AUTOGRAPH

A nice item relating to a significant figure in French nineteenth-century history. Such was Boulanger’s popularity with the French working classes in the late 1880s that it was believed that he could make himself dictator. Stylish and dynamic signature ('Genl: Boulanger'), on back of 9.5 x 6.5 cm calling card. In good condition, lightly aged. The words ‘Général Boulanger’ are printed in large letters on the front of the card, and nothing else.

The signature - ‘Schonbein / June, 1842’ - is on a 4 x 1.5 cm slip of greyish paper, laid down over the bottom left-hand corner of a 10 x 6 cm piece of the same, carrying the address ‘To the President of the Chemical Section of the [British] Association / Manchester’. The slip with the address is in its turn laid down on a piece of paper cut from a leaf of an autograph album. There is some difference between the handwriting of the signature, which is looser, and the address, which is more formal; and whether hte latter is also by Schönbein is unclear.

See Merle Curti’s 1937 edition of Burritt’s letters and journals, titled ‘The Learned Blacksmith’. He was in England from 1846 to 1853. 2pp, 12mo. On a bifolium. 33 lines of text. In fair condition, lightly worn and spotted, with minor traces of mount at one edge. Folded once for postage. The recipient is not named, and the letter is signed ‘Elihu Burritt’. He has mislaid the letter the recipient sent a few days before, inviting him to deliver a lecture, ‘in behalf of your cause, sometime in the beginning of May, I think’.

See his entry in the Oxford DNB. The recipient is the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. 1p, 16mo. In good condition, lightly aged, with slight spotting from blotting at the head of the page, and minor traces of glue from mount at corners of the blank reverse. Folded once for postage. Addressed to ‘Dear Miss Meredith’ and signed ‘Anstey Guthrie’.

Two letters providing an insight into the relationship between artist and patron in nineteenth-century England. See the the Duke?s entry, and Eastlake?s, in the Oxford DNB, as well as James Lees-Milne?s biography ?The Bachelor Duke? (1991).

See his entry, and that of his mother, in the Oxford DNB, as well as James Lees-Milne?s biography ?The Bachelor Duke? (1991). 2pp, 12mo. With thin mourning border, and his monogram at top left of recto. In fair condition, lightly aged, with slight discoloration to extremities on recto. Folded for postage.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. He is pleased that Stuart is 'coming along on March 15 to talk to the journalism students, and tell them from a practical point of view what they have to expect when they make a start on a good provincial newspaper'. He agrees with Stuart's plan to 'emphasise that Fleet Street is not the only place in the world', his own view being that 'the best traditions of British journalism are still enshrined in the provincial press'.

See his entry in the Oxford DNB. On 9.5 x 10 cm piece of paper, laid down on 11 cm square piece of card. In good condition, lightly browned and aged. The letterhead is printed in red. The inscription reads ?Faithfully yours / Solomon J Solomon?.

One of the great figures of world history. On one side of 10 x 3.5 cm piece of wove paper, cut from the end of a letter, with blank reverse. In fair condition, lightly aged, with minor traces of glue at right (away from signature) and central horizontal fold (over signature). Evidently cut from the letter in response to a request for an autograph. Reads 'Your obedient servant / Wellington'. See Image.

See his entry, and that of the recipient, in the Oxford DNB. 3pp, foolscap 8vo. Laid-paper bifolium with ?I TAYLOR? Britannia watermark. In good condition, lightly aged. Folded twice into a packet. Reverse of second leaf docketed: ?12 March / Copy / to Philip Stephens Esqr / Duplicate - left at Santa Cruz / Triplicate. sent by the shop from Port Praya Bay 24th. March 89.? See the ODNB: ?When his brother Earl Cornwallis was appointed governor-general of Bengal, Cornwallis was sent out as commodore and commander-in-chief in the East Indies in October 1788?.

1p, foolscap 8vo. On an aged and worn piece of watermarked laid paper with some closed tears. Folded twice. Reads: ‘These are to Certify the Right Honble. the Lords Commissioners of the Admiralty. or whom else it may Concern that Mr. George Ross serv’d as Midshipman on Board His Majesty’s Ship Princess Amelia under my Command from the Twenty Seventh day of May 1778 to the Day of the Date hereof - During which Time he behaved with Diligence & Soberiety [sic] and always obedient to Command.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage and with an unobtrusive crease to one corner (not near signature). Reads: ‘Sir / A meeting of the Standard Commission will be held at Sir John Lubbock’s Bank, St. Mildred’s Court, Mansion house Street, on Thursday Feb 11, at 11 o’clock in the forenoon, when your attendance is particularly requested. / I am, Sir, / Your obedient servant / G B Airy’.

Sir Charles Adam was great-grandson of the architect William Adam, and his father (also William Adam) was a friend of Sir Walter Scott. See the entries for Charles Adam and his father in the Oxford DNB. William Adam had a son - Charles’s brother - named William George Adam (1781-1839), but the reference to ‘Wm. Adam Esqr. Senior and Junior’ appears to suggest the father. Each of the two items is 1p, 4to. They are on different paper stock. Both in good condition, lightly aged. Both endorsed with modern note in pencil: ‘enclosed in Spottiswoode to W. A. - 23 July 08’. ONE: ‘Captn. Chas.

Small piece of paper, 9 x 4.5cm, laid down on slightly larger piece of paper. See Image. Scoresby set sail Liverpool to America two days later (4th Oct. 1847).

See her entry in the Oxford DNB. The recipient of the letter that this envelope contained was born Jane Omond (1839-1932). She was the wife of the architect John James Stevenson (1831-1908), whose first wife was Elisa Anderson, the cousin of Skelton Anderson, husband of Elizabeth Garrett Anderson. A 13.5 x 7.5 cm envelope, with the flap torn open at the back. Otherwise in fair condition, lightly aged and worn. Addressed by Anderson to ‘Mrs. J. J. Stevenson / The Red House / 3 Bayswater Hill / W’, and with her initials ‘E. G. A.’ at bottom right.Mrs. Garret [sic] Anderson’.

See his entry, and that of his brother, in the Oxford DNB. On one side of a 14 x 9 cm printed postcard. No stamp or address, the side that should carry them being blank. The other side carries an illustration of a British soldier in khaki firging a cannon behind a wall, as another soldier stands to attention beside a nearby flagpole, from which a large Union Jack flies, pited in red and blue. At the head of the saide is a snatch of musical notation, to the words ‘Under the British Flag well fight our way to glory’.

Wyndham’s entry in the Oxford DNB states that the family estate was ‘some 4000 acres in Wiltshire’. Milford (1829-1913) was his rector at East Knoyle, and the letters inform him about arrangements for the funeral of Wyndham’s father Percy Scawen Wyndham (1835-1911). Both items in good condition, lightly aged, and folded for postage. Each addressed to ‘My dear Canon Milford’ and signed ‘George Wyndham.’ ONE: 14 March 1911. 3pp, 12mo. Bifolium. Begins: ‘I have found a written permission from my Father to have the Funeral - committal to the erth - where I think best.

Bündchen’s career began in London in 1998. Since 2001, she has been one of the highest-paid fashion models in the world. In 2007, Forbes listed her as the sixteenth-richest woman in the entertainment industry. In 2019 Claudia Schiffer described her as the last of the supermodels. Comte’s fashion and portrait photography have appeared in a wide range of publications, primarily Italian Vogue. In 2000 he was named Photographer of the year by PHOTO magazine.

The Conquest of Cayenne - part of Britain’s strategy of using its naval power to attack French colonial interests in the Napoleonic Wars - is described in the fifth volume of William James’s ‘Naval History of Great Britain’ (1827). Britain was only able to contribute HMS Confiance, but its captain James Lucas Yeo was put in charge of the whole expedition, and he and his crew performed with distinction (see Yeo’s entry in the Oxford DNB).

See her entry in the Oxford DNB. The programme is 8pp, 12mo. In fair condition, lightly aged, with minor rust to staples. The cover consists of the royal crest printed in red, and the rest in black: ‘ROYAL OPERA HOUSE / COVENT GARDEN’ above the crest, and ‘THE SADLER’S WELLS / BALLET / 1947’ below it. At an angle across the centre of the page, in blue ink, is the large signature ‘Margot Fonteyn’.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. Outer sides somewhat grubby, otherwise in good condition, lightly aged. Folded once for postage. Addressed ‘Dear Sir’ and signed ‘Devonshire’.

See Cunningham’s entry in the Oxford DNB. Neatly written out in his distinctive hand. The present holograph gives the words to one of his most popular songs (an American version substitutes ‘Columbia’ for ‘Old England’). It was first published in the London Magazine in August 1822, and by 1834 was well-enough known to be discussed - and dismissed as ‘Puling nonsense’ - in ‘Sailors and Saints, by the Author of the Naval Sketch Book [i.e. William Nugent Glascock]’ (1834). 1p, 4to, on gilt-edged leaf of wove paper extracted from an album.

An interesting slice of social history, casting light on the decor of a substantial London property owned by an affluent member of the middle classes. Neatly and closely written over 18pp, foolscap 8vo. On five bifoliums bound together with green ribbon. First page with red ten-shilling stamp. In good condition, lightly aged. Folded twice into the customary packet, endorsed crosswise on final page: ‘Dated 23rd. January 1894 / J. G. Grieve Esq / To / Mrs. E. C. Grieve / Assignment / of / Funiture &c. in 15 Lancaster Gate, Hyde Park.

An interesting slice of social history, casting light on the decor of a substantial London property owned by an affluent member of the middle classes. Neatly and closely written over 18pp, foolscap 8vo. On five bifoliums bound together with green ribbon. First page with red ten-shilling stamp. In good condition, lightly aged. Folded twice into the customary packet, endorsed crosswise on final page: ‘Dated 23rd. January 1894 / J. G. Grieve Esq / To / Mrs. E. C. Grieve / Assignment / of / Funiture &c. in 15 Lancaster Gate, Hyde Park.

See his entry in the Oxford DNB. 1p, 16mo. In fair condition, lightly aged and worn, and folded twice for postage. Firmly written in a somewhat florid hand. Reads: ‘Dear Sir / Accept my Grateful thanks for your Kind Gift of £1 to the Original Ragged School & believe me with much respect yours truly / Thomas Guthrie’.

See his entry, and that of his brother, in the Oxford DNB. 11 x 6 cm rectangle of paper, cut from the end of a letter, laid down on 13.5 x 7 cm piece of thicker paper. Reads: ‘[...] will see to them for you. / Kind regards to all / Thine / W. Brodie’.

1p, small 4to. In fair condition, lightly aged and worn. Folded twice for postage. Written in a close hand, with a larger and more forceful signature, with long underlining: ‘John Gielgud.’ Reads: ‘Dear Mrs. Bannerman. / All my best thanks for the lovely lilies, which arrived fresh and safely. They are quite enchanting - and cost a small fortune if one buys them in a florists.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In good condition, lightly aged and worn. Folded once for postage. The year is given in pencil, and a note in the same hand identifies the recipient as ‘Mrs Florence Doubleday (wife of publisher) in Oyster Bay’. Ten lines of text, in a close hand, with larger, firm signature ‘John Gielgud.’ A somewhat pompous missive. He thanks her for giving him ‘so delightful an opportunity of meeting you, and to ask me to stay in your charming house and meet your friends, who were all so nice to me’.

See his entry in the Oxford DNB. The postcard, which is blank on the reverse, has been cut down into an irregular shape, roughly rectangular and approximately 11 x 7.5 cm. At the head is the printed Blackpool FC letterhead (‘All communications to BLOOMFIELD ROAD GROUND, BLACKPOOL). Two strips of glue from tape flank the firm signature ‘Stanley Matthews’, which rises slightly and is underlined. Otherwise in good condition, lightly aged.

See his entry in Oxford Dictionary of National Biography. A year before these letters Hodgkinson had become an assistant keeper in the Department of Architecture and Sculpture at the Victoria and Albert, where his first task had been to organize the display of the Hildburgh collection of English medieval alabasters. Also in 1946 Robertson had begun his long career at Edinburgh University, having worked through the war at Bletchley Park, before joining the unit assigned to track down works of art looted by the Nazis.