VICTORIAN

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

A significant document by an Oxford college head, responding negatively to the 1852 Report of the Royal Commission appointed in 1850 by Lord John Russell to enquire 'Into the State, Discipline, Studies, and Revenues of the University and Colleges of Oxford'.

A highly-interesting document, written by a college head on the verge of the reforms resulting from the passing of the Oxford University Act of 1854 and setting up of the Hebdomadal Council, in which Harington states - in detail, at length and with great emphasis - his opposition to 'those who propose to strip the favoured classes of the privileges which Founders of Colleges have thought proper to confer on them', arguing that this will not 'necessarily ensure the election of the most distinguished candidates'.

On one side of 5 x 13 cm slip of paper cut from the end of a letter. In good condition, lightly aged, with central vertical fold. Laid down on piece of paper removed from album. Reads: '[...] I shall be delighted to come to you. | Yrs always faithfully | T. Adolphus Trollope'.

2pp, 12mo. On paper with mourning border. In good condition, lightly aged. Folded once. Replying to a letter of condolence from Mrs Clifford, she writes that she has been 'a good deal stunned with the shock & am still overwhelmed with a mass of unanswered letters. The blow fell, as you know, with absolute suddenness - no illness & no warning. After a day spent as usual in work, & a walk with me in the afternoon, my husband went to bed that last night apparently perfectly well, & I awoke next morning to find him gone.

3pp, 12mo. Bifolium with mourning border. In fair condition, lightly aged and worn. Folded twice. He reports that he 'wrote a line to Gladstone about the condition of the East urging the Govt. to take it up either by Equalization of Poor Rates, Emigration or Alteration of License System or all of these'. He considers that 'a good case is made out' and the measures he suggests 'wd do something'. He wonders whether the recipient might be able to 'put a few statistics together'. He thinks that 'the worst part is the permanent depression of the trading class wh takes away all vitality'.

8pp, 12mo. On two bifoliums. In good condition, lightly aged. Folded twice. Signed 'Mayne Reid', and written from the sprawling 'Rancho' which he built at Gerrards Cross, in imitation of a Mexican hacienda. The recipient is named by Reid as 'J. Froebel', i.e. Julius Froebel, and the subject is arrangements for the translation translation of his book 'Aus Amerika' (Leipzig, 1857), which would be published in London by Richard Bentley in 1859 under the title 'Seven Years' Travel in Central America, Northern Mexico, and the Far West of the United States'.

1p, 12mo. On aged and creased leaf, folded once and with traces of mount on the blank reverse. Reads: 'Presented to Prof. Alexr. H. Green M.A. F.R.S. With the compliments of the author | Isaac Roberts | June 1894'. The work presented was presumably the first (1893) volume of Roberts' pioneering 'Selection of Photographs of Stars, Star-Clusters and Nebulae', the second appearing in 1899. The two volumes contained 125 reproductions of photographs which he had exhibited at the Royal Astronomical Society. See both men's entries in the Oxford DNB.

11pp, folio. In good condition, lightly aged and worn. Folded twice into the conventional packet. Ten-page inventory, followed by full page valuation, neatly written out on six leaves, which are stitched together, with the reverse of the last leaf carrying the title written lengthwise in conventional style for the outside of the packet: 'Inventory & Valuation of the several effects of the late Thos. Harward Gardiner Esq deceased at No. 14 Brock Street Bath | Amount £574. 8. 6', along with the word 'Copy' in red. Also on this page, in pencil in an early twentieth century hand: '?

On 18 x 9 cm piece of paper. In good condition, lightly aged. Laid down on part of leaf from album. In response to a request for an autograph he has written at the head of the page: 'Con molti saluti | Pasquale Villari'. No other writing.

ONE: Cabinet Card: 13.5 x 10 cm photographic head-and-shoulders portrait of Blouet, smartly-dressed with glasses and handlebar moustache, mounted on 16.5 x 10.5 cm card, with printed details of the photographers Taber's printed in gold below the image, and an elaborate advertisement for the firm printed in brown on the reverse. In fair condition, lightly aged. Inscribed on the base of the print: 'Yours Sincerely | Max O'Rell'. TWO: Autograph Letter Signed to 'Mr Appleton', i.e. E. W. Appleton. 1p, 12mo. On bifolium. 14 December 1885; 2 Lime Grove, Uxbridge Road, W.

Phelps's entry in the Oxford DNB gives the background to the present letter, stating that Phelps 'married Sarah Cooper (1810/11–1867) on 11 August 1826; she was just sixteen. However, their marriage was very happy: they were a devoted couple, and Sarah later served as Phelps's dresser. Phelps preferred home life with her to clubs or social gatherings. His other delights were angling and shooting, and he purportedly knew every trout stream in England. They had three sons and three daughters, including William Robert (1828–1867), who became chief justice of St Helena, and Edmund (d.

For the context see Halliwell-Phillipps's entry in the Oxford DNB, which states that in 1852 he 'offered by subscription the most elaborate Works [of Shakespeare] ever attempted: published between 1853 and 1865 in sixteen thick folio volumes, lavishly illustrated by F. W. Fairholt and limited to 150 copies, it was initially priced 2 guineas a volume.

1p, 12mo. In fair condition, on discoloured paper with slight discoloration at corner as a result of removal from mount. Neatly centred on the page is 'Yours Sincerely | Clara Montalba'. No other text. The signature is florid and curliculous.

On 3.5 x 9.5 cm slip of paper cut from letter. In fair condition, lightly aged and worn. On one side, from the conclusion of the letter: 'Yours very truly | Clements Markham'. On the other: '[...] have failed me: so no[...] | [...] you mind my putting [...]'.

The eleven items are in fair condition, lightly aged and worn, laid down on two heavily-worn leaves removed from an album. An interesting slice of social history, relating to introduction into England of a phenomenon which began in the Unites States in the 1850s. Nine of the items relate to spelling bees in Kennington, managed by the compiler of the material T. W. Williams, and one to a 'Grand Spelling Bee' in Guildford.

1p, 12mo. In good condition, lightly aged. Folded twice. The recipient is not named, but the item derives from the papers of James Payn, the editor of the Cornhill Magazine, London. Gallenga begins: 'My dear Sir. | The last time I saw you - it may be 20 years ago - you were leaving London to write for Chambers in Edinburgh.

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

1p, 12mo. In good condition, lightly aged. Folded once. Referring to her son Francis Romano ('Cecco') Oliphant (1859-1894), she writes: 'Dear Mr. Payn | I send you with this in a registered packet by book post a story written by my youngest son, called "The Grateful Ghosts" which he wishes me to submit to you.' Her opinion is that the story 'would bear compression but that is usual to youthful productions'. She will be 'much gratified' if Payn likes it 'and can use it', and feels sure he will give it his consideration.

1p, 12mo. In good condition, lightly aged. Folded twice. He writes that he has 'received the memorial to the Postmaster General, which you have done me the honor to transmit for the joint transmission of Mr Ross & myself'. He will arrange with Ross to have the memorial 'presented on the earliest possible opportunity'.

4pp, 4to. Bifolium. Panel, a little under one-sixth of total area, missing from bottom outside corner of second leaf, with attendant loss to text, otherwise in good condition, lightly aged and worn. Folded three times. A good long letter in a neat and stylish hand, with a firm underlined signature. He begins by writing that he has that morning 'received the Petition from Belfast which I was pleased to expect from having seen in the Report of your meeting that you had done Mr Dunbar and myself the honor to entrust its presentation to us'.

4pp, 4to. Bifolium. In good condition, lightly aged. Addressed on reverse of second leaf, with small seal in red wax and postmark, to 'Revd. Charles Merivale | St John's College | Cambridge'. A long letter, with the four pages of text followed by a long postscript at the head of the first page, continuing to the last.

A 10 x 3 cm slip of paper cut from a letter, bearing the beginning of the Lord's Prayer in Mongolian vertical script. Laid down on a 21.5 x 17.5 cm piece of paper extracted from an album, on which is written in pencil the caption: '"Our Father which art in Heaven" written in the Mongol language by Stallybrass - a Missionary, who resided seventeen Years at Irkousk in Siberia - about 3500 miles from St. Petersburg -'. On the reverse of the mount are entries in two hands. The first is a four-line poem ('Oh! when but of Friendship the farewell is spoken') by 'E: A: | Jany.

A nice collection of material, including five letters in which an American actor writes to a London friend while on a visit to England. The recipient of McDonough's letters is John Jabez Stocken (d.1892), head of a leading City of London firm of tobacconists, and an antiquary. (His son Frank Lacy Stocken (1867-1937) was later an actor under the name 'Frank Lacy'.) From the correspondence it is clear that McDonough stayed with Stocken during his stay in England.

The Times, 16 February 1860, announces 'the new drama, called A TALE OF TWO CITIES', at the Royal Lyceum Theatre, 'Sole Lessee and Directress, Madame Celeste'. ('Madame Céleste' [Céline Céleste-Elliott] (c.1815-1882) was a French dancer and actress.) 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded three times. The recipient is not named. The letter has a large signature ('Henry Betty.') with florid underlining.

2pp, 8vo. On a gilt-edged leaf of umwatermarked wove paper. In good condition, lightly aged. A fair copy in Milnes's autograph. A curious poem, in which Milnes's Napoleon-worship wins through over considerations of the futility of war. Retitled 'The Funeral of Napoleon', the poem was first published in 1841 in the Spectator, and in slightly different form in Milnes's 1844 collection 'Poems, Legendary and Historical'. There are a number of differences between the present version and that published in the Spectator. The final stanza is entirely recast.

1p, 4to. On leaf of aged, worn and creased cartridge paper. Addressed to 'A. T. Q. C., | Care of The Editor of | The Speaker, 115, Fleet Street, E.C., London.' An interesting letter, touching on English and American journalistic practice, 'sensational' copy, plagiarism and fin-de-siècle Paris. The context is not entirely clear: one reading is that the recipient reported on or reproduced in the Fleet Street newspaper the Speaker one of Heilig's 'sensational letters to the American Sunday papers', only to have it 'cribbed' by Pearson's Weekly.

1p, 12mo. In fair condition, lightly aged, with traces of grey-paper mount on blank reverse, and minor discolouration at one edge from glue used. The actor Henry Leigh Murray (1820-1870) is identified in pencil as the recipient. The letter begins: 'My dear Sir, | You are quite welcome to a P[rivate]. Box if there is one to spare'. He asks him to 'call or send to Mr. Massingham at the Box Office at 1/2 past 4 o'clock who has received instructions to attend to your wishes, if all the Boxes are not let by that time'.

See Meadows' entry in the Oxford DNB. The recipient of the letter is not named, but it comes from the album of the actor Henry Leigh Murray, which also contained a letter regarding a theatre box from Charles Kean (offered separately). 1p, 12mo. 1p, 12mo. In fair condition, lightly aged, with traces of grey paper mount on reverse, and slight discolouration at corners from glue. Written with mock-pomposity, and beginning: 'My dear Sir | I hereby give you notice that Mr C. Kean has delivered unto me a Card for a Private Box for to-morrow Augt. 19th.