THE

3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse of second leaf, one corner of which has been slightly damaged by the opening of the wafer. Folded twice. The letter begins: 'Mme. Goldschmidt presents her best Compliments to Lady Cullum and begs to express her sincere thanks for the most beautiful flowers she received this morning from Lady Cullum and which certainly do “enliven” her drawing room at the Hotel'.

On both sides of the card. In good condition, lightly aged. The recipient is not named. Reads: 'Dear Sir | I should like to see the [Sandwith?] portrait, & will take an early opportunity of calling at the Club. Perhaps, in case you are not there, you will kindly instruct the poert to shew it me when I call. The signature looks like H. [Sandwiths?] writing – but he certainly wore moustache & whiskers from 1850 onwards.'

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

Seven items from the Christopher Fry papers, relating to the film 'A Queen Is Crowned', which was a British box office hit in coronation year, and was nominated for an Academy Award and a Golden Globe. At the time of writing Fry was at the height of his popularity: around this time he had four plays running in the West End at once.

Evocative artefacts of the interesting connection between Powys and the man who supplied him with the books for his translation of Rabelais. On 24 September 1940, in 'Letters to Sea-Eagle', Powys gives a lengthy account of 'Our Jew Book-Pedlar' and the bombing by the Germans of his Russell Street address.

Carbon typescript. 4pp, 4to. Paginated 1-4. In fair condition, aged and worn, with chipping to edges. The text concerns George Moore and Bernard Shaw, but the introduction suggests that this is the start of a longer piece: 'I will give Mr. Mead, who has done such fine work and who has been so energetic in developing the work of the Associacion de Cultura Inglesa, the full particulars of the E. V. S. A., [i.e. English Verse Speaking Association] and I hope that you will all become Members.' | Mr.

Two years after arriving in England from Australia in 1913, Franklin White entered the Slade School. His studies were interrupted by the First World War, during which he worked as a draughtsman at the Admiralty. In 1919 he re-entered the Slade, and was soon invited by Tonks to join the teaching staff. On his retirement in 1957, he devoted his full energies to the Samuel Palmer School of Art, which he had run from his home in Shoreham since 1924, when he first held summer classes in landscape painting for his Slade students.

1p, 12mo. In fair condition, lightly aged, with slight nick at gutter of bifolium. Addressed 'To | Revd G Bainton.' Reads: 'Dear Sir | You are quite at liberty to publish my letter. - If it finds its way into the papers, I should be obliged if you would kindly forward me a copy. | Ever yours truly | Chas Mackay'.

1p, 8vo. In good condition, lightly aged. Folded twice. He thanks him for his letter of the previous day, and looks forward to seeing him on the Monday 'at the “Shakespeare Head Press” about 11.20 (and afterwards to the pleasure of your company at lunch)'. With the envelope, addressed to 'F. A. H. Eyles, Esq. | “The Observer” Office, | Newton Street, | High Holborn, W.C'.

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.

See the appreciative entry on Buckstone by Donald Roy in the Dictionary of National Biography. Interesting and informative letters, shedding vivid light on the day-to-day workings of early-Victorian theatre, written by a leading London actor-manager and dramatist and sent to a provincial actor-manager, regarding the arrangement of engagements, benefits, and plays. Of particular interest is the fourth letter, which refers to Mrs Fitzwilliam [Fanny [Frances Elizabeth] Fitzwilliam, née Copeland] (1801-1854), with whom Buckstone toured New Orleans and the South, c. 1840-1841. Five items.

56pp, 8vo. With fold-out 'Chart indicating the suggested arrangement of buildings etc:' at rear, 29.5 x 53.5 cm. In grey printed wraps. Internally in good condition, lightly aged, in worn and torn wraps which are becoming detached. With label, stamp and shelfmarks of the Board of Education Reference Library. Black's preface (pp.5-6) begins by explaining that 'The ideas embodied in the following pages are the product of some eight months incarceration in Germany.

1p, 4to. In good condition, lightly aged, with negligible traces from mount adhering to corners on blank reverse. A nice piece of Cambridge University ephemera. A crisply-printed circular, addressed to 'SIR', evidently sent to the electors for the University of Cambridge. Seventeen lines of text. He explains that when he first 'heard of the death of our late Representative, Mr.

1p, 12mo. Aged and creased, with closed tears and chipping repaired on reverse with archival tape. Reads: 'Dear Dr Hodgson. | Could you kindly send me your paper & speech on Edn. of Girls. We are waiting for it now & very anxious to finish up. | Yours sincerely | Isa Craig.'

On one side of an 8 x 10 cm piece of paper. Aged and worn, with light offsetting from another document. The two signatures (both 'A. E. Cockburn') are at the right hand corners. The verdict and sentence ('Guilty | 6 Mo. Imprisonment') are written between two lines centred at the left-hand margin. The purport of the document is unclear: it may be that the judge was required to record the verdict and sentence in this way for the clerk of the court.

See E. A. H. Webb, 'History of the 12th (The Suffolk) Regiment, 1685-1913' (1914). Picton was the uncle of 'the illustrious Picton', Lt-Gen. Sir Thomas Picton (1758-1815), who was his sole executor and residuary legatee. The year of Picton's birth is variously reported, but the Monthly Magazine, December 1811, is among several sources reporting his death in Bond Street at the age of 87. 4pp, folio. Bifolium. In fair condition, aged and with closed tears along the three fold lines. Endorsed on reverse of second leaf: '12th.

2pp, 4to. In fair condition, lightly aged and worn. Folded once. The letter concerns Colefax's offer to do the interior design of the Old Mill Hotel, Harnham, Salisbury, whose proprietor was Mary Fox-Pitt, daughter-in-law of Augustus Pitt Rivers. Begins: 'Dear Mrs. Fox Pitt | Lady [?] told me to write to you, & she has also told me of your exceedingly interesting plan of making an ideal Hotel near Salisbury.' Colefax boasts that she knows 'all that neighbourhood so well'. She feels the hotel 'would be a wonderful boon to everyone who lives there'. She now comes to the point.

No other copy of this royal memento has been traced, either on OCLC WorldCat or on COPAC. It is 29 + [3]pp, 32mo. Stitched with white thread into shiny white paper covers, with title duplicated within border in black on front, and back cover carrying an advertisement for a 'New Series of Packets of Books, for the young'. The final three pages carry a catalogue of 'Publications of The Book Society, 19, Paternoster Row, London.' In fair condition lightly aged, with faded front cover and dogeared corners.

Farren's entry in the Oxford DNB concludes by describing him as 'a theatrical sophisticate, equally at home in period comedy and modern plays; he was, besides, one of the finest actors of his century'. From around 1821 Farren lived with the actress Mrs Faucit (Harriet Elizabeth Savill, née Diddear, 1789-1857), with whom he had two sons. An excellent item, casting vivid light on the Olympic Theatre of Madame Vestris and J. R. Planché in its late-Georgian heyday.

For information regarding the conspiracy to murder Lord Liverpool and his entire cabinet, see Thistlewood's entry in the Oxford DNB. A rare item, with no other copy found either on OCLC WorldCat or on COPAC, and intended for distribution in the streets of the North-East of England as the sensational news of the Conspiracy broke. In small print apart from the heading (which is in the usual mixture for the period of typefaces and point sizes, with fancy rules), on one side of a 42 x 13 cm strip of laid paper.

3pp, 12mo. Bifolium. In fair condition, aged and lightly creased. Folded twice. Addressed 'To the Editor of the Courant'. Having been made Recorder of Hull in 1852, Warren begins his letter from that place: 'Sir, | Some friend has sent to me your paper of Thursday, last, containing a very kindly notice on my late Charge to the Grand Jury here.

ESTC R21335, which states: 'Attributed to George Jeffreys. Cf. BM.' 1p, folio. Aged and worn, with fraying to edges, but with text clear and entire. At top right, in pencil, in an eighteenth-century hand, 'Dupl' (i.e. duplicate). The heading reads: 'THE | Lord Chancellor's | PETITION | To His Highness the | Prince of Orange, | On His Entrance into LONDON.' Beneath rule at foot: 'LONDON, Printed for S. M. 1688.' For the context, see Jeffreys' entry in the Oxford DNB.

A savage and bitterly-sarcastic satirical spoof epitaph, the text of which, the Liverpool Mercury reported in 1822, had been 'repeatedly published before'. Some versions are said to have included a woodcut by George Cruikshank, but the only other publication found (with a few minor variations from the present version) is in the Irish Magazine, June 1809, pp.286-287, where the author is named as 'WILKS INR.', i.e. '[John] Wilkes [sic] Junior'. Printed on one side of a 26.5 x 10 cm piece of unwatermarked wove paper.

2pp, 12mo. Bifolium, endorsed 'Clarke' on reverse of second leaf. In fair condition, lightly aged and worn. Folded three times. The letter begins: 'My dear Webster, | Charles Kean has requested me to give him information respecting Theatres in England, in which it is probable he may form engagements on his return from America, as he wishes his plans to be arranged if possible previous to his departure from the United States, so as he may see his way clearly on his arrival in England.' He asks whether it would answer Webster's purpose 'to make any proposal to him'.

1p, 16mo. In fair condition, folded once, with two punch holes at margin, one affecting a word of text. She states that it is kind of him to ask her again, and she feels 'very churlish in having to say NO a second time', but her 'autumn-winter plans are complicated by a big concert tour & a lot of other [pro]bable dates', so she must reluctantly refuse his invitation.

Joad's rise and fall are admirably described in Jason Tomes' entry on him in the Oxford DNB. The present letter was written after the disgrace which followed his 1948 conviction for fare-dodging. Not only was Joad dropped from the programme which had made him a nationwide celebrity, 'The Brains Trust', as a result, but his well-founded hopes of a peerage were dashed. It is interesting to note from the present letter that Joad continued to work for the BBC after his disgrace. The letter is 2pp, landscape 12mo. In fair condition, aged and creased, with two punch-holes at head.

1p, 12mo. In good condition, lightly aged. Folded twice. 'My dear Sir | The Era Almanack will entirely consist of Theatrical information and general literature is not contemplated in the plan. Otherwise I need hardly say I should have been most happy to have availed myself of your aid.' The Era Almanack ran from 1868 to 1919, and was one of the more reliable theatrical annuals.

See Harling's entry in the Oxford DNB. 2pp, 4to. In fair condition, lightly aged and worn. Folded twice. The salutation ('My dear Percy'), valediction ('Luv Robert'), and one additional word in autograph; the rest typed. He begins by thanking Muir for a copy of 'PHM 80', the volume celebrating Muir's eightieth birthday.

1p, 12mo. In good condition, lightly aged, with stub from mount adhering to one edge. Reads: 'Lieut: Colonel Sir Fleetwood Edwards begs to thank Miss Hogarth for her letter of the 22nd. Inst. and to return the enclosed letter, which The Queen did not desire to keep, as Her Majesty has the one which she intended to retain.'

1p, 12mo. In good condition, on lightly-creased grey paper. Addressed to 'Dear Prof Brunbaugh'. He explains that Brunbaugh's letter of 19 September 'went into a large collective envelope marked “For attention”', adding 'You can guess what that means. It is lucky ever to have come out.' He has 'made a copy of a short poem' for Brunbaugh, and hopes that he will go and see him when he next comes to Ireland.