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Morrison’s entry in the Oxford DNB describes him as ‘the most famous astrologer of Victorian times’. The present nonce-collection contains ten yearly issues of ‘Zadkiel’s Almanac’, in workmanlike black-cloth binding. Some of the outer leaves heavily discoloured, and the whole somewhat worn, otherwise in fair condition. All in 12mo, and with much the same lay-out of the title-page. Occasional illustrations. Title-pages state print-runs between ‘Twentieth Thousand’ (1851) and ‘Forty-second Thousand’ (1855 and 1856).

2pp, 12mo. On the first leaf of bifolium. In good condition, lightly aged (blank second leaf slightly damaged). Folded twice. Recipient not named, but is from the Piffard papers. Good bold signature ‘W. Carruthers’. Reads: ‘Dear Sir / The enclosed specimens are all certainly fish coprolites. / I would have returned them sooner but I was anxious to see Mr Etteridge who I understood from Mr Brody said they were cones. / I have only to-day been able to see him, and hee says that he has no doubt about the these [sic] specimens being Coprolites.’

An interesting letter, providing a mass of interesting incormation relating to the stage in Georgian England, while responding to a request from London solicitors for information about the whereabouts of a provincial actor. See his entry in the Oxford DNB. 3pp, 4to. Forty lines of text, on bifolium addressed on reverse of second leaf ‘For / Messrs. Dowson, Capron and Rowley / Savile Place / near / Burlington Street / London’, and signed ‘S. Kemble.’ In fair condition, on discoloured and worn paper with minor damage at head, but text clear and entire.

Now viewed in a favourable light, Panizzi was a controversial figure in his own time, being dubbed a ‘fat pedant’ by Thomas Carlyle, who was moved to press for the creation of the London Library as a result of the Italian’s high-handed behaviour. From the Piffard papers. 1p, 4o. On recto of the first leaf of a bifolium. In fair condition, lightly aged and worn, with short closed tears to both leaves on fold. Folded four times.

See her entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and worn, but with traces of grey paper and glue from mount adhering to the blank reverse. Folded once. In her neat controlled hand, with good firm signature, the letter reads: 'Dear Mr. Courtney / I shall be so grateful if you will put this in to the Telegraph, to morrow: / Yours sincerely / Mary A. Ward'.

See his entry in the Oxford DNB. 1p, 12mo. With mourning border. In fair condition, aged and worn, with remains of white 'star' wafer mounts adhering to the four corners. Beneath the underlined heading 'Note for Secretary' reads: 'The relative positions of Iris & Phoebe do not appear to agree in papers marked (2) and (4) in my letter. Please let me know which is right. / LB.' Presumably Iris and Phoebe were ships.

See the two men's entries in the Oxford DNB. The three items are in good condition, lightly aged and worn; the second is lightly spotted. Each is folded once. All three signed 'Bryce'. ONE: 13 February 1914. No place. 3pp, 12mo. On bifolium. Begins: 'My dear Ross / I should like [to] help in so good a cause, but cannot possibly venture to make any promise for a date so distant as Nov. next. It would be a tempting of Providence as we say in Scotland.' He is not even certain whether he will be in England then, 'and there is nothing one has more to avoid than the breaking of promises'.

See the entries for Milner and Ross in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once for postage. Addressed to 'Dear Mr Ross' and with good bold signature 'Milner'. The subject of the letter is the philanthropic ‘settlement’ Toynbee Hall in Whitechapel, founded in 1884 by Canon Barnett and Henrietta (DBE), his wife.

See his entry in the Oxford DNB. From the Piffard papers. Marshall’s handwriting is hurried and in places difficult to decipher. 2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to ‘Dear Mr. Piffard’ and signed ‘John Marshall’. Piffard’s gift of ‘the Box of flowers, with [?]’ leads him to opine: ‘The Daffodils are lovely. - Why is Nature so beautiful? Can it be merely to please the Eye of Man?

See his entry in the Oxford DNB. From the Piffard papers. A total of 9pp, 12mo. The recipient is 'B. Piffard Esq.' and the letters are all signed 'Jesse Collings'. ONE: 27 July 1885. 2pp, 12mo. He apologises for the delay in replying: 'I have been so over-pressed with Parliamentary and other work.' He will go into the matter of Piffard's letter at the 'Committee meeting of our Allotments & Small Holdings Association' that very day.

At the time of writing Gordon-Cumming’s trophies were being exhibited at this Piccadilly address, having previously formed part of the Great Exhibition. The recipient Henry Charles Angelo (1806-1866) was a member of the celebrated family of fencing masters, and was at this time teaching the art at the Cavalry College, Richmond. 2pp, 12mo. On the rectos of the two leaves of a bifolium, with the recipient’s name written lengthwise on the verso of the first leaf: ‘H. C. Angelo Esqr’. In good condition, lightly aged. Folded twice.

1p, 4to. In good condition, lightly aged and creased, with thin stub from previous mounting neatly adhering to inner edge. He explains that his request for an audience is ‘exclusivement littéraire’, and that it is as a ‘titre d’honneur de lettres’ that he hopes to obtain ‘la haute faveur’ of consideration of various factors ‘soumis à ces attributions’. From the celebrated collection of Baron Houghton (in Lot acquired at Chiswick Auctions)

Three pieces of ephemera from a golden period of English children’s book illustration. All three items printed on shiny paper, and all worn and discoloured. ONE: ‘Hodder & Stoughton’s Christmas List’, with advertisement for Edmund Dulac’s edition of A. T. Quiller-Couch’s ‘The Sleeping Beauty’ on cover. 20pp, folio. With rusting staples. Folded once. Undated, but containing items published in 1910, apart from the cover item, which appears to have been published in 1912.

The Clarendon Hotel was once - as ‘Routledge’s Popular Guide to London’ stated in 1862 - ‘the most fashionable place in London’, and the present collection of autograph signatures from its guestbook, all of them said to date from 1831, bear witness to the fact that - as ‘Gilbert’s Visitor’s Guide to London’ (1851) states - it was ‘frequented by the Nobility and Gentry, and Foreigners of rank’. Its reputation had been made during the Regency period, and in 1820 ‘Leigh’s New Picture of London’ stated that it ‘and Jaquiers are now one hotel’.

A scarce piece of naval ephemera. Six copies on COPAC: Chetham’s Library, Lambeth Palace, NLS, Oxford, Society of Antiquaries and BL. According to ESTC, the journals of the House of Lords state that it was ‘presented to the House on 17 January 1705, and ordered to be printed 5 February 1705’. In landscape on one side of a folio sheet of watermarked laid paper, folded into a two-page bifolium.

The Eliza was on her way to Bristol from Memel in Prussia when she was wrecked on the Kentish Knock on 4 August 1818. The court is not named, but the second document contains a reference to 'the jurisdiction of this Honorable Court'. ONE: Affidavit headed ‘Eliza James Driver Master.’ 1p, foolscap 8vo. Forty-six lines, closely written. Text clear and entire on aged paper with chipping along head of leaf. On reverse: ‘Messrs. Cobb & Son / Margate / by favor of Mr.

Silver gelatin negative photostatic print of two documents: 3pp, 4to (i.e. each of the three pages on 19.5 x 24 cm. leaf). The first page of Goschen’s two-page ‘Aide Mémoire’ on a separate leaf, and the second page and von Jagow’s note on different leaves of a bifolium. In good condition, lightly aged. N.B. The entire item is a photostatic copy. Reproduced at the head and down the left margin of the first page of Goschen’s text are manuscript notes in German (including at top left: A15930 pr. 4. August 1914 pm. / Von Sir E.

A scarce piece of scientific publishing ephemera. No other copy traced. 8pp, 8vo. Aged, worn and spotted, with staples rotted away. The cover is headed 'Librairie C. Reinwald & Cie, 15, rue des Saints-P?res, Paris / Derni?res publications / relative aux sciences m?dicales et naturelles.' Delage's work ('Vient de para?tre') is noticed on the cover, with an 'Extrait de la table des mati?res' extending to the end of the second page. Other many other publications noticed are 'L'Embryologie compar?e par Le Dr Louis Roule'. and 'Trait? d'anatomie compar?e pratique par Carl Vogt et ?mile Yung'.

For the family see the entry on ?HOMFRAY, of Wollaston Hall, and The Hill, near Stourbridge; Broadwaters, Kidderminster; and The Hyde, Kinver, Staffordshire?, in H. S. Grazebrook, ?The Heraldry of Worcestershire? (1873). 1p, 8vo. Text clear and complete, on aged paper worn and chipped at edges, with one short closed tear. Previously folded into a packet. Endorsed. Reads: ?Sir / I have just rec?d yours enclosin [sic] a statement of the Half Pay which you say is 33? - 8s - [?]d & that there is only 12? . 15s due to me for 6 months.

1p, 4to. In fair condition, on aged and somewhat brittle paper, with unobtrusive repair to one corner. Folded three times. Certainly not in Wellington's distinctive hand. Reads: 'The Duke of Wellington presents his Compliments to Mr: Briggs and begs to acquaint him that he is going out of Town this night. / But he will be happy to receive the Gentleman mentioned in Mr. Briggs's note at the Ordnance Office Pall Mall on Friday next at three oClock. / London / 27th: Novr: 1826.' See Image.

Draper inspired characters in two of Agatha Christie?s books. Among others impressed by her work were Bernard Shaw, Thornton Wilder, John Gielgud, Katharine Hepburn, Maurice Chevalier, Laurence Olivier, Henry James, Henry Adams, Edith Wharton, Joyce Grenfell, Emma Thompson, David Mamet and Maureen Lipman. See Ross?s entry in the Oxford DNB. 3pp, 12mo, on bifolium of light-grey paper. In good condition, lightly aged. Folded once for postage. Addressed to ?Dear Sir David? and signed ?Ruth Draper.? Presumably written during Ross?s Vice-Chancellorship, 1941-1944.

See his entry in the Oxford DNB. The National Portrait Gallery possesses a carte-de-visite another portrait of Manns by Negretti & Zambra, which it dates to 1898, but does not hold the present item, which is a head and shoulders shot showing a white-haired Manns, bald on top, with bushy eyebrows and walrus moustache looking to one side in dark jacket and white shirt and tie. A 10 x 14.5 cm albumen print, presented in the customary style on a grey cabinet card, with the firm?s details embossed in white at foot, and the usual photographers? details printed on the reverse.

See the entries for Grey and Ross in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?My dear Provost / Probably you will not think that the enclosed requires any answer or that it is a matter for the head of a College but as it concerns a member of Oriel I send it on to you / Yours very truly / Grey of Fallodon.?

It is hard to do justice to this vivid, informative and well-written 250,000-word account of the author's First World War service as Medical Officer In Charge attached to three regiments on the Western Front, present during the Battle of the Somme, Kaiserslacht and Hundred Days Offensive. It is hard to conceive of a better account of the day-to-day activities of a member of the Royal Army Medical Corps on active service during the Great War.

See the entries for Morrison and Ross in the Oxford DNB. The three items are in good condition, lightly aged and folded for postage. The second item has a punch hole centred at the head of the leaf. All three 1p, 12mo, and each with Morrison’s sprawling signature ‘Yrs sincerely / Herbert Morrison /’, the first in green ink. ONE (25 November 1941): Addressed by Morrison in green ink to ‘Dear Sir David’. Thanking him for a note ‘in which you assure me of the appreciation of the Nuffield College Committee at my action in agreeing to release Mr.

See his entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 2pp, 4to. The letterhead, on both leaves, is topped by a pleasing 10 x 6 cm woodcut of Combe Florey House. The paper is creased, otherwise in good condition, and entirely legible.

See Bullock's entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 8vo. In fair condition, lightly creased. Folded twice for postage.

See Thiselton-Dyer’s entry in the Oxford DNB. Printed on one side of a 10 x 13 cm piece of paper, and made out in manuscript to ‘Sir William Thistleton [sic] Dyer (and Lady)’. Text size in good condition, lightly aged, with the blank reverse of the card with slight damage from mounting. The recipient has written in a close hand in red ink at top left: ‘accepted. / 18. 7. 02.’ The text reads: ‘The Chelsea Physic Garden.

Scarce: no other copy traced. The only similar material are the volumes for 1851, 1852 and 1853 in the Bishopsgate Institute. Stitched booklet. 16pp, 8vo. With card cover and frontispiece, both ornately engraved. Text and illustrations complete and undamaged, on aged paper worn at edges and with front cover detached. The cover carries the royal arms beneath the engraved words: ‘FIELD MARSHAL / His Royal Highness / The Prince Albert / K.G. K.T. G.C.B. K.P. G.C.M.G. &c. &c. &c. / Captain General and Colonel.’ At foot of page: ‘Honourable Artillery Company.

An attractive item by a leading exponent of ‘English pastoralism’. See his entry in the Oxford DNB. Bass and treble notation of opening bars, headed ‘Romance / Andante ma non molto’. On one side of 9 x 11 cm card with rounded edges. Firm signature at bottom right: ‘Martin Shaw / May 1921’. In good condition, lightly aged. See Image.