ROYAL

See the two men’s entries in the Oxford DNB. 1p, 12mo. With mourning border. In good condition, with negligible remnants of windowpane mount adhering at edges of blank reverse. Written with a light touch, making the dating doubtful. Signed ‘F Egerton’ and addressed to ‘O. Blewitt Esq.’ Reads: ‘Sir / In reply to your letter I beg to state that it is my intention to vote for you in the election to the Secretaryship of the Literary Fund Society.’

In addition to acting as editor of the works of his colleague James Clerk Maxwell, Niven was the teacher of one of the greatest mathematicians and philosophers of the twentieth century, Alfred North Whitehead. The item is from the papers of the presumed recipient, Mrs Evelyn Julia Allan of the Chelsea Red Cross. 2pp, 12mo. In fair condition, lightly aged and worn. Signed ‘W. D. Niven’ and addressed to ‘Dear Mrs Allen’. He was pleased to receive her letter, ‘reminding me of old times’, but he had not forgotten her, as he has ‘sometimes heard Dr. J. M Bruce speak about you & your family’.

Christison was the author of a standard Victorian textbook of toxicology and founder of a medical dynasty; see his 1885 autobiography and his entry in the Oxford DNB (the latter also contains an entry for Bowman). 2pp, 12mo. In fair condition, lightly aged. Folded twice, with small closed tear at edge of one fold. Looping stylized signature ‘R. Christison’. He begins by referring to ‘a previous communication received from the South of England on the subject of the Nitrate of Iron as a remedy for chronic diarrhoea’.

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

Pauer, who had studied piano with Mozart’s son, gave daily recitals during the Great Exhibition of 1862, and was later appointed Professor at the newly-formed Royal College of Music (later the Royal College of Music), also working at Cambridge University. 2pp, 16mo. In good condition, lightly aged. Folded twice. Reads: ‘Dear Miss Alain / I do not see any chance of being able to arrange for the lessons you desire to take. I need not tell you that I am sorry that I cannot fulfil your wish. / In haste yrs truly / E Pauer’.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once. At the foot of the second page, in another hand (no doubt that of the recipient) are written Doyle’s details in red ink. Signed ‘D. A. Boyle’ and addressed to ‘Dear Mr. Dean’. He is returning the photograph he has sent, ‘endorsed in the way you ask’, but his wife agrees with him that ‘the photo you have got hold of is a very bad one so I am sending you another - also enclosed - which I hope you will use for your collection and destroy the other’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Dean, / According to your request, I enclose a signed photo of myself for your collection. / With best wishes, / Yours sincerely, / Peter Gellhorn.’

Redgrave’s entry in the Oxford DNB praises his ‘exceptional administrative skill’, and states that ‘Redgrave and Cole supervised the new South Kensington Museum (now the Victoria and Albert Museum), for which Redgrave designed the innovative art gallery to house John Sheepshanks's extensive collection of British art, given to the state in 1857.’ 1p, 12mo. On grey paper. In good condition, laid down on part of a leaf from an autograph album. Pasted down at the head of the letter is a thin strip on which is printed ‘Inspector-General for Art. R. Redgrave, R.A.’ The male recipient is unnamed.

The material collected here is perhaps unique: it is not clear whether any material relating to Macqueen-Pope’s BBC broadcasts has survived elsewhere. It is hard to overestimate the significance of ‘Popie’ to the history of the London stage. Other items from among his papers offered seperately attest to the regard in which he was held by both actors and those behind the scenes, as the foremost chronicler of a cherished era that was quickly passing into oblivion.

Both items scarce: no other copies traced. In good condition, lightly aged. Disbound from a volume and paginated in manuscript. ONE: Copy of letter from W. L. Maberly to ‘H. Merivale, Esq., / &c. &c. &c. / Colonial Office’, dated from General Post Office, 14 December 1850. 2pp, 8vo. Paginated in manuscript 257-258.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

The present item is excessively scarce: there is no record of it on either OCLC WorldCat or JISC. The Staff College Drag Hunt at the Royal Military College, Sandhurst, was established in 1869 as a private pack which drag-hunted twice a week in the area surrounding Camberley, and after more than a hundred and fifty years, the hunt still rides. 1p, 12mo. Text enclosed in rules with decorative corners. In fair condition, lightly worn and spotted, with traces of stub and mounting on blank reverse. Titled: ‘The Staff College Drag Hunt Song. / By Major M.

See the entries for Long, Forbes and Burgess in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with traces of tape from mount along one edge. Signed ‘Edwin Long’. Begins: ‘Dear Sir Richard / I have just had a chat about your kind enquiry with my friend Burgess, who knows everybody’. While Burgess ‘says Stanhope Forbes is the best man coming on & that he has painted some very good portraits’, from what Long himself remembers of his work, it seems ‘very black’. He concludes: ‘Why not give it to Burgess? he is painting capitally just now & I know he would be very pleased.’

See her entry in the Oxford DNB. 2pp, 12mo. On bifolium. In fair condition, but with slight loss to inner upper corner, caused by removal from mount, and resulting in loss to two words on second page, and closed tear at bottom of gutter. Folded once. Signed ‘Hesba Stretton.’ Begins: ‘My dear Henrietta / It was too cold to get over to see you this morning; but as we hope to be so near to you for sme days that signifies less.’ She asks if the recipient’s maid can ‘kindly take the rooms’, as ‘we’ (i.e.

On 9 x 13.5 cm newspaper cutting of photographic portrait of Jarred. In good condition, lightly aged. Reads: ‘Mary Jarred / 1935.’ The photograph shows Jarred posing in a black dress and pearls, with left hand arranging her white fur coat to tastefully emphasize her bust. See image.

On 17.5 x 11.5 cm leaf of pink paper, with rounded edges, removed from autograph album. In good condition, lightly aged. Written in a large, expansive hand, diagonally and upwards. Reads: ‘With all / good wishes / Oda Slobodskaya’. See image.

On 22 x 14 cm piece of laid paper, cut from the foot of a document. In fair condition, lightly aged and creased, with tiny closed tear to one edge. Folded three times. At head, in the kings hand: ‘[...] terrattelse lander. Stockholms Slott den 6 Maj 1847. / Oscar’. Directly beneath the firm, clear signature, is the embossed circular seal, under paper, 6 cm in diameter, with motto ‘OSCAR SVER NOR GOTH OCH W KONUNG / RATT OCH SANNING’.

An entertaining and characteristic correspondence. See both their entries in the Oxford DNB. The nine items (seven by Jacob and two by Macqueen-Pope) are in fair overall condition, with all text clear and complete, on lightly aged and creased paper, with slight rust-staining from paperclips, and minor wear to edges. All folded for envelopes. The first seven of the nine following entries are NJ’s letters (the last four of which are addressed to ‘My dear Popie’), the last two the copies of MP’s. ONE: 24 June [1945]. ‘ENSA Entertainments. / C/o Welfare, 6th. Brit. Armde. Div. / C. M.

See his entry in the Oxford DNB, and that of his brothers the architect Leonard Scott Stokes and the inventor of the ‘Stokes Gun’ Sir Wilfred Scott Stokes. 2pp, 12mo. In good condition, lightly aged. Folded once. Signed ‘Adrian Stokes’. He has added the word ‘at’ above the letterhead, indicating that the residence is not his (it is in fact the house that his brother Leonard designed for himself).

1p, 4to. Salutation and valediction in the princess’s autograph. Stylized signature with Roman lettering. Addressed to ‘The Viscountess Monckton of Brenchley’ at her estate in Maidstone, Kent. They are all ‘delighted’ with the ‘Comfrey roots’ which she sent as promised, and ‘look forward to seeing the results on the horses’. ‘My niece, Her Royal Highness Princess Alia was also pleased to receive her share for the Royal Stables’. The letter ends with the usual courtesies. See image.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The recipient is named as ‘J. Pendred Broadhurst Esq’. Boughton begins by thanking him for his ‘kind note’. He is ‘quite out of photos for the moment - there has been such “a run on” me’. His portrait is not ‘in commerce’. He is enclosing ‘a Menu Card (of a dinner given me by Messrs Harper in New York)’, which has ‘a portrait by Mr L. Alma Tadema R.A. which I think is a little out of the Common. There is also an illustration from our book - (E. A.

See his entry in the Oxford DNB. 1p, 12mo. On the first leaf of bifolium. In good condition, lightly aged. Folded once. He begins by thanking him ‘most sincerely for your cheering note of congratulation’. Whilst it is ‘pleasant to be raised to the “Upper Shelf”’, he finds that ‘the position of Associate of the Royal Academy is one that is quite Ideal. To gain that - and to paint a good picture were my two great ambitions’.

See his entry in the Oxford DNB. See David Owen, who was minister for the navy when Begg was appointed Admiral of the Fleet in 1968, commented on his death that Begg was 'an Admiral with salt both in his ears and his tongue', who 'did not suffer fools gladly' (The Independent, 15 July 1995). 2pp, 4to. In good condition, lightly aged. Folded once. Begins: ‘Dear Mr Dean. / I have signed the photograph as you asked.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once. Begins: ‘Dear Curzon, / I have sent, with great pleasure, a fiver to the Literary Fund in honour of your chairmanship; but not [last word underlined] as a successful man of letters.’ He explains that had he been dependant on his books for a livelihood, he would ‘long ago have starved, and, by the Grace of the present Government, I may yet be a burden to the Royal Literary Fund.’ Curzon has minuted the letter at the head of the first page: ‘Hon J Fortescue £5’.

An uncommon signature. During the 1794 invasion of Corsica, D’Aubant took over as Lord Hood’s second-in-command after Hood forced Major-General David Dundas to resign, but proved even more cautious, to the frustration of Nelson and others. 1p, landscape 8vo. Laid down on part of leaf from autograph album, captioned in Victorian hand, ‘General D’Aubant’. On discoloured paper, with deeper discoloration from glue from mount. Folded twice. Reads: ‘Genl D’Aubant presents his compliments to Mr Brown, and will call upon him at 12. next Thursday 8th July / Devonshe. place.’ See image.

An interesting item from a medical point of view, with a well-informed patient describing and discussing his condition, symptoms and treatment options. Three years after the writing of this letter the appropriately-named Boddy, who is addressed here as ‘W. Barnard Boddy Esqr / 3. Saville Row. Walworth’, published ‘Diet and Cholera’ (London, 1848). 3pp, 12mo. Bifolium. Fifty-five lines of closely-written text. The signature is large and shaky, and the use of an amanuensis is understandable in the light of the content of the letter.

See both men’s entries in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with slight spot from previous mount at one corner. Folded twice. Signed ‘H. H. Armstead’. In reply to a letter of Dafforne, he reports that ‘the Statues I have made for the “Colonial Office” Niches are not yet in situ - but are now being raised to the niches, and they will be in their places within the next few days.’ He gives the names and positions of the statues, adding: ‘The eight men are there as Secretaries of State for the Colonies’.

In 1867 Starr was the first woman to win a gold medal for painting at the Royal Academy, having won a silver two years before. 2pp, 12mo. On bifolium. In good condition, lightly aged, with minor traces of mount on blank reverse of second leaf. Folded twice. She has ‘just received the ticket for the lecture at the Associated Arts Institute’ which he sent, and is afraid she will not be able to use it herself: ‘as we are going to the Opera’. She wonders whether she ‘may be allowed’ to ‘give it to some friends who I think would like to come very much’.

See his entry in the Oxford DNB. From 1821 to the end of his life Barnard served as a courtier, notably as Equerry to King George IV, and it would appear that the present item is written in response to an enquiry made to the recipient of the letter regarding paintings in the royal collection. He writes from Camford House, where Queen Adelaide, widow of William IV, had taken up residence. 4pp, 12mo. On bifolium with thin mourning border. In fair condition, on aged paper. Folded twice.

For information about this brave and gallant man, who offered himself to be hanged in place of his fellow officers during the Nore Mutiny, see his entry in the Oxford DNB. The presence of these four items together may indicate a Victorian autograph dealer as the source, or perhaps a family member wishing to distribute keepsakes. Some with tantalizing fragments of surviving text. All four in good condition, some with fold lines. ONE: 14.5 x 6.5 cm. On one side: ‘[...] Ever your truly obliged and / Affectionate Friend / Edward O’Bryen’.