GEORGE

John Bromfield Gay Rees (1912 - 1965), known to his family and friends as Brom, was a Welsh painter whose work was admired by such eminent figures as Dylan Thomas, Augustus John, William Rothenstein and Eardley Knollys, among others. Introspective and private, he was practically unknown to the general public during his lifetime, and the first major exhibition devoted solely to his work was in 1989.

Alistair Sooke, on the BBC website, makes the case that 'Meredith Frampton is the forgotten genius of British art'. See Frampton's entry in the Oxford DNB, and also those of Codner and of Frampton's father Sir George Frampton, who executed the celebrated statue of Peter Pan in Kensington Gardens (not modelled on his son, who was eighteen when it was made). 1p, 4to, in fair condition, aged and worn. Folded once. Writing to 'My dear Codner', he apologises for 'keeping you up till such a late hour last night'.

1p, 4to. Aged and worn, with thin strip of mount adhering to one edge, and slight damage to one corner. The unnamed recipient is a member of William Pitt the Younger's Tory Ministry, and the letter is written at a time when the administration was preparing for a French invasion, the first French Army of England having gathered on the Channel coast.

Frank on 7 x 13 cm panel cut from front of envelope. In good condition, lightly aged, laid down on part of leaf from album, with the reverse carrying part of the frank to a letter from another unidentified individual, with free postmark from 1826. Byron's frank has the customary red-ink postmark at top right ('FREE | 8 DE 8 | 1826'), and is laid out by him in the customary fashion: 'Portsmouth December Seven | 1826 | The Honble. Mrs. Collingwood | Hawkhurst | Kent'. Byron's signature 'Byron.', at bottom left, is only underlined, and not enclosed within the two parallel lines as required.

For information on Graves see the generous obituary of him in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

According to the Oxford DNB entry on Carter's wife the crime writer Margery Allingham (whose book jackets were among those he designed): 'Their amiable, childless marriage was funded by Allingham's increasingly successful fiction. And, although Youngman Carter assisted his wife as a sounding board for plot design, and by producing covers and illustrations for her work, he found it difficult to sell his art.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. The school was in existence in various places and under various names between 1914 and 1965. Four items, in good condition, lightly aged. ONE: Autograph Speech by Knox, headed 'BROOKFIELD SCHOOL'. Dated 19 July 1951. 3pp, 12mo. On three leaves held together with brass stud, with directions to the school on reverse of last leaf. Written in capital letters. Knox begins by noting the prizes: 'Difficult to think of anything else when one sees this table loaded with gifts.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. 8pp, 4to. Paginated and complete; on eight leaves held together with a rusting paperclip. In fair condition, aged and creased. A fair copy, with occasional emendations. There is no indication that this essay was published. A polished piece of writing by an accomplished essayist, lightly humorous but with serious intent, Knox's aim being to put forward the view that modern childhood is more self-indulgent than that of previous generations, and results is the self-deceit of adults who have never grown up.

Four sets of travel instructions by George III, all in his autograph, none dated but seemingly relating to the same journey, taking in the Highfield House estate of General Sir William Augustus Pitt (c. 1728-1809), and also referring to Egham, Basingstoke, Winsdsor, Andover. A referring to the novelist Fanny Burney (1752-1840), narrows the date of at least one of the documents to between 1786 and 1790, the period during which Burney was a Keeper of the Robes. On four leaves, and totalling 5pp, ranging in size from 4to to long narrow 8vo (see descriptions below for dimensions).

The present document carries the signatures of three central figures on the British side during the American War of Independence: King George III, his Prime Minister Lord North, and Secretary at War Lord Barrington, along with the signatures of the Earl of Onslow, Jeremiah Dyson and John Lloyd, Deputy Auditor of the Imprest. 2pp, foolscap 8vo. In fair condition, lightly aged and worn. Thin strip of paper from mount adhering to inner edge on first page.

Both letters annotated in pencil in contemporary hand 'To Townsend Warner Historian'. (Warner was a history master and head of the ‘modern side’ at Harrow School, and co-editor of one of the most popular British history textbooks of the period. His only child was the novelist Sylvia Townsend Warner.) Both letters in good condition, each with pin hole from former attachment.

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged, with traces of yellow paper mount adhering to the blank reverse. Reads: 'Mr & Mrs. Bohn present their compliments to the Mayor of Liverpool and Mrs. Hubback, and have much pleasure in accepting their polite invitation for the 15th. proxo.'

1p, 12mo. In fair condition, aged and creased. Folded twice. Written in a shaky hand, as explained by the text: 'My dear Sir / | Agreeable to promise I send my Likeness, I wish it was something worthy of your acceptance - suffice it to say the original saw the death of Nelson and Abercrombie. Served under Wellington in the Spanish peninsular War, attended his funeral, and from 1797 to 1814 was by Sea and Land in 23 Actions[.] I am well in health but cannot see what I write - My sincere love to Mrs. Macwey - God bless you'.

Both in good condition, lightly aged, with thin strip from mount adhering, and crease lines from folding. Two excellent long letters in Spedding's neat and close hand, full of content regarding the relationship between Victorian author, publisher and reader. The topic is Spedding's preparation for the publication of his pamphlet 'Publishers and Authors' (London: J. R. Smith, 1867). Both letters addressed to 'My dear Mervivale'. ONE: 3 September 1866. 4pp, 18mo. On a bifolium.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

3pp, 12mo. Bifolium. In fair condition, aged and worn. Folded twice. Only the conclusion of the letter is in Holyoake's hand. It carries an unusually large and bold signature. In reply to a letter of Watson's he states that he was not aware of the 'paper in the Westminster Gazette [...] until four days after its appearance'. He asks him to send 'the Leader referring to its appearance which you mention', and commends Watson's son for bringing it to his notice. Holyoake does not know if the matter has 'been mentioned elsewhere in Newcastle'.

In good condition, lightly aged and worn. Christmas card with unusual image of the three wise men (in Roman helmets) seen from behind, following the guiding star as it leads them across a Hawaian beach to the hut in which the birth of the messiah is occurring. Printed message in card in Hawaian and English. The reverse of the second leaf has nothing printed on it other than the publisher's slug, and at the head the prime minister has written 'Happy Christmas'. Beneath this, one above the other, are the five signatures: 'Harold Wilson | Mary Wilson. | Giles Wilson.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

On 7.5 x 14 cm piece of laid paper, laid down on part of a leaf from an album. In fair condition, on aged and spotted paper. The letter reads: 'G Dr. respects to Miss Lusada - begs she will please to accept the enclosed - 3 more Letters will follow - wch. shall be sent. to Miss Lusada - Dr. is gone to dine with Mr. Morgan, who desires his Compts. and informs Miss L. that he will send to her soon the little Mathematician'. The recipient was in fact Abigail Lousada, the bluestocking daughter of Isaac Barrow Lousada [sic] of Devonshire Square.

2pp, 12mo. Twenty-seven lines of text. In good condition, lightly aged. Folded twice. A nice item, giving an indication of Lewes's editorial principles at the Fortnightly Review (he held the position from 1865 to the following year). Addressed to 'R. S. Poole'. He begins by explaining that he only returned to England the previous night, '& found your notes & m.s awaiting me'.

3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. The recipient is not named, but the conclusion of the letter makes it clear it is Poole. Written in a shaky hand a little over a year before Pattison's death. The context of the letter makes clear that as a married man, Poole is attempting to take advantage of the previous year's revision of the Oxford college statutes enjoining celibacy. It begins: 'Dear Sir | You seem to be under a misapprehension as to the historical lectureship for which you wish to become a candidate.

A splendidly intemperate correspondent between contributor and publisher, almost worthy of one of Jackson's own bibliophile volumes. The four items are in fair condition, on aged and worn paper, one with paperclip stain, another with brass stud, and a third with staple holes; creasing to carbon copies. Kapp's handwriting is 'artistic', and his letterheads are unusually long 8vos. ONE: Kapp to Jackson, 20 January 1920. Signed 'E X Kapp'. 1p, 8vo. Begins: 'My dear Holbrook-Jackson, | Don't you feel you'd like to send me a copy or two of "To-Day" each time? I buy one or two as well, you know!

Two items in the hand of George Whitley, surgeon, of Halton, Cheshire (not to be confused with his namesake the epidemiologist George Whitley (1816-1881), for whose career see Fraser Brockington, 'Public Health in the Nineteenth Century', 1965). The two items are accompanied by the front board of a volume, with the following ownership inscription and note on the pastedown: 'George Whitley, Surgeon, | St. Thomas' Hospital. | London. | Novr. 22. 1819. | NB. See in this Book a Copy of a Letter to Lady Cunliffe pr. Mr. [?] Surgeon, about an Ulcerated Leg of her House Keeper, Mrs.

The Duke was Winston Churchill's great-great-grandfather. His library at Whiteknights Park was celebrated, and his purchase of the Valdarfer Boccaccio at the 1811 Roxburghe sale was the spur to the formation of the Roxburghe Club. Like the Duke, Cotton was a notable collector of books and autographs. He was generally considered a faintly-ridiculous figure, and condemned men were said to die 'with Cotton in their ears'. 1p, 12mo. In fair condition, lightly aged. Folded once. Reads 'Admit Dr.

A nice piece of Edinburgh historical ephemera. See the entry on George Berry (1795-c.1874), the first man to register to vote there following the passing the Great Reform Act, in the Proceedings of the Royal Society of Edinburgh, 1874-1875, where he is described as 'an enthusiastic "Free Trader"'. 40 x 10 cm slip of laid paper, with printed form on one side, headed 'COPY of ENTRY in the REGISTER of QUALIFIED VOTERS for the CITY of EDINBURGH.' In fair condition, lightly aged and creased, with clean vertical cut unobtrusively repaired with archival tape.

7pp, folio. On four leaves. In good condition, lightly aged. In worn modern half-binding of brown leather spine and corners and cloth covers, split at hinge. The poem is of 124 lines, arranged in five irregular stanzas. A nauseating exercise in brazen sycophancy, written in the aftermath of the Bloody Assizes. Not mentioned in Barnes's entry in the Oxford DNB, which does state that his 'adulation for the Stuarts [...] probably continued undiminished' with the accession of William and Mary.