AND

Two pages, 4to, good condition, lacking at least a signature page. An impediment in the arrangement of the Miscellaneous Records of the Exchequer which I feel it my duty to submit to the notice of the Board.

(1788) Letter, bifolium, , cr. 8vo, good condition, one page giving assurances as to quality, etc., with list (essentially a quote) of prices/features of A new Fashionable Chariot with a [?] light coloured cloth, Painted a Green [?] Patent yellow, made of the best materials & season'd timber, followed by a price list of various features (blinds, plated head plates, steps, strong plated harness, packing etc etc). See image. (1799) 1p., 4to, bifolium, very good, on lightly-aged paper.

Paginated [387]-402, fold marks, small rust marks from staples, punch-hole. From the papers formerly held at the headquarters of the National Indian Association and the Northbrook Society, 21 Cromwell Road, later by its former Warden, Roland Knaster. BUT stamped 1917-CLUB, a club founded by Leonard Woolf, frequented by his friends and (re. Wikipedia entry, Gordon Childe, Ramsay MacDonald, Aldous Huxley, H. G. Wells, H. N. Brailsford, Elsa Lanchester, Rose Macaulay,[3] Frederick Pethick-Lawrence, J. A. Hobson, Norah C. James, W. C. Anderson, Mary Hamilton, Emile Burns, E. D.

The Vogts made a series of discoveries over six decades. It was to Oskar Vogt that the Soviets entrusted Lenin's brain. 2pp, 8vo. Bifolium. In good condition, lightly aged, somewhat grubby on blank reverse of second leaf. Folded once. The recipient ('Monsieur') is not named. She begins by commenting on the enclosed photographs of a brain: 'Comme vous le voyez, le foyer n'a pas touché la 3e frontale, il s'étend à la partie inférieure de la frontale ascendante'. She asks him to send his observations, 'si vous avez pu prendre suffisament de notes sur le cas'.

One page, cr. 8vo, fold mark, small closed tear on fold, good condition. Very many thanks for writing to me about 'Views of Attica. It gives me great pleasure to know that people have enjoyed what one has enjoyed oneself. And you can imagine how difficult it is to describe [?] at all adequately. | I wish I'd known the country before this war.

Piece of paper from lined exercise book, 11 x 13cm, good condition. Text: My subject will be 'Ourselves and Our Relations' [all underlined]. OURSELVES AND OUR RELATIONS.; Lecture by Mr.

See Hardie's entry in the Oxford DNB. 11.5 x 9 cm card. Printed with penny stamp in red; no illustration. In fair condition, discoloured and a little worn. Addressed by Hardie to 'C. H. Whitby | 82, Crofton Park | Yeovil.' (Whitby is the author of a handful of books of reglious poetry.) Whitby would appear to be offering for sale, or at least asking for advice about, an impression of Palmer's celebrated engraving 'The Bellman'.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud” – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'.

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

9pp, 12mo. On twi bifoliums and a single leaf, only the first of the bifoliums carrying the letterhead. In good condition, on aged paper. Folded once and in an envelope with 'Whist for 2. | Rules by Miss Stanton.' on cover. The letterhead has the feel of the 1920s, but the handwriting is Victorian, and presumably that of an old spinster. The first bifolium carries a separate set of instructions over four pages, headed 'Whist for two', and concluding: 'Hope you can read it excuse blots for I cant see what I have written'.

One page, 12mo, staining and ink blots but text clear and complete, laid down on larger piece of paper, docketed The late Mrs. Margaret Gatty (writer for children) Editor of Aunt Judy's Magazine.

One page, 8vo, fold marks, very good condition. Text: I enclose two letters from Maitland, the Malta Area Manager of Shell, whose sway extends over the Shelkl Company in Tripoli, one addressed to yoy and the other to the Tripoli Manager. | I have probably done you wrong in saying that this is the first time you are visiting an Arab country, but anyway your presumed naivete will, I hope, only make them the more helpful. | I hope it all works out, and that you find Libya as rewarding as I did.

Each letter 1p, 8vo. Both in fair condition, lightly aged and creased. On signing one of the letters she has slightly smudged it. ONE: 28 May [1950]. She thanks him for his 'fascinating-looking book, THE MELODIES LINGER ON', and for his 'most generous inscription'. She and her husband 'Richard' (the drama critic Richard Halliday) have 'read bits and pieces and have looked at every photograph, and can't wait to really sit down and read the book from cover to cover!' She continues: 'And that will be soon.

See the entries for Smith and MacQueen-Pope in the Oxford DNB. Walt Disney had read The Hundred and One Dalmatians earlier in the year in which the present letter was written, and had immediately begun negotiations for the rights, much to Smith's delight, as she had hoped that he would make it into a film. 2pp, 8vo. A long letter, in a close and elegant hand. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley, and on receipt of his latest book, she begins: 'Dear Popie, | How very, very kind of you to send us Give me Yesterday! Thank you so much.

See both their entries in the Oxford DNB. Two long letters. Both 2pp, 4to. Both letters on aged paper, creasing at the head. Each folded twice. Written in a close, elegant hand. ONE: 23 January 1957. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley she begins: 'Our dear, dear Popie, | It really is fantastic. This morning I wrote you a tiny fan letter, combined with thanks for your radio mentions of me. I then carried it to the little pillar-box at the crossroads near here, in time to catch the 3.40 post.

Dunn was a teacher (presumably at Dulwich College), Sussex naturalist and poet. Around 1984 he published his own poem 'Death of a Scarecrow' at his Poet and Printer press, Hatch End. The present collection, from the Christopher Fry papers, is in good condition, lightly aged. ONE: Autograph Letter Signed ('Ruby Dunn') to Christopher Fry. 1p, 12mo. She begins by asking him to accept a 'small token' of her thanks 'for a memorable occasion', presumably a memorial reading of Dunn's poems in which Fry was involved. She continues: 'I can think of no greater pleasure for me, Peter's widow.

A very nice artefact of one of the best-loved books in the England language, Gilbert White's 'Natural History and Antiquities of Selborne', which at one point was claimed to be the fourth most-printed book after the Bible, Shakespeare, and Bunyan's 'Pilgrim's Progress'. White's entry in the Oxford DNB concludes by describing the book as 'an expression of universal thanksgiving, treasured by all'.

For the context see Halliwell-Phillipps's entry in the Oxford DNB, which states that in 1852 he 'offered by subscription the most elaborate Works [of Shakespeare] ever attempted: published between 1853 and 1865 in sixteen thick folio volumes, lavishly illustrated by F. W. Fairholt and limited to 150 copies, it was initially priced 2 guineas a volume.

On one side of 8 x 18.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and worn, with traces of brown paper from mount adhering to the blank reverse. The item would appear to be entirely in the hand of the Earl, but the matter is not quite certain, and it may be in a secretarial hand, with only Cork's signature in autograph. It reads: '[...] | Sir | Your Royal Highness's | very obedient | and very humble Servant | Cork | Col | [Som.?] Reg.] Addressed to 'His R. H. | The Duke of York | &c &c &c'. Annotated, in two separate contemporary hands: 'Novr. 1795' and 'Nov.

The Times, 16 February 1860, announces 'the new drama, called A TALE OF TWO CITIES', at the Royal Lyceum Theatre, 'Sole Lessee and Directress, Madame Celeste'. ('Madame Céleste' [Céline Céleste-Elliott] (c.1815-1882) was a French dancer and actress.) 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded three times. The recipient is not named. The letter has a large signature ('Henry Betty.') with florid underlining.

The present early eighteenth-century document lists the heads of British Army regiments from the period of the Glorious Revolution to the accession of George I. Internal evidence suggests that it was compiled around 1715, and that it was amended until the mid-1720s. The care with which it was compiled, over a decade and in a number of hands, would appear to suggest some sort of official standing. It is on nineteen 18 x 7.5 cm leaves of laid paper, formed in ten bifoliums, now loose but originally bound together, and with traces of thread still present.

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed: 'To W. J. P. Monckton Esq. | Publisher | "Black & White," | London'. He has just received Monckton's letter, and is enclosing a 'little pamphlet', which will give him 'a full account of the incident depicted in "Saving the Colours"'. If all is well Gibb hopes to be in London on the Monday or Tuesday of the following week, and will 'have the pleasure of calling upon you as promised'. His address will be the Thackeray Hotel, Great Russell Street.

Printed in black ink on both sides of a 26 x 30 cm piece of thick shiny art paper. Worn and folded twice. One side carries a priced list of eleven 'Natural History Works by R. KEARTON, F.Z.S.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud”' – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging.

The Biblewomen & Nurses Mission was founded as the London Bible and Domestic Female Mission in 1857, with the aim of bringing religious education to the poor. See the account of the founder Ellen Henrietta Ranyard (1810-1879) in the Oxford DNB. In 1868, Ranyard expanded the organisation to include the nursing of the sick poor in their own homes, in response to what the 'Biblewomen' saw of the sick, and three years later the Mission began to receive support from the Mercers Company. After Ranyard's death she was succeeded as Hon.

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

[16]pp, 16mo (11.5 x 7.5 cm). Stitched unpaginated pamphlet, tastefully printed with decorative headpiece to title, and the Press's celebrated device to the colophon. A frail survival, aged, worn and spotted, with one corner of last leaf dogeared. At foot of title-page: 'Any volume will be sent on receipt of Postal Order in advance.' Following the title-page are two pages with a history of 'The Chiswick Press. | Founded 1789.' Then a full-page advertisement for 'A Practical Treatise on the Art of Typography', with a full page containing 'Some Press Opinions'.

1p, 12mo. In fair condition, lightly aged, with slight nick at gutter of bifolium. Addressed 'To | Revd G Bainton.' Reads: 'Dear Sir | You are quite at liberty to publish my letter. - If it finds its way into the papers, I should be obliged if you would kindly forward me a copy. | Ever yours truly | Chas Mackay'.

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.

See Sams's entry in the Oxford DNB. 4pp, 12mo. On a bifolium, the second leaf of which has had a rectangle, almost amounting to half, cut away from the bottom. The text of the letter is complete, but the priced list of the prints and drawings on the last page, lacks the lower half. A long letter, closely written. Signed 'J. Sams.' Aged, worn and lightly stained, but nevertheless in passable condition. The recipient, saluted as 'Esteemed Friend', is not named.