NINETEENTH

Lady Bulwer Lytton is now best-known for her mistreatment at the hands of her husband (see their entries in the Oxford DNB). Both letters are in good condition, lightly aged and worn, the first carrying traces of mount and with slight damage at one corner. ONE: 28 February 1836. 4pp, 16mo. She is delighted to hear of Lady Cullum's return to England.

See Mitford's entry in the Oxford DNB. At the time of writing he had been retired for five years from the editorship of the Gentleman's Magazine, a post he had held for seventeen years. 3pp, 12mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to the blank reverse of the second leaf. Folded twice. Forty-four lines in a close hand.

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse of second leaf, one corner of which has been slightly damaged by the opening of the wafer. Folded twice. The letter begins: 'Mme. Goldschmidt presents her best Compliments to Lady Cullum and begs to express her sincere thanks for the most beautiful flowers she received this morning from Lady Cullum and which certainly do “enliven” her drawing room at the Hotel'.

This unusual item is scarce: no copy has been located on OCLC WorldCat, and no reference to the poem has been discovered. Not dated, but the printer was active at the end of the nineteenth century: two other items at least were printed by 'C. Oswald' in Staines, one in 1887 and the other in 1898. Its subject is now obscure, but perhaps may be illuminated by the local historian. 8pp, 12mo. Stapled. Aged, worn and creased, with closed tear at foot of fold to outer bifolium.

On both sides of the card. In good condition, lightly aged. The recipient is not named. Reads: 'Dear Sir | I should like to see the [Sandwith?] portrait, & will take an early opportunity of calling at the Club. Perhaps, in case you are not there, you will kindly instruct the poert to shew it me when I call. The signature looks like H. [Sandwiths?] writing – but he certainly wore moustache & whiskers from 1850 onwards.'

See Donaldson's entry in the Oxford DNB, which states that he was 'greatly beloved by his friends, who included N. C. Thirlwall and W. H. Thompson. The diarist Henry Crabb Robinson spoke enthusiastically of the charm of his conversation.' 3pp, 16mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to blank reverse of second leaf. No salutation or valediction, and the recipient is not named, but the item derives from the papers of Sir Thomas Gery Cullum and his wife Lady Anne Cullum, of Hardwick House.

On irregular slip of thin paper, roughly 2 x 6 cm. Laid down on piece of paper cut from album. In fair condition, lightly aged. Bold signature ('G. Garibaldi') with wavy underlining, possibly cut from the valediction of a letter.

An amusing unpublished jeux d'esprit by Martineau, revealing a lighthearted aspect of her character. 1p, 16mo. Bifolium, addressed by Martineau on reverse of second leaf 'To | Lady Cullum.' In good condition, lightly aged. Folded once.

1p, 12mo. Leaf of lightly-browned and creased aged paper, with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs, in a firm attractive hand, 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'.

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

Three excellent and characteristic long letters, neatly and closely written, in the first of which he describes 'the little tide of misfortune' which has befallen him, including shipwreck and indisposition; in the second he gives a vivid account of a visit to Wakefield by the temperance campaigner Father Mathew; and in the last he explains is reluctance to dissect the body of a bird she has sent him, exclaiming: 'I never do things by halves in Natural History'. Along the way there are references to 'my little roman owls' and 'my lions and my lion cubs'.

See Parris's entry in the Oxford DNB. The subject of the letter is his work 'restoring' James Thornhill's paintings inside the dome of St Paul's Cathedral. Beginning in 1853 and ending three years later, Parris worked on scaffolding he had designed for the purpose thirty years before. His efforts were not well received: he was accused of completely repainting Thornhill's work, to its detriment. 1p, 12mo. In good condition, lightly aged and creased, with minor traces of mount adhering to the blank reverse. Folded twice.

Tabeeb was a fêted 'exotic' visitor to England at the end of the Regency period. In March 1819 the Asiatic Journal reported his presence in London, and on 6 June (four days after the present letter) he breakfasted with the Irish poet Thomas Moore, who reported in his diary that he was 'to take a Diploma of Doctor at Oxford this month'. In April 1820 a fine engraving of Tabeeb, after a painting by John James Hall, was published.

See Cameron's entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition, lightly aged. Folded once. Having traversed the African continent from East to West in 1875 (the first European to do so), Cameron now turns his attention to the establishment of tennis club in Croydon. He has received a letter 'from Mr. Jaques about the tennis ground. The fencing is nearly finished and he seems in a hurry'. There is a problem however: lack of members.

1p, 12mo. In good condition, lightly aged. Folded once. Neatly and closely written out. Good firm signature, not hyphenated (as opposed to his entry in the Oxford DNB). A short letter, begging with thanks to the unnamed recipient 'for a sight of your beautiful drawings.' He continues: 'I have nothing to do with the publication of “Lives of the SS” as I parted with copyright at the time they were just done.' The sixteen volumes of his 'Lives of the Saints' appeared between 1872 and 1877.

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

1p, 12mo. In good condition, lightly aged. In envelope with penny red stamp and postmark, addressed to Steggatt at 53 Norwich Street, Cambridge. The letter reads: 'Dear Sir | I regret that I cannot give you an order. I have no doubt of the excellence of the cigars, but I never by any chance smoke a cigar. | Believe me | Yours truly | C S. Calverley'. A nice Cambridge association, given that Calverley's most famous poem is 'Ode to Tobacco', and that it features in Cambridge on a brass plaque on the wall of the former Bacon's tobacconists.

4pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter, casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named, and the letter begins: 'Dear Sir, | I have not heard from Mr. Bussell of your Concert, but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st.

2pp, 16mo. Bifolium with mourning border. Heavily aged, worn and creased, with traces of paper from mount adhering to blank reverse of second leaf. There is no salutation. The letter begins: 'It is impossible to make the best selection, out of 11 vols which I gave Quaritch, £8. for, from the Bindon Blood Collection, and 3 thick vols, collected by the very well known Collector Chas. Kirkpatrick Sharpe of Edinbro'. I bought from Upham & Beet for £4. nett so many curious amongst the above vols.' He hopes some of these volumes will be useful to the recipient, 'now, and already before sent'.

4pp, 16mo. Bifolium. Forty-two lines of text. Letterhead of family crest in gold and red. In good condition, lightly aged, with traces of white paper mount adhering to last page. Three fold lines. The editor's 'obliging Note' affords her 'sincere pleasure to have the opportunity of expressing her gratitude to him in person', and she asks him not to call some day the following week (she is 'going out of Town' the week after), but not in the morning, as she has 'much business, of a disagreeable and imperative nature to transact now'.

[16]pp, 16mo (11.5 x 7.5 cm). Stitched unpaginated pamphlet, tastefully printed with decorative headpiece to title, and the Press's celebrated device to the colophon. A frail survival, aged, worn and spotted, with one corner of last leaf dogeared. At foot of title-page: 'Any volume will be sent on receipt of Postal Order in advance.' Following the title-page are two pages with a history of 'The Chiswick Press. | Founded 1789.' Then a full-page advertisement for 'A Practical Treatise on the Art of Typography', with a full page containing 'Some Press Opinions'.

The signature 'Oliver Lodge' is firmly written in the bottom of three rectangular panels printed in red, with no other writing on the page, on one side of a 12mo leaf removed from 'The Meredith Birthday Book', the other side featuring quotations from the novelist for 13 to 15 June. In good condition, lightly aged.

1p, 12mo. Written lengthwise on a single leaf. In good condition, lightly aged, with strips of thick paper from mount adhering to the reverse, which carries Spurzheim's address to 'Mr Sowler | St Anns Square [Manchester]'. The recipient is Thomas Sowler the second, proprietor of the Manchester Courier, and father of Sir Thomas Sowler (1818-1891). The text reads: 'Dr.

The context is explained in Wallace's 'Island Life' (1880), in which he discusses 'a fragment of a well-formed stone axe' that his 'friend A. C. Swinton, Esq.' found, 'while working in the then almost unknown gold-field of Maryborough, Victoria, in January, 1855'. Later in the book Wallace refers to the brother of the recipients of the letter, 'Mr. Mackworth Shore', i.e. Mackworth Charles Shore, as 'one of the discoverers of the gold-field, before any rush to it had taken place'. See the Oxford DNB entry on one of the two recipients of the letter, Louisa Catherine Shore.

1p, 12mo. In fair condition, lightly aged, margins cropped, laid down on leaf removed from album. Annotated in ink with year. Reads 'Lord Palmerston presente ses Complimens a Monsr de Harivel et se fera l'honneur de le recevoir au “Foreign Office” Vendredi prochain a trois heures'.

1p, 12mo. In fair condition, lightly aged, with slight nick at gutter of bifolium. Addressed 'To | Revd G Bainton.' Reads: 'Dear Sir | You are quite at liberty to publish my letter. - If it finds its way into the papers, I should be obliged if you would kindly forward me a copy. | Ever yours truly | Chas Mackay'.

The letter announces the transfer to Berlin of 'Monsieur de Wagner', London Chargé d'Affaires of the the Kingdom of Württemberg, resident at 42 Alpha Place, Regent's Park. The recipient Sir John Coxe Hippisley, whom George III had described as a 'busy man' and 'grand intriguer', had retired from public life two years previously, but was clearly still involved in diplomatic affairs. 2pp, 4to. Bifolium. Forty-one lines of neatly-written text, addressed to 'Sir J C Hippisley Bart. | Lower Grosvenor Street.' On aged and worn paper, with short closed tears at edges of folds.

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.