VICTORIAN

See her entry in the Oxford DNB, where she is described as a ‘philanthropist’. 2pp, 12mo. With mourning border. A 4cm triangle of paper has torn away from the bottom of the letter, far below Mrs Gladstone’s slightly-smudged signature, otherwise in good condition, lightly aged and folded twice. Reads: ‘Downing St. / Saturday / Dear Sir. / You have often encourage me to appeal to you upon matters of charity. it will be very kind if you will give the enclosed [a] place in your Paper. / Yours truly / Cath Gladstone’.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded once. In a loose, untidy hand. He is ‘much obliged for the note of the 4th.’, and as she wishes has sent instructions to ‘Davy’, to whom he asks her to ‘send all communications’. He is ‘very sorry indeed’ to ‘loose [sic]’ her as a tenant.

2pp., 12mo. On leaf with mourning border. In good condition, lightly-aged, with neat repair to a short closed tear. He is returning a memorandum, 'which is quite correct & may be acted on', and has made a payment of £380 to his account with Drummonds Bank.

See the entries for Jones and Chantry in the Oxford DNB. 3pp, 12mo. On bifolium. An interesting letter of 39 lines with text intact, in poor condition, aged and with closed tears, and discoloration from tape used in repair, and ink blot to first page. The surname of the recipient is not given, but the close friendship between the two men (Jones published a memoir of Chantrey in 1849) puts Chantrey’s identity beyond doubt.

See Napier’s entry, and that of his sister Maria’s husband John Gellibrand Hubbard (1805-1889), 1st Baron Addington, in the Oxford DNB. 3pp, 4to. In good condition, lightly aged and discoloured, with small closed tear to a crease. Part of letter torn away on opening, and now under small black wax seal (good impression of crest with letter N). Folded four times. Addressed, with three postmarks, on reverse of second leaf, to ‘The Rt Honble | The Lady Napier | Kew Green’. Minuted by Lady Napier: 'Cambridge Novr. 1838’. 64 lines of neatly-written text.

4to, 1 p. Nine lines. Text clear and complete. On bifolium of paper watermarked 'J WHATMAN | 1855'. Aged and lightly-stained. Reads 'I have the Honor to inform you that Parliament having been called to meet on Thursday the 3d of December Business of great Importance will then immediately be brought forward, and I trust that it may be consistent with your Convenience to attend in your Place in the House of Commons on that Day'. From the papers of James Wyld (1812-1887), cartographer and Member of Parliament for Bodmin.

See her entry and that of her husband Fred Terry (1863-1933), brother of Dame Ellen Terry, and of the recipient of these letters W. J. Macqueen-Pope (1888-1960), the foremost British theatre historian of the twentieth century, in the Oxford DNB. The seven items (Neilson?s five letters and carbon copies of two typed letters to her from Macqueen-Pope) are in good condition, lightly aged and creased. The first letter is signed ?Julia Neilson-Terry? and the other four ?Julia?. The first is addressed to ?Mr Macqueen Pope? and the others to ?Popie?. ONE: ALS, 1 March 1949. 3pp, landscape 12mo.

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).

2pp, 12mo. On bifolium. Folded once. The first page is scored through in ink, with pencil annotations at head. The final page, with Saléza’s signature, is unmarked. He asks him for as many seats as possible for that evening. He would like ‘une bonne loge, deux Stalls et plusieurs petites places’. He will pass by the office to collection, and asks for them to be left in his name.

1p, 12mo. On bifolium. In fair condition, with two pencil notes at head, one in orange. Folded twice. He hopes he is not abusing the kindness of 'Monsieur Menager' (i.e. the house manager) by asking for two seats, for his wife and her friend, as they would like to go to the opera that night. After terminating the letter in the customary Gallic fashion, he adds a postscript asking for the reply to be left with the porter.

Fragment of letter in Gladstone’s autograph, with his signature, on both sides of 10 x 6 cm rectangle. In good condition, with one vertical fold. Five lines on recto read: ‘<...> It was most kind of you to send me the delightful pearl studs - & to write so friendly a letter. Lady Paget gave me a set’. Recto reads: ‘<...> & preserve your kind thought | With many thanks to you & Mrs Robson | Always | W E Gladstone’. See image.

See Procter’s entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition on lightly-aged paper. 85 lines of closely- and neatly-written text. He begins by thanking Sutton for ‘the welcome portrait of Sir Edward Lugden’. He gives an example of Lugden’s ‘happy election repartee’(a joke about ‘Lather’ and ‘the present price of “Soap”’), for which, if no other reason, he ‘deserves a niche in my tonsorial gallery’.

Boehm had executed a bronze bust of Wolseley two years before. It may be that the present letter is in response to congratulations from Boehm on his forthcoming elevation to the viscountcy, with occurred 28 September 1885. 1p, 12mo. Folded once. In good condition, with unobtrusive folds to two corners. Reads: ‘Dear Lord Wolseley | Many thanks for your kind note & the Norfolk jaquet which arrived safely this morning | Yours sincerely & obliged | J. E. Boehm’.

Clearly given in response to an autograph collector, and written for display on front panel of envelope. Dimensions: 10.5 x 8.5 cm. In good condition, lightly aged. Horizontal crease along bottom not affecting signature, which reads ‘Emma Albani Gye | 1883.’ In 1883, after several years of enormous success in Europe, Albani returned to Canada to give a series of recitals. Thousands turned out to greet her arrival in Montreal.

See Gould’s entry in the Oxford DNB, with that of Lady Lyte’s husband. The Lytes were Somerset neighbours of Gould. 1p, 12mo. In good condition. He is glad to hear that ‘Mr Logsdail has done the drawing for you for he would be able to do far more justice to it than I could possibly have achieved’. On the occasions when he is called upon to ‘put sentiment into a cartoon’ he is ‘always conscious of failure and it is well to know one’s limitations’.

See Gould's entry in the Oxford DNB. 2pp, 12mo. In good condition. The two leaves of the bifolium on which the letter is written have been separated, and each bears minor evidence of mounting on the blank reverse. He thanks Ashford for allowing him to ‘look through your very interesting collection of autographs’, which ‘does equal credit to your energy and to the good nature of mankind in general’. He continues: ‘The pages of an autograph book always make me realise that people are not so crabbed and disagreeable to each other as pessimists imagine or profess to believe.

Gertrude Ward trained under Florence Nightingale at St Thomas’s Hospital in London (see below), after which she became a district nurse, and then sister at the Medical Mission, Zanzibar. She was appointed to the position of Matron at Eton in 1901. 2pp, 12mo. Bifolium, folded twice. In good condition. Nineteen lines of text. Signed ‘Gertrude Ward.’ She confirms the day of an appointment, but wishes to change the hour, as ‘unfortunately another UMCA Candidate has arranged to come at 3.30 on that day’.

1p, 12mo. On laid paper, folded once. Informing her that ‘Fanny’ will be returning in a few days, and that ‘we shall be very happy to come to your Garden Party on Thursday 10th. which is one of my chief pleasures of the Season’.

See Gould's entry in the Oxford DNB, with those of Newnes and Hobhouse. All eleven items are 12mo and signed ‘F Carruthers Gould’. Some show evidence of previous mounting. The collection is in good overall condition. As assistant editor of the Westminster Gazette he thanks Mrs Elizabeth Lee for her ‘suggestion about an article on the German Theatre’; and Macleod Yearsley for his ‘sketch of Macrurus’ (‘I already had the creature in my mind as the likeness is certainly a striking one’).

See both their entries in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition. He has ‘just read with much grateful pleasure’ the ‘very kindly reference’ to him in her ‘delightful book’ (presumably her second volume of reminiscences, ‘Leaves from the Notebooks of Lady Dorothy Nevill’, 1907). He is ‘just in the middle of it and enjoying it keenly’. The only fault he can find is that he will soon come to the end of it. It deserves great success and he hopes she will ‘give us more reminiscences’.

2pp, 12mo. Bifolium with mourning border (her mother had died the previous December). In good condition, lightly aged, with traces of paper to which the item was glued still adhering to reverse of second leaf. Having been informed by her sister ‘Miss Kingsley’ (her elder sister Rose) that Combe is ‘kind enough to wish for my autograph’, she has ‘much pleasure in sending it you - but I wish my pen was a better one, more befitting this serious occasion!’

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. Clearly and firmly written. The letter would appear to concern an individual who is threatening to resign his membership of the Athenaeum Club, and ends with reference to proxy voting for new members. Hughes begins by reporting that he has 'already written to the good but peppery & impulsive Dr. of whom I am as fond as you are'.

172pp., 16mo (10 x 6.5 cm.). In original green leather quarter-binding, with marbled endpapers and label on front cover: 'No 1 | DECEMBER | 1837 | 1838'. Aged and worn, with the contents of the volume detached from the binding, and the signatures loose through breaking of the stitching. In pencil beneath the binder's ticket on the front pastedown: 'Hogarth | 10 Powis Place', with this address continuing at the foot of the first page: 'Gt Ormond St'.

1p., 12mo. Good, on lightly-aged paper, with small scrap from white label adhering to a margin. He explains that the reason that a letter has not been forwarded to him is that he has not, 'for years, had to do with the management of the Illustrated London News', although he does contribute to it. Nevertheless he will try to get the recipient 'a proof of the Port[rai]t. - with great pleasure'. He adds, in a postscript at the head of the page: 'I think the Memoir was cut out from the Times'.

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

All signed ‘George C: Oke’. At the time of writing Oke was Assistant Clerk to the Lord Mayor, a position he had held since 1855; in 1864 he would assume the Chief Clerkship. For details of the recipient, barrister and F.R.S, elder brother of Sir Bartle Frere and nephew of Canning’s friend the satirist John Hookham Frere, see the Law Times, 31 December 1887. The four letters total 10pp, 12mo, all on letterheads with engraved arms of the City of London. All in good condition; very lightly aged; with folds. Closely and neatly written.

See Knox’s entry in the Oxford DNB, along with those of his father Edmund Arbuthnott Knox, his brothers Ronald, Dillwyn and Wilfred, his wife the ‘Mary Poppins’ illustrator Mary Shepard (daughter of Ernest Shepard) and his daughter the novelist Penelope Fitzgerald. At the time the present material was composed Knox had been involved with Punch for more than four decades (1904-1948), holding the editorship for the last sixteen, with the magazines circulation rising to a peak of almost 200,000 as he approached his retirement.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Reads: 'My dear Lord, | I have fixed the Oath's Bills &c for Tuesday July 9. | Believe me | faithfully Yours | Kimberley'.

256pp., 12mo. With frontispiece engraving and vignette on title. In original brown cloth binding, with blind-stamped decorative pattern on the boards, and title and design on the spine. Ownership inscription of 'Arthur Baxter | Runcorn | 1861' on piece of paper laid down on front pastedown. A tight copy, on stained paper (particularly the last few leaves) and aged paper, in worn binding with gilt almost dulled. An interesting production, reminiscent of previous Minerva Press publications, and looking ahead to the yellow-back.

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.