FRENCH

One page, 4to, fold marks, one edge dusted, fold marks, ow good. Je vous remercie vivement de m'avoir envoyé l;article de Sir John Pollock. Que cette fidélité amicale et intelligence est raffraichissante [one f crossed out]. | Je vous félicite du travail que vous faites à Londres, et vous prie de croire a mon tres fidèle souvenir. Underneath Palewski's scrawled signature, Gros has added le ci est de Palewski I I think!) adding his own nearly illegible signature. See image.

1p, 4to. Aged and worn, with thin strip of mount adhering to one edge, and slight damage to one corner. The unnamed recipient is a member of William Pitt the Younger's Tory Ministry, and the letter is written at a time when the administration was preparing for a French invasion, the first French Army of England having gathered on the Channel coast.

ONE: Cabinet Card: 13.5 x 10 cm photographic head-and-shoulders portrait of Blouet, smartly-dressed with glasses and handlebar moustache, mounted on 16.5 x 10.5 cm card, with printed details of the photographers Taber's printed in gold below the image, and an elaborate advertisement for the firm printed in brown on the reverse. In fair condition, lightly aged. Inscribed on the base of the print: 'Yours Sincerely | Max O'Rell'. TWO: Autograph Letter Signed to 'Mr Appleton', i.e. E. W. Appleton. 1p, 12mo. On bifolium. 14 December 1885; 2 Lime Grove, Uxbridge Road, W.

On one side of an irregular piece of thin paper, roughly 12.5 x 13.5 cm. From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and neatly mounted on a leaf extracted from an album. He writes that a few days previously he wrote to ask 'Monsieur le ministre de la marine' for 'une audience de q[uel]ques instants'. He fears that the letter did not reach him, and so renews his request. Signed 'salut et paternité | Alphonse Karr'.

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4 pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'

1p, 16mo. In good condition. He begins by telling her that he will not be travelling anywhere that summer for work, but that he may go and rest at Aix, 'et voilà tout'. He continues: 'On m'a dit que vous etiez charmante dans Andrea, mon premier soir de liberté sera pour vous aller voir . . . . | J'irai vous dire bonsoir et vous raconter l'histoire de mon depart de la Comédie'.

1p, 12mo. Bifolium. In fair condition, lightly aged and worn. From the celebrated manuscript collection of Richard Monckton Milnes (Baron Houghton). Addressed by Girodet on reverse 'préssée | A Monsieur | Monsieur Gros peintre d'histoire rue des champs Elissés la 1ere or 2e porte cochere a droite'.

14pp, 4to. Stitched into grey printed wraps. In good condition, lightly aged, with one corner slightly dog-eared. 143 lots, divided into two sections: 'Miniatures and Enamels' and 'Objects of Vertu'. The snuff-boxes feature in the latter, and include: '112 A Louis XVI. plain oblong gold snuff-box, with rounded ends and reeded borders - bearing the mark of Henri Clavel, Paris 1778 - the rim engraved "DU PETIT DUNKERQUE"' and '122 A LOUIS XV.

On one side of a 12 x 13 cm piece of paper with the corners cut away to make a irregular octagon shape. In fair condition, lightly aged. Laid down on part of leaf from album. Reads: 'Madame | Voici un billet pour la Séance Royale de demain. Je suis charmé d'avoir pu me le procurer puisque vous le desiriez. | Agréez, je vous prie, Madame, l'hommage de mon respect | Guizot | Dime. Juin 16.' At bottom left, in a contemporary hand: '184'.

1p, 4to. In good condition, lightly aged, with stub from mount adhering to one edge. Folded twice. From the celebrated Monckton Milnes collection of autographs. The letter concerns the arrangements regarding 'nos mois de vacances à la Chambre Criminelle'. Requesting a month's extra vacation, he explains that he has passed one of his two allotted months in great discomfort: 'mais d'une part, j'ai passé le mois de juin au lit dans les douleurs d'une longue et cruelle maladie: et, d'un autre côté, il m'est resté de mes souffrances un tel agonisement'.

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

2pp, 16mo. Bifolium. In good condition, lightly aged. At the time of writing Arnaud was delighting audiences at the Lyric in her first leading role, that of 'Suzanne' in the musical 'The Girl in the Taxi'. Good firm signature. She writes: 'Cher Monsieur | Thanks [sic] you very much for your nice letter. Certainly I will go to Mess. Foulsham and Banfield for a picture, perhaps next week, and then, when they will be ready I give you one with great pleasure. | Mes bien sincères salutations.

The letter is 1p, 12mo, and is accompanied by the covering 8vo leaf, addressed to 'John Atkins Esqre | Duke Street | Westminster', with a second signature for franking. The covering leaf is endorsed: 'Admiralty August 21 1806 | Adml. Markham concerning Miles Burn that it would be impossible to get him reinstated'. Both letter and covering leaf in good condition, lightly aged and worn, with fold lines. Markham could hardly be more decisive.

A savage and bitterly-sarcastic satirical spoof epitaph, the text of which, the Liverpool Mercury reported in 1822, had been 'repeatedly published before'. Some versions are said to have included a woodcut by George Cruikshank, but the only other publication found (with a few minor variations from the present version) is in the Irish Magazine, June 1809, pp.286-287, where the author is named as 'WILKS INR.', i.e. '[John] Wilkes [sic] Junior'. Printed on one side of a 26.5 x 10 cm piece of unwatermarked wove paper.

2pp, 12mo. In good condition, lightly aged. Addressed to 'B. Nicholson, Esq., | Brooks's, | St. James's Street, S.W.1.' (Nicholson was the son of Harold Nicholson and Vita Sackville-West.) She begins by thanking him for his 'kind letter and charming gift of your drawings of St. Nectaire', adding: 'as an author my vanity is flattered by your appreciation of “Romanesque France”'. She is glad she has helped 'a certain number of people in getting to know some of the beauties of France', but feels 'something of a fraud about the book as without the help of my friend Mr.

8pp, 12mo. On two attached bifoliums. In good condition, lightly aged, with slight damage to margin of first leaf. Folded once. A long letter, closely and neatly written in English, responding to 'objections' to his 'Épilogue 1. Les impérialistes au pouvoir: 1895-1914' (1926), giving his evaluation of 'the Edwardian years' in English history, and contrasting his 'spirit' in the study Victorian England with that of Lytton Strachey.

1p, 12mo. In good condition, lightly aged. Begins: 'My very dear Friend, | I lack words to express my real gratitude for your heartfelt kindness to so young a fellow as your devoted comrade, here writing'. He hopes for an opportunity to show proof of his 'profound and hearty friendship'. He ends with renewed thanks, and 'sincere loves [sic] to your good Wife and dear self'.

Both items are 2pp, 12mo, and bifoliums. Both in good condition, lightly aged, and each folded once. The second has rust marks to margin from a paperclip. Given the sunbject-matter, the recipient may be a relation of the actress Mrs William Barry (1739-1771), whose maiden name was Osborne. ONE: 17 August 1769; on Park Road letterhead. Signed 'Ch. Fechter.' He begins by announcing: 'I have, by no means, altered my mind; but have been – and am still – strolling about the country'.

On both sides of a 37 x 24 cm piece of paper (i.e. half a 'pinched post' folio leaf), with 1806 fleur-de-lys watermark. Folded twice, to make eight 24 x 9 cm panels (four on each side), in seven of which Perceval has written his notes in a close and neat hand. The eighth panel forms the outside of the folded paper, and on this Perceval has written 'Parliamentary | Miscellaneous'. In fair condition, lightly aged and worn.

One page, folio, top corner lost with apparently little loss of text, fold marks, small closed tear, faint foxing, mainly good condition. "The undermentioned Arms &c being [expec?]ted to complete the 4th/or King's Own Regiment of Foot: I have the Honour to request that your Grace will receive and transmit His Majesty's commends to the Master General and Board of Ordnance, that the said Arms &c. may be delivbered out of His Majesty's Stores, for the use of the said Regiment, and the Expense thereof charged to the Estimate of Ordnance for Parliament".

On both sides of a 17.5 x 20.5 cm piece of wove paper cut from the first leaf of a letter, with 14 lines of text on the recto, and 20 lines of text on the verso. In fair condition, lightly aged, with two small labels used as mounts still adhering. Annotated at the head of the first page, in a small light hand, dating the letter by reference to Arnold's 'Memoirs', and explaining that the letter is written 'To Mrs. Arnold who gave me this | [?] from Her dear hand | Autumn 1860'. For the context of the letter see the Memoirs, 'Appendix C. | VIII. Tour in the South of France'.

On one side of a 38 x 24 cm piece of wove paper with watermarked date 1828. In fair condition, lightly worn and creased. The engraving is roughly 21 cm square, and shows three figures gathered around a table, their arms tangled as they reach forward to sign a document.

2.5 x 11.5 cm slip of paper, laid down on part of leaf from album, with d'Albret's autograph dating ('i67i') on 1.5 x 6 cm slip laid down below it. In good condition, lightly aged. The valediction of a letter, written in an undisciplined hand.

A nice piece of Second World War ephemera, of which no other copy has been traced. 1 British Corps formed part of the B.E.F., travelling to France in September 1939, and withdrawing from Dunkirk at the 'Darkest Hour' in May 1940. In good condition, lightly aged and worn. Lithographed in black on the four sides of a 9.5 x 15 cm bifolium. Two parallel diagonal red lines printed at top left of front cover, which also carries the Spearhead badge of 1 British Corps at centre, above 'B.E.F.' in a scroll, with 'Christmas – 1939' at bottom left.

Vertès won two Oscars for his work on John Huston's 1952 biography of Toulouse-Lautrec, 'Moulin Rouge': Best Art Direction (with Paul Sheriff) and Best Costume Design. The second of the present two items is an article Ede had invited Vertès to write on his role in the film; the first is the covering letter with which it was sent. ONE: Autograph Letter Signed to 'Cher M. Ede'. 4 January 1954. 2pp., 8vo. In good condition, lightly aged and worn. He is enclosing 'le petit texte', which he hopes will be to Ede's taste.

Card with stamp and postmark. Of the two addresses in her letterhead, she has deleted the London one (105 Hallam Street, W1). In good condition, lightly aged and worn. Addressed to 'Secretary to | E. V. Knot [sic] Eq. | Offices of “Punch”'. The card reads: 'Miss de Casalis hopes to broadcast Mr. Knot's “Reparation” at the end of her turn on Friday 27th 9.35 to 10.15 (Forces programme) & again on Sunday to Forces abroad.'

On 6 x 11.5 cm piece of paper, cut from the end of a document. In good condition, on aged paper, laid down on piece of grey paper cut from an album, with the words 'Marquis Seignelay.' in a nineteenth-century hand at the foot of the mount. Seignelay's signature is large and bold, above the following words in a neat secretarial hand: 'Vostre tres humble & tres aff.ne Seruiteur.'

The author of the text of the present volume, J. B. Payne, was manager of the book's publisher Moxon, and ruined the firm with his sumptuous editions, including one of Tennyson's 'Idylls of the King' with illustrations by Gustav Doré, which determined Tennyson to forbid future illustrated editions of his work. The market for the present volume would have been limited, and the cost of producing it so high, that it is hard to see how it can have covered its costs. [3] + 53pp., 4to. Each of the 56 pages is lithographed in black against a light-brown background, on thick art paper.

On a 1.75 x 4.25 cm rectangle of laid paper cut from letter. In fair condition, lightly aged, with paper from mount on reverse. A neat, firm signature, reading 'Roger Curtis'.