm. Mounted on 16.5 x 10.5 cm card. Printed in red ink on the reverse of the card are the firm's illustrated details ('Photoraphers to the Queen the Prince of Wales and other members of the Royal Family' and 'Prize Medal For Portraiture Vienna Exibitiion 1873.' In fair condition, lightly aged and worn. The National Portrait Gallery lists four versions of this image, but not within an oval, as here.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He thanks him for a notice of his lecture which is 'sympathetic and in every way adequate and helpful'. He is accustomed to reviews 'which however kindly and appreciative have nevertheless so woefully manipulated my facts'. He gives as an example his 'good friend Baker of the Union', who 'in the kindliest & most cordial spirit put words in my mouth, statements of scientific fact [...] But it is as you have so often told me. The only way to establish a truth is to pound away at it, iteration and reiteration.'

4pp., 8vo. Bifolium on shiny paper. In good condition, lightly-aged. The front cover carries a reproduction of the print 'Wireless Telegraphy.' Pp.3-4 carry reproductions of the 'Gibson Heads': 'NOW READY. - A Series of Sixteen Gibson Heads, of which the accompanying illustrations are miniatures. | Each subject is Hand-Printed on Japanese Hand-Made Tissue Paper, mounted ready for framing. Price 5s. 6d. each, post free.' Scarce: no copies on WorldCat, or on COPAC.

4pp., 12mo. Bifolium. In good condition, with light signs of age and wear. After following Horton's 'kind advice' concerning 'Mr Hedgcock's & my little alphabet', 're some sketches with more action in them', he has been to 'Town' to show the designs to the publishers Grant Richards. He 'called in person on Thursday but after some delay they have eventually rejected the Alphabet. [...] Evidently from what I was told the sketches such as you advised would have been more what they wanted', so he will do them again 'in that style and try again with other people'.

On a thick piece of shiny card, with rounded edges, 12.5 x 18cm. Aged, and with two dog eared corners and a 3cm closed tear (not affecting illustration). On one side is the chromolithographic illustration, with 'J. N. Drummond' in the bottom right-hand corner, showing an English rural landscape - more autumnal than winter - with river in the foreground and trees and viillage with church in the background.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

Printed on one side of a piece of 12.5 x 20 cm green card. In fair condition, lightly aged and worn, with central vertical crease line unobtrusively strengthened with archival tape. To the left of the page is an illustration of a British soldier officer a Burmese temple. The text is written out in a range of lettering characteristic of the period, and reads: 'Exhibition of Original Burmese War & Nile Expedition Sketches by Melton Prior Special Artist of the Illustrated London News. Under the Patronage of His Royal Highness The Duke of Connaught.

12pp., 4to. On the twelve leaves of a ruled notebook, stitched into buff wraps. Internally in good condition, in heavily-worn wraps, with 'G Cruikshank' in the same hand on the front cover. The entries are arranged in eight sections: 1811-1821 (61 items); 'No Date' (36 items); 1826-1830 (23 items); 1831-1840 (51 items); 1841-1850 (45 items); 1851-1861 (33 items); 1862-[1867] (7 items); and a final section of eight items from between 1811 and 1824. The penultimate section is headed '1862 to [blank]', indicating that the catalogue was a work in progress, and the latest items are dated 1867.

Printed in black on one side of a 12.5 x 16.5 cm piece of card. A charming image, framed within the drawn curtains of a theatre stage, showing four snowmen, dressed as toff in top hat, flat-capped figure with spade, lady with shawl and umbrella, and bowler-hatted figure with muffler and broom. At head of image 'A Merry Christmas', and at foot, 'from E. V. & Mary Knox'. In blue ink in border at foot of page: '110 Frognal. N.W.3.' and 'Hampstead 7330.' Mary Knox's father E. H. Shepard was the illustrator of the Winnie the Pooh books.

Both transparencies negatives on plastic sheets. The two images attached by a thin vertical strip of Scotch tape. On the right (22 x 14.5 cm) the image of the ragamuffin boy fisherman, with net and rod, looking to the left. On the left (22 x 16.5 cm) his young sweetheart, with fishing nets aand lace apron, waving a lace handkerchief. His image with caption (old Breton poem): 'Dear God be good to me | The sea is so wide | And my boat is so small | Sold in aid of the R.N.L.I.' Her image with the same caption, but with the word 'his' replacing 'my'.

2pp., 12mo. Bifolium. In fair condition, on aged and lightly-worn paper. The recto of the first leaf is headed by a 6.5 x 8 cm engraving of the Red Lion Inn. Beneath this is an advertisement in the form of a letter from 'NATHANIEL WEGG' to 'Sir, or Madam', addressed from 'RED LION, EAST STREET, GREENWICH. | July, 1841.' He states that he has 'repurchased the business lately carried on by Mr. GOSLING', and recommends his 'STOCK OF WINES, which was laid in by me at my commencement in business in December 1838, and which for selection and flavour may safely defy competition'.

Both sets of proofs unstitched and unopened (and both opening out into a folio sheet), and both with title-pages printed in red and black. Both in very good condition, on lightly-aged paper, and both stamped on first page 'PLEASE PASS FOR PRESS | MARGINS' in blue, with purple oval dated printers' stamp. FIRST SET: 16pp., 8vo, paginated to xvi. Title: 'THE WORKS OF MR. FRANCIS | RABELAIS | [...] | Illustrated by W. HEATH ROBINSON | The Second Part'. Publishers' details at foot on pasted label at foot of title-page: 'MCMLIV | THE NAVARRE SOCIETY LONDON'.

On 32.5 x 23 cm piece of thin wove paper. In fair condition only: aged, especially at extremities, and with loss to all four corners on removal from mount. The image (which is roughly 21 x 17 cm) and text are clear and clean, as is the signature 'James Tregaskis', in pencil in the bottom right-hand corner. A charming view, in Railton's characteristic style, of a somewhat decrepit eighteenth-century interior, with a plump young girl in voluminous late-Victorian smock playing on the stairs with a small dog.

16pp., 8vo. Vignette and eight full-page illustrations, all hand-coloured, depicting Sly Boots the fox, Farmer Brown, Joe the shepherd boy, and Trusty the dog. Disbound and stapled. On aged and worn paper. Scarce: the only two copies on COPAC and OCLC WorldCat at the British Library and University of California, with dating to the first entry.