ENGLISH

The letter (8vo, 1 p) is foxed, but otherwise very good. Had he not been 'engaged for ten days past to dine three or four miles off with an old acquaintance', whom it is too late to disappoint, he would have been happy to avail himself of the kind invitation. Sends best wishes and prayers to the recipient's family, 'from the elder to the youngest'.

Three pages, 12mo. Very good: lightly aged and with the merest glue spot to blank verso of second leaf of bifolium. Mackay's 'signature' appears to be in the same hand as the rest of the letter. He has had a 'severe attack of inflammation of the eye', and this has prevented him from reading or writing during the previous week. For the same reason he is replying to Alford's letter of 1 March through an amanuensis. Three weeks previously Mackay 'received a packet from Mr.

Alexander MacLehose: Letter One: 4to, 1 p. Good, on slightly aged and lightly creased paper. He is sending a copy of his catalogue, 'which has reached me from the printers to-day'. He has 'sent a copy also to the firm'. Would like Wilson's 'advice as to whether "Memories of the Months" should have a paper jacket. The binders have sent me a nice cellophane cover, which shows the rather handsome binding. Would there be any objection, from a selling point of view, to a cellophane cover in place of the ordinary paper jacket?' Letter Two: 12mo, 2 pp.

Scottish soldier and diplomat (1755-1843). Four pages, octavo. Good, though grubby on discoloured paper, and a little frayed about the edges. Concerns 'the Subject of Issues which are made by the Barrack Department in North Britain to the Forces stationed in this Part of the United Kingdom, but which are not sanctioned by The King's Warrant'. '[...] | I conceive the Establishment of Regimental Schools to be highly conducive to the good of His Majesty's Service, and peculiarly so in the case of 2d.

One page, 12mo. Black bordered. Very good and with the verso of the blank second leaf of the bifolium laid down on a leaf detached from an autograph album. Nine lines. He thanks him for 'a brace of splendid grouse - which are now so rare as not to be had for money. It was therefore doubly generous [...] Endulging [sic] the pleasing hope of "Revenge" - & with kind regards to your House circle'.

16mo (11 x 9 cm) bifolium, 3 pp, 16 lines of text. Mourning border. Good, with slight discoloration to the external pages. He is sending a manuscript 'At the suggestion of the Author, an officer residing in Paris'. If 'on examination' the recipient considers it 'unsuitable for the pages' of the Gazette, he asks for it to be returned to him at 13 Upper Berkeley Street 'when your messenger happens to pass that way'. The author 'is a man of high character and well acquainted with Paris & the Parisians'.

Disbound. Octavo: four pages. Good: slightly aged and with some creasing to extremities. Thirty-one lines of text, followed by a double-column list of subscribers, and amounts subscribed.

12mo: 3 pp. Bifolium. 27 lines, written in a shaky hand. On creased, discoloured paper, and with some damage to the second leaf caused by careless removal from mount. Two irregularly-shaped closed tears on the second leaf, one to the left of the signature, have been neatly repaired on the reverse with archival tape. He is glad that his correspondent likes 'our Odyssey: the Iliad is less attractive. [...] I dare not remember all my books, but will ask Messrs Longman to send a list of what they possess. All are very unpopular.' He doesn't write in 'T.

Scottish art critic and engineer (1864-1950). One page, octavo. Very good. Bearing the Society's stamp. 'It is very good of the Council of the Royal Society of Arts to ask me to become a member, but, while thanking them, I regret that I do not see my [^ way,] at present, to join any more societies.' Signed 'James L. Caw'.

British soldier and historian (1878-1962). One page, quarto. Very good. Bearing the Society's stamp. '[...] I will be permitted by my duties to have the honour of attending at the Royal Society of Arts on the 17th. Instant at 4.30 pm in order to receive the Medal awarded to me by the Society. | I have also to acknowledge with thanks the kind invitation of the Council to attend in the Council Room before the Meeting [...]'. Signed 'G Duff Sutherland Dunbar'.

12mo, 1 p. Fair, on aged paper. Reads 'The Duke of Portland presents his Compliments to Dr. Taylor, and has the honor to acquaint him that he will be very proud of the honor of being elected a member of the Society of Arts -'.

8vo: 1 p. Good on lightly-aged paper. Small closed tear at head, and traces of glue and grey paper from previous mounting on reverse. He is sorry to say that he will be 'away at the seaside' when Bennett is in London. If he is 'in town again shortly' Jackson will be glad to meet him. 'I am to be found most days at 29 Henrietta St, Covent Garden [the offices of 'T.P.'s Weekly', on which Jackson held an editorial position] - but it is safer to make an appointment.'

Printed on one side of a piece of wove paper, dimensions 22 x 14 cm. Text clear and complete, on aged and lightly-spotted paper, with minor wear to extremities. Headed 'Under the Patronage of the Nobility and Gentry.' 48 lines of text, including positive quotations from the Observer, Christian Advocate, Sunday Times and Albion and Star. Describes ten aspects of the exhibition, lettered A to K, including the conveyance of the ore 'to the surface by a --- (G) --- POWERFUL HYDRAULIC MACHINE, first in kibbles, through a perpendicular shaft, and lastly in waggons drawn upon an inclined plane'.

On one side of a leaf of pink printed music paper, roughly 18 x 23.5 cm, removed from an album. Very good on lightly-aged paper. Twenty-one grand staff bars. Signed 'Frank Wright. | 21st. December 1927.' in bottom right-hand corner. According to Newsome ('The Modern Brass Band'), Wright was 'a highly influential figure in the brass band movement'.

12mo, 2 pp. Ten lines of text. Good. Asks 'upon what terms' he may 'publish some of the songs I have set from the charming volume you sent me'. He is 'acquainted with the Gentleman' to whom Bennett has dedicated his book: 'it was in his shop I was introduced to Longfellow'. Possibly referring to Bennett's 'A Sea Song' and 'The Sea-Boy's Dream', set to music by Hatton and both published in 1861.

On both sides of a piece of paper, roughly 18 x 23.5 cm, taken from an album. Very good, on lightly-aged paper. Thirty-two grand staff bars, in black ink, with title and signature in blue. Signature, following the score, reads 'Douglas Hopkins | September 2nd. 1926'.

On the recto of a piece of pink paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Phillips's autograph is in the top left-hand corner, reading 'Montague F. Phillips | March 1927.' Above it are four bars of musical notation, marked 'allegro' and titled 'The Fishermen of England. The Rebel Maid" - both by Phillips).' Beneath this, and divided from it by a diagonal line, is Phillips's wife's autograph: 'Yours sincerely | Clara Butterworth'. The couple met while both students at the Royal Academy of Music.

On a leaf of pink paper, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. The score, on the recto, consists of eight grand staff bars, titled 'St. Andrew | A + M 403. | Jesus calls us; o'er the tumult | E. H. Thorne'. The score is folowed by the signature 'A. E. Thorne | 30th. Aug 1929.' The autographs, on the reverse, read 'Yours Very Sincerely | Russell Thorndike. | (Death in Everyman.) | Grey Friars Mar. 1929.' and 'Harry Alfred Harding | June 1. 1929.' Thorne was a leading figure in the late-Victorian Bach revival. Thorndike was the detective novelist.

On one side of a leaf, roughly 18 x 24 cm, removed from an album. Good, on lightly aged paper. Sixteen grand staff bars, followed by 'from Minueta Trio for pianoforte | [signed] Leslie Regan | 10 July 1919.'

On a leaf (roughly 11 x 17 cm) removed from an autograph album. Good, on lightly spotted paper. Reads 'All good wishes from The Gresham Singers | 17 Aug. 1923 | Eastbourne | Hatherley Clarke | Charles Flinn | Greeves Johnson | Leonard Salisbury'. Signature of 'Arnold Stoker | 7/3/1919' on reverse. Stoker was winner of the Guildhall Gold Medal in 1919.

On a leaf of blue paper (roughly 11 x 14 cm), removed from an autograph album. Good: lightly aged and spotted. Reads 'With best wishes The Hedley Ward Trio | Jack Mckechnie | Derek Franklin | Bob Carter'. Docketed, presumably by the recipient, with the members' instruments. Hedley Ward was one of the foremost British bandleaders of the 30s, 40s and 50s, and his Trio featured in many radio and television broadcasts, and are still to be heard on archive programmes.

On one side of a pink leaf, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. Staves ruled out in red, with notes and text in black. Seventeen bars, with staves for soprano, alto, tenor and bass.Titled 'Quartet (unaccompanied)' at head, with 'from "The Lord is King" | Stanley Marchant. | Jan: 10: 1909.' at foot. Beside this, in a larger, looser hand, in green ink, is a later signature: 'Stanley Marchant | Sept: 20: 1936'.

On one side of a piece of printed music paper, roughly 21 x 22 cm. Laid down on a page removed from an album. Good, with one dogeared corner. Seventeen grand staff bars, arranged on four levels, followed by 'Yours sincerely, W G. Webber | Feb 1928'. Webber was at the Royal College of Music at the same time as the father of Andrew and Julian Lloyd Webber, who changed his name from W. S. Webber to W. S. Lloyd Webber to avoid confusion with him. No record of "The Curate's Gavotte" found.

On one side of a leaf of green paper, roughly 17.5 x 23.5 cm, removed from an autograph album. Good, on lightly aged paper. Thirteen bars, with staves for soprano, alto, tenor and bass. Covering the greater part of the page, and followed by 'From Mass in C minor. | for five voices. | [signed] Ronald. M. Brunker. | June 28th. 1927'.

8vo: 2 pp. Fifty lines. Text clear and complete, on two pieces of aged and spotted paper, with rust spots from paperclip. Untitled. Begins: 'I should like to see Chesterton as Lord Rector of a university which stands for Liberal thought. Some people, limited in imagination and hostile to unconventional character, would as soon give their votes to a modern Don Quixote who by some miracle has acquired the corporeal structure of his own Sancho Panza.

On one side of a foolscap (32.5 x 20 cm) page. Eighteen lines. On aged and foxed paper with chipping at head and foot. Chamberlain was Rector between 1925 and 1928.

8vo: continuously pagined 1-187, followed by three pages of publishers' advertisements. A tight copy, in good condition, with the four parts (each of which retains its original orange printed wraps) bound together in contemporary brown cloth gilt and floral endpapers. An invaluable reference work, containing a total of 14293 items, each priced and with a brief description. Example: '4428 Hobart (Mrs.) Lady Buckinghamshire, caricature by Newton, Mrs. H. (very corpulent) driving over the weighing machine in front of a Weigh House, sinks down in the pit, folio, 1797, 4s'.

On a piece of good wove paper, roughly 415 x 260 mm. Dimensions of engraving 180 x 220 mm. On aged paper and with the margins of the leaf trimmed. Laid down along the right hand margin runs a strip of blue paper, 30 x 410 mm, which it may be possible for a professional restorer to remove. This edges the border of the print (which is clear and entire) and overlaps a few letters of the text. Neatly coloured in sombre tones.

12mo: 40 pp. Disbound. Good, on lightly aged paper. Contemporary ownership inscription of 'William Francklyn" on title-page. This edition is scarce: no copy in the British Library, and the only copy on COPAC at Liverpool.

2 vols, 12mo. Vol.1: viii + 264 pp. Vol.2: viii + 336 pp. Complete, with all the engravings of sheet music listed in the contents (vol.1: five two-page plates and one four-page plate, with one more piece of music 'printed with the letterpress'; vol.2: one two-page plate). Both volumes good and tight, on lightly-aged and spotted paper. In worn contemporary half-calf binding, marbled boards, with the first volume rebacked. Each volume with bookplate of Frederic Perkins, Chipstead Place, Kent.