ART

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

Proof with manuscript changes in pencil and printed additions pasted onto p.viii. 14 pages, folio. Five plates and five illustrations in text. In original green printed wraps. In good condition: paper discoloured and with some creasing at head; wraps grubby, creased and worn, with small closed tear along top end of spine. An attractive production, 'reprinted from J. & J. Leighton's illustrated catalogue of early-printed books, manuscripts, &c. part xiv.' Describes the edition of the Golden Legend published by Caxton in 1483, and a block-book published in Germany around 1470.

British businessman (1872-1955), chairman of the Medici Society Ltd, chairman and managing director of Henry Stone & Son Ltd, printers. Very good. Mostly octavo, with a few quarto and 12mo. Some bearing the Society's stamp and others docketed. Occasional rust marks from paperclips. Mainly concerned with the day-to-day activities of the Royal Society of Arts, of which Milne was a prominent member, around the time of the Second World War. On 7 September 1939: 'I hardly anticipate that you are likely to have trouble in regard to occupation of the premises.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.

Octavo: 27 pages. A rather nice production, with nine double-page plates, frontispiece and double-page table. Unbound. In original grey printed wraps, with gold foil seal of the society laid down as part of cover design. Good, in lightly aged wraps. Some tissue guards. Two essays: 'La Societe des Ingenieurs Civils de France de 1848 a 1896' by M. A. Mallet, and 'Le Nouvel Hotel de la Societe des Ingenieurs Civils de France' by M. F. Delmas ('Architecte de la Societe').

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

English artist (1855-1934) of the oriental school, a member of a family whose papers are in the Bodleian Library, Oxford. Two pages, 12mo. Very good, though grubby and on paper discoloured with age. He thanks her for her note and is sorry that she 'should have had any trouble about the bundles' Has heard 'on all hands that the Bargain went off extremely well', and hopes 'it was as financially successful'. 'The Egyptian called on me to-day and seemed much pleased with himself.' Hopes he 'behaved and acquitted himself well.' Signed 'Walter C Horsley'.

French architect (1845-1938), brother of the painter Jules Bastien-Lepage. One page, 12mo. Very good, on discoloured paper. Rodin (the sculptor) has informed him that the sketch requested by the committee will be ready the next Saturday. Points out that it will be difficult to convene a meeting during the Easter holidays. Signed 'Emile Bastien-Lepage'.

Artist and illustrator. Two pages, minor defects, mainly good. He thanks him for a letter and cheque for thirty guneas. "I shall be most delighted to see your Morocco sketches, they must be most interesting." He'll call by the next week and appreciates his kindness in offering one of the sketches. Note: autograph letters by Brangwyn appear to be scarce.

Company founded in 1908 by Philip Lee Warner and Eustace Gurney, 'to bring artists' work to the appreciation of a wider public'. One page, quarto. Folded twice. Good, but slightly foxed and lightly creased. The typed message reads ' "The best of Prophets of the future is the Past" | With the best of wishes for future success.' The signatures are arranged in four columns. The inclusion of 'Cobden-Sanderson' is unexplained.

Artist and astronomer (1802-1866). One page, bottom edge curled but text clear and complete. He is sending two "tableaux which Charadam had seen at his house. He would like him to display them that evening "ayant l'intention de les envoyer a un exposition [?] a Amsterdam . . .".

Architectural historian (1904-92) and curator of Sir John Soane's Museum, 1945-84. Seven leaves, all very good, though some lightly creased and all with staple holes in top left-hand corner. The first three letters to Mercer and the last three to Samson. Three letters docketed. ITEM ONE (two pages, 12mo, 7 August 1958): He is 'much attracted' by the Society's invitation 'to give three Cantor lectures on Country Houses', 'especially as I understand the text of the lectures would be published'. There is however 'one rather grave difficulty.

Printed address, headed notepaper. Two pages, 8vo, good condition. Russell Flint is responding to a letter from Mackenzie (attached, copy Typed Letter, one page, 4to, 26 April 1949- saying that he (Mackenzie) has circularised friends in the Press asking them to urge readers to buy water-colours as "a jolly good investment". Mackenzie also comments on the neglect of the teaching of water-colour painting in the schools, and its consequences. Russell Flint approves and has wanted to meet up but been busy with the RA Private View et al.

Pickersgill (1782-1875) and Uwins (1782-1857) were both English artists who exhibited at the Royal Academy. Very good, on a piece of grey paper roughly two inches by four. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

Behnes (died 1864) was a sculptor, and Robins (1778-1847) a flamboyant auctioneer. Very good, on piece of paper roughly two inches by three and a half. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

English artist (1890-1978). His wife, Yvonne Kapp, published four novels under the pseudonym Yvonne Cloud. One page, octavo. Very good, though a little creased and with dogeared corners. Reads 'Dear Mr. Wilson, | It is good of you to have taken so much trouble - I am greatly obliged to you. The lists have gone off to Berlin to-day. | All my thanks - & good wishes for a restful holiday'. Signed 'Edmond X. Kapp'.

English art critic and dramatist (1849-1916). One page, octavo. Very good. On grey Truslove, Hanson & Comba paper. Entitled 'Sailor's Chorus', the piece consists of two stanzas of eight lines each. It begins 'Above the mast one single star, | Still loiters in the dawn!' and ends 'Ere the swallows keel shall touch the shore | Yeo Ho! Hearts Ho! Yeo Ho! Haul away!' Signed 'J. Comyns Carr' in bottom left-hand corner.

Miniature painter and chemist (1802-75) with Carlisle and Newcastle connections. The recipient (1794-1860) was a miniature-painter and member of the Royal Academy. Both letters in poor condition, on discoloured, worn and stained paper, but with no loss to text. In LETTER ONE (two pages, 12mo) he states his willingness to meet Ross 'to talk over the matter to whicy your letter of yesterday refers', undertaking to 'enage with Mr. Thorburn to meet us'.

Anglo-Irish sculptor (1842-1924). One page, quarto. Good, on slightly discoloured paper. The embossment has been gone over in light blue pencil to bring it up. A couple of manuscript marks by Bruce-Joy for emphasis. Begins Offers to show his correspondent the 'colossal Statue of Mr. Oliver Heywood, which I have lately completed in the marble' (leaving for Manchester 'in a few days'), as well as 'the finished marble Statue of Mr. Whitley, M.P., for St.

English painter and sculptor (1781-1841). The recipient (1780-1860) was an English artist of Swiss descent. One page, quarto. Good, but with traces of previous brown-paper mount adhering to rear and minor damage to several corners. Reads 'My Dear Sir | When I asked you for an impression I had not seen the composition & had no idea that I was asking so much - believe me I feel very grateful for your kindness in putting me in possession of so very interesting a work - I do not mean to be understood as speaking of Lithography only.

English artist (1809-42). One page, quarto, with the second leaf of the bifoliate bearing the address ('To | William Haines Esqr.. | Sol[icito]r. | Cannon Street | Birmingham'), with the remains of a red wax seal, and two postmarks. Discoloured, and with damp stains causing discoloration and damage to the paper, but not affecting the legibility of the text. Small spike hole through both leaves, not affecting text. Having been 'from home yestereday on a painting expidition' he could not acknowledge Haines' letter sooner.

Major Francis Pierson died driving the French from the Market Place of Saint Helier in the Island of Jersey, 6 January 1781. Dimensions of paper roughly ten inches by eight. Dimensions of print roughly six inches by four and a half. Surrounded by six tiny vignettes: two of soldiers and four of battle scenes. Very good and clean. Suitable for framing. Mounted on a larger sheet of paper torn from an autograph album. The original painting is in London's Tate Gallery, and the item is accompanied by an early twentieth-century colour postcard of it, with some damage to the reverse.

Art critic. Two pages, 8vo, good condition. He informs his correspondent of his belief that S.H. Sime, illustrator and artist, is still alive [in fact died 1941 re. George Locke]. H e runs obver the main events of Sime's life getting a small fortune, starting life as a coal miner, "fantastic imagination", "Pick-me-up", art editor of "The Idler", collaboration with Arthur Lawrence, Dunsany books, blossome as a painter, retirement from "life and publicity, rappeared at the St George's Gallery. Konody then lost sight of him.

English artist (1849-1923). Four pages, 12mo. Folded once. With mourning border. Good, if somewhat grubby and on discoloured paper. Difficult hand. He is very grateful for the 'kind thought in sending the pipes, they are beauties, and should last one a life time'. He also thanks Slocombe for his subscription 'to the Restoration of Blythburgh Chancel Porch'. He hopes he has enjoyed his 'work in Scotland'. 'I shall be only to [sic] proud to let you take Photographs of anything I have in my house - | Do you know that the Son of Charles Robinson F.S.A.