EDWARDIAN

Folio, 44 pp. Followed by twelve tables, eleven of them fold-out, and with pp.27-44 also consisting of tables. Stitched. In original blue printed wraps. Text and tables clear and complete. Internally good, on lightly-aged paper. In worn and chipped wraps. Title-page carries printed shelf-mark and stamp of the Bibliotheque du Palais de la Paix.

Folio, 22 pp, followed by 28 full-page plates of equipment designed to increase safety in the mills. Stitched. In original blue printed wraps. Text and plates clear and complete. Internally good, on aged paper. Wraps worn and chipped. Wraps with stamp and withdrawn stamp of University of Hull. No copy on COPAC or WorldCat.

This item can be roughly dated from the fact that the firm of 'Letts Son & Co. Limited' only traded in this style between 1870 and 1885, the public company going into liquidation in the latter year. There is an indication (see below) that Wilson hailed from Kent, and the present volume provides a valuable first-hand record into the state of the moth population in England at the end of the Victorian period. 12mo, 158 pp. Text clear and complete. Fair, on lightly-aged paper, in worn brown leather quarter binding, marbled endpapers. Letts label on front cover reads 'J.

All photographic prints and negatives roughly 8.5 x 14.5 cm. Prints all black and white. The collection aged, but in good condition overall. The pictures of inmates all landscape, and the two of the officer portrait. The boys are arranged in three or four rows, with as many as forty present in one image. The images are all taken outdoors and in front of prison buildings, the windows in the Feltham images being barred, and the windows in the Borstal images plain glass.

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

Uniformly bound in worn half-calf, marbled boards, black label, gilt. Internally good and tight, on aged paper, with all texts clear and complete. The 1906 diary is titled 'Waterlow Bros. & Layton's Legal Diary and Almanac for 1906'. The diary proper is 316 pp long, sandwiched in the middle of the printed almanac (866 pp). References throughout to the Leicestershire area: Nuneaton, Monks Kirby, Earl Shilton and other places. Clients include the Stoney Stanton Co-operative Society and the Female Provident Society.

4to, [ii] + 12 + [ii] pp [i.e. 16 pp in toto]. Prelims paginated I-IV. Boasting of being 'the first Journal to be devoted exclusively to the interests of legal assistants'. Containing some light-hearted matter, including 'Office Yarns. No. I - The Firm and the Feminine', 'Relevant Irrelevancies', but also with reviews ('The Law Book-Worm') and columns containing useful information ('Municipal Mems', 'Practice').

4to, 6 pp, with a seventh leaf carrying the title 'The Ludlow Hunt Alphabet. An Adaptation.' (The title at the head of the poem itself is 'The Ludlow Alphabet. An Adaptation.') A genuine typescript, and not a reproduction. A poem of 128 lines, divided into 32 4-line stanzas. Fair, on aged paper, with the last leaf laid down on a leaf of an autograph album, with traces of a newspaper cutting on the reverse. Consisting of playful references to members of the Hunt, arranged alphabetically. First stanza: 'A's for Allcroft, on chestnut | With frontlet of blue.

12mo, 1 p. Ten lines. Clear and complete. Fair, on aged paper. Letterhead in red. Headed 'My Garden' (in 1907 Arrowsmith published 'My Garden and other Poems by John Gregory. With an appreciation by E. J. Watson'). He wonders whether the book is 'worth notice'. 'There is no mistake about Gregory being a working man [he was a cobbler]. His son is Prof. of astronomy and Assistant Editor of Nature'.

The slides, apparently from a newspaper library, are both bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. Each carries a manuscript caption in white ink on the black mount. The first slide - 'Harbour, New Quay' - shows a view down into the Harbour, with stone pier and fishing boats. The second - 'Lifeboat. New Quay, N. Cornwall' - shows a procession a distant view of a crowd of men and women in Edwardian dress on a beach before a large rock around a lifeboat being drawn away from the water by four horses.

All ten slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. The slides, apparently from a newspaper library, all carry the shelf-mark 'T46', and all but three are captioned in manuscript. Evocative and instructive images, apparently all dating from the Edwardian period. Captions of 'Protestant College, Madrid; Toledo Cathedral; La Feria [Seville]; Gandia Market; Hendaye; and the Patio de Los Leones, Alhambra, Granada.

All twenty-one slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded, with only one slide damaged (glass shattered in a corner, not affecting image). All with labels numbered 394.5.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

Elliot's illustrations, attractively executed in great detail, recall the style of those in the volumes produced by the publisher B. T. Batsford during the same period. All in excellent condition, the majority with tissue guards; album in good good condition. Fifty-eight of the illustrations, all of Swiss knockers, on paper ranging in size from 21 x 5 cm to 23.5 x 16 cm (the latter the majority), are laid down on the rectos of the first 45 leaves of a 47-leaf landscape folio album (leaf dimensions 36 x 16 cm). All have tissue guards.

4to, 15 pp. In small type. Text clear and complete. On brittle green high-acidity paper, with chipping and loss to extremities and three of the leaves detached. Begins by listing 'General Council of the Automobile Club | (appointed to confer with the Club Committee on questions affecting Automobilism generally).' Headed by 'His Grace the Duke of Sutherland'; followed, on second page by Club Committee and officers, and then (pp. 3-10) the list of members in three columns, giving name, optional address, and date of election; ends (pp.11-15) with lists of 'Members of Affiliated Clubs'.

The five photographs are all in sepia and 15 x 20 cm. Each is mounted, with a 17.5 x 22.5 white backing, on a piece of grey 25 x 30 cm card. Each is neatly captioned in black copperplate, with red underlining. The photographs are all in good condition, on discoloured and worn mounts. The items were clearly produced for display by the company, as they all have pinholes in their mounts. The captions read: 'G.E. Rly Restaurant Cars.' [exterior shot]; 'G.E. Rly Restaurant Car - Kitchen', 'G.E. Rly. Restaurant Car Third Class Compartment', 'G.E. Rly Restaurant Car.

4to, 21 pp and fold-out graph. In original green wraps. Text clear and complete. Fair, on aged paper, with rusty staples. Describing the case of 'a strong young Englishman, age 26, weight 154 lbs., [who] was infected in N.E. Rhodesia near the River Luangwa in September, 1909'. Fold-out graph of 'Number of Trypanosomes per c.mm.'

4to, 2 pp. Text clear and complete. On aged and lightly-creased paper. 'The nature of my business is a desire to become a tenant of the Prince of Wales Theatre, for a long or short time, and entirely subject to existing arrangements in order to produce a play which good judges (as well as myself) regard as one (if not the) play of the present generation'. The name of the play is not given. Barnes states that 'if Mr Harvey is your permanent tenant it would quite suit me to do the play at any time <?> another provincial Town'. He offers 'a short or long lease [...] with unimpeachable security'.

4to, 2 pp. Twenty-three lines of text, clear and complete. In fair condition, creased and lightly-worn. With stamped envelope addressed by Flint. In reply to a question from Carpenter ('I very, very freqently receive letters such as yours') Flint writes: 'Dont worry about not receiving art instruction in painting because I never had a lesson in my life.' He believes he inherited the skill he 'started with', but constant study of the works of masters & constant practice have brought me (with the aid of a kindly Providence) to my present position'.

12mo, 4 pp. In bifolium. Very good, on lightly-aged paper. He has forgotten which letters he has sent her for her autograph collection, 'but I daresay some of the list written at the back of this are new to you'. He will send any she wants. Asks for any duplicates she may have to spare. The list covers the last two pages, and consists of 39 names, from 'Sir John Burgoyne, R.E.' to 'Count Zamorgski'.

4to, 12 pp. Stapled pamphlet. In original green printed wraps. Text clear and complete. On aged, creased and spotted paper, with rusted staples. Giving the prices ('Rs. As. P') of items ranging from 'Asparagus French tin' to 'Zymale tooth paste'. The last page lists prices for cigars, cigarettes and tobacco. Ownership signature of 'Mr. Lewis' at head of front wrap.

Stamped on front pastedown 'LE ROY & CIE. | DECORATION GENERALE | 58, Avenue Fonsny, 58 | TEL. SABLON 2061'. In a landscape 12mo (roughly 12 x 17 cm) album of 29 leaves, bound in coarse brown cloth. The majority of the photographs are in good condition though lightly aged, with around 20 showing varying degrees of damage involving staining and chipping. The album itself is worn and aged, in a binding heavily-worn at spine and corners, and with spotted and aged leaves.

The seven signatures are each cut from a letter. They are mounted in two columns on a page of grey paper, roughly 22.5 x 27.5 cm, removed from an autograph album. In fair condition, on lightly-aged paper with occasional light spotting. At the head of the page is the word 'Horseman', with each individuals occupation in the same hand on the mount beneath his autograph. One (2.5 x 11 cm): '<...> delivery? | Yrs truly | Roderic Owen' ['Gentleman rider']. Two (5.5 x 11.5 cm): '<...> Yrs truly | Sam Darling' ['trainer']. Three (3.5 x 12 cm): '<...> Yours very sincerely | C. Morton' ['Trainer'].

12mo, 1 p. Bifolium. Good, on lightly-aged paper. From the context of other items in the same collection, this letter relates to an 'Artists general Benevolent Banquet' (for which Dollman was acting as steward). Blomfield would be pleased to join Dollman, but has 'already promised my subscription to Pomeroy' (presumably acting as steward for a rival dinner). Addressed to Dollman at Hove House, Newton Grove, Bedford Park.

8vo (23 x 15 cm), 32 pp. Stapled. Outer pages in blue. In fair condition, with a little damp-staining at the head of the first leaf (with minimal effect on the text), and a tiny dab of the same staining continuing at the corner of each leaf (not affecting the text). Title-page on cover illustrated by C. H. Dennis, showing Uncle Sam sharpening a razor of 'GOOD CUTS'. Note on page 2 begins: 'THIS CUT BOOK contains a few of the many varieties and styles of cuts which we carry in stock and use on your printing free of charge. We have many more and are constantly adding new designs. [...]'.

On a piece of thin card, 30.5 x 23 cm. Dimensions of illustration 23 x 17 cm. Signed by Twidle in bottom right-hand corner. The image itself is clear and sharp, in spotted and grubby margins. Docketed in pencil on reverse 'Monkish Robes | 491 | to 5 inches width | with rule as in picture'. An attractive, detailed watercolour, in black and grey, and picked out in white, showing three monks processing with eyes cast to the ground in different directions in the grounds of stone temple overgrown with foliage.

In three columns of small type, on one side of a piece of paper 41.5 x 26.5 cm. Fair, on aged and lightly-worn laid paper, with a little offsetting from the ink of the inscription. Reproduces the text of Bryan's speech without editorial interpolation. A report on the banquet (held by the American Society in London and with 'over 400 covers') in the New York Times, titled 'Bryan and Choate in a duel of repartee. Former Guest of Honor at Thanksgiving Day Banquet in London.

12mo, 15 pp. In original green printed wraps. Disbound. Vertical fold. On aged paper with fading to wraps and slight damage to spine from disbinding. As Streatfeild explains in his two-page introductory 'Note', five of the seven poems appear here for the first time. Uncommon. COPAC lists copies at Cambridge, Edinburgh, Glasgow, Oxford and the British Library.

8vo, 75 pp. In original green card printed wraps. Disbound. Text clear and complete. On aged paper, and with wear to wraps and damage to spine from disbinding. Dedicated, with no trace of irony, to Haynes' wife Oriana Huxley Haynes, T. H. Huxley's eldest granddaughter.

Both letters 4to, 2 pp. Both texts clear and complete, and both in fair condition, with dog-eared corners. In the first letter O'Conor writes that he has 'heard from Miss Maartens', and that he is sending 'Dr van Maanen's' study of the author. 'Miss Maartens suggests that you and I might meet, which appeals greatly to me, for I enjoyed your review of the Maarten Maartens letters and have also heard about you from my friend John Gould Fletcher.' Gives a time when 'Miss Maartens is coming to the London Library to read some Dutch' for him, and he suggests that Burdett join them.