CENTURY

On a piece of yellow wove paper roughly 565 x 455 mm. Text and illustrations clear and entire on creased and spotted paper with some wear to extremities. The order of the procession is given in three columns, divided by decorative rules. At the foot is an illustration (120 x 195 mm) of the queen's coach reaching Westminster Abbey, with crowds and a banner reading 'LONG LIVE VICTORIA'.

On one side of a piece of wove paper roughly 275 x 230 mm. Printed and manuscript text clear and entirely legible on worn, creased and grubby paper with one small strip of paper repairing reverse. Crest of City of London at head. Two sets of four columns, side by side. The four columns are: 'Ships at Market', 'QUALITY', 'Ships sold' and 'PRICE'. The whole of the 'QUALITY' column in the first set is headed 'NEWCASTLE', containing 45 entries from 'Adair's' to 'Walls End Walker'.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

12mo: 97 pp. A good, tight copy, on aged paper, in contemporary calf binding gilt. All edges gilt, marble endpapers, dentelles. Binding rubbed and worn. Apparently complete (and certainly complete as bound), containing all four stories listed in the National Library of Ireland entry, but having 97 rather than the 167 pp in that entry. A landmark work in Irish literature, highly regarded as a pioneering attempt to modernize Gaelic narrative.

12mo: 1 p. Ten lines of text. Bifolium. Grubby, and with the text of the letter faint. Letterhead printed in red with illustration of the firm's headquarters. Written in, or faded to, lilac, and could well be a carbon. Sending copies of the two newspapers as 'we think it probable you would like your newly published works noticed or reviewed' in them.

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

12mo: 2 pp. Eleven lines of text. A bifolium, docketed on the otherwise-blank second leaf '8 June 1830 | Ld. Ellenborough'. Good: lightly spotted and with traces of grey paper mount adhering to edge on reverse of second leaf. He is enclosing a letter (not present) 'from Keene' (docketed [by Astell?] ('Kearney.)', and possibly the watercolourist W. H. Kearney). 'I must not enter into a Correspondence with him and he asks nothing definite.' Asks Astell to 'consider the matter' and to let him know his opinion on the coming Saturday.

Printed on one side of a piece of stiff art paper (shiny on printed side, matt on reverse), dimensions roughly 245 x 160 mm). Very good. The name of the firm is not stated, and dabs of colour in 3 mm margins as printing guide. Attractive and characteristic illustration, in eight (?) colours: dark brown, beige, green, red, pink, yellow, dark and light blue, showing a carriage clock surrounded by plate, jewellery (including a goblet, a fan, a pearl necklace, a fob watch, decanters) and a profusion of flowers. The calendar in twelve tiny squares, six at the head at six at the foot.

12mo bifolium. Ellenborough's letter (15 lines of text) occupies the first leaf; with the pencil draft of Gough's reply (also 15 lines), with additions and deletions, on the recto of the second leaf. Very good, with traces of grey paper mount adhering in a thin strip to the reverse of the second leaf. Ellenborough will 'afford' Nichols 'every facility for the making of tracings from the Tiles at Southam'. If Nichols will let him know when he is coming he will 'make it a point to be here'. Suggests that Nichols might come 'after Church, about 2 o'clock, on Sunday next'.

On both sides of a piece of wove paper, dimensions roughly 8.5 x 20 cm. Cruikshank's signature is approximately 9 cm long, with the final letter of his Christian name in superscript. Paper aged and creased, with central vertical fold, and wear to one edge (not affecting text). Recto reads '<...> in the interim - | That 2 door Mats be ordered for the use of the Society | Adjourned till Thursday 7th June - | [signed] Geoe Cruikshank | Monday June 4. | General Meeting of the Society | Mr Parsonage in the Chair.

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

8vo: 1 p. 14 lines of text. On aged and spotted paper, laid down on a piece of card, and with the head of the letter (not affecting the text but causing the loss of the top half of the letterhead) worn away. Originally a 2-page 12mo bifolium, but with the text from the second page laid down below the first.

On a piece of paper, roughly 14 x 12 cm. Creased, and with a few pin holes (not affecting text). Edges untidily cut. Possibly the ffep of a presented book. Text in purple ink, with good firm signature (roughly 4.5 cm long). Reads 'To my very dear Friend | E. Bawden | [signed] Lionel Ellis | Siena May 1926'. The '6' in the date slightly cropped.

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

16mo (11.5 x 9 cm): 1 p. On aged paper with a diagonal crease towards top right-hand corner. In a shaky hand. Reads 'With much pleasure I accept your hospitable invitation for Nov. 20, at 1/4 to 8; - and am | Very truly Your's | [signed] J. Doran'.

12mo: 1 p. Good, on aged and lightly-ruckled paper. Text clear and entire. Difficult hand. Asks the recipient to 'allow the Bearer to see the L<?> Papers laid on the Table yesterday'. Also asks that the papers 'be printed as soon as possible as I shall mention them in the house'.

12mo: 1 p. Dimensions of leaf 11 x 9 cm. Twelve lines of text, headed 'P. 320'. In poor condition: grubby and aged. Laid down on piece of grey paper removed from autograph book. 2 cm closed tear in bottom left-hand corner affecting a couple of words of text. Difficult hand. Criticising a note, giving references to three works. Ends 'I don't see any use in printing this letter - but Sir F. Madden will tell you better. | JM -'.

12mo: 2 pp. Sixteen lines of text. Good, on aged paper, with a strip from the previous mount adhering at the head of the reverse. Docketed in a contemporary hand 'Jacob Bell' and 'M. P. for St. Albans 1851.' He thanks him for taking the trouble to search 'the last document which fortunately is found much to my surprise in a store room in my own house'. He 'cannot account for the accident' and apologises once again.

On a piece of paper roughly 4 x 7 cm. Very good, on slightly discoloured paper. Reads '<...> 34 years of His Maies <...> | [signed] Arlington'. The second of the two versions of Arlington's signature reproduced by Rawlins ('Five Hundred Years of British Autographs', p.63, no.8). Arlington was the first 'A' in the CABAL ministry, the name made up of the initials of the five privy councillors who conducted Charles II's government after the fall of Clarendon in 1667: Clifford, Arlington, Buckingham, Ashley and Lauderdale.

8vo: 36 pp. Stitched. In original grey wraps. Text clear and entire on aged and spotted paper, with staining to first leaf. Wraps heavily stained and worn. Title written out in a modern hand on front wrap. Scarce. Four copies on COPAC: at the British Library, Bodleian, Cambridge and Durham. According to one source the subject concerns 'the author's dispute with Lord Rous, later Earl of Stradbroke, regarding his right to the living of Doddington; includes correspondence with Rous'.

8vo: 32 pp. Stitched. In original grey wraps. Text, four illustrations and map clear and entire. Printed on discoloured high-acidity paper. Lightly creased with a little wear to corners. Scarce. An attack on 'the Betting-offices that are springing up all over the town', with particular reference to those in the St Martin's Lane area. COPAC only lists four copies: at the British Library, Bodleian, Cambridge and Edinburgh; with two copies of the second edition: British Library and V & A National Art Library.

8vo: [viii] + 265 + [ii] pp. Printers slug on page following 265, followed by a full-page advertisement by Harrison Hall, Philadelphia, and Collins & Co., New York, for 'Wilson's Ornithology', dated 'Philadelphia, July 1832'. In original brown paper boards, with brown cloth spine carrying white printed label. Tight, but in poor condition, with light spotting and damp-staining. Unobtrusive repair to closed tear on reverse of title-leaf. Ownership inscription of Joseph Malcomson (mill owner of Portlaw, County Waterford) to rectos of first four leaves, including title.

The proofs are on one side each of five strips (each approximately 60 x 15.5 cm) of discoloured high-acidity paper. They are in good condition, with a little light creasing, and slight chipping at head of first strip (not affecting text). They are headed 'GALLEY ONE [TWO, THREE, FOUR, EIGHT]'. Text clear and entire. The article reads continuously, with no hiatus between Galleys Four and Eight. Some simple errors indicate that these are early proofs, i.e.

From a collection of material relating to William Bragg, Printer, of Cheapside, Taunton, Devon. Printed on one side of a piece of wove paper, 22 x 27.5 cm. Grubby and lightly creased, with central spike hole, slight wear and loss to extremities, and 5 cm closed tear. Text clear and entire. Twelve lines of printed text, in a variety of types and point sizes, reading 'A Sermon, on behalf of the Home Missionary Society, will be preached at Paul's Meeting, Taunton, On Friday Evening, April 14, 1826. By The Rev. John Thomas, Minister of the New Chapel, Highgate.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

12mo: 2 pp. Very good on lightly aged paper. Asks if it might be possible, as previously, to forward a packet to 'Mr. d'Abbadie': 'depuis deux ans je suis sans nouvelles de lui'. It is six months since he had the honour of forwarding a similar packet via the French legation at Lisbon. Good firm signature, but with the words '(Le comte de Montalembert)' in another hand beneath it, and interfering with the flourish (paraph).

On a piece of wove paper, roughly 5 x 14.5 cm. Rough lower edge. Good, on lightly aged paper. 0.5 cm closed tear at left (not affecting signature). Paper folded once vertically. Good clear signature.

12mo: 3 pp. Good, on lightly aged paper. Small spike hole through both leaves of the bifolium. Text clear and entire. Execrable hand. Begins 'I certainly shall not secede from my conditional Promise'. Paragraph describing the weather ('The Heat of the Weather here is intolerable.') 'I agree entirely with respect to the Character of our worthy departed friend. It is a great loss to this Part of the Country.'

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.