H.

All three items in good condition, lightly aged, with the book in worn and spotted binding. ONE: Letter from Hassall to 'Professor Huxley', in the hand of 'an amanuensis' and signed by him. 3pp., 12mo. Tipped-in onto the half-title of Item Three below. He begins by explaining that he has 'directed Messrs. Longmans' to forward a copy of his book (which he describes as 'a brochure') to Huxley.

Mulligan’s collection of lantern slides is now part of the St Andrew’s collections, and information about him is to be gleaned from its web pages. David Waterston (1871-1942) was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. A total of ten pages of closely and neatly written text. In fair condition, lightly ruckled, and with slight loss to the edge of one page, and the ink of one leaf having slightly run on removal from mount.

1p, 4to. In fair condition, lightly aged. Folded twice. Considering the tone of the letter, the similarity between the signatories name and that of the prominent suffragist Lady Frances Balfour (1858-1931), and the fact that there is no record of a Sheffield branch of the WNASL, nor of a place in Warrington called ‘Arcadia’, nor of any Balfours living there, one must strongly suspect that this letter is a spoof, perhaps written by in some such scenario as a pro-suffrage child of a member of the WNASL, having got hold of one of the organisations blank letterheads. Or perhaps not.

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The recipient is named as ‘J. Pendred Broadhurst Esq’. Boughton begins by thanking him for his ‘kind note’. He is ‘quite out of photos for the moment - there has been such “a run on” me’. His portrait is not ‘in commerce’. He is enclosing ‘a Menu Card (of a dinner given me by Messrs Harper in New York)’, which has ‘a portrait by Mr L. Alma Tadema R.A. which I think is a little out of the Common. There is also an illustration from our book - (E. A.

See his entry in the Oxford DNB. 1p, 12mo. On the first leaf of bifolium. In good condition, lightly aged. Folded once. He begins by thanking him ‘most sincerely for your cheering note of congratulation’. Whilst it is ‘pleasant to be raised to the “Upper Shelf”’, he finds that ‘the position of Associate of the Royal Academy is one that is quite Ideal. To gain that - and to paint a good picture were my two great ambitions’.

From the first Smith has been considered as the model of the ‘Sir Joseph Porter’ of Gilbert and Sullivan’s ‘HMS Pinafore’, and Disraeli himself is said to have referred to him as ‘Pinafore Smith’. See Smith’s entry in the Oxford DNB. The present item is signed ‘W. H. Smith’, addressed to ‘Mr Townsend Warner’, and headed ‘Private’. The recipient is the historian and Harrow housemaster George Townsend Warner (1865-1916), father of the novelist Sylvia Townsend Warner. 2pp, 12mo. In good condition, lightly aged. Folded once.

See both men’s entries in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with slight spot from previous mount at one corner. Folded twice. Signed ‘H. H. Armstead’. In reply to a letter of Dafforne, he reports that ‘the Statues I have made for the “Colonial Office” Niches are not yet in situ - but are now being raised to the niches, and they will be in their places within the next few days.’ He gives the names and positions of the statues, adding: ‘The eight men are there as Secretaries of State for the Colonies’.

A splendidly-forthright missive on a subject close to Oakeley's heart. See both men’s entries in the Oxford DNB. The two were near-contemporaries at Rugby School, and Stamer, at the time of writing a Prebendary at Lichfield, would go on to become the Bishop of Shrewsbury. 8pp, 12mo. On two bifoliums. In good condition, lightly aged, with the two bifoliums folded twice and unobtrusively attached with tape. From the context it appears that Oakeley has been invited through Stamer to give a paper on church music to the Church Congress.

Each of the two items attributed to Wright in pencil note on reverse. Both in good condition, lightly aged. ONE: On 11 x 17.5 cm piece of paper. At head: ‘Book Plate of Morrall A[?] vox stellarum vox Dei’. At foot: ‘M. J. Morrall’. (Unlikely to be the Brooklyn architect of this name active at this time.) Up left-hand margin: ‘Mr. Edward Morrall / Mayor 1885-6’. Down right-hand margin: ‘Presented to Mr Edward Morrall Quay House Bridgnorth’. Full achievement, from crest to motto, with colours indicated. TWO: On back of 9 x 11 cm printed ‘at Home’ card.

See his entry in the Oxford DNB. In good condition, with light dabs of glue from mount on reverse. On 11.5 x 9 cm card with rounded edges. Clearly in response to a request for an autograph, he writes: 'For Louis Frewen / with all good wishes / from / Anthony Asquith / December 1931'.

See his entry in the Oxford DNB. Lurid claims of three-in-a-bed adulteries put a paid to Dilke’s political ambitions (he had been touted as a future prime minister), and rendered him the butt of musical hall jokes. The recipient is not named. 2pp, 12mo. On bifolium. In good condition, on aged and lightly-worn paper. The letter begins: ‘Dear Sir, / I suppose a pamphlet is meant - called I think “Parliamentary Reform” - (but I’m not quite sure), written about 1878 & sold at Smith’s bookstall.

See the entries for Robinson and Cooke in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, folded twice. Addressed to ‘My dear Mr Cooke’. Cooke’s ‘friendly note’ about the time he ‘proposed setting out for Deal’ was received on the Thursday, and the Robinsons are ‘glad indeed to hear that your dear Mother is again restored to her usual health’. The Robinsons think that ‘change of occupation & fresh air together, may have the desired effect both as regards yourself & your son Conrad’.

Having made the first state visit to the United Kingdom by an American President, 26 to 28 December 1918, Wilson was in Europe at the opening of the Paris Peace Conference, which would result in the League of Nations and Treaty of Versailles. The present letter presents in forthright terms the Republican position on his activities in the aftermath of the First World War. 5pp, 12mo. On five leaves of letterheads of the Hotel Del Monte, California (‘Carl S. Stanley, Manager’). In postmarked envelope from the Hotel (stamps torn away), addressed to ‘Mr. P. A.

See his entry in the Oxford DNB. The valediction of a typed letter, on slip of paper, 8.5 x 3.5 cm. Somewhat creased, and with two thin printed slips ‘DIRECTOR | R. H. TAWNEY, B.A.’ and ‘London School of Economics’) laid down near the signature (‘R H Tawney’), above which is typed ‘Yours very sincerely,’.

For information on Graves see the generous obituary of him in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

See his entry in J. F. Smith, 'The Admission Register of the Manchester School'. 6pp, 12mo. Written in a neat, close hand. In fair condition, lightly aged. Folded three times. A vivid example of the methodology of the nineteenth-century English clerical antiquary. The main subject is the controversialist Richard Montagu (1577-1641), Bishop of Norwich, about whom, in January of the following year (that of his death), Backhouse would publish a letter in 'The Academy' under the title 'The Abbreviations in Bishop Mountagu's [sic] Dedication'. The recipient is not identified.

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.

1p, 12mo. On aged paper, with closed tear repaired on reverse with brown paper. Folded twice. Addressed to 'Dear Sir William'. The prime minister (Asquith) has asked him to say that he is 'quite at a loss to understand how he came to be so misinformed as to the progress of the negotiations connected with the appointment of the Royal Commission'. All the prime minister can do is 'express his regret at the misunderstanding'.

1p, landscape 12mo. In good condition, lightly aged. He thanks him for his letter containing 'kind words about my book, Your England'. He did not expect anyone to agree with all he wrote in it. His aim in writing was 'to pay a tribute to the English who are the most broad-minded, tolerant, and humane of all the numerous peoples among whom I have lived.'

1p, 12mo. On aged paper, with closed tear repaired on reverse with brown paper. Folded twice. Addressed to 'Dear Sir William'. The prime minister (Asquith) has asked him to say that he is 'quite at a loss to understand how he came to be so misinformed as to the progress of the negotiations connected with the appointment of the Royal Commission'. All the prime minister can do is 'express his regret at the misunderstanding'.

1p, landscape 12mo. In good condition, lightly aged. He thanks him for his letter containing 'kind words about my book, Your England'. He did not expect anyone to agree with all he wrote in it. His aim in writing was 'to pay a tribute to the English who are the most broad-minded, tolerant, and humane of all the numerous peoples among whom I have lived.'

1p, 4to. In fair condition, lightly aged, with tissue labels from mount adhering to the reverse. Folded twice. Embossed letterhead with US seal. Salutation and valediction in Page's autograph, with addition of an exclamation mark. Addressed to 'Lady Lloyd, | 26, Great Cumberland Place, | W. | Enclosure.' He has had 'two moods' about the 'touching letter' that she is enclosing, but believes that 'the best thing to do is not to send it to Berlin'.

In folding box, dark blue, gt. 79pp, 8vo. In plain white card wraps, in blue dustwrapper printed in black, with red border to cover. Ownership inscription in blue ink on front free endpaper: 'Christopher Fry | 1930'. Hardly the best of copies, but a good association between two of the three giants of the twentieth-century English verse play (Eliot being the other). Internally tight, on lightly-aged paper, in aged and worn wraps. The dustwrapper is in poor condition, stained, chipped, and separated into several loose parts along the folds, with spine and back cover tipped-in onto the wraps.

2pp, 12mo. On grey paper with mourning border. In good condition, lightly aged. The indentity of the recipient is unclear. The letter begins: 'Dear Ly Virginia | The other day I bought your novel, & the first comfortable leisure moment I had, I began to read it.

2pp, 12mo. In good condition, lightly aged, with thin strip of paper from mount unobtrusively adhering at head of reverse. Folded twice. The salutation is to 'My dear Barker', and the name of the recipient is given at the foot of the first page as 'W. B. Barker Esqe'. He thanks him for his 'kind, but too complimentary note'. He is afraid that Barker's friend, who has clearly requested Layard's autograph, 'sets too much value upon a specimen of such detestable handwriting', but in this matter, 'as in anything else', he will be happy to oblige Barker.