ENGLISH

ONE (Knighton): 3 x 6 cm. In fair condition, aged and worn, laid down on a small piece of cream paper. A workmanlike production, within a wavy border. Reads: 'KNIGHTON's | Circulating Library, | DAWLISH.' BBTI records Knighton as active between 1828 and 1830. TWO (Crowther): 7 x 9.5 cm. In fair condition, lightly aged. Within decorative border, and reading: 'CIRCULATING LIBRARY, | DAWLISH. | CROWTHER, | BOOK-SELLER, | AND DEALER IN ALL KINDS OF | FANCY STATIONERY, | Toys, Berlin Patterns, German Wools. | Brushes, Fancy Turnery, Cutlery, Perfumery, &c.

Ford's first book of verse was 'Sung by the Way', published in Blackburn in 1905. She published several volumes of patriotic poetry: 'Poems of War and Peace' (1915), 'A Crown of Amaranth' (with Erskine Macdonald, 1915), 'Our Heroes' (1916); 'A Fight to a Finish' (1917). Other volumes include 'Lyric Leaves' (1912) and 'The England of my Dream' (1928). She edited the series of 'Little Books of Georgian Verse', 1915-1916. Her 'Lessons in Verse-Craft' was published in 1919 with a second edition in 1923. Her song 'In the Twilight' (1923) was set to music by Harry Brookes.

4pp., folio. Paginated 1-4. Unbound bifolium. On aged and worn paper, with chipping to extremities and closed tears along folds. Docket title: 'The Yearly-Epistle, 1761.' Marginal subtitles include: 'Theh Salutation', 'State of the Meeting', 'Account of Sufferings', 'Account of fthe Prosperity of Truth' and 'The Conclusion'. Ends: 'Signed in and on Behalf of the Yearly-Meeting, | By William Fry, | Clerk to the Meeting this Year.' No copy in the British Library, and now scarce.

1p., 12mo. In good condition, lightly aged and worn. Reads 'Dear Madam, | I am sorry I cannot have the pleasure of attending your Concert, but wish you every success. | Yours very truly | G A Macfarren'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

3pp., 12mo. Bifolium with mourning border. In fair condition, on aged and worn paper. She apologises for the delay in writing, explaining: 'my hand has been dreadfully lame, & I have no secretary'. She explains that she has spoken to 'Mr. Craufurd' regarding the cottage, but that there is 'an old lady here, the widow of a farmer, a certain Mrs. Mead, who is supposed by Mr. Craufurd to have a prior claim'. She discusses whether Mrs Mead truly wants the cottage, and the possibility of making alterations to it, ending with remembrances to the recipient's father and mother.

2pp., 8vo. Bifolium on grey paper. In good condition, lightly aged and creased. He has received Scharf's 'private list' (of paintings to borrow?) and will let him know 'which I can spare immediately'. In the meantime, as Scharf is in town, he suggests that he go and see 'what I have' in 1 Stable Yard, St James! - The pictures there belonging to me are a Canaletto - view of Venice - a Rubens - His own daughter - an Original of Mrs. Siddons, by Sir W. Beechey & a View of Jerusalem by D. Roberts'.

15 x 21 cm print laid down on 17.5 x 23.5 cm piece of card. Faded and aged, with wear to extremities of card (not print) and staining to reverse. The men are posing in four rows, in front of a large window in a brick wall. They are hatless, and wear single-breasted jackets with seven gilt buttons at the front, with black belt and metal buckle. Four numbers embroidered on either side of collars. In the centre of the group is a sergeant. Most of the men sport moustaches, and many pomaded hair and centre partings. From the papers of the gunsmith C.

ONE: Typescripts of 13 radio talks. 65pp., 4to. On loose leaves. Titles: 1, 'Our Earth in Space'; 2, 'Dreams of other Worlds'; 3, 'Rockets into Space'; 4, 'Man-made Moons'; 5, 'Man in Space'; 6, 'Space Research and Ourselves'; 7, 'Contact with the Moon'; 8, '"One small Step . . . ."'; 9, 'Space Stations and Lunar Bases'; 10, 'Mariners to Mars'; 11, 'Into the Hot Regions'; 12, 'The Grand Tour'; 13, 'Flight to the Stars'. TWO: Typed Note, signed on behalf of T. Van Heerden, Head of External Services, SABC. 16 March 1972.

Collection of eleven items. In fair condition, lightly aged and worn. ONE: Typescripts of 13 radio talks. 65pp., 4to. On loose leaves. Titles: 1, 'Our Earth in Space'; 2, 'Dreams of other Worlds'; 3, 'Rockets into Space'; 4, 'Man-made Moons'; 5, 'Man in Space'; 6, 'Space Research and Ourselves'; 7, 'Contact with the Moon'; 8, '"One small Step . . . ."'; 9, 'Space Stations and Lunar Bases'; 10, 'Mariners to Mars'; 11, 'Into the Hot Regions'; 12, 'The Grand Tour'; 13, 'Flight to the Stars'. With a few manuscript emendations by Moore in black felt-tip pen, and other editorial emendations.

1p., 12mo. In very good condition, lightly-aged, with parts of red wax wafer at each corner. Reads 'En route | Royal Hotel Cardiff | Sir | Here is my autograph according to your wish. | Yours faithfully | J. Sims Reeves | April 21st. 1876.' Good, strong signature, with a final flourish continuing in a circle, and enclosign the whole of it.

Both transparencies negatives on plastic sheets. The two images attached by a thin vertical strip of Scotch tape. On the right (22 x 14.5 cm) the image of the ragamuffin boy fisherman, with net and rod, looking to the left. On the left (22 x 16.5 cm) his young sweetheart, with fishing nets aand lace apron, waving a lace handkerchief. His image with caption (old Breton poem): 'Dear God be good to me | The sea is so wide | And my boat is so small | Sold in aid of the R.N.L.I.' Her image with the same caption, but with the word 'his' replacing 'my'.

The four letters all in good condition, on lightly aged and worn paper. ONE: 22 July 1902. 2pp., 12mo. Rearranging a meeting, following his absence 'at my cottage in Norfolk'. TWO: 6 August 1902. 3pp., 12mo. Regarding a drawing titled 'The little Chest', which 'Mr Macquarie' would like Slocombe to being at once. With postscript signed 'S. L.' THREE: 4 June 1904. 2pp., 12mo. He was 'on the point of writing', to ask when he could 'buy those delectable pipes', when Slocombe's 'most acceptable present' arrived. He ends by asking to be reminded to send him a 'soiree ticket'. FOUR: 1p., 12mo.

One page, 4to, bifolium, damp-stained, one leaf partly stuck to second blank leaf, text clear and complete. "Under the present state of politics I am not to suspect you have any altered sentiment respecting our sapient Rulers, & that I do any thing injurious to your feelings when I propose to you to continue yr support to yr old friend by renewing your proxy. I should have submitted my name instead of Ld [Sd's?] but I am too uncertain an attender to be intrusted with your vote.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

Watson's translation of 'La Cantatrice Chauve' (1950) was first published in London by Calder in 1958, and his version of 'Le Salon de l'Automobile' (1951) by the same publisher in the fifth volume of Ionesco's plays in 1963. The two scripts typed in uniform style, on rectos of leaves, and stapled together. ONE: 'The Bald Prima Donna'. 19pp., 8vo. In good condition, on aged paper, with somewhat-appropriate child's markings in black ink on blank parts of first page.

16mo. 1p. In fair condition, with slight traces of glue from mount. He has received Dyer's 'parcel p[er] Coach', and informs him that his party is 'expected at Mr. Fry's' on the following day. He is returning with the letter 'all the Books you first forwarded for Mrs Jacksons inspection'.

22 + [1]pp, 8vo. Unbound, and stabbed as issued. Last page carries an advertisement for five books 'Just publish'd in Octavo'. In fair condition, on aged and worn paper, with wear to fore-edge, and loss to bottom outer corner. Text entirely undamaged, apart from a tear through two words on the last page. The dialogue between the well-spoken curate and the dialect-spouting cobbler, on the subject of 'the Election-Business', takes place at 'the Cobler's Shop'. Seven copies on COPAC, but now uncommon.

2pp., 8vo. 29 lines of neatly-written text. In fair condition, on aged paper, with two 5 cm closed tears to leaf. Addressed to 'My dear Marshall'. He regrets that his letter should contain 'so truly painful an account of the state of your family & affairs in the West Indies', but was 'glad to receive it, since after my last communication I was at a loss, not seeing you in Oxford, to explain your silence - I hope at some future occasion, I shall see you again under my roof'.

2pp., 12mo. Bifolium. With mourning border. In fair condition, on lightly aged and ruckled paper. Declining a dinner invitation and expressing regret at not being able to call, being 'very much occupied'.

Both sets of proofs unstitched and unopened (and both opening out into a folio sheet), and both with title-pages printed in red and black. Both in very good condition, on lightly-aged paper, and both stamped on first page 'PLEASE PASS FOR PRESS | MARGINS' in blue, with purple oval dated printers' stamp. FIRST SET: 16pp., 8vo, paginated to xvi. Title: 'THE WORKS OF MR. FRANCIS | RABELAIS | [...] | Illustrated by W. HEATH ROBINSON | The Second Part'. Publishers' details at foot on pasted label at foot of title-page: 'MCMLIV | THE NAVARRE SOCIETY LONDON'.

Printed in black ink on 8 x 12 cm piece of thick watermarked laid paper. In very good condition. Sims acquired the Gill archive from the artist's widow, and it seems likely that he had the illustration made from one of the artist's blocks. The illustration shows a bearded man in loincloth, trailing a sword along the ground as he runs from a tree. Printed beneath the illustration: 'With the compliments of | George Sims'. Above the illustration is typed 'for Tony & Jean', and below the printed text 'just before it was remaindered'.

10 x 8.5 cm original print of black and white photograph. In frail condition, with slight loss to one corner, and another corner torn away and repaired with archival tape. A full-length view of the elegant artist, in long painter's robes, pointing a brush at a painting on an easel, with three paintings, including a miniature, on the wall behind her, and two paintings leaning against the same wall, and a small sculpture on a painted clock behind the easal. There is no representation of Gottschalk in the National Portrait Gallery collection.

[2] + 44pp., 8vo. In lilac paper wraps with title in silver on front cover. Internally in good condition on lightly-aged paper; in worn wraps with creased corner at rear and small square of staining from label on front cover. Inscribed on front pastedown: 'With best wishes | from | Virginia Graham. | 1946.' A charming collection in Grenfell mode, with poems including 'Café Triste' (beginning: 'Miss Tomkinson, do you suppose | That you and I | On this same day next year | Will still be sitting here, | Eating this vegetable pie | Covered white glucose?') and 'V J Day' (beginning: 'Hurray!

All four items in good condition, lightly aged and worn. All four in a bold, expansive hand. The two letters accompanied by their envelopes, addressed to Child in London. Letter One: Address: 'c/o Mr & Mrs G. W. Williams, | 615 East Genesee, | Saginaw | Michigan. U.S.A.' 4 July 1957. 4pp., 4to. She is 'on the first lap of my Vacation' and has asked 'Anne' to contact him. 'During the University year I am so frightfully taxed for time - my own correspondence and my personal affairs suffer in consequence and are perforce relegated to the background.

In good condition, lightly-aged, with thin strip from stub to one edge of address side of card. Message reads: 'It will give me great pleasure for you to copy the 2nd. volume of the Torch-Bearers, as you suggest, for the Blind. | With my best wishes, | Alfred Noyes.'

15pp., 8vo. In good condition, lightly-aged, no wraps, disbound. No copy on COPAC or on OCLC WorldCat.

3pp., 12mo. Bifolium. In good condition, on lightly aged paper. Ouless regrets that he has 'nothing available' for 'the Aberdeen Exhibition this year', 'unless it be Marks' portrait [Henry Stacy Marks, artist] which is my property & now at Manchester, but as it was painted 12 years ago I do not think you will consider it suitable'. He suggest asking the Highland Railway Company whether they might lend the 'half length by me of Sir A. Matheson'. The letter ends: 'I wish I had something more recent which I could propose. I hope another year you will ask me again.'

2pp., 12mo. 25 lines of text. In fair conditon, on aged and worn paper. Her sister Frances is 'overjoyed at your benevolent efforts for me', and 'Mr Arthur Hall is very glad indeed to hear what you are trying to do, and is quite ready if you and I approve to send a set of my books, with a notification to Mr Gladstone, and also of privately interesting the Archbishop, who will, he has no doubt send an autograph letter privately to the Prirme Minister'. The letter ends with a prayer for her 'kind friends', concluding 'The Lord will provide'.

2pp., 8vo. In very good condition, on lightly-aged paper. She begins by asking whether the recipient is 'the same gentleman who wrote to me from Bournemouth', and to whom she replied that she was 'unable to give the information required, for many years before my husband's death we were seperated [sic]'. She explains that when Fisher was not 'travelling about in the Country he lived with his Father I believe, who has now been dead some years. The whole thing was very tragic and painful, & I shall feel obliged to you not writing to me again on the subject'.

The two engravings in good condition, with light signs of age, and with 'A Faint Impression' with some offsetting in light pink (not entirely displeasing). Both headed above the image 'Casualties of London Street Walking', with the title and publication details below the image. ONE: 'A Faint Impression.' Dimensions: image, 23.5 x 18.5 cm; plate, 27 x 20 cm; paper, 29 x 22 cm.