ENGLISH

8vo: 2 pp. 32 lines of text. Good, on lightly-aged paper. He is willing to help Tomkinson with his book 'Modern Presses', but would not 'have time to be responsible for the writing of any chapters'. Offers to answer 'a questionnaire' regarding 'Flying Fame', and directs Jackson to his 'articles on the work of Lovat Fraser in the "Bookman", the "Fleuron", and "To-day".' Paragraph discusses the 'New Age Press', which 'was not a Press at all, but a publishing business'. In the last paragraph changes his mind, and offers to write a brief chapter.

On one side of a piece of laid paper, 25 x 17.5 cm. Text clear and complete. Aged, foxed and creased. Giving casts of the two plays (the first headed by 'Mr. Waddy' as 'Twineall'; and the second by 'Mr. Inchbald' as 'Don Antonio'. After the first cast list: 'End of the PLay, an Address in the Character of The Genius of Charity. To be spoken by Mrs. Sharpe.' At foot: 'Tickets too be had at W. Keymer's Printing-Office; and Places for the Boxes may be taken at the Theatre from Ten to Twelve o'Clock each Day.

4to, 2 pp. Bifolium, with each printed page on the recto of the leaf. Good, on aged paper. With part of the previous mount adhering to the blank reverse of the second leaf. Five objections are given, including the fact that the primer is 'unattractive in its present form'.

Total 5pp., 8vo, one sl.marked but mainly good condition. [March 23] He commiserates on "domestic troubles" and says what a disaster it would have been if the completion of a picture had been delayed. "You will be sorry to hear that I am confiend to the house with varicose veins in the leg. The trouble has arisen through bicycling, a maniac of the wheel having induced me to scorch over half a county with him. I am consequently obliged to give up the treat I promised myself in seeing your pivture at your studio but I mean to ahe- honour the Academy with a visit . . .

8vo, 1 p. Nine lines. Text clear and complete. Fair, on aged and lightly-spotted paper, lightly-creased and with small closed tears at edges of central crease. From the context of other items in the same collection, this letter relates to an 'Artists general Benevolent Banquet' (for which Dollman was acting as steward). Hassall writes that the previous year he 'got into trouble through giving subscriptions to stewards of other society's than the R[oyal]. I[nstitution].', so that 'if there's to be an R. I. table this year I must support it for all I'm worth'.

Two pages (but large handwriting), 8vo, conjoined leaves, good condition. "I write to thank you most sincerely, for your kind letter about my picture. I think it was very kind indeed to trouble to write. I appreciate it very much."

On piece of paper roughly 2.5 x 7.5 cm. Mounted on piece of 7.5 x 13 cm card. In fair condition, with both card and paper aged and slightly discoloured. Good firm underlined signature ('W E Gladstone'). The card carries the following caption, in a contemporary hand: 'Autograph of | The Right Honorable William Ewart Gladstone, M.P., | Premier Minister and | Chancellor of the Exchequer.'

Part of a letter, cut away for an autograph collector, roughly 5.5 x 10.5 cm. The recto carries the franked address, trimmed close, reading 'London July twenty 1835. | Roundell Palmer Esq | Mixbury | Birmingham [corrected in another hand to 'Magdalen Colle | Oxford'], signed in bottom left-hand corner 'W E Gladstone'.

Steel-engraving, on a piece of thick laid paper, 12.5 x 17.5 cm. Fair, on lightly-aged and foxed paper. Never mounted, and so with no glue staining or other marking to blank reverse. Depicts Camelford's armorial crest, flanked by two birds, with motto 'PER . ARDUA . LIBERI .' At foot, in copperplate, 'Camelford.', with 'C. Catton R.A. del. F. Chesham Sculp.'

4to, 1 p. On piece of watermarked laid paper. Thirteen lines of text. Clear and complete. Good, on aged paper, with thin strip of stub adhering to blank reverse. Docketed at head, in a contemporary hand, '331 | Lord Camelford for fac simile'. Camelford was not at home when Buchan called, but he 'will take care that his Lordship's Letter shall be transmitted to Mr Pitt [his cousin William Pitt the younger?]'. Pitt 'will doubtless feel himself flatter'd with his Lordship's testimony in favour of his abilities and fortitude'.

8vo: 4 pp. Wih four pages of illustrations on art paper, the first being a full-page photographic portrait of Frink by Peter Collins. Stapled. In original blue printed wraps. Good, on lightly-aged paper. No copy on COPAC.

4to (22.5 x 18.5 cm), 1 p. Eighteen lines in four paragraphs. Text clear and complete, crisply printed in italic. On aged and grubby paper. Begins 'The lamented death of Mr. SMYTH having occasioned a vacancy in the Representation of our University, I am induced to offer myself as a Candidate for the honour of succeeding him in that distinguished situation.' He is 'unfettered by political engagements', and must forever feel 'affection and gratitude' for 'a Body, amongst whom I have passed some of the happiest and most profitable years of my life'. Hervey was unsuccessful.

12mo, 4 pp. Bifolium. 58 lines of text. Clear and complete. On aged paper, with the outer pages grubby and stained. The delay in replying to Welford's letter is due to the fact that it 'fell aside in Edinburgh and did not reach my hands until lately'. 'I was engaged in a veryy subordinate capacity on Taits Magazine when the shilling series commenced - and for some years - and again had it as my own property from 1846 to 1850 and have had it again for some years; yet I do not remember having ever seen a notice in the Newcastle Chronicle'.

4to: 36 pp + 12 pp of prints on art paper. Stapled. In striking original printed red card wraps. With A4 addendum leaf loosely inserted. Good, with light stain to bottom outer corner. Important two-page introduction by Lewis, reviewing his career, followed by three-page essay by Rothenstein on 'Wyndham Lewis and Vorticism'.

On a piece of thin card, 30.5 x 23 cm. Dimensions of illustration 23 x 17 cm. Signed by Twidle in bottom right-hand corner. The image itself is clear and sharp, in spotted and grubby margins. Docketed in pencil on reverse 'Monkish Robes | 491 | to 5 inches width | with rule as in picture'. An attractive, detailed watercolour, in black and grey, and picked out in white, showing three monks processing with eyes cast to the ground in different directions in the grounds of stone temple overgrown with foliage.

Dimensions roughly two and a half inches by four and a half wide. Clear, bold signature on aged paper. Reads '<...> believe me Gill's friend as well as your own | [signature] Charlotte H Dolby'. Reverse reads '<...> says, because I get mixed up with such a lot of people, and lose my individuality in the <...>'.

12mo, 15 pp. In original green printed wraps. Disbound. Vertical fold. On aged paper with fading to wraps and slight damage to spine from disbinding. As Streatfeild explains in his two-page introductory 'Note', five of the seven poems appear here for the first time. Uncommon. COPAC lists copies at Cambridge, Edinburgh, Glasgow, Oxford and the British Library.

12mo, 3 pp, 26 lines. Good, with tiny pin holes at head and foot of both leaves of the bifolium, and one corner roughened by removal of mount. Buckmaster has learnt that Meade is 'contemplating leaving [his] work in this Office', and would 'greatly regret any such step' as Meade's work is 'of great assistance and is much appreciated by all of us in this room'. While Buckmaster realises that there is little opportunity for advancement, he feels that 'we all do render considerable service to the state'.

Both letters 4to, 2 pp. Both texts clear and complete, and both in fair condition, with dog-eared corners. In the first letter O'Conor writes that he has 'heard from Miss Maartens', and that he is sending 'Dr van Maanen's' study of the author. 'Miss Maartens suggests that you and I might meet, which appeals greatly to me, for I enjoyed your review of the Maarten Maartens letters and have also heard about you from my friend John Gould Fletcher.' Gives a time when 'Miss Maartens is coming to the London Library to read some Dutch' for him, and he suggests that Burdett join them.

12mo, 15 pp. On watermarked laid paper. Very good, with slight wear to crease on first leaf damaging two words (both still legible). Otherwise text clear and complete. The item can be dated from a reference to 'a Dempsey-Tunney fight'. Although neatly written, the handwriting is so stylised that deciphering the text presents difficulties. Begins 'What a whirl since I wrote you on the boat before we landed in Rangoon [...] HOT. Yes! Right now it is 90 degrees in our room which has windows on three sides & there are two big fans going.

Cut from a letter. On small rectangle of light-grey paper, roughly 2 x 4 cm. Fair, on aged paper with thin light strip of glue staining along top edge. Neat firm signature, underlined and overlined, reading 'John Hullah'.

8vo: 1 p. 7 lines of text. Good, on lightly aged and creased paper, with the address on the reverse of the second leaf of the bifolium, to which Verney's red wax seal adheres. A graceful letter of thanks. 'It gives me no small satisfaction to think that my general Conduct has hitherto merited your approbation.' Informs Tonyn of the date of the general election. Verney would lose his seat, and with it his immunity from prosecution for debt, forcing him to flee to France.

The collection of thirty-one items is in good condition, with the texts (in a variety of formats) clear and complete. Includes nine Typed Letters Signed, one Autograph Letter Signed, two Autograph Notes Signed, one Autograph Card Signed, one Typed Note Signed by Crowe, with a Typed Letter and a Typed Note signed on his behalf. The first item is an Autograph Card Signed from Crowe accepting his election as the Society's Vice-President.

On a piece of paper 6 x 14 cm. Laid down on part of leaf from autograph album. Good, on lightly-aged paper. Evidently in response to a request for an autograph. Good firm signature, with looped underlining. Reads: ' "We take the compositions as they are" | "Our Bazaar" | [signed] Albert Chevalier'. Chevalier's song 'Our Bazaar' was hugely popular. The published version (1894) gives the authors as Chevalier and Brian Daley, but the British Library ascribes it to John Charles Bond Andrews.

12mo: 2 pp. Bifolium. Text clear and complete. Fair, on aged paper. If the recipient visited on the Saturday he would have found that the Waughs were away: 'My wife was developing mumps in London & I was kicking a football. Would tha tit had been any other day.' He thanks him for 'the review of Strachey', which he read with much interest, if partial agreement': 'I think mystic experience lies beyond my compass, & therefore I can hardly judge'. Quotes 'our friend Moore' (the philosopher G. E. Moore?) on the subject.

The fifty-two items (in various formats) are in very good condition. Texts clear and complete. On lightly-aged paper. A cordial correspondence regarding the business of the Society, Holdich's close association with which is not noted in his entry in the Oxford DNB. On 21 February 1917 Holdich writes to 'accept the honour of appointment to the office of Vice President of the Society of Arts'.

Dimensions of card 6 x 9 cm. Good. Printed on the card are the name 'Miss Anna Swanwick,' and the address. Written around the name in MS is 'Mr Palgrave, The Misses Palgrave from [Miss Anna Swanwick] With kindest regards and all the good wishes of the season.'

4to, 8 pp. Stitched pamphlet on grey paper. Text clear and complete. Good, though somewhat creased, and a little stained. In small type. Divided into two sections: 'Selections from the opinions of the London press' and 'Selections from the opinions of the provincial press'. In a long quotation on the front page: 'Charles Dickens made the practice famous, and Mr. Joseph Hatton has begun his platform career in the same modest, careful, and unpretentious way [...]'. (p.1, 'From General Press Notices').

Both items in fair condition, on lightly-aged and foxed paper. Letter One: 12mo (15 x 10 cm), 1 p. He thanks him 'for the Tickets': 'we are looking forward to seeing you act. I shall be very pleased to come to smoke a cigarette after the first act off the Duel.' ('The Duel' was produced at the Garrick Theatre, London, in 1907.) Letter Two: 12mo, 2 pp. He thanks him 'for the excellent evening you gave me at The Coronet the other night. | The Incubus is an admirable play, and admirably acted.' He hopes France 'had a good week of it': 'I told innumerable people not to miss it.'

8vo, 2 pp. Text clear and complete. Good, on lightly-aged paper. He is 'sorry' that Harlech has 'left the Colonial Office, upon which you have produced such a profound and salutary effect'. From the point of view of the I.L.O.