LONDON

1p., 12mo. On light-blue paper. In good condition, on lightly aged and creased paper. He thanks Sawyer for his letter and enclosure, found on his return and read 'with the greatest interest'. 'It was extremely kind of you to come and look at my botanical drawings and I am most grateful for the information you have been able to give me. It was marvellous to be able to have the opinion of a real expert.'

Both items in fair condition, lightly-aged and worn. Severin Wielobycki's letter is 1p., 12mo. On the recto of the first leaf of a bifolium. It reads: 'Dear Madam. | I am much delighted that you take interest in my brother; all friends of his are of the same opinion tat he has been treated very unjustly. I hope your influence will if not relieve him, at any rate shorten his horrible sentence. | I beg to enclose two copies of the document according to your request' (only one copy present). The report of 'Dr Wielobycki's Trial' is 1p., 4to, on grey paper, in two columns of small print.

1p., 12mo. Good, on lightly-aged paper, with minor traces of mount adhering to the reverse. The note reads: 'My dear Murray, | I hope you have not forgotten your promise to dine with me this evening, at Willis' Rooms, at 7 o'clock precisely. | Yours very truly | P. B. Du Chaillu'. Murray's published du Chaillu's books from 1861 to 1903.

The three items in good condition, on lightly-aged paper; the essay and first letter having punch-holes in the margin. The essay is 3pp., foolscap 8vo. The title, corrections and emendations are all in van der Post's hand. 'To someone like myself who believes that coincidence is the manifestation of a great law of which we are not yet properly aware, this timing of the birth of Christ is not accidental.

Each of the three coloured plates is 19 x 14 cm, and each is laid down on a piece of 31.5 x 20.5 cm cream textured paper, each mount with caption and vignette printed in green. The three are placed in a portfolio, made of the same textured paper as the mount, with the front carrying the title, publishers' details, and an illustration (of underwater baby balancing on a fish). In fair condition, aged and with wear to extremities.

146pp., 12mo, in autograph, almost entirely consisting of poetic compositions, with numerous emendations; with a further 35 cuttings of poems laid down (33 of them by Edwards) and another two cuttings of another two poems loosely inserted. Also loosely inserted are two poems (totalling 7pp., 4to): 'To Ill Health', dated September 1835; and 'The last hope', 28 December 1869. In contemporary dark-green crushed morocco binding, gilt, recently rebacked by Ipsley Bindery with new enpapers. All edges gilt.

49 photographic prints, laid down on 48pp. of a small (16.5 x 13 cm) contemporary 4to album, quarter-bound with brown leather spine and brown cloth boards, with yellow endpapers. No captions: the only manuscript in the volume being the ownership inscription of 'Sybil M. Hubert | 1883' on the front free endpaper. A fragile survival: aged and discoloured, with occasional staining from damp, which also caused some of the photographs to stick to one another, with slight damage occurring on their being detached; binding also in poor condition, with boards detached and leaves loose.

20pp., small 4to (16.5 x 13 cm). Sewn in card wraps, illustrated in colours. In fair condition, lightly and spotted, in worn wraps, with two uncoloured illustrations on the inside wraps coloured in. With ownership inscription on half-title, dated 18 September 1927. Eight attractive full-page colour illustrations (two out of register) in text, in a range of styles, suggesting stock images by different illustrators, and two uncoloured illustrations on the inside wraps, coloured in (by a child?), with another two illustrations on the front and back covers. This item is something of a mystery.

The report is 3pp., 4to, on a bifolium. Signed on behalf of the firm: 'Hoping that this information of our proceedings will be satisfactory to you | We remain | Gentlemen | Your Obedt Servants | Bathe & Kindon'. The letter begins: 'Gentlemen - | A Meeting of the London Floor Cloth Manufacturers, was held yesterday - & the result was, a rise of 2d. pr Sq: Yard, on their respective prices - this was carried, after considerable discussion, whether the rise should be 2d or 3d - but the majority decided for the 2d - at present'.

2pp., 4to. In fair condition, on lightly aged and worn paper. The first page consists of a typescript in two columns, with names scored through and a few added in pencil. The second page has a few typewritten names, together with dozens added in pencil, clearly at different times. From 1919 the London Mercury's original editor J. C. Squire promoted the traditional verse of the Georgian Poets and their prose counterparts; on taking over in October 1934 Scott-James embraced the more fashionable modernist writing, and that change is reflected in the present list.

The two plans are both in good condition, on lightly-aged paper: each printed in black ink on one side only of a piece of white paper, and both folded twice. The first is landscape, 28 x 40.5cm, and carries the 'FIRST FLOOR PLAN' on the left, and 'GROUND FLOOR PLAN' on the right. The second is portrait, 40.5 x 29.5cm. It has two 'TYPICAL WARD PLANS' (third and fourth floors) above two 'SECTIONS A.B. & C.D. OF ELEVATIONS'. The Royal Westminster Ophthalmic Hospital was established on High Holborn in 1816.

2pp., 12mo. On bifolium. In fair condition, on lightly-aged and worn paper. Wood writes: 'Dear Mr. Williams | Will you kindly borrow from Mr. Pheasant tonight the 3rd Trumpet part of Rimsky-Korsakoff Ballet Music "Mlada" as there is a Tromba Alta part which according to the Score & as far as I can judge you can play, please take it home and let me know the result of your studies | Faithfully | Henry J. Wood'. In pencil at the foot of the second page, presumably by Williams, are a couple of bars of musical notation.

14pp., small 4to. Good, on lightly-aged paper, in ruled notebook, in worn black morocco binding, with marbled endpapers, and the following stamped in gilt on the front cover: 'The Right Honble John Manners | Earl of Hardwicke deceased | Inventory of Heirlooms'.

2pp., 4to. In good condition, on lightly aged and creased paper. He writes that he is sorry that he could not sing the song 'Nancy's Hair' at Preston. He had not brought it: '(I only got your letter on arrival at the concert hall.) Funnily enough I picked it up before leaving home to put in my case as a possible encore & then put it back.' He is 'delighted to know that your mother liked my singing of it, I most certainly enjoy singing it & I hope to be able to help it along'.

32pp., 12mo. Full-page portrait of Swedenborg, from painting, on p.3. In brown printed wraps. In good condition, on aged paper, with corner of first leaf folded down, and slight spotting to front cover. Scarce: only three copies on COPAC, at the British Library, Oxford and the National Library of Wales; the first dated to 1934, and the other two to 1937.

1p., 4to. In fair condition, lightly aged and creased. He asks her whether she means by 'a favourite recipe' one 'which I know of that others are likely not to know of? Or just one that I like but might well be familiar?' He ends by suggesting that she try asking Alan Bates, 'who I think has a secret recipe'. He gives an address for the actor.

[1] + 7pp., foolscap 8vo. On eight leaves, stapled together in one corner. In fair condition, on aged and worn paper, with slight rust marking to title leaf. The title leaf reads: 'THE MAGDALEN STREET | PROJECT | Further information obtainable from: | THE CIVIC TRUST | 79 BUCKINGHAM PALACE ROAD | LONDON S.W.1. | TATe Gallery 0891'. The background to the experiment is explained in the first two paragraphs: 'This is the story of an experiment in civic design. It is also a story of civic co-operation in which self-help was seen to be synonymous with public spirit.

[1] + 14pp., 8vo, with the text paginated 349-359. Disbound. Good, on aged paper. At the head of the title, in a contemporary hand: 'Relief of poor prisoners'. The title carries the royal crest, and reads in full: 'Anno Regni Gulielmi II. Regis Angliae, Scotiae, Franciae & Hiberniae, Septimo & Octavo. | At the Parliament begun at Westminster the Two and twentieth Day of November, Anno Dom. 1695.

1p., landscape 12mo. In fair condition, on lightly-aged paper, with slight traces of mount on reverse. Copperplate letterhead reading: 'Bought of Willm. Wood, | (Successor to Mr. Floyer.) | Bookseller, 428, Strand.' The receipt is headed by Wood '- Aylmer Esqr:' and reads: '1816 | Novr: 5 Turtons Linnaeus 7 Vol: £5 - - | Packing Case 0 3s 0 | [total] £5 3s 0d | Settled Novr: 4. W. Wood'. On reverse, in another hand: 'Paid for Sir R. Kennedy | £5 ..0 .. 0'. BBTI has no record of a William Wood at this address, but does list one later in Tavistock Street, Covent Garden.

Letter One: 1p., 12mo. Signed '(Hon) Donough O'Brien'. Good, on aged paper, with a couple of short closed tears at head. Addressed to 'Elliott O'Connell Esqre of The Red House, Guilsborough, Northants.' He is sending him a copy of his 'Genealogical Table of the Princes of Ireland', 'in a cardboard-roll to see': 'The descents are from the Common Ancestor, Milesius, King of Spain and Ireland'. The price is two pounds, and he believes that 'it is the first time that the 23 lines have been set out on one Chart and in their appropriate places of Geniture, and over so distant a period of time'.

PAMPHLET: 16pp., 12mo, and four plates of 'Taylor's System of Shorthand | as used by the Author.' Erratum slip. Stitched. In light-green printed wraps. In good condition, on lightly-aged paper. Two page introduction by Levy, followed by three-page 'Preface to the Second Edition' by him, dated 'July, 1890'. The rest of the pamphlet consists of 'An Essay intended to establish a Standard for Stenography'. In his introduction Levy explains that 'numerous enquiries' have induced him 'to publish the following System of Shorthand, which was invented by Samuel Taylor and first published in 1786'.

1p., 12mo. In good condition, on lightly-aged paper. Headed 'Mr. Cromp 21 Feby 1777 | Bought of John Muggeridge'. The first and most expensive of the six items, at £1 6s 0d, is 'a Book 6 qn fine Medium ruld. 9 lines Vellum <?> lind marbled & Alphabet'. Other items include '1/2 pind red Ink & Stone bottle', 'blotting paper', '1/2 pound supfine [sic] wax' and '400 best Quills'. The six items total £1 14s 6d. Docketed 'No.

16pp., 12mo. Stitched. In fair condition, aged, worn and a little dusty. Elegantly printed. A descriptive list, preceded by a two-page introduction beginning: 'The Catalogue here submitted to the Public, of Record Works published under the authority of the Record Commissioners and of the Secretary of State, has been in some measure compiled from a Work printed for private circulation under the title "Notes of Materials for the History of Public Departments," by Mr.

16pp., foolscap 8vo. Stapled into white printed covers, with 'ransom note' design on front and facsimile on back of letter from the Warren Commission members to the President of the United States, 24 September 1964. Very good, on lightly-aged paper. The document ends, under the publication details on the last page: 'Meanwhile back at the peanut farm: A PRESIDENT FOR AMERICA | The difference between Gerald Ford and Jimmy Carter is one of style and personality. Theirs [sic] policies are remarkably similar. | The Economist Oct.

2pp., 12mo. 29 lines of neatly-written text. In very good condition, on lightly-aged paper. Addressing his letter to 'J: S: Buckingham Esqre.', Pollock writes that Buckingham's letter, 'enclosing the Rules &c. of the British and Foreign Institute', has been forwarded to him in Monmouth, where he is 'engaged on a long Circuit professionally, which comprehends all South Wales, and the West and South of England'. He is 'on the move continually', without 'time or opportunity to give sufficient consideration to the subject'.

[1] + 14 pp., foolscap 8vo. In fair condition, on aged and worn paper, with last leaf loose. '16 DEC 1965' stamped on title and first page. Discussing such issues as 'colour service', 'improvements in performance of receivers' and 'Recording of television signals'. From the archive of Pat Hawker, and marked up by him. No other copy traced

4pp., foolscap 8vo. With four photographic illustrations and a diagram. Bifolium on art paper. Printed in black, with cover illustration in half-tone over light-green background. In fair condition, on lightly aged and worn paper. Sections titled 'A new revolution in electronics', 'The construction', 'The "bread-board" circuit', 'The production process', 'Types of IC' and 'Even smaller still!' From the Pat Hawker archive.

17 items, the collection in good condition, on aged paper. Item One: Autographs of sixteen individuals associated with the production, all signing to 'Sonia'. 2pp., 12mo. On bifolium removed from ruled notebook. The signatories are: Michael Bryant, Robert Hunter, Margaret Whiting, Hilda Braid, Vivian Matalon, Tony Church ('Sonia, our proletarian beauty | from hungry Hugo'), Jack MacGowran, Robert Adams, Prunella Scales ('Maggie'), Michael Balfour ('May you triumph over virtue'), Patrick Magee, Tony Robertson, Joby Blanshard, Anthony Jacobs, Lee Montagu and Ian Bannen.

2pp., 12mo. In good condition, on aged and worn paper. The letter reads: 'Dear Prof. Candy, | I think you would wish to see enclosed which please return after perusal. | If you hear of anything kindly let me know. It is the most pressing difficulty we have and we see no present way of surmounting it. | With renewed thanks, | always sincerely yours, | Mackenzie Bell'.

Note: 1p., 12mo. In fair condition, lightly-aged, laid down on paper with traces of glue to one margin. In response to a request for an autograph it reads: 'Novr 10/69 | 21 Beauvoir St | Portland Place | London. W. | Dear Sir | I send this in accordance with your request to Mr Lacy.' | I am | Dear Sir | Yours | R. H. Holden Esqre'. Engraving: On 14 x 10.5 cm paper, laid down within border on 21 x 14 cm paper. Good: Photogravure 11 x 8 cm image cut from a magazine. Showing a bearded Horne in old age, with velvet writing cap.