ENGLISH

Dimensions of image 20 x 13.5 cm. On piece of paper 29 x 21 cm. Very good, with four unobtrusive marks and pencil numbering in margin. Taped to backing board and with paper cover. Depicts a suited individual trudging down a corridor festooned with gadgets, including two small beeping television sets attached to his head, a mobile phone in a holster, with bullet belt marked 'BATTERIES', a large camera on his belly, a fax machine draped around his neck, and a suitcase marked 'PC'. Bemused individual looks on from doorway.

Good condition. "Dear Kenneth / Many thanks for your congratulations - greatly appreciated. I hope all goes well with you & send best wishes for 1968." Day-Lewis had recently been appointed Poet Laureate.

One page, 8vo, good condition. "I have pleasure in sending you my autograph."

Total 3pp., 4to, creasesedges dulled, odd spot, mainly good condition. (1810) He humorously asks for an enclosed letter (not present) be forwarded to a Mrs Nooth (named on address panel). (1812) He gives a gracious and witty apology, outlining the circumstances. According to an information sheetprfepared by the firm of H.P. Kraus these items are from the Library of Sir Thomas Phillipps. Two items,

Two pages, c. 7 x 5", good condition. He discusses his correspondent's request (via his publishers, Constable) to include five of his poems in an anthology. "One of these, 'Tartary', is taken from a collection entitled 'Songs of Childhood, which is published by Messrs Longman Green & Co." He asks him to write to them directly, and for the name of the publishers of the anthology. His fee is usually £3 gns. "Perhaps you will let me know what the published price of your anthology will be".

One page, c.7 x 5", good condition. "Thank you for your letter. As to trhe hymn, I daresay it may have been a chance shot of mine although I have a notion that I did confirm it at the time. Herrick I assumed to have his poems circulating in manuscript for some time before the publication of 'Hesperides'."

Irregularly-shaped (like an 'L') piece of paper, cut from the head of a letter with a mourning border. Dimensions (very roughly) 4 and 3 cm high and 7 cm wide. Good, with minor traces of two tissue mounts adhering to reverse. The following written vertically across three lines of writing: 'to all your family, & I am, dear Sir, truly yours | [signed] H. Martineau'. The remains of the three lines acoss which the above is written read: '<...> dear Sir | <...> I am | <....> ur sister <...>'.

Both items written in pencil and good, on lightly aged paper, with their stamped and postmarked envelopes addressed by Asquith. Both envelopes with traces of brown paper mount adhering to reverse, and both docketed by the Graphic's editor 'To me Harold Lawton'. Letter One (12mo, 4 pp, headed 'Private'): Amusingly outraged letter regarding a visit by 'two gentlemen' of whom Asquith 'had no sort of knowledge'. Graphic journalists, they assured Asquith 'that nothing wd. be written about me without my seeing it first [last five words underlined in red]'.

Landscape 8vo (roughly 12 x 20 cm), 1 p, 8 lines. On creased and lightly aged paper. Text clear and entire. Stephen is afraid that Valentine's 'poor protegée will not [...] get much out of her claim!' Stephen cannot help her 'because litigation in a colony can only be conducted by a solicitor resident within it, and bad as we are reputed to be at home, they are far worse in the Colonies!' However he has 'written a strong professional letter for her that may perchance obtain an answer'.

On piece of paper roughly 5.5 x 12 cm. Neatly laid down on a quarto leaf removed from an autograph album. Autograph and mount both damp-stained. Reads 'Mr Tierney presents his Compts to the Lord Mayor elect and the Sheriffs. will have the honor of waiting upon them Monday 9th Inst.' The leaf on which the autograph is mounted carries thirteen lines of biographical information in a nineteenth-century hand. Laid down on the reverse of the mount is an oval engraved portrait (not stated, but by William Ridley, published by Vernor & Hood, after John Opie), c.

4to, 2 pp, 14 lines of text. On aged and creased paper, with traces of cream paper mount adhering at foot of reverse. Showing the grammatical indifference of the English eighteenth-century upper classes. '[...] nothing but indisposition shall prevent my attendance at the meeting you was to good as to inform me that is to take place on Monday next of all the Catholicks of great Britain'. He is 'ill with a violent Cold sore Throat and fever' and doubts whether he will be 'well enough to undertake the journey to Town so soon'.

12mo, 2 pp, 18 lines. Good, on lightly aged and creased paper. 'Mr. Westmacott presents his Compts and has to acknowledge Mr Twinings polite letter'. Its delivery has been delayed 'owing to its incorrect address', 'Mr W. having left Wilton <& Co.?>. (and quitted the practice of his profession) for some years'. As for 'Engravings and Photographs' of Westmacott's works, 'very few were made'. Most of these were 'ill done', although he does name one with which he was satisfied. Consequently Westmacott cannot 'assist Mr. Twining in his object'.

8vo, 1 p, 14 lines. On lightly aged paper, with 9 cm closed tear (affecting a few words, but not the signature) neatly repaired on reverse with archival tape. A letter of condolence on the death of Mrs Slocombe's husband, 'after his long illness'. Salisbury is 'sure he must have had a very courageous spirit to the end - I remember it so well at the Academy Schools'. He suggests a firm that might be willing to buy 'the canvases etc you mention'. The letter links two artists who studied together at the Royal Academy Schools, and also establishes the date of Slocombe's death as 1906.

12mo: 1 p. 8 lines of text. On aged paper somewhat grubby around signature at foot. Asks when he will be 'able to come to us to meet the d[uke] of Wellington'. They are 'at liberty any time between the 4th and 11th of January'.

8vo (23.5 x 18.5), 2 pp. Signature cut away, resulting in loss of 3.5 x 10 cm rectangle from corner at bottom and affecting four lines of text on recto. Otherwise good, on lightly aged paper with thin strip from brown paper mount adhering to inner margin on reverse. 37 lines of text (four with loss). An interesting letter written during his final illness. He begins by confirming the report which has reached the recipient of Gardner's 'having been very seriously indisposed'.

12mo: 2 pp. 28 lines. Good, on lightly aged paper, with unobtrusive small spike hole and traces of mounts adhering to four corners. Interesting animated letter between a Victorian author and his printer. Relates to Tupper's 'A hymn for All Nations; translated into thirty languages; nearly fifty versions; the music composed expressly by S. Sebastian Wesley.' (1851). Asks his printer to 'Attend to Hymn as within' (not present). 'We cannot help all this trouble'. Tupper has written to Dr Gavassi, but has had no answer: 'get Rossetti's as soon as you can.

Three pages, on quarto leaf folded vertically to make narrow bifolium. Very good, with minor aging and creasing. Under each of the six years details are given of the date, amount and individual from whom the sum is received. Includes £18.15.0 from John Sampson of York for 'Signing 150 proofs Lord ', £28.0.0 of 'Ellis (Bookdealer of Bond St., for 4 old books)', £29.8.0 of Mr. Garnett-Orme, 'For picture of Auck Lodge', and £75.0.0 and 'Mr. Savill (for 9 Engravings by Bartolozzi)'. Other names include Lawrence & Bullen Ltd, Mr Partingdon (picture restorer), Captain Frank Forester, H. P.

One page, creased and marked, text in pencil but legible. An explanatory docket in another hand: "Epigram by Moncrieff - a blind man's writing". The Epigram reflects this situation, text "translated" below in another hand: "Oer me, you've this advantage, great indeed | What I may write at pleasure you may read | But still I've one advantage in Fate's spite - | You cannot make me read the stuff I write!"

8vo, 1 p, 8 lines. Folded twice. Good, on lightly discoloured paper. Informing the Morrises of 'our safe arrival', and thanking them for 'the very amiable hospitality we have enjoyed'. 'Mrs. Haag in this moment feels a little the fatigue of the journey but will ere long use a leisure hour to write to you.'

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

12mo, 2 pp, letter of 8 lines, resolution of 9 lines. Good, on lightly spotted paper with small pin holes to top inner corner. He is appending 'a copy of a resolution agreed to at a Meeting of Committee held this afternoon at No 1 Station St., the Baroness Burdett-Coutts presiding'. The resolution, on the recto of the second leaf of the bifolium, thanks Middleton, 'for services rendered to the Art Student Home, & for the constant interest he has displayed in advancing its welfare'.

On strip of paper roughly two inches by eight wide. Good. Two bold signature reads 'Yours sincerely | Richard Adams'. Presumably the collector was expected to cut the autographs off individually - for wgatever purpose.

One page, on piece of paper roughly seven inches by eight wide. On aged paper laid down on a piece of card, and with some wear and paper and glue stains. 'My dear Madam, | In reply to your letter of Novr. 18th, I have pleasure in sending you my autograph, as you desire.' Four-line printed biographical cutting in bottom right-hand corner.

Four pages, 12mo. Good, on aged paper with one half-inch closed tear. Claims to be 'compiling an historic book [...] which has been left to the nation', and asks for his contribution. Provides a full-page list from the 'over 500 Autographs'. The collection 'could not be complete without' Montgomery's 'honoured name'. Asks for 'a few words (as many others have done) on the blank side so as to keep this for Gen Alexander & others who took part in your campaign'. Congratulates him on his 'brilliant Victory'.

One page, roughly four and a half inches by seven wide. Grubby, and with one inch closed tear at foot, caused by removal from mount, traces of which, and of another autograph adhere to reverse. Reads ' "How good it is to live, even at the worst" | "Christ in Hades" by Stephen Phillips | [signed] Charles Warner | 1902'. Small neat green circle containing number in bottom right-hand corner.

Paper dimensions: five inches by eight inches wide. Good, on lightly aged and creased paper. Good clear signature reads 'Yours sincerely | Gilbert Murray. | August 6. 1930.'

Both items one page, 12mo. Both on creased, aged paper, with some paperclip spotting. In the typed letter (which is in slightly worse condition than the other item) she explains that she is enclosing her autograph on a separate sheet. '[I]n case you care to have it My Mother, Mrs. Graham, (I write under my maiden name) thought you might like to have Sir Philip Gibbs' autograph, [^the celebrated author,] so she has asked me to send you a card she received from him the other day. [not present] You certainly have a wonderful collection!' The autograph reads 'Jan: 7th.

One page, octavo. Good on aged and lightly creased paper. 'As you see by the enclosed it was returned to Mme D'Alvarez. | She is so sorry, but hopes it will now reach you. | Yours Truly | [signed] Evelyn Woolf | Secretary'.

One page, on back of printed postcard. Very good. Photograph of the Via Appia on reverse. Reads 'Dear Sir | In reply to your request I have pleasure in sending you this'.

One page, 12mo. Good but with paperclip spotting at head (not affecting text). Three-line quotation clearly sent in response to a request for an autograph. 'Broadmindedness, so called, is generally no more than the silly fear of being thought narrow-minded - | [signed] Charles Oman'.