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See his entry in the Oxford DNB. 2pp, 12mo. With mourning border. On first leaf of a bifolium. In good condition, folded once for postage. All in a secretarial hand, except the signature ‘Rosebery’. Addressed to ‘My dear Sturgis’ - the item is from the autograph album of Sturgis’s wife, George Meredith’s daughter Marie Eveleen (‘Mariette’; 1871-1933). He regrets that he has ‘disposed of the vacancy of the secretaryship at the Treasury’. Had he not, he ‘would gladly have considered the claims of your candidate’. Ends: ‘I wonder if you and Mrs Sturgis would come and dine here some evening.’

A nice collection of ephemera, relating not only to one of England’s best-loved poets, but also to Sotheby’s auction practice during the Great War. The provenance of the Gray letters put up for auction by Mrs Turpin is given in a New York Times article of 27 June 1915 (‘To sell relics of Thomas Gray; many letters by the poet will also be put up at auction at Sotheby's’), which stated in a report on the forthcoming sale that the letters ‘were transmitted to the present owner, Mrs.

See his appreciative entry in the Oxford DNB, concluding with praise of his ‘undeniable’ achievements.2pp, 12mo. On bifolium. In good condition; folded once for postage, and with the blank reverse of the first leaf laid down on part of a leaf from the autograph album of the novelist George Meredith's daughter Marie Eveleen (‘Mariette’; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Addressed to 'Miss Marie E. Meredith' and signed 'Arthur W. Pinero'. Begins: 'It is with a heavy heart that I tell you I am pledged, wit h Mrs.

HMS Beacon (launched in 1820 as HMS Meteor and renamed in 1832) was a survey ship (having been under her previous name a Hecla-class bomb vessel), sold in 1846. HMS Britannia, the third of the name, was launched in 1820. She took part in the Siege of Sebastopol, and later in 1854 was driven ashore on the Russian coast, thereafter serving as a training ship until being sold for breaking in 1869.

See her entry in the Oxford DNB. After a stint as one of George Edwardes’ Gaiety Girls, she made her name in a number of revues, her performance in the lead role of the 1929 Broadway production of ‘Bitter Sweet’ prompting Coward to praise her grace and charm and assurance, which he said provoked one of the most prolonged outbursts of cheering I have ever heard in the theatre. She was less successful in Hollywood, starring in the Romberg/Hammerstein musical ‘One Heavenly Night’ (1931), a failure for Samuel Goldwyn.

A nice item linking one of late Victorian England’s most popular novelists with its most critically admired. See the entries for Caine and Meredith in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Laid down on part of a leaf from the autograph album of Meredith’s daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Reads: ‘To / George Meredith / With much admiration / Hall Caine / 23/Sept/91.’ See image.

See her entry in the Oxford DNB. An attractive and unusual item of correspondence, neatly written out in her distinctive handwriting. 1p, 12mo. On leaf of onion paper, carefully laid down on thicker backing. In good condition, slightly discoloured. Folded three times for postage. Reads: ‘A little little heart! So little! but anything “in the way of” a heart should not be flouted, nor scouted, & so I pray you to accept my very little heart - / It’s not worth the thanking for, only don’t send it back to me. / Nellaline. / March 17: 89:’.

See Merle Curti’s 1937 edition of Burritt’s letters and journals, titled ‘The Learned Blacksmith’. He was in England from 1846 to 1853. 2pp, 12mo. On a bifolium. 33 lines of text. In fair condition, lightly worn and spotted, with minor traces of mount at one edge. Folded once for postage. The recipient is not named, and the letter is signed ‘Elihu Burritt’. He has mislaid the letter the recipient sent a few days before, inviting him to deliver a lecture, ‘in behalf of your cause, sometime in the beginning of May, I think’.

One of the great figures of world history. On one side of 10 x 3.5 cm piece of wove paper, cut from the end of a letter, with blank reverse. In fair condition, lightly aged, with minor traces of glue at right (away from signature) and central horizontal fold (over signature). Evidently cut from the letter in response to a request for an autograph. Reads 'Your obedient servant / Wellington'. See Image.

An important provincial publication, predating The Times by half a century. See the Oxford DNB entry of the later proprietor Robert Goadby, and the article by Roger Guttridge, ?Dorset?s first newspaper?, in ?Dorset Life?, August 2019. 4pp, folio. On two leaves, which originally formed a bifolium, but have now become detached from one another. Aged and worn, with chipping to extremities and along central horizontal and vertical folds, resulting in occasional loss of text.

Sir Charles Adam was great-grandson of the architect William Adam, and his father (also William Adam) was a friend of Sir Walter Scott. See the entries for Charles Adam and his father in the Oxford DNB. William Adam had a son - Charles’s brother - named William George Adam (1781-1839), but the reference to ‘Wm. Adam Esqr. Senior and Junior’ appears to suggest the father. Each of the two items is 1p, 4to. They are on different paper stock. Both in good condition, lightly aged. Both endorsed with modern note in pencil: ‘enclosed in Spottiswoode to W. A. - 23 July 08’. ONE: ‘Captn. Chas.

The parallel which Bertrand Russell showed between Marxism and Christianity is apparent in this piece of quasi-religious propaganda, which presumably emanates from the Communist Party of Great Britain. It is printed in red on one side of a 20 x 29 cm piece of shiny paper, scarcely thicker than tracing paper. Lightly aged, and with creasing and wear to extremities. The text, which translates part of a letter sent by Stalin to the Rabochaya Gazeta on the first anniversary of Stalin’s death, reads as follows: ‘Remember, love and study Lenin, our teacher and leader.

This prospectus is a scarce item: no other copy has been traced. A 4to bifolium, with four unnumbered pages printed in red. Somewhat aged and worn, with a horizontal strip of light discoloration at the head of the cover, which has the title and author’s name surrounded by a border made up of Tenniel’s illustrations, beneath this is a quotation from Dodgson’s poetry and the price of ‘7/6 net’. Across the middle two pages is the heading ‘The Centenary “Life of Lewis Carroll”’. The text begins by explaining that Reed has made use of Dodgson’s letters to Ellen Terry.

See his entry, and that of his brother, in the Oxford DNB. On one side of a 14 x 9 cm printed postcard. No stamp or address, the side that should carry them being blank. The other side carries an illustration of a British soldier in khaki firging a cannon behind a wall, as another soldier stands to attention beside a nearby flagpole, from which a large Union Jack flies, pited in red and blue. At the head of the saide is a snatch of musical notation, to the words ‘Under the British Flag well fight our way to glory’.

Wyndham’s entry in the Oxford DNB states that the family estate was ‘some 4000 acres in Wiltshire’. Milford (1829-1913) was his rector at East Knoyle, and the letters inform him about arrangements for the funeral of Wyndham’s father Percy Scawen Wyndham (1835-1911). Both items in good condition, lightly aged, and folded for postage. Each addressed to ‘My dear Canon Milford’ and signed ‘George Wyndham.’ ONE: 14 March 1911. 3pp, 12mo. Bifolium. Begins: ‘I have found a written permission from my Father to have the Funeral - committal to the erth - where I think best.

See his entry in Oxford Dictionary of National Biography. A year before these letters Hodgkinson had become an assistant keeper in the Department of Architecture and Sculpture at the Victoria and Albert, where his first task had been to organize the display of the Hildburgh collection of English medieval alabasters. Also in 1946 Robertson had begun his long career at Edinburgh University, having worked through the war at Bletchley Park, before joining the unit assigned to track down works of art looted by the Nazis.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and creased. Folded twice for postage. The letter reads (with autograph parts in square brackets): ‘[Dear Mr. Hedley,’] / Thank you. / Mary and I are of course thrilled - first and foremost for Glyndebourne’s sake. / [It was charming of you to write. / Yours sincerely, / George Christie / P.S. I’m afraid I dont ever send autographed photographs. Sorry to disappoint you.] / [P]PS Please forgive typescript.’

See Michael Kennedy's assessment of Boult, in his entry in the Oxford DNB: 'In the music he admired most, Boult was often a great conductor; in the rest, an extremely conscientious one.' On card with stamp, crest and ‘POST CARD’ printed in red. In fair condition, lighly worn. Addressed to ‘Miss Minshull / 1 Claverley Grove / Finchley N.3.’ Reads on the other, crosswise: ‘Please excuse a hasty scrawl: can you come to Lincoln’s Inn at 5 on Wed? Dont answer if all right. / I am so glad you’re able to do it: it will be fine I think. / Adrian C. Boult / 11 Chelsea Embankment / S.W.3.’

See his obituary in the Guardian, 5 April 2006. On irregularly-shaped trapezoid of ruled paper, roughly 8 cm wide at top, with one vertical side also 8cm, and the other 4cm, giving it a guillotine shape. Lightly aged and ruckled. Blank on the reverse. Reads: ‘Best / always / Gene Pitney’.

See the article ‘Glory days of the man with the golden trumpet’ in the Lancashire Post, 17 March 2017. On one side of 12 x 8.5 cm leaf of cream paper with rounded outer edges, torn from an autograph album. In good condition, with blank reverse. Large sprawling signature covering the whole page. Reads ‘Sincerely / Eddie Calvert’. See Image.

1p, 4to. In good condition, lightly aged and creased. Ten lines in a close, controlled hand. Addressed to ‘Dear Mr. Whitworth’ and signed ‘Christopher Hampton’. He writes to confirm that he will be free on the date he suggested he ‘might be able to come down to meet you’. He also gives an alternative date. ‘At the moment I’m working on a new translation of “Uncle Vanya”, which was to be finished by the end of November.

C. A. Russell’s 2003 biography of Edward Frankland contains a thumbnail biography of Phipson, who ‘obtained a doctorate at Brussels in 1855, and after editing Cosmos in Paris, directed an analytical laboratory at Putney (at 4, The Cedars, almost on the site of Frankland’s earlier exploits at the now demolished College of Engineering). He became a Fellow of the Chemical Society in 1862 and was a prolific author of short papers as well as an accomplished amateur violinist’. See the short biographical notice in C. J. Bouverie, ‘The scientific and literary works of Dr. T. L.

See his entry in the Oxford DNB. The six items - written in the semi-retirement that followed Escott's breakdown in 1885 (Joseph Chamberlain and Lord Randolph Churchill took up a subscription for him) - are in good condition, on lightly aged paper. A total of 12pp, 12mo. Closely written in a well-nigh illegible hand. All six letters are addressed to ‘My dear Sir’ and signed ‘T H S Escott’. Considering the execrable nature of the handwriting, it is ironic that the main topic would appear to be the supplying by Escott of autographs for the recipient’s collection.

Written during the 1984-5 Old Vic production of Arthur Schnitzler’s ‘The Lonely Road’, in which Eggar starred opposite Anthony Hopkin, with a young Colin Firth. 2pp, 12mo. Good bold signature: ‘Sincerely / Samantha Eggar’. Addressed to 'Mr Sephton'. In good condition, lightly aged, folded for postage. She thanks him for his ‘inquiry as to whether I would be able to talk to you about “Whos Who of Hollywood Britons’, and gives the only date that is convenient. ‘The show comes down at 5.15 approx, maybe a call to the theatre to check would be wise’. From the papers of Kenneth Sephton.

Leighton’s entry in the Oxford DNB explains that ‘In 1954 she began a long run (nearly four years in London and New York) as Anne Shankland and Sybil Railton-Bell in the double bill of Terence Rattigan's Separate Tables, co-starring with Eric Portman and winning a Tony award as best actress.’ 2pp, 4to. Addressed to ‘Dear Mr Sephton’, with good bold signature, ‘Margaret Leighton.’ In good condition, lightly aged, folded for postage.

See Hutton's entry in the Oxford DNB, together with that of the recipient Sir Lovelace Tomlinson Stamer (1829-1908), Anglican Bishop of Shrewsbury. 1p, 12mo. In fair condition, on lightly aged paper, with slight smudging on the first page. With two folds for postage. Addressed to ‘The Revd Sir Lovelace T Stamer Bart’ and signed ‘R H Hutton’. Twenty-five lines of text in a hand that must surely have proved as much of a challenge to Hutton’s compositors as to present-day readers.

According to Delane’s entry in the Oxford DNB, he settled ‘from about 1847 at 16 Serjeants' Inn, Temple’. The addressee appears to be ‘W. Forsyth Esq’, and is named in the letter as a brother of the Conservative politician William Forsyth (1812-1899), who took silk in 1857, and hence also of the diplomat Sir Thomas Douglas Forsyth (1827-1886), both of whom have ODNB entries. 2pp, 12mo, with mourning border. In good condition, lightly aged, and folded twice for postage, in the neat remains of a windowpane mount.

An uncommon signature. See his entry in the Oxford DNB. On one side of 18 x 10 cm piece of paper. Discoloured and worn, with spike hole. Good firm signature, full of character. Reads: ?174 Edgware Road / Maida Hill / 27 April 1832 / Please deliver to Mr Green or [aide? drdee?order?] my picture not received for the Exhibition / Henry Jutsum / To / Mr. Vaughan / Royal Academy?. See Image.

Watford?s obituaries noted her sensitive acting style, and ranked alongside Peggy Ashcroft. On both sides of a 14.5 x 10 cm card, with no printing but for the name ?GWEN WATFORD? in red at the head of recto. Addressed to ?Dear Mr Sephton? and with good firm signature ?Gwen Watford?. In good condition lightly aged. Twelves lines of neatly written text. She has ?just finished another mid-week matinee?, and is writing thank him for his ?most encouraging letter?, which she will ?treasure?.

In his entry on Laye in the Oxford DNB, Sheridan Morley describes her as a ?bright, particular star?. 1p, 12mo, on grey-blue paper with monogram of her initials printed at top left. The letter concerns the 1969-70 Palace Theatre production of ?Phil the Fluter?, in which she played Mrs Fitzmaurice. Addressed to ?Dear Kenneth? and with good firm signature ?Evelyn Laye?. In good condition, lightly aged. Folded once for postage. She thanks him for the letter and ?the lovely Shamrock?, which she has planted ?in a little pot, as it was so very thoughtful of you to sentd it to me for Good Luck?.