VICTORIAN

Phelps's entry in the Oxford DNB gives the background to the present letter, stating that Phelps 'married Sarah Cooper (1810/11–1867) on 11 August 1826; she was just sixteen. However, their marriage was very happy: they were a devoted couple, and Sarah later served as Phelps's dresser. Phelps preferred home life with her to clubs or social gatherings. His other delights were angling and shooting, and he purportedly knew every trout stream in England. They had three sons and three daughters, including William Robert (1828–1867), who became chief justice of St Helena, and Edmund (d.

For the context see Halliwell-Phillipps's entry in the Oxford DNB, which states that in 1852 he 'offered by subscription the most elaborate Works [of Shakespeare] ever attempted: published between 1853 and 1865 in sixteen thick folio volumes, lavishly illustrated by F. W. Fairholt and limited to 150 copies, it was initially priced 2 guineas a volume.

1p, 12mo. In fair condition, on discoloured paper with slight discoloration at corner as a result of removal from mount. Neatly centred on the page is 'Yours Sincerely | Clara Montalba'. No other text. The signature is florid and curliculous.

On 3.5 x 9.5 cm slip of paper cut from letter. In fair condition, lightly aged and worn. On one side, from the conclusion of the letter: 'Yours very truly | Clements Markham'. On the other: '[...] have failed me: so no[...] | [...] you mind my putting [...]'.

The eleven items are in fair condition, lightly aged and worn, laid down on two heavily-worn leaves removed from an album. An interesting slice of social history, relating to introduction into England of a phenomenon which began in the Unites States in the 1850s. Nine of the items relate to spelling bees in Kennington, managed by the compiler of the material T. W. Williams, and one to a 'Grand Spelling Bee' in Guildford.

1p, 12mo. In good condition, lightly aged. Folded twice. The recipient is not named, but the item derives from the papers of James Payn, the editor of the Cornhill Magazine, London. Gallenga begins: 'My dear Sir. | The last time I saw you - it may be 20 years ago - you were leaving London to write for Chambers in Edinburgh.

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

1p, 12mo. In good condition, lightly aged. Folded once. Referring to her son Francis Romano ('Cecco') Oliphant (1859-1894), she writes: 'Dear Mr. Payn | I send you with this in a registered packet by book post a story written by my youngest son, called "The Grateful Ghosts" which he wishes me to submit to you.' Her opinion is that the story 'would bear compression but that is usual to youthful productions'. She will be 'much gratified' if Payn likes it 'and can use it', and feels sure he will give it his consideration.

1p, 12mo. In good condition, lightly aged. Folded twice. He writes that he has 'received the memorial to the Postmaster General, which you have done me the honor to transmit for the joint transmission of Mr Ross & myself'. He will arrange with Ross to have the memorial 'presented on the earliest possible opportunity'.

4pp, 4to. Bifolium. Panel, a little under one-sixth of total area, missing from bottom outside corner of second leaf, with attendant loss to text, otherwise in good condition, lightly aged and worn. Folded three times. A good long letter in a neat and stylish hand, with a firm underlined signature. He begins by writing that he has that morning 'received the Petition from Belfast which I was pleased to expect from having seen in the Report of your meeting that you had done Mr Dunbar and myself the honor to entrust its presentation to us'.

4pp, 4to. Bifolium. In good condition, lightly aged. Addressed on reverse of second leaf, with small seal in red wax and postmark, to 'Revd. Charles Merivale | St John's College | Cambridge'. A long letter, with the four pages of text followed by a long postscript at the head of the first page, continuing to the last.

A 10 x 3 cm slip of paper cut from a letter, bearing the beginning of the Lord's Prayer in Mongolian vertical script. Laid down on a 21.5 x 17.5 cm piece of paper extracted from an album, on which is written in pencil the caption: '"Our Father which art in Heaven" written in the Mongol language by Stallybrass - a Missionary, who resided seventeen Years at Irkousk in Siberia - about 3500 miles from St. Petersburg -'. On the reverse of the mount are entries in two hands. The first is a four-line poem ('Oh! when but of Friendship the farewell is spoken') by 'E: A: | Jany.

A nice collection of material, including five letters in which an American actor writes to a London friend while on a visit to England. The recipient of McDonough's letters is John Jabez Stocken (d.1892), head of a leading City of London firm of tobacconists, and an antiquary. (His son Frank Lacy Stocken (1867-1937) was later an actor under the name 'Frank Lacy'.) From the correspondence it is clear that McDonough stayed with Stocken during his stay in England.

The Times, 16 February 1860, announces 'the new drama, called A TALE OF TWO CITIES', at the Royal Lyceum Theatre, 'Sole Lessee and Directress, Madame Celeste'. ('Madame Céleste' [Céline Céleste-Elliott] (c.1815-1882) was a French dancer and actress.) 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded three times. The recipient is not named. The letter has a large signature ('Henry Betty.') with florid underlining.

2pp, 8vo. On a gilt-edged leaf of umwatermarked wove paper. In good condition, lightly aged. A fair copy in Milnes's autograph. A curious poem, in which Milnes's Napoleon-worship wins through over considerations of the futility of war. Retitled 'The Funeral of Napoleon', the poem was first published in 1841 in the Spectator, and in slightly different form in Milnes's 1844 collection 'Poems, Legendary and Historical'. There are a number of differences between the present version and that published in the Spectator. The final stanza is entirely recast.

1p, 4to. On leaf of aged, worn and creased cartridge paper. Addressed to 'A. T. Q. C., | Care of The Editor of | The Speaker, 115, Fleet Street, E.C., London.' An interesting letter, touching on English and American journalistic practice, 'sensational' copy, plagiarism and fin-de-siècle Paris. The context is not entirely clear: one reading is that the recipient reported on or reproduced in the Fleet Street newspaper the Speaker one of Heilig's 'sensational letters to the American Sunday papers', only to have it 'cribbed' by Pearson's Weekly.

1p, 12mo. In fair condition, lightly aged, with traces of grey-paper mount on blank reverse, and minor discolouration at one edge from glue used. The actor Henry Leigh Murray (1820-1870) is identified in pencil as the recipient. The letter begins: 'My dear Sir, | You are quite welcome to a P[rivate]. Box if there is one to spare'. He asks him to 'call or send to Mr. Massingham at the Box Office at 1/2 past 4 o'clock who has received instructions to attend to your wishes, if all the Boxes are not let by that time'.

See Meadows' entry in the Oxford DNB. The recipient of the letter is not named, but it comes from the album of the actor Henry Leigh Murray, which also contained a letter regarding a theatre box from Charles Kean (offered separately). 1p, 12mo. 1p, 12mo. In fair condition, lightly aged, with traces of grey paper mount on reverse, and slight discolouration at corners from glue. Written with mock-pomposity, and beginning: 'My dear Sir | I hereby give you notice that Mr C. Kean has delivered unto me a Card for a Private Box for to-morrow Augt. 19th.

See the entry for Martin Hope Sutton in the Oxford DNB, and that for his grandson Martin Hubert Fouquet Sutton in Who Was Who. 2pp, 4to. I good condition, lightly aged and worn. Folded three times. With RSA date stamp. Signed 'Martin H F Sutton'. In reply to a letter from Menzies, Sutton expresses regret that 'it will be impossible for you to attend the Demonstration here on the 24th inst.' Sutton will be 'publishing certain particulars for the benefit of those present' and will be glad to send Menzies a copy.

vi + 257pp, 8vo. In good condition, tight and clean, on lightly-aged paper. In good modern binding of grey card, with new endpapers, and the title-page reproduced on the front cover.

An attractive collection of 76 engravings, laid down over 34pp, on the first seventeen brown-paper leaves of a 22.5 x 29 cm landscape album. Also laid down, on the rear pastedown, is a nice original drawing (by Tabram himself?) of two girls, one in a bonnet and the other (her daughter or sister?) with ringlets. Loosely inserted are two German engravings, each laid down on a piece of coloured paper and each with caption on reverse.

70pp, on thirty-six leaves of a worn 16.5 x 10.5 late-Victorian album, bound in black cloth. An additional seven pages at the end of the volume carry an index, divided into 'China', 'Furniture' and 'Silver Pages'. In fair condition, aged and worn. The compiler is unidentified. The first nineteen pages of the volume carry a total of thirty-six 5.5 x 3.5 cm silk labels, each with a coloured illustration of an item of porcelain (from 'Astbury' to 'Zurich'), with the manufacturer's name and marks beneath, each accompanied by a strip of paper carrying a caption printed in blue.

2pp, 12mo. Bifolium. In good condition, lightly aged and worn. Folded twice. The letter begins: 'My dear Lloyds, | However I may grieve at any misunderstanding between you and James - I cannot interfere.

1p, 12mo. In good condition, lightly aged. Folded once. Only the salutation ('Dear Mrs. Russell,') and the valediction ('Yours very sincerely | Edward German :' are in German's hand; the rest is by a secretary. He writes that he would 'have liked to write you [sic] personally, but it is a little more than I can manage at present'. Nevertheless he assures her that he is 'most grateful' for her 'very kind message'.

1p, 12mo. In fair condition, lightly aged and creased. Folded once. Her letter has been forwarded to him and he has 'much pleasure in sending you my autograph. In order to make it a little more personal, I am sending it on one of my own private book-plates.'

See his entry in the Oxford DNB. 12mo bifolium, with the two-page letter on both sides the first leaf, and the list of plays on recto of second leaf. In fair condition, aged and worn, with closed tear. Folded three times. Addressed: 'To/ | Chas. Perkins Esqr. | 2 North Place | Hampstead.' The letter begins: 'My dear Perkins, | I have not been able to reply to your last earlier - having been confined to my bed-room ever since the 31st. of July by a most severe attack of inflammation.' He has been obliged to postpone his 'Cork engagement on account of this unseen misfortune'.

1p, 4to. In fair condition, lightly aged and creased. Folded three times. After thanking Wynn for his letter he continues: 'It is a curious coincidence that in looking through a file of old correspondence yesterday I came across your letter of the 20th November 1915, which I read again with great pleasure'. Postscript: 'With good wishes to you & yours. J F.'

Lauriston Leonard Batten studied at Trinity College, Cambridge (see his entry in Alum. Cantab.). He was admitted at the Inner Temple in 1882 and called to the bar four years later. KC, 1905. Bencher, 1914. The present collection is from the papers of his colleague on the Oxford Circuit, Sir Richard Harington (1861-1931), 12th baronet, who was educated at Eton and Christ Church, Oxford. Called to the Bar in 1886, he practised on the Oxford Circuit before taking up an appointment as a Puisne Judge in the High Court of Justice at Fort William in Bengal in 1899.

Maguire was, his entry in the Oxford DNB states, 'one of the most popular orators of his age, and from 1829 until 1843 he addressed huge crowds and packed congregations in churches and at venues throughout England and Ireland'.

On 4 x 11 cm slip of paper. Reads: '[...] them. | With many thanks for yr kindness believe me | very truly yrs | Frances P Cobbe'. On reverse: '[...] information. | Have you ever seen a very curious French book [...]'.