Music and Theatre

The two uniform stapled pamphlets, both 32pp., 12mo, in illustrated wraps printed in green, and both printed on newsprint. Both items uncommon, with no copies of either on COPAC. ONE: 'Irish Songs Old and New.' In fair condition, on worn and toned paper, with crease to front cover. Contains the lyrics to 34 songs, from 'Angels Whisper' and 'Ballinamona Oro' to 'Young Kate of Kilcummer'. TWO: 'Songs of the Gael'. In good condition, toned and lightly worn. Contains the lyrics of 28 songs from 'Awake and Lie Dreaming No More' to 'Where is the Slave so Lowly?'

The eight images are arranged in four pairs, each on the central pages of an 8vo bifolium. Dimensions of page: 24.5 x 16cm. Dimensions of image: 9 x 14cm. In fair condition, on lightly-aged and creased paper. Irving is shown in five roles, including Lear, Shylock, and Becket. Also present are two portraits of Irving out of character, and a picture of the exterior of a dilapidated building. Presumably intended for an early twentieth-century biography.

3pp., 16mo. 25 lines of text. Bifolium. Good, on lightly-aged paper, with slight traces of mount adhering to the blank reverse of the second leaf. The letter begins: 'Dear Miss Paget | Miss Martin has just forwarded me your note so I will send you a few lines to-night. I am very pleased you are singing my song on the 27th., & will be pleased to go over the song with you before the concert.' She gives details of her movements over the next few days before concluding: 'I hope it will not trouble you much to come out here -.

1p., 12mo. On aged and worn wove paper. Headed with the royal crest and title 'The Patriot's Hymn.' Twenty-one lines arranged in three verses, numbered I to III. Printer's slug beneath swelled short rule at foot of page. The printer is possibly the Edward Bayley stated by BBTI to have been active in Macclesfield between 1788 and 1825. The absence of the long s, and the use of wove paper, suggest nineteenth-century publication before 1830, and probably during the Regency period.

Programme, [20]pp., 4to, illus. printed wraps (partly in red). Directed by David Thacker, including excerpts from "The Golden Years", "Focus", "Death of a Salesman", Miller's adaptation of "An Enemy of the People", etc., etc. Programme signed by Arthur Miller himself ("For Esther | Arthur MIller). Enclosed Menu for dinner on 14 May 1989 at the Arthur Miller Centre for American Studies, signed "Warren Mitchell". This item derives from the Papers of Sally Worboyes who organised writing courses involving well-know TV personnel, actors, singers and writers as tutors at Fen Farm nr.

2pp., 12mo. In envelope addressed by Stirling to 'C Lonsdale Esqre. | Bond Street'. In fair condition, on aged and worn paper. 'Mrs. Stirling does not know how to thank Mr. Londsdale for his great kindness - not only now but always shewn to her by him. Mrs. Stirling remembers that she has the full store of the Midsummer Nights' [sic] Dream belonging to Mr. Lonsdale but she is warned by Mr. Lonsdale's Messenger that she must not now stop to thank Mr. Lonsdale fully, as she would wish.'

3pp., 12mo. On bifolium with mourning border. In good condition, on aged paper. Her letter to him is 'the essence of sweetness': it has 'touched me deeply and will not soon be forgotten'. He supposes that she is unaware that 'Parratt and I travelled down to Windsor in the same train with you - indeed in the same carriage'.

1p., 12mo. Good, on lightly aged and worn paper. The note reads: 'Mercredi. | Merci mille fois, mon cher Maitre, si vous êtes content, me voilà ravie! | Encore merci | Réjane'. In a postscript she states that she has profited from his criticisms.

4pp., 12mo. 65 lines of text. Bifolium. In fair condition: on aged paper with one dogeared corner. He begins by apologising for not returning her manuscript sooner: 'what with my Doctorate exam: and other things, I have been specially busy'. Having been 'completely through the MSS' he lists those he likes best: 'the Rhapsodies (especially No. 1 - also No. 5 and No. 3 - especially the opening subject of No. 5).

23pp., 12mo. Stitched pamphlet. In fair condition, on aged and chipped high-acidity paper with floral watermark. Elegantly letterpress printing. Priced at 6d on front cover. The third page carries an 'Index to Music', at the end of which the address in the following - 'Copies of the Music may be obtained at 7, Harpur Street, London, W.C., Price 2s.' - has been altered in manuscript to 'from Miss C. E. Few | Shalford | Guildford'. Excessively scarce: no copies on COPAC or OCLC WorldCat.

Programme, [20]pp., 4to, illus. printed wraps. Directed by David Thacker, including excerpts from "The Golden Years", "Focus", "Death of a Salesman", Miller's adaptation of "An Enemy of the People", etc., etc. Programme signed by Arthur Miller himself ("For Sally [Worboyesof Fen Farm Arts] | Arthur MIller) and several of the Cast inc. Susannah York, Timothy West, Connie Booth, John Shrapnel prob.others unreadable (but inc. playwright Brian Clark). Enclosed Menu for dinner on 14 May 1989 at the Arthur Miller Centre for American Studies, signed "Warren Mitchell".

24pp., 12mo, original blue sugar paper wraps, sewn, sl. damaged, contents good. "The Author was formerly a Sergeant in the 26th Regiment and Dumbartonshire Highlanders, who was discharged due to his wounds and now supports himself and his family by his pen. This last information was in an "Advertisement" in his "The Private Theatre: or the Highland Funeral", preceding the "begging" letter to his reading audience. The author wrote many plays". Copies listed at the BL, Oxford, Folger, Harvard, and two other US libraries.

Circa 78pp., used, some pages added, text worked over, red boards, hinge strain, mainly good condition. Indexes to Acts, lines through manysections. Contents include: questions for Wilfred [Josephs] ("Sets? | Scenes? | Act II???"]; stage directions; suggestions about characters; directions; music ("(5) Mrs v H [van Hopper] tells A. she is hopeless against Rebecca"); "final faults"; sets; dialogue; problems; phone numbers and addresses; more (detailed) points for Wilfred [Josephs]; suggested lines for a duet; characters with actors' names e.g. Mrs v. H[oppen] Nuala Willis (as happened); etc.

One page, 8vo, laid down on another paper, fold marks and slightly crumpled, trimmed with loss of part of "K" of "Knebworth" only, otherwise text clear and complete. "It is with many thanks that Ireturn your Ladyship's Poems [...] I must differ from your Ladyship in the remark that 'Tragedy is not the field for female powers- I cannot help particualrly admiring the nobleness of the characters you have described, & the sentiments they atter are such as Man should utter.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

Certificate, c.41,5 x 38cm, fold marks, slight foxing, mainly good condition. Text surrounded by border with simple celtic theme, headed by recumbent pipes with gaelic script. Text: The War Memorial School of Pipers Certificate | This is to certify [...] receive a _______Certificate ; [Signatures in Manuscript (apparently pencil) including 'Examiner' W.G. Burn Murdoch whose litho signature also appears in the border at the bottom.

Two pages, 8vo, edges sunned mainly good condition. She says, "My fee for reading is highg, 50 guineas for an evening. 40 guineas if [?] for 3 or more evenings. | I don't really care about if it interferes with other work & I have not yet settled my autumn plans".

2pp., 4to. Good, on lightly-aged paper. Divided into eight four-line stanzas, each with the same two-line refrain. The first stanza: 'Fashion was formed when the World began, | And Adam I am told was a very smart man, | As for Eve I shall say nothing more or less. | |But that Ladies of Fashion now copy her dress. | Yet barring all pother of this that & tother we all bow to Fashion in turn'. Containing witty references to the fashion for hunting boots and crops, New Bond Street, Tudor and Stuart clothing, Whigs and Tories.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. The first page headed 'Act III', and the whole tightly-written and filled with deletions, interpolations and marginal notes, providing a valuable insight into the creative process of one of Victorian England's most successful dramatists. The last page breaks off: 'Handeside confesses his own desperate attachment. Markham <...>'. 'A Sister's Penance' was a great success, with 83 performances at the Adelphi between 26 November 1866 and 2 March 1867.

3pp., 16mo. Bifolium. Fair, on aged paper with fold lines. The front page carries the printer's slug, and gives the price of $6 for 'Course Tickets', 'For sale at the houses where the readings are to be given, on and after FEBRUARY 19th.' The middle two pages give the addresses, with owner's names, of the houses at which the six readings are to take place.

1p., 4to. 15 lines. On aged and worn paper. The letter reads 'Dear Sir/ | A general meeting of all the Dramatic Authors will take place at the Garricks head in Bow Street on Monday nexxt at One o'Clock.

3pp., 12mo. Fair, on aged paper. Mathews begins by quoting contradictory passages from letters of Charles Mathews, one from Mrs Mathews' 'Memoirs of Charles Mathews, Comedian' (1839) and the other from Bunn's 'The Stage: Both before and behind the Curtain' (1840). Regarding a performance in Dublin in 1811, the letter Mrs Mathews quotes complains that, although Mathews had been led to believe

A total of 8 pp, 4to, all on Palace Court letterheads. Dent's notes both signed 'Jock Dent.', and the copies both signed 'James Agate'. Two important, energetic and vivid letters by Agate, totalling 6 pp, 4to, defending Coward's play and his position on 'the intellectual and the popular', against the 'pseudo-intelligentsia' of the barristers Shearman and 'Jack' St John Hutchinson (1884-1942).

4 pp, 12mo. Good, on lightly-aged paper. The unnamed recipient appears to have been named as executor in a prvevious will of Sir Henry Bishop. Opens in dramatic style: 'I was very greatly surprised to receive a letter from you this morning, dated from Brighton, as my poor Brother, Sir Henry Bishop, had not the slightest idea that you were still an inhabitant of this world, having heard of your death some time since, in consequence of which, he made another will similar to the one in your possession, but changing the executors'.

Letter One: 2 pp, 12mo. 23 lines. Good. Docketed '3.5.26 | copd.' He thanks him for his letters, and has 'sent the verses to Sanderson'. The copies of the 'Quilter publications' that Bennett needed for the writing of an article in the 'Music Teacher' have not arrived. Asks for information on a 'volume of songs by Sibelius'. 'If they are available could they be included in the Quilter parcel'. He is 'writing about Sibelius for publication in July, & want to be as complete as possible'. Letter Two: 2 pp, 4to. 23 lines. Good, with staple holes to one corner.

Programme: 12mo, 4 pp. Bifolium. Printed in green on orange paper. Text clear and complete. On lightly-aged paper with slight wear to extremities. Dargavel's signature is in pencil in the top left-hand corner of the second page: 'Best Wishes, | Bruce Dargavel'.

On neat rectangle of grey paper, roughly 14.5 x 5 cm, laid down on piece of pink paper removed from autograph album. Good, on lightly-aged paper. Firm, bold signature: 'Flora M. Woodman./'

Fair, on lightly-aged paper. The publicity photograph of Mrs Patrick Campbell, : Roughly 10.5 x 13 cm. Printed in green. Depicts her leaning forwards, with neck and forearms exposed. Across the foot she has written: 'Beatrice Stella Cornwallis West. | (Mrs. Patrick Campbell)'. Laid down on a leaf from an autograph album, on the reverse of which is Kubelik's signature: 'jan Kubelik | 25.XI.1921'.

On one side of page removed from autograph album, roughly 14 x 18 cm. Very good, on lightly-aged paper. An accomplished head-and-shoulders self-caricature, with Robey directly facing the viewer, his eyes to his right, a smile on his face, a red nose, the customary tiny hat perched on his head with tufts of hair sticking out over the ears, long neck and collarless shirt. Good, firm signature in bottom left-hand corner: 'Geo. Robey.' Also included is a newspaper cutting of a photograph of Robey. The National Portrait Gallery owns five of Robey's self-caricatures.

Both signatures on the same side of a light-green leaf removed from an autograph album, roughly 18 x 14 cm. Good, on lightly-aged paper. The first signature is the larger of the two: 'Wilhelm Backhaus | Nov. 20th. 1922.' The second reads 'Lindley Evans. | 20/11/22'.