JOHN

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. For information regarding this renowned firm of silversmiths, which possessed the royal warrant and mounted a sumptuous display at the Great Exhibition, see Norman Mosley Penzer, 'Paul Storr, 1771-1844, Silversmith and Goldsmith' (1954), and John Culme, 'Directory of Gold and Silversmiths' (2000). The nature of the '”Australian” implement' which is the subject of the letter is unclear, but information on Hunt's partner's connection with Australia is to be found in L. W.

3pp, 12mo. Bifolium. With the cover of the letter's envelope, addressed to H. A. Bright at Trinity Collrge, Cambridge. Both letter and cover in fair condition, lightly aged and worn.

The letter is 1p, 12mo, and is accompanied by the covering 8vo leaf, addressed to 'John Atkins Esqre | Duke Street | Westminster', with a second signature for franking. The covering leaf is endorsed: 'Admiralty August 21 1806 | Adml. Markham concerning Miles Burn that it would be impossible to get him reinstated'. Both letter and covering leaf in good condition, lightly aged and worn, with fold lines. Markham could hardly be more decisive.

2pp, folio. In good condition, lightly aged. Folded twice.

3pp, 12mo. Bifolium. In fair condition, lightly aged, with traces of glue from mount adhering to blank reverse of second leaf. Folded three times. The recipient is not named, but is clearly a book illustrator, and the letter provides an interesting view of the practices of book illustrators and engravers in Victorian London. Whymper begins by stating that he is sorry to have missed his 'Call', and to have been 'equally unfortunate this afternoon', when he left at his house 'Two pieces of wood & a little book I want you (if convent [sic]) to make me a Front[ispiece]. for by Thursday Morng.

2pp, 12mo. Bifolium, endorsed 'Clarke' on reverse of second leaf. In fair condition, lightly aged and worn. Folded three times. The letter begins: 'My dear Webster, | Charles Kean has requested me to give him information respecting Theatres in England, in which it is probable he may form engagements on his return from America, as he wishes his plans to be arranged if possible previous to his departure from the United States, so as he may see his way clearly on his arrival in England.' He asks whether it would answer Webster's purpose 'to make any proposal to him'.

2pp, 8vo. In fair condition, lightly aged and worn. A very good and informative letter. Written from the A. J. C. Ranch, which Van Druten had purchased with his former lover Carter Lodge (now his business manager) and the British actress Auriol Lee. Van Druten left his interest in the ranch to Lodge, together with the rights to his work, including the play discussed here, 'I am a Camera', an adapatation of Christopher Isherwood's stories. (For the relationship between Van Druten and Isherwood, see Peter Parker's biography of the latter.) This entitled Lodge to income from the film 'Cabaret'.

1p, 12mo. Bifolium, addressed on reverse of second leaf, with small seal in black wax, to 'J Scoles Esqr | Argyll Place'. In fair condition, lightly aged and worn, with damage to second leaf from breaking of seal. Folded twice. Written in a tight, florid hand. Reads: 'Dear Sir | I hear there will be no admission into Your Church tomorrow without tickets. If you should have any of said Tickets to spare, please to favour with one two or three according to circumstances – Yours Very Faithfully | J Landseer'.

Lingard's standing as a pioneer of historical method has never been higher. See his entry in the Oxford DNB. A chastening document, in which Lingard states that he feels within himself the beginnings of the 'paralysis of the brain' which he first observed in Robert Southey 'in the year 1830' (this must surely be a mistake for 1840). Lingard was on cordial terms with Southey. In 1834 he called on him and Wordsworth to give evidence on a literary point in a lawsuit. The present item is a square of paper cut from the conclusion of a letter. Recipient not named. In fair condition, lightly aged.

1p, 16mo. In good condition, lightly aged, with slight damage to blank reverse caused by removal from mount. Reads: 'Dear Mrs. Suckling – if it be you that is C. S. - I can't come into Town – but shall always be glad to see you here.'

On 7 x 11 cm strip of paper, cut from the conclusion of a letter. In fair condition, lightly aged and folded once, with panel of discoloration on reverse, which is endorsed: 'Dr Abercrombie | Jan. 31. | 1843'. Reads: '[…] unite in best regards. | Sincerely & affectly. Yours | John Abercrombie'.

3pp, 12mo. Bifolium. In good condition, lightly aged and worn. Folded once. Endorsed on reverse of second leaf. At the time of writing Molesworth was serving as First Commissioner of Works in Lord Aberdeen's coalition government. (In the year of his death Aberdeen would appoint him Colonial Secretary.) The letter begins: 'My dear Merivale | Last November I moved for the enclosed return and since then I have spoken to ]Pal?] [i.e. Viscount Palmerston?] about it who promised that it should be made.

The recipient Simon Nicholson was a colonial civil servant and a neighbour of Lugard at Tallboys in Abinger Hammer. He and his wife Molly were a cultured couple, and were friends of Edith Wharton and Bernard Berenson. The four letters are in good condition, lightly aged and worn, and each is 2pp, 12mo. Each folded once. The first three are signed 'Lugard' and the last, to Molly Nicholson, 'Fred Lugard'. In the first letter (23 September 1940), after expressing pleasure at seeing Nicholson again and having 'a talk', he begs him 'not to postpone your week-end here.

1p, 12mo. In good condition, lightly aged. The slightest loss to margin at one edge. Good bold signature. Reads: 'Dear Sir | Enclosed please find p. o – o [i.e. postal order?] & stamps in settlement of enclosed | Yrs faithfully | Cecil Aldin'.

2pp, 12mo. Bifolium. In good condition, lightly aged, with traces of mount adhering to blank reverse of second leaf. A white label has been stuck over the letter's salutation, but MacWhirter writes the name of the recipient at the end of the letter: 'W. Agnew Esq'. He cannot express the pleasure he felt on receiving Agnew's letter.

Two pages, 8vo, bifolium, closed tear on fold, sl. darkeing at edge, mainly good condition, third page with brief biography of Say in French in another hand, adding presumably about his correspondent (?) that "[Say] se consacra a l'economie politique. Comme Smith, il combattit les prohibitions, les imports de consummation [...]". Fourth page has the correspondent's address in Say's hand, and is docketed with name and date. Text of letter: He initially thanks Smith for his letter to him "qui eleve une question interessante sur le produit qui varie le moins envaleur.

1p, 4to. In fair condition, lightly aged, with slight wear at head repaired on reverse with archival tape. The context of the letter is explained in Fawcett's entry in the Oxford DNB: 'In September 1829 Fawcett was superseded in the management of Covent Garden […] the theatre in which he had been a main prop for thirty-nine years. With a salary of £100 a year allowed him as treasurer and trustee of the Covent Garden Theatrical Fund he retired to a cottage at Botley, near Southampton.' The letter begins: 'Some weeks back I enclos'd you a draft for £10 intended for the Widow Paulo.

2pp, 12mo. In good condition, lightly aged. The letter casts an interesting sidelight on the practicalities of the late-Victorian theatre. He begins by explaining that he is sending back a wig he made for him, which was 'an admirable one in every way', and asking that he make him 'one like it for America & to bestow your best skill on it as it is of great importance to me'. He instructs him to 'make the wig a shade darker, something of the color it is dyed behind, & put a little natural white hair on the temples each side'.

A fascinating and revealing collection of material, touching on questions of censorship and sexual morality in twentieth-century Britain, as well as the problems of publication during the Second World War. From the papers of Sir John Pollock (1872-1963), and relating to the 1943 revival of his 'Damaged Goods', a translation of Eugène Brieux's scandalous play 'Les Avariés'. Written in 1901, Brieux's play concerns the effects of a diagnosis of syphilis on a respectable family, and was met with outrage on its first appearance in Paris in 1902.

Three items from the papers of Sir John Pollock, relating to his translation of Eugène Brieux's scandalous play 'Les Avariés'.

3pp, 12mo. Bifolium. In fair condition, lightly aged and worn, with traces of mount, and red wax seal, adhering to the reverse of the second leaf, which is franked (the franker's name and signature illegible) to 'Sir John Phippart [sic] | &c &c | No 8 New Burlington St'. Slight loss to one corner of second leaf, from breaking open of seal, with damage to one word of text.

The item would appear to relate to William Gaskill's 1984 Chichester Festival production of Congreve's 'Way of the World', in which Joan Plowright played Lady Wishford, and John Moffatt played Witwoud, although it is not clear why Fry should have been making directorial suggestions in this case. 2pp, 8vo. Written in pencil. In fair condition, aged and worn. Folded twice. From the Fry papers, and so possibly either a draft or not sent. The identity of the recipient is not clear.

Photostat pages of the first part of Christopher Fry's screenplay of the lavish 1966 American-Italian 20th Century Fox religious epic film 'The Bible: In the Beginning...', produced by Dino De Laurentiis and directed by John Huston. [2] + 7pp, 4to. Photostats of a typescript, on seven leaves.

1p, 8vo. In good condition. Folded twice. With secretarial note in blue pencil, recording response by 'C.F.' The letter concerns Fry's screenplay for the 1966 film 'The Bible: In the Beginning...', produced by Dino De Laurentiis and directed by John Huston, which recounts the first 22 chapters of the Book of Genesis. Stallworthy wonders whether Fry remembers 'that, “in the dark backward and abyss of time”, the OUP wanted to publish your screen-play for the film of Genesis, but the film company's lawyers wouldn't allow it.

Five items in good condition, all lightly aged. ONE: ACS. Signed 'Kathy'. 1 March 1990. Clearly a covering note on sending the other material. Simply reads: 'Good to speak – | love | Kathy'. TWO: Duplicated copy of typescript of speech by 'Fr. John Gilling'. Headed: 'REQUIEM MASS: St. Mary the Virgin, Bourne Street. 7th February 1990. | JONATHAN GRIFFIN'. 2pp, 8vo.

Three items (letter, photographic card, and pamphlet), all in good condition. ONE: ALS. 31 December 1954. 1p, 8vo. Signed '(Mrs.) Rita Spurr.' and addressed to 'Dear Mr. Christopher Fry'. She begins by thanking him 'for the very great pleasure & stimulus' which she derived 'during the year that is passed' from his play 'The Dark is Light Enough'.

All three items in good condition, with both letters lightly-creased at the foot. ONE: TLS. Signed 'John Mortimer'. 11 November 1995. 1p, 8vo. He was delighted to receive Fry's letter and would 'like to visit a writing group with which you're connected. If I'm free on May 10th I'll come. I'm just waiting to hear about a trip to Florida – so do let the committee write to me. I'll know by then more clearly what I'm doing.' TWO: TLS. Signed 'John', with Mortimer deleting the typed word 'sincerely'. 1 March 1997. 1p, 8vo. He found it 'a delight' to hear Fry's 'lecture at the RSL'.

An interesting document relative to London social history, and a nice piece of Dickensiana. George Johnson is said to have established his celebrated restaurant Johnson's Alamode Beef House at 21 Clare Court, Drury Lane, in the 1780s, although the present letter states that it was licensed around 1805 . In 1824 a twelve-year-old Charles Dickens – employed in a nearby blacking warehouse as a result of his father's imprisionment for debt – himself experienced an incident which he later made use of in 'David Copperfield'.

Unpaginated stapled pamphlet of 24pp, small 4to. In fair condition, lightly aged and worn, with slight damage at head of spine. On the second page: 'The arrangement of this Programme has been the work of the Rev. Hugh Ross Williamson.' Programme for the day on front cover, including a talk by 'Mr Robert Speight: “Touring in Canada with Murder in the Cathedral”'. The final event, at 7pm in the Chapter House, is a performance entitled 'The Drama of our Festival years', and the text of this piece makes up 21pp of the pamphlet.

1p, 8vo. In good condition, lightly aged and creased. Folded once. 'I was hoping you would make a suggestion about price. I had at first thought of asking £5 for each copy, but if you would throw in that copy of my father's book (my own is in pieces) I suggest £12 for the three. Of course I want you to make your profit.' He ends by asking if Hancox would like the books signed.