Autograph Letters

See Richard Wollheim’s appreciative entry on Ayer in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The three items are each 1p, small 4to. All three in good condition, each folded twice. All three signed ‘A. J. Ayer’, with typed name beneath, ‘Sir Alfred Ayer’.

See Bloomfield’s entry, and that of Norton, in the Oxford DNB. The fragment of the letter bearing his signature is 5 cm x 4.5 cm. It is dated at one corner ‘1845’, and reads ‘R. Bgham / Bloomfield’. It is laid down on one side of a 4to leaf extracted from an album and paginated 58.

See his entry in the Oxford DNB. On piece of 8.5 x 4.5 cm laid paper cut. In fair condition, on aged paper with reverse bearing traces of glue from mount. Reads: ‘M. Power / M Genl. Comm[andin]g’. Endorsed on reverse: ‘M General / Sir Manley Power / K.C.B’. See Image.

An excellent letter, exhibiting precisely the sort of indignation one would wish for from such a renowned satirist. As a result of the furore caused by the publication in 1762 of his best-known work, ‘Le Colporteur’, Chevrier fled to Holland. The French government attempted to have him extradited, and his death that same year was rumoured to have been caused by poisoning. 3pp, 4to. On bifolium. Thirty-nine lines of text. In good condtion, lightly aged. The item has been expertly mounted, and the thin white-paper mount still adheres to reverse of the final leaf.

On 11 x 6 cm piece of aged paper, with patches of discoloration and traces of mount on reverse. Good clear firm and undamaged signature on front: ‘[...] I am Sir / Yr Obt. Sert. / Sydney’. The reverse reads: ‘[...] ristricted from killing rabbits on the land lately taken on lease from me and also from ploughing up any part of it but I hereby give you leave to kill rabbits or any [...]’. See Image.

See the entries for Barrow and Seymour in the Oxford DNB. On laid Whatman paper dated 1833. Having served for four years as Commissioner at Portsmouth, Seymour had sailed out to South America in 1833 as commander-in-chief, dying of ‘low fever’ at Rio de Janeiro two months before the writing of the present letter. 1p, foolscap 8vo. In good condition, folded twice. At top left: ‘Duplicate, / No 50.’ Initialed at bottom left: ‘J. P.’ Good firm and attractive signature ‘John Barrow’. Writing with regard to ‘the late Rear Admiral Sir Michael Seymour’s letter of the 16th.

See Wendy Trewin, ‘The Royal General Theatrical Fund: a history, 1838-1988’ (1989), and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen, 15 May 1953, with three drafts of advertisement. 4pp, 4to. On four leaves. The letter, on the first page, is somewhat grubby, with rust spotting from paper clip, the other three leaves, each of which carries a proposed version of the advertisment, in good condition, lightly aged. The letter begins: ‘Dear Jack Allen, / Herewith three rough samples for the proposed advertisement concerning the Fund.

1p, 12mo. On grey paper. In fair condition, lightly aged and with slight creasing. Large firm signature. Presumably responding to a request for an autograph. Reads: ‘With my most abject apologies - but I have been away for three months / Robert Morley. See Image.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged and creased. Folded twice for postage. The letterhead is somewhat striking, with a band of green printed along the top, and the charity’s logo featuring prominently. The names of many officers and committe members are printed down the left-hand margin, headed by President Noel Coward, and including ‘Miss Gladys Cooper’, ‘Dame Edith Evans’, ‘Lady Du Maurier’, ‘Sir Laurence Olivier’, ‘Mr. Michael Redgrave’, ‘Mr. Jack Hawkins’ and ‘Mr. Kenneth More’. Attenborough features both as Hon.

See her entry in the Oxford DNB. The three TLsS (Items One to Three), each signed ‘Lilian Baylis’, are all 1p, 4to. They are in fair condition, creased and lightly aged, with Item Three having two punch holes for a binder. The portrait postcard is in good condition, lightly aged. ONE: TLS, 15 November 1921. Addressed to ‘Miss Ingham’. ‘I do hope you will have a big success with the enclosed card.

See his entry in the Oxford DNB. Simply Grote's stylish Autograph Signature, 'G. Grote', on a 6 x 3 cm piece of light-grey paper. In good condition, lightly aged. See Image.

See his entry, and Craig’s, in the Oxford DNB. 13 x 9 cm envelope, with seal (no impression of any kind) in red wax over the broken flap. In good condition, lightly aged. On the front of the envelope, in Jeffrey’s hand, ‘To / James Gibson Craig Esqre / 7. North St Andrew Street’. Beneath this, at bottom left and between the customary lines is the signature ‘F. Jeffrey’.

See Canning’s entry, with that of Sullivan, in the Oxford DNB, and Binning’s in the History of Parliament. The signatures (‘Geo. Canning / Binning / John Sullivan’) are in a column on one side of a 10 x 7 cm piece of watermarked laid paper. In good condition, lightly aged, with slight discoloration on reverse from the mount. The date is given in pencil on the front, and the back carries the following fragment of text: ‘It is to be a [...] / that every contribution [...] / is to be perfectly & precisely [...] / the names only of those [...] / contribute, (& not of those [...]’.

On 13 x 7.5 piece of paper, cut down from the label of a packet containing a manuscript (see the annotation on the reverse). On discoloured paper, with glue staining from mount on reverse. Sumner's signature 'C. Sumner' is at top left, with the top of the S slightly cropped. The address, by Sumner, reads 'W. S. Law Magazine / New York / N. Y.' Annotated in pencil on reverse: 'Charles Sumner / M.S.S. 22d Apl 1853 / Massachusetts / Lawyer'. See Image

On a ‘Lion Brand’ plain post card. In good condition, but with the hurriedly-written text somewhat smudged, and a small staple at one corner. Addressed to ‘Robt J Drury / 141 Chichester Rd / Cleethorpes / S. Humberside / DN35 OJL.’ The message on the other side is hurriedly written: ‘August 1 1995 / Dear Mr. Drury / I’ve no thought on the Academy Awards I’m afraid. Some are well deserved some not - but thats true of a [?] Alan Bennett.’

1p, 12mo. On grey paper. In good condition, lightly aged. Addressed ‘Dear Mr Robinson’ and signed ‘Alan Bennett.’ A short response to a letter about his play ‘The Old Country’, whose run at the Queen’s Theatre had started on 7 September 1977. He thanks him for his kind letter, and states that ‘It’s nice to hear from people in the audience as I often feel the play goes on night after night & has nothing to do with me at all - one penalty for not performing very much.’ See Image.

Contemporary copies (all in same hand);original letters untraced. Good condition but rough edge on left indicates removed perhaps from a collection.

Sentiment? and signature, in corner of shiny paper, 14 x 15.5cm, edges somewhat unevenly cut, good condition. I'd appreciate input from someone who can read the script to establish whether this was part of a letter or document.

One page, sm. folio, bifolium, aged and stained, with portion lost through removal of seal, text clear and complete. See Image. Note on verso of second leaf: Mr. Lowndes to pay the Recoyned Money Into the Exchequer.

Strip from an endpaper(?), 12.5 x 1.5, laid down on sl. larger paper, aged but clear. A scarce autograph! See Image. Note: Of his best-known poems, especially The Chace (1735). That poem, written in Miltonic blank verse, traces the history of hunting up to the Norman Conquest of England (1066) and gives incidental information on kennel design, hare hunting, stag hunting, otter hunting, the breeding and training of dogs, and dog diseases… [Britannica]

See her entry in the Oxford DNB. The inscription, firmly-written in pencil, reads, ‘With best wishes / Deborah Kerr.’, and is written beneath a pencil portrait of a smiling Kerr’s face and shoulders, competently-executed in typical fifties style. On recto of 10 x 12.5 cm leaf of a tracing paper bifolium, the verso of the second leaf carrying, upside-down, an outline sketch of Kerr. The paper is somewhat creased and worn.

Meyerbeer’s diary records (25 May 1853) a visit ‘from Raoul Allary, who makes wind instruments. He is an opponent of Sax, and came to me because he had heard that I had spoken to the emperor on Sax’s behalf’ (1999 English translation of volume for 1850-1856). A pencil note at the head of the present letter identifies the subject as ‘Louise Gned / 4 Rue [de] Bellefond [Paris]’. Gned (b.1810) was an Austrian soprano from a musical/theatrical family, who faded into obscurity.

This item is from the autograph album of the author George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. It does not however appear to be addressed to Meredith, but rather to the author William Sharp (‘Fiona Macleod’). See the several references to Bourget in the first volume of W. F. Halloran’s edition of Sharp’s letters. 1p, 16mo. Laid down on part of gilt-edged leaf from Mrs Sturgis’s album. In good condition, folded once for postage.

The present item is a genuine signature. It has been compared with a number of examples from the 1950s, including one from the same year of 1951, all of which differ, and Johnson is not known to have used an autopen until he became president (in 1968 it was dubbed ‘The Robot That Sits In For The President’ by the National Enquirer). 1p, 4to. On a leaf of wove paper, with US government American eagle watermark. In fair condition, lightly aged, and folded twice for postage. There is some light wear to the left of the signature, having a negligible effect on its final uptick.

See his entry in the Oxford DNB. From the autograph album of the novelist George Meredith's daughter Marie Eveleen (‘Mariette’; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. 1p, landscape 12mo. In good condition, lightly aged, laid down on a part of a leaf from the album. Neatly written and centred on the page. Reads: ‘With kind regards / from your fathers friend / James Payn / Oct 31/91.’

See the entries on Sambourne and Meredith in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, lightly aged and folded twice for postage. Addressed ‘To George Meredith Esquire / O.M.’ and signed ‘Linley Sambourne’ with the usual five underlinings. Begins: ‘Dear Mr Meredith, / I venture to write & let you know how very much it rejoices our Household that his majesty has confered [sic] on you the Order of Merit. I, amongst countless others have always felt the incompleteness of that most distinguished body with your name absent.

See his entry in the Oxford DNB. On irregular strip of paper, roughly 9 x 1.5 cm, laid down on slightly larger rectangle cut from a leaf of an album. In fair condition, lightly aged and worn. Reads: ‘Always most truly Yours / J. Mill’. Beneath this, in pencil in a nineteenth-century hand: ‘Father of J. Stuart Mill’. See image.

A nice item linking one of late Victorian England’s most popular novelists with its most critically admired. See the entries for Caine and Meredith in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Laid down on part of a leaf from the autograph album of Meredith’s daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Reads: ‘To / George Meredith / With much admiration / Hall Caine / 23/Sept/91.’ See image.

See his entry in the Oxford DNB. On 9.5 x 10 cm piece of paper, laid down on 11 cm square piece of card. In good condition, lightly browned and aged. The letterhead is printed in red. The inscription reads ?Faithfully yours / Solomon J Solomon?.

One of the great figures of world history. On one side of 10 x 3.5 cm piece of wove paper, cut from the end of a letter, with blank reverse. In fair condition, lightly aged, with minor traces of glue at right (away from signature) and central horizontal fold (over signature). Evidently cut from the letter in response to a request for an autograph. Reads 'Your obedient servant / Wellington'. See Image.