LONDON

See her entry in the Oxford DNB, and in particular the section headed ‘A great actress’. 1p, 12mo. In good condition, lightly aged. Folded twice. Very nice letterhead with engraving of the imposing hotel. In her large, bold hand, the note reads: ‘I have found it! / & am so glad - / Hoping you are much better / Yrs. sincerely / Ellen Terry: / 7 December . 97:’.

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

For the background to this letter see D’Arch Smith’s memoir ‘The Times Deceas’d: The Rare Book Department of The Times Bookshop in the 1960s’ (2003). The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 1p, 4to. Aged and lightly creased. Signed ‘Tim’, with Block writing ‘D’ARCH SMITH’ beside this. Begins: ‘My dear Andrew: / Thanks so much for looking after me so well on Saturday.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

See the entries on the various members of the Tree family in the Dictionary of National Biography. 4pp, 12mo. Bifolium. Thirty-eight lines of text. In good condition, lightly aged, with pin holes to corner. Folded once. Good firm signature ‘Maud Tree’. She does not want her to think that she is ‘losing sight of the Sunday Matinée’. She had to wait for Sir Oswald Stoll’s answer, ‘& it was kind, but it said regretful No’. She then wrote to Sir Alfred Butt ‘for the Palace or the Empire. His answer was also a sad No. - But now Mr. George Grossmith has offered me His Majestys or the Winter Garden.

For information on Littler see the entry in the Oxford DNB of his brother Prince Frank Littler (1901-1973), who did not share Emile’s ‘affection for plays or players individually’. Also see Macqueen-Pope’s entry in the same work. The three items in fair condition, lightly aged and creased. Both signed ‘Emile’. ONE: TLS of 15 November 1957. 1p, 4to. Reads: ‘My dear Popie, / You know about everything in the Theatre, and I am wondering if you could tell me how many London pantomimes Julian Wylie did, either by himself or as the Wylie-Tate organisation.

Hook’s entry in the Oxford DNB descibes his novel ‘Gilbert Gurney’ (1836) and its sequel ‘Gurney Married’ (1838) as made up of ‘thinly disguised portraits and a string of anecdotes from real life’. 1p, 12mo. On bifolium. In good condition, folded twice. On wove paper with C. Ansell watermark of 1834. The signature ‘Theo E Hook’ does indeed have a strange ‘hook’ on the end of it, which has led to a pencil note on the blank second leaf: ‘try Thos. E. Boot / Booth / author of “Gilbert Gurney”’.

The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 1p, 4to. In poor condition, aged and worn. Folded three times.

See Nicolas Barker’s obituary of Bondy in the Independent, 27 June 1993. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. An evocative piece of booktrade and London local government ephemera. 2pp, 8vo. Printed on a leaf of shiny art paper. Worn and creased; folded twice. On one side ‘L. W.

See Nicolas Barker’s typically-elegant obituary of Williamson in the Independent. 2pp, 4to. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. On aged and worn paper; folded three times. Signed ‘Hugh Williamson:’ and addressed to ‘Mr Block’. Thirty-one lines in a close, calligraphic hand.

See his entry in the Oxford DNB. In good condition, lightly aged. In the following transcript, the parts in Masefield’s autograph are in square brackets, and the first printed sentence (‘I [...] letter.’) has been scored through: ‘PINBURY PARK, / CIRENCESTER. / Dear [Sirs,] / I thank you for you letter. / [I shall be obliged if you will send me No 98 of your list / Du Maurier. Trilby / London, 1895.] / With all good wishes, / Yours sincerely, / John Masefield.’ (Note that this ‘signature’ is printed.) See image.

The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Both addressed to ‘Dear Mr. Block’. LETTER: 1p, 12mo. In fair condition, lightly aged. Folded twice. Signed ‘Helen D. Willard’. She is hoping to be able to see him in London the following month. ‘I called in you [sic] briefly last year, then got swept up into many activities that kept me from returning to browse.’ She has a very pleasant memory of their conversation.

The Catholic Encyclopedia declares him to be ‘one of the great preachers of modern times’.On one side of a 10.5 x 6 cm calling card, with slightly larger envelope. Card in good condition, lightly aged; envelope in fair condition. Printed on the card is ‘Le Cardinal Mermillod’, and beneath this he has written: ‘Présent au cher Mr. de la Bire Mr. & Mme. Jenner de Londres, il lui demande pour eux son cordial acceuil.’ Card is addressed to ‘Monsieur / Théodor de la Bire / hôtel d’Angleterre/’. See image

The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice. Signed ‘Frank’. He is sending his list: ‘you’ll note how catholic my wants are’. He has been sent ‘5 guineas worth of book tokens. Do you accept these? They were issued by Collets, Hampstead.’ His ‘great wants’ are ‘the Comic Home Journals - the novel with ghost on the cover - the certain Ludgate and Boys Own Xmas Number’.

See the recipient's entry in the Oxford DNB. Both letters signed ‘Elsa’. ONE (7 December 1951): 1p, 8vo. In fair condition, lightly aged and worn. Folded three times. Thirty-eight lines of text. She received his letter while wishing to contact him, and wonders if this is a coincidence. ‘And my wanting to write you grew out of an intense yearning to be in London again’.

See the recipient’s entry in the Oxford DNB. 1p, 12mo. Signed ‘Evelyn Lake’. In good condition, lightly aged, with minor traces of paperclip. Folded once. She enjoyed his ‘article in yesterday’s Reynolds News’, and thinks it is ‘Lovely to be able to make people laugh spontaneously.

In his obituary of Low’s partner Robin Waterfield (Independent, 12 February 2002), James Fergusson describes Low as a ‘Scottish Polish Jewish bouquiniste’. The recipient Andrew Block’s obituary in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Plain orange-yellow card, with Reynolds Stone oval medallion letterhead. Signed ‘David’ in red ink. Addressed, with postmark and stamp, to ‘Mr. Andrew Block / 30, Barter Street / London W.C.1.’ He enquires whether the ‘coloured drawings on rice paper’ he is sending are ‘merely Chinese’.

See his entry in the Oxford DNB. 1p, 4to. On aged and worn paper; folded four times. Signed ‘Clement Shorter’. The letter is headed with Sayers’ Totnes address. He begins by explaining that the Sphere’s ‘Children’s Supplement’ has been abandoned due to ‘the high cost of paper’. Turning to Sayers’ other letter, he thanks him for offering to lend him a copy of Baring Gould’s ‘Strange Survivals’, but that he will obtain his own copy. He ends by thanking him for ‘the various information’.

See Nicolas Barker’s appreciative obituary in the Independent, 7 April 1999, which notes that after selling his entire stock to the University of Texas in 1968, ‘He moved his business to the other side of Great Russell Street, and briefly opened another shop, selling prints in partnership with Rob Douwma.’ (The British Museum website states that ‘Weinreb & Douwma was on the corner of Great Russell Street and Bloomsbury Way during the 1970s and 1980s.’) The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business w

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and creased. Signed ‘Frank Short’. The salutation is unclear: it appears to be to ‘Dear Mist Gosselin’, but it could be ‘Mirst’ or ‘Urist’ Gosselin. He thanks him for his kind note, ‘but it wasn’t really of any importance about that bell. Don’t trouble any more about it as far as I am concered.

A scarce piece of political ephemera, from the turbulent days of 1970s Britain. The only other copy traced at the British Library, where it is tentatively dated to 1977.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The valediction reads ‘Yours alway faithfully / Arthur W. Pinero’, and it is written with quite a flourish: the ‘y’ of ‘faithfully’ hooks downwards in a long squiggle, exrending downwards past the right of the termination of Pinero’s signature, which rises upwards, being dotted above and below the signature’s underlining. He feels that her ‘kind letter is all the more welcome inasmuch as it gives signs’ that she is recovering from her recent illness.

See the account of his life in the entry for his father the serjeant-at-law John Humffreys Parry (1816-1880) in the Oxford DNB. Signed ‘faithfully yours / Edward Parry / April . 1930’, across the headline of a 22 x 21 cm. cutting of a newspaper article, with text in three columns, the headline reading: ‘BREACH OF PROMISE / THE LAW, THE LADY, AND SEX EQUALITY/ By His Honour SIR EDWARD PARRY’. In good condition, on browning high-acidity paper. Folded once and with one crease. Begins: ‘Marriage is not the gilt-edged security that it was. Its stock is not rising.

See her entry in the Oxford DNB. 1p, long 8vo. In good condition, lightly aged. Headed ‘TORRINGTON SQUARE. / To the EDITOR of The TIMES’. Whether the letter was published or not, and if so whether it appeared in its entirety, is unclear. Clearly a carbon, but with her characteristic signature at end in black ink ‘Margot Oxford’. The forty-seven-line text has four autograph emendations.

An entertaining and characteristic correspondence. See both their entries in the Oxford DNB. The nine items (seven by Jacob and two by Macqueen-Pope) are in fair overall condition, with all text clear and complete, on lightly aged and creased paper, with slight rust-staining from paperclips, and minor wear to edges. All folded for envelopes. The first seven of the nine following entries are NJ’s letters (the last four of which are addressed to ‘My dear Popie’), the last two the copies of MP’s. ONE: 24 June [1945]. ‘ENSA Entertainments. / C/o Welfare, 6th. Brit. Armde. Div. / C. M.

See his entry in the Oxford DNB. 2pp, 12mo. On brittle, discoloured paper, cropped at foot. Signed (‘J. Oxenford’). The recipient is not named, but is clearly the editor of the Athenaeum. Reads: ‘Sir/- / In the name of Mr. C. A. Feiling and myself, I beg leave to thank you for the very handsome and prominent notice of our “German Tales” which appeared in the Athenaeum of the 30th. ult. - You will confer a further obligation by letting the gentleman who wrote the article [know] how much we feel indebted to his kindness.’

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers’ ‘best spokesman’, hoping ‘to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation’. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's ‘Liber Studiorum’ followed in 1870. His notebooks are in British Library.

See Fry’s entry in the Oxford DNB. Dickinson was an influential proponent of the League of Nations. The present item concerns the London Declaration concerning the Laws of Naval War, an international code of maritime law, following on from the second Hague Conference. Great Britain, as the world’s chief naval power, had felt that such a court should be governed by defined principles, and had convened an international concerence in London in 1908. The Declaration that was issued three years later comprised 71 articles. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once.

Pritchett’s ‘The Gentle Barbarian: The Life and Work of Turgenev’ appeared in 1977; the present letter is clearly addressed to his editor at the book’s publishers Chatto & Windus. Pritchett’s entry in the Oxford DNB describes his handwriting as ‘legendarily ugly and difficult to decipher’, but the present example is no worse than an average hand. 1p, 12mo. In good condition, lightly aged. Two fold lines. He is sending his ‘Turgenev’, and explains: ‘As you will see I have marked passages from the book in purple crayon, and my own summary bridges in green.

See the two men’s entries in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice. ‘Many many thanks, my dear Ellis, for the kind present of your book, which, as soon as I am released from a torment of which you have had some experience, - correcting the press, I promise myself much pleasure and instruction in perusing. /As soon as my doggerel is printed, you may rely on having a copy. My best remembrance if you please to Lady Georgiana / Ever faithfully Yours / Henry Luttrell.’ Which of Luttrell’s or Ellis’s books are referred to here is unclear.