Music and Theatre

Printed postcard with manuscript additions, minor defects. The printed heading describes him as ""The Autograph King. Unchallenged. Owner of the largest collection of Modern Autographs in the World", lists the Exhibitions at which he has displayed his stock, and adds his address and a request to the recipient to write their autograph ("Request Register No. [17861]". The recipient of this was Philip Yale Drew who added "Young Buffalo" to his full clear signature on the reverse. In this same year, 1929, Drew had been arrested as a suspect in the the murder of tobacconist, Alfred Oliver.

One page, octavo. Good on aged and lightly creased paper. 'As you see by the enclosed it was returned to Mme D'Alvarez. | She is so sorry, but hopes it will now reach you. | Yours Truly | [signed] Evelyn Woolf | Secretary'.

One page, 12mo. Very good on lightly-aged grey paper. Reads 'Dear Sir. | Here is the autograph you require. | Faithfully your's | [signed] Edmund Yates'. The words 'Here' and 'to' are slightly smudged.

Octavo, one page. Good, on lightly aged and creased paper, with the merest hint of a damp stain. English translation in contemporary hand on separate piece of 12mo paper, with slight loss at head (not affecting text). She has received no acknowledgement from him for 'the autograph which I sent you and a little book of verse sold for the benefit of the soldier who wrote them. The little book ought to be sold for at least 75 cents.

One page, octavo. Very good, on lightly aged paper, with embossed blue ink monogram at head. 'Dear Sir | My Sister Isabella, just arrived, tells me you desire my autograph, I have great pleasure in complying with your flattering request. [...]' The blank second leaf of the bifolium is carefully attached to a larger piece of neatly-docketed paper, and has the two newspaper cuttings partially laid down on it. The short Times obituary, dated 17 March 1908, states that 'She must surely have been the last person alive to whom Charles Lamb addressed a poem'.

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.

On a piece of paper roughly 3.5 x 9 cm, with embossed details of stationers. Good, with tiny crease to one corner. A clear signature, in pencil.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good.

On piece of light green paper, 8 x 11 cm. Laid down on leaf of slightly larger paper, taken from an autograph album. A little grubby and ruckled. Written in green ink.

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

On piece of cream paper, roughly 8.5 x 12 cm, removed from an autograph album. Good, on paper with a few light marks. Bold, firm signatures in pencil, one on each side of the leaf. Two signatures,

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

The cutting consists of the two outer columns of pp.11 and 12, measuring 42 x 15.5 cm, with the article on Marie Lloyd, consisting of forty-four lines of text, covering roughly 12 x 6 cm of the inner column. Good, though a little aged and frayed at extremities, with the article with one small spot covering a word, but with the text entirely legible. First sentence reads 'Percy Courtenay, of 196, Wickham-terrace, Lewisham High-road, was brought up on a warrant before Mr.

12mo: 1 p. Very good. Reads 'January 1866 | [signed] Jules Benedict'.

Pp.[viii].38.[2], disbound, minor damage around stab-holes, foxing, mainly good condition. Scarce. INSCRIBED by the author (part in square brackets lost through trimming): "Countess of Harcourt - From the Au[thor]". A convict transport was presumably named after her ("Countess of Harcourt") - it mainly transported Irish convicts. Spencer was the source of "How noiseless falls the foot of time". "Urania" was "a burlesque of German ghost literature" (DNB).

On piece of paper roughly 2 x 3.5 cm. Discoloured, and with traces of glue from previous mounting on reverse. Slight loss to one corner and tiny closed tear at head. Attractive calligraphic signature, with tall, closely-spaced, vertically elongated letters. Top loops of initial 'J' trimmed.

Good, in felt-tip pen on piece of blue paper, roughly 8 x 13 cms, with the slightest discoloration at extremities.

Octavo bifolium on shiny art paper. A bit grubby, with two horizontal fold lines across photograph of Miss Doniach's head and shoulders in profile. Signed beneath photograph in blue ink. Central section contains twelve press opinions, ranging from Ernest Newman in the Sunday Times to the Amsterdam Handelsblatt.

Good, on leaf of blue paper removed from autograph album, dimensions roughly 12 x 16 cms.

Signature, on paper cut from page with black (mourning) border.c.3.5 x 2".

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

Draughtsman and printmaker. One page each, 8vo, in his normal calligraphic hand, some peripheral damage but mainly good condition. (1927) He acknowledges receipt of a cheque and the return of a parcel of prints - thanks. (1942) He informs Fletcher that "The lithograph Enrico Cecchetti was published by C.W. Beaumont . . . He may have a copy left. I have only one, and that is stored away in Bushey, Herts. It might be unearthed, but not immediately." Two items.

English philosopher (1820-71). 24 pages, 12mo. Very good, neatly bound in brown cloth binding. Bound in are the original grey printed wraps, affected with foxing, and with very slight damage from glue to front wrap. The rear wrap carries an advertisement of 'BOOKS LATELY PUBLISHED | BY J. VINCENT OXFORD.', including 'NINEVEH: the Best Newdigate for Years; therefore not recited in the Theatre, Oxford, July 3, 1851. 12mo. 1s.' A brilliant satire on academic reformers and German philosphers. Copac only lists copies of the third, fourth and fifth editions.

Total 4pp., 8vo, two laid down on a page, with minor defects and texts complete, tending towards the illegible, the other with bottom of page torn off with some textual loss, again tending towards the illegible. In one he asks his correspondent to take up a bill (of exchange) that day "which I miscalculated for Monday" next - it will materially serve me without injuring you". In the next letter ([1835]), hard to read but he appeqars to be talking money with someone in need, money he would supply before his Benefit and institute a transaction involving "Mr Peake".

Dimensions of photograph roughly nine inches by seven wide. Aged, lightly creased and a little scuffed. Slight loss to bottom right-hand corner of border, not affecting image. A bespectacled Malko in a double-breasted pinstripe jacket, in the act of conducting, baton aloft, and with violinist in the background. Malko has written his inscription over his torso, beginning 'Cnacudo', and giving the date 1949.

Three pages, 12mo. Good, on lightly aged and ruckled paper, with a little glue adhering to the reverse of the second leaf of the bifolium. She has received the two packets containing the small photographs. Apart from wanting the hair to appear lighter and clearer, she is satisfied with the large photograph, and would like several copies before her departure on 2 August. If this is not possible copies are to be sent to her at the theatre du Gymnase in Paris.

Two pages, on letterhead of roughly 13.5 x 17.5 cms. He has sent a wire accepting the 'kind invitation'. '[A]s you can imagine we are rehearsing all day and every day at the present [...] The only thing thaht could stop me being with you is that we are, I understand, to record the "Fanny" music for a long-playing record on that Saturday'.

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.

Card, c.4 x 3", soiled, remnants of album page on verso (four corners). Within the Royal Arms of the Duke of Clarence is printed "William Curtis / Bookseller / To H.R.H. the Duke of Clarence / Plymouth". At the botton "Harps, Pianofortes &c. on Sale or Hire."