EDWARDIAN

1p., 8vo. In fair condition, lightly aged and worn. Brammall's address is given as Cheetwood, 123 Dartmouth Road, Brondesbury, NW. Note Wilson's parsimonious or thrifty use of his old Premier's letterhead despite his return to England. He regrets having to decline Brammall's invitation 'relative to the Dinner of the Diggers' Club to be held on the 8th June', due to his 'being absent in the North of England on that date'. A manuscript list of attendees (presumably by Bramall) is on the reverse, with the note: 'I should like a small table in the room for the artistes after dinner'.

The inscription is on a 22.5 cm square piece of card, and reads: 'Eden Phillpotts - somewhat battered, but still telling stories. | May 1950.' Laid down on the card, above the inscription, is a 14 x 18 cm black and white photograph, depicting Phillpotts, book in hand, standing in front of a bookcase, which has apparently been cut by Phillpotts from a magazine. The item is in fair condition, lightly-aged and worn.

2pp., 12mo. On tinted paper. In fair condition, lightly aged and worn. The letter begins: 'Dear Gen. Townshend | Won't you come with me to the Famous Players Ball on Wed. eve? | I am going to ask Miss Balfour. We can all dine here at my office at 7 on that eve - & have time to see later a litttle entertainment prior to the dancing.' He offers to present him to 'some of our leading lights in the picture world especially Elsie Ferguson who is now playng in Arnold Bennetts "Sacred & Profane Love' (which appeared in 1921).

4pp., folio. Bifolium. In fair condition, on aged paper slightly worn at head. The front page is headed 'H.R.H. Princess Christian and the Royal Members, are Patrons of a Private Farewell Matinee arrranged by Lady Romney on behalf of the Green Park Club for Mr. and Mrs. Luther Munday'. The names of twenty performers are listed beneath this, headed by Herbert Beerbohm Tree, with various other individuals named.

4pp., 8vo. Bifolium on shiny paper. In good condition, lightly-aged. The front cover carries a reproduction of the print 'Wireless Telegraphy.' Pp.3-4 carry reproductions of the 'Gibson Heads': 'NOW READY. - A Series of Sixteen Gibson Heads, of which the accompanying illustrations are miniatures. | Each subject is Hand-Printed on Japanese Hand-Made Tissue Paper, mounted ready for framing. Price 5s. 6d. each, post free.' Scarce: no copies on WorldCat, or on COPAC.

BThe five items in fair condition, lightly-aged, with slight rust staining from paperclip. In a difficult hand. ONE: ALS to Macqueen-Pope, 20 March 1941. On his Larkwood letterhead, with 'From Allan Aynesworth' at head. Undated. 3pp., landscape 12mo. Providing a deal of information about his association with Maude, the last page beginning: 'Friendship about 50 years. We joined the Garrick & Beefsteak Clubs where we dined together with so many of our Theatre Friends Inc. Wyndham Irving Alexander Hare & Kendal to name a few.

1p., 12mo. Bifolium. In good condition, on lightly-aged paper. Reads: 'My dear Sir, | I shall be very happy to be one of the committee who are to appeal for help for the family of the late Harold Frederic.' The letter relates to a Victorian scandal. In 1884 Frederic (1856-1898) had come to England with his wife and five children as the London correspondent of the New York TImes. He set up a second household with Kate Lyon, with whom he had a further three children. Lyons was a Christian Scientist, and when Frederic suffered a stroke in 1898, she tried to cure him by faith healing.

On one side of a 10 x 12.5 cm piece of card. In fair condition, lightly aged and worn. Signed 'C C Wakefield' and granting admission to 'the representative of the [ Pall Mall ]', the trial beginning on 12 December 1907. Annotated around Wakefield's signature: 'For the trial of Robert Wood for the murder of Emily Dimmock, of St Paul's Road, Camden Town | Judge - W Justice Grantham | Leading Conuncil - Sir Charles Mathews for the prosecution; Mr Marshall Halll for the defence. | Verdict - Not guilty.'

11pp., 12mo. Stapled into card covers. In good condition, with light signs of age and wear. Covers illustrated in colour by 'T. U. P.' The front cover carries, with the title, an illustration of a maid with a duster, captioned 'BESSAY NOTHING'. Humorous in intent.

38 items, in fair condition, lighty aged and worn. The main item is the complete score, containing all the parts, on 12pp., folio, and signed at foot of last page: 'New Theatre | April 4th. 1920 | Henri Lucas'. This is accompanied by 37 parts for separate instruments, each 4pp.in a 4to bifolium. According to the British Film Catalogue a film by the title 'The Golden Ballot' appeared in 1920.

[2] + 29pp., 4to. On rectos only. Heavily-aged and worn, with some damp staining, stapled, with remains of grey front cover and last leaf loose. With numerous emendations to almost every page. Ends abruptly on p.29. A fast-paced comedy, with a seance connecting past and present. Two exchanges: 'Bobbie. I suppose you're going to wear tights again? | Maud. Well, I've a ripping good reason for doing so - two, in fact.' and (during the seance): 'Nerea. Dance for me, I pray you, Oh embodiment of lissom grace. | Bobbie.

Photolithographically printed in black on one side of a 51 x 63 cm. piece of cloth, folding into a 16.5 x 11 cm. packet, in green printed cloth covers backed with card. In good condition, lightly-aged, with minor signs of age and wear. Cover reads: 'Transvaal. | (Major Jackson's Series). | Sheet No. 37. | Melmonth. | Field Intelligence Department. | Pretoria, 1901.' Signed in pencil on front cover 'G S Scovell | Cam Hrs.' In top left-hand corner of map: 'No. 37'. In bottom left-hand corner: 'Compiled in Surveyor General's Office - Pretoria underdirection [sic] of MAJOR H. M. JACKSON R.E. Mch.

Printed on both sides of a 15 x 11 cm piece of card. In good condition, lightly-aged. Unsigned autograph note by Scovell on reverse: 'Drawn up by me when adjt.

Photolithographically printed in black on one side of a 51 x 63 cm. piece of cloth, folding into a 16.5 x 11 cm. packet, in green printed cloth covers backed with card. In good condition, lightly-aged, with minor damp staining along outer edge of front cover. Cover reads: 'Transvaal. | (Major Jackson's Series). | Sheet No. 38. | Pomeroy. | Field Intelligence Department. | Pretoria, 1901.' Signed in pencil on front cover 'G S Scovell | Cam Hrs.' In top left-hand corner of map: 'No. 38'. In bottom left-hand corner: 'Compiled in Surveyor General's Office - Pretoria under direction of MAJOR H. M.

4pp., 12mo. Bifolium. In good condition, on lightly aged paper. He begins by telling him that there is 'no chance of an exchange to this Battalion, all were asked lately and said they did not wish to exchange to the 1st Battn.' He suggests that Scovell's 'best chance' is to 'fill a vacancy caused by a Promotion', in which case he may be 'brought in instead of their gazetting a youngster to us'.

The sepia photographic print is 15.5 x 11.5 cm, and shows a sumptuous domestic interior, showing paintings around an ornately carved wooden doorframe, into another room, with hangings draped footstool, piano, and other accoutrements of high Victorian interior decoration. In pencil on reverse: 'The Lyric Club'. The cutting is 12 cm and forty-five lines long. It begins 'The new Lyric Club is starting on its career with every propsect of a brilliant success.

All six items in good condition, with light signs of age and wear. In 1886 Hester, the author of the first two reports, had been described in the London St James's Gazette as 'a miner of experience in the Quicksilver mines of California'. His two reports are crude in comparison with those of Mallett and Irvine. ONE: Autograph Report Signed by 'Sam L Hester | Manager'. Kilkivan, 8 April 1898, on letterhead of the Freehold Goldfields of Queensland, Limited. 3pp., 4to. Addressed to 'C E Morton Esqr | Secretary | D-Albevelle Estate'. Receipt stamp dated 12 April 1898.

1p., landscape 8Vo. In fair condition, aged and with a number of vertical crease lines. Reads: 'Dear Mr Clarkson, | Will you please give instructions that any wigs that are being made for Sir Arthur Pinero's new play should be here not later than 11 o'clock on Monday morning next. Our Dress Parade is at 12 o'clock.' The play Boucicault refers to is 'The Widow of Wasdale Head'.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

In good condition, on loose leaves, with light signs of age and wear. ONE: 'Green Roomers by the Rags Wags.' A large collection of original jokes. Around 140pp., mostly 8vo. On different papers, including letterheads of 212 Finchley Road, London, the Burlington in Folkestone, and the Hermitage Hotel, Le Touquet. Hundreds of unconnected gags, each of them framed as a rhetorical question, mostly relating to the London entertainment world. The humour is now mostly impenetrable. Individuals referred to include: C. B. Cochran, H. G.

On aged and worn paper, with some staining at head. A somewhat grand memorial of English censorship. The license is printed in engraved copperplate beneath the royal crest on a 31.5 x 21 cm piece of watermarked laid paper.

Both items nicely printed and in good condition, with light signs of age and wear. ONE: 'The Encyclopaedia Britannica Dinner given by Sir Donald Mackenzie Wallace. Hotel Cecil, Friday Evening, November 21st, 1902. Plan of Tables.' 28.5 x 80 cm, folding up into a 28.5 x 13.5 cm packet. Printed in black and red on the whole of one side, with the other side carrying a 'Programme of Music' ('M. G. Fericescu, Musical Director'), an alphabetical table, and a cover with engraved illustration. Made out in pencil to 'Mr. A. Williams | K24' (i.e. the Liberal MP Aneurin Williams).

The four items present here are the prompt books for performances of Shakespeare plays by the 'Young Ladies of the University of Vermont', under the direction of New York actor Ernest Elton. BACKGROUND: Professor George B. Bryan, in a 'History of Theatre at the University of Vermont' writes that around the turn of the century 'The women students launched their own dramatic activities. If the men could stage their frivolities at the Howard Opera House, the ladies would perform classical plays on the lawn of Grasse Mount.

ONE: The earlier of the two drafts, titled 'It Was Top of the Bill | The Story of Music Hall. | by | W. Macqueen-Pope.' 14pp., 4to. Paginated 1-12, with two further pages carrying material to be inserted. With a few autograph emendations, including an addition to the ending. Macqueen-Pope writes knowledgeably and with a passion for his theme, which is that 'Music Hall reflected public taste even more accurately than did the "legitimate" Theatre because it was created by the people themselves. The basis of the Drama of the Theatre - was religion.

[1] + 32pp., 4to. Bound with brass clasps in grey paper wraps. On aged paper, in worn binding. A 'Duplicate Carbon Copy', with the stamp of Miss Dickens's Type Writing Office, 3, Tavistock Street, Strand. The first of the play's four acts. Text typed on rectos only, with stage directions in pencil on facing versos, and with numerous emendations (presumably by Brandon) in pencil throughout, including the deleting of a number of passages. Facing the first page is a pencil diagram of the stage setting.

Collier was the author of a number of melodramas and farces in the period between the Boer War and the Great War, including one written in conjunction with F. H. Dudley, but little is to be discovered about him, with no mention of these three titles. All three items in fair condition, on aged paper, in aged and worn bindings. ONE: '"In the Hands of the Mormons" Or "The Mormon Peril" A Drama in FOUR acts written by Hal Collier'. [1] + 45pp., 4to. Stitched into grey paper wraps. With pencil emendations throughout, including extensive deletions.

86pp., 4to. With each of the three acts bound into separate grey wraps, with typed labels on covers. Internally in good condition, on aged paper, in worn and aged wraps. This unpublished anonymous translation predates the one by Sara Tracy Barrows, with an introduction by Ludwig Lewisohn, published in New York by Doubleday in 1916. There is no record of an English production.

106pp., 4to. In good condition internally, on lightly-aged paper, in worn grey-cloth binding, with large and wordy French label on front cover. Rubens's score is not present. The text is preceded by twelve pages carrying: a 'List of Scenery and Properties', 'a 'Scene Plot', 'Light Plots', 'Property Plot', 'Hand Properties', 'Prompter's Cues' and 'Costumes and Wigs'. Possibly a prompt copy, with a number of passages deleted, and a few minor emendations made, in pencil, as well as call notes typed on the versos of some leaves, opposite the relevant text.

Item Three below does not name the translators, while Items One and Two do not. Item Three has the characters' names anglicised and the text more stilted than that of One and Two. In fair condition, lightly aged and worn. ONE: Typescript of the whole play, with each of the three acts bound separately. 127pp., 4to. The first two acts bound in grey card wraps, with typed labels on covers, the unbound leaves of the third act attached with a brass stud. First two acts with stamp of Miss Christian of the Trafalgar Type Writing Office, London.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. Written in pencil. A long and interesting complaint, casting an interesting light on the journalistic practices of the period. Hurd begins without preamble, pointing out, with reference to a previous letter, that he 'never promised 35000 words', and stating that the publisher 'would doubtless be able to put in a few extra illustrations to fill it out'.