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According to his entry in the Oxford DNB, Brandram - founder with Frank Talfourd of the Oxford Dramatic Society - 'was remembered as the most distinguished Shakespearian reciter of the period, influencing the productions of William Poel, and through his popular recitations familiarized middle-class families with Shakespeare'. 2pp., 12mo. In fair condition, with unobtrusive repair of closed tear with archival tape.

On one side of a 7.5 x 12.5 cm leaf of pink paper, extracted from an album. In good condition, very lightly aged. Centred on the page, in blue ink, the inscription reads: 'love from | Enid Blyton'. No other writing anywhere on the leaf. As 600 million copies of Blyton's books have been sold worldwide, and as she oversaw the design of her books, and insisted on her distinctive signature being placed on every cover, it is not an exaggeration to state that this is one of the most famous signatures of the twentieth century.

1p., 4to. In fair condition, aged and worn. He informs her that Finck was 'a very old friend of mine & my father's. I knew Herman when I was a boy, & had always held his loyal friendship as something to be treasured as a great privilege. When I left for Australia in 1927 a radiogram of good wishes from him came to me at sea, & when I returned two years ago he received me in the same old warm-hearted way, & was the first friend to try to help to get me re-established in London.' He continues in the same vein, describing Finck as 'a great & well-beloved man'.

Although Finck was an extremely popular and well-connected figure in British musical and theatre circles, the National Portrait Gallery holds no image of him. The nine black and white photographs range in size from 18.5 x 24.5 cm down to the carte-de-visite, which is 10.5 x 6.5 cm. The collection is in fair overall condition, with some creasing and wear, and the corner of the largest photograph repaired on the reverse with archival tape.

[1] + 6pp., folio.Two bifoliums with printed staves, stitched together. A working score, worn and aged, and with the outer leaves detached from one another. Ink blot on front page which only bears the title 'Duet | "Optimist & Pessimist" | Herman Finck'. The score is six pages long, signed at the head by Finck. Neatly written out, with a couple of notes by Finck in blue pencil. On the first page: '"You is a Pessimist" | 3 verses', and on the last: 'Encore Sym & Chorus only'. A new edition of the piece, with words by Adrian Ross, was published in London by Cavendish Music Co.

1p., 12mo. In fair condition, lightly aged and worn. He expresses the 'deepest regret' at his 'dear friend's death [...] His passing will mean a great loss both to his friends & the world of music.' The word 'Answered' is written at the head. Percy made his in Australia in the productions of J. C. Williamson. He toured America before settling in England. Finck's 'In the Shadows' was one of the last pieces played by the orchestra on the Titanic.

See her entry in the Oxford DNB. 1p., 12mo. On aged and worn paper. She has pinned a short newspaper cutting regarding Major Matthew Nathan at the head, and drawn a hand pointing to it. A dinner invitation, concluding 'You had better begin to look out for second hand copies of ""' From the papers of the Harington baronets of Ridlington.

Both items in fair condition, lightly aged and worn. ONE: Typed Poem followed by Autograph Note Signed. 24 December 1937. 2pp., 8vo. The poem consists of eleven four-line stanzas, with the title typed in red. An apparently unpublished humorous poem, quite charming and well worthy of publication. Begins: 'For months we've had electric road-drills | Right outside our door, | And two gentlemen who play them | Called in yesterday at four.

21 items. In good condition, lightly aged, held together with a brass stud. Deeping's eight items of correspondence - all signed 'Warwick Deeping' - total 9pp. His wife's three letters total 4pp. One of Deeping's letters is in its envelope, addressed by him to 'Miss Margaret Greenwood | 15 Horsham Road | Bexleyheath | Kent'. The copies of Greenwood's typed letters, totalling 16pp., date from between 27 July 1949 and 22 July 1950, bookending the whole correspondence. They are written on the backs of discarded typed drafts of pages from Greenwood's screenplays.

Following the singer's death in 1959 Johnny C. Beecher relaunched Holly's official English fan club, helping to keep his reputation alive at a time when he was practically forgotten in America. As Beecher stated in an interview, he kept 'in touch with Buddy's parents, Ella and L.O., and I can say that without them it wouldn't have been possible, as they sent us all sorts of information and photographs that kept up our enthusiasm. The Crickets also helped out and were pretty nice considering all we ever asked 'em was, "What was Buddy really like." Despite that, we became pals.

Ticket printed on one side of an 8 x 7 cm piece of paper. In fair condition, with closed tear at head and slight damage to bottom right-hand corner. Printed within a decorative border and reading (with manuscript additions in square brackets): 'No [93 - 4] | This Book is the Property of the Brentford Mechanics' Institution. | It must not be kept longer than [14] days. If kept longer than the time specified the Fine of One Penny will be charged for the first fortnight, and an additional Penny for every succeeding week.

4pp., 12mo. Bifolium. In acceptable condition, aged and somewhat grubby. He thanks him for sending his article in the 'Musical Gazette', and comments that it is 'certainly curious about the Purcell Catch & the coincidence of the four notes, but it is difficult to say whether it was done purposely or by accident'.

31pp., 64mo., i.e. 10 x 6.5 cm. Stitched, in green printed wraps. Heavily aged and worn. Penny pamphlet with three illustrations. Contemporary inscription on p.30: 'Thomas Richard Woollard his Book | Given him by Ann Wright 1840'. The signature of Sarah Wollard is also present. BBTI has Frederick Lankester active in Bury St. Edmunds between 1821 and 1864, but this may reflect a confusion between Frederick and Francis Lankester. COPAC holds items by published by Frederick Lankester between 1824 and 1837. No other copy of this particular edition traced, either on OCLC WorldCat or on COPAC.

On 3 x 12.5 slip of paper cut from foot of letter. In good condition, lightly aged and worn. The reverse reads '[...] think of me! I fear [...] I was threatened your [...]'.

On 5 x 11 cm slip of paper cut from foot of letter. In good condition, lightly aged and worn. The reverse reads '[...] in these dark days [...] interest! It is so [...] of you to sent it, [...]'.

2pp., on both sides of a strip of 35.5 x 11.5 cm laid paper with fleur-de-lys watermark. In a secretary hand employing the thorn and long s. In fair condition, on aged and worn paper. An untitled forty-line poem, divided into five numbered eight-line stanzas. The narrator is an older married woman, advising a younger woman not to marry, with observations on the frailties of the male sex. The first stanza reads: 'Ere ye. read ys. ye. may suppose. | That some new listed Lover. | By means of Poetry has chose. | His Passion to discover.

16pp., 8vo. Disbound. In fair condition, on lightly aged and worn paper. Steel engraved portrait of Carlyle on title-page. Clearly produced immediately following Carlyle's death, as the commencement indicates: 'On a cold wintry Monday morning in February the Times announced that Thomas Carlyle was seriously ill.

After leaving Dulwich College Mortimer was a classical scholar at Brasenose College, Oxford. In 1933 he was received into the Roman Catholic Church, after which he became a schoolmaster in Catholic schools, most notably Stonyhurst. According to his profile in the Catholic Herald, 5 August 1938, Mortimer was 'well-known as a composer and lyric writer, and his work has been broadcast from the early days of broadcasting. | Recently he has contributed " uncle-duty " to the [BBC] Children's Hour.

4pp., 12mo. Bifolium. In very good condition, on lightly-aged paper. An interesting piece of ephemera relating to a ground-breaking series in the nineteenth-century extension of the market for serious literature. An initial 27-line prospectus in small print is followed by a list of the details of the 35 'Volumes already Published' and of 20 works 'in progress'. The final page carries details of items 'Uniform with his STANDARD LIBRARY, price 3s. 6d.', under the headings 'Bohn's Extra Volume', 'Bohn's Scientific Library, Vol. 1', 'Bohn's Antiquarian Library' and 'Bohn's Classical Library'.

1p., 12mo. Text enclosed within a decorative border. In fair condition, on heavily aged and worn wove paper, with a couple of small holes. Printed on cheap paper, with rough untrimmed edges. Beneath the title is a poem in two columns, itself titled 'Directions for Reading it.': 'Hast thou no pity on my woes? | Dost thou at me turn up thy nose? | I'll make my declaration first, | So read straight forward and be curst. | But if thy heart to me incline, | O!

On 12 x 21 cm rectangle, cut from the base of a 4to leaf. Good, on lightly-aged paper, with part of the card mount adhering to the reverse. A firm flowing signature which reads: 'Yours sincerely | Gilbert Frankau'.

4 pp, 12mo. Good, on lightly-aged paper. The unnamed recipient appears to have been named as executor in a prvevious will of Sir Henry Bishop. Opens in dramatic style: 'I was very greatly surprised to receive a letter from you this morning, dated from Brighton, as my poor Brother, Sir Henry Bishop, had not the slightest idea that you were still an inhabitant of this world, having heard of your death some time since, in consequence of which, he made another will similar to the one in your possession, but changing the executors'.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

On slip of paper, roughly 2.5 x 10 cm, cut from a letter for an autograph hunter. Good, on lightly-aged paper. Reads 'Yours sincerely | J Arthur Thomson'.

On a piece of paper roughly 7 x 10 cm. Laid down on a piece of card. Fair, rucked and grubby, with traces of previous mount adhering to the reverse. Presmuably in response to a request for an autograph. Reads: 'I wish thee well | [signed] W Gordon-Stables | MD - RN'.

12mo, 3 pp. Bifolium. Spike hole through both leaves, not affecting text. Fair, on aged paper. She states that 'The story would be ready to commence the 2nd. week in March.' She then gives a list of her five 'other works besides Comin' thro the Rye'. The first two in the list are said to have passed through '3 editions', and of the second in the list 'a further is in preparation'.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. He was introduced to the recipient 'by Mr. Philip Malleson of Croydon, when I wanted to send an Essay to The Albemarle'. Asks if he 'might be disposed to let me write a volume on Jane Austen or Leigh Hunt for your Dilettante Library', Austen being 'specially before the public just now'. He has edited Austen's novels and two 'well received' volumes of selections from Hunt for 'Mr. Dent's Temple Library'. 'If you do not care to arrange for either of these authors I would suggest Miss Burney[,] Hazlitt or T. L. Peacock.

12mo, 1 p. 7 lines of closely-written text. Clear and complete. On aged and slightly-grubby paper. He has received their letter regarding his 'Life of Thackeray', and appreciates 'the reason for your delay in deciding whether or no to issue a cheap edition. Undoubtedly the inclusion of my book in a series would benefit us both, & I hope Mr Lee may be able to make me an offer.'

8vo: 55 pp. Disbound. Tight, on aged, grubby paper, with wear to the title-leaf, which has a 7cm closed tear along the spine. Inscribed at head of title-page: 'Rev. S. Martin wh ye Authors Affec regards'. An informed discussion, with footnotes, tables and statistics, of the desirability of the education of the poor, by a correspondent of Charles Darwin. Excessively scarce: no copy at the British Library, and the only copy on COPAC at King's College, London.

8vo: 1 p. Good, on lightly-creased paper, with a faint 4cm pink stain in the right-hand margin. Reads 'Many thanks for the copy of your interesting paper, and the kindly reference to my novel.'