AUTOGRAPH

See her entry in the Oxford DNB, where she is described as a ‘philanthropist’. 2pp, 12mo. With mourning border. A 4cm triangle of paper has torn away from the bottom of the letter, far below Mrs Gladstone’s slightly-smudged signature, otherwise in good condition, lightly aged and folded twice. Reads: ‘Downing St. / Saturday / Dear Sir. / You have often encourage me to appeal to you upon matters of charity. it will be very kind if you will give the enclosed [a] place in your Paper. / Yours truly / Cath Gladstone’.

Attractive item, suitable for framing. In good condition, lightly aged, with 1cm closed tear to one edge. Printed on shiny paper. Folded three times. The note, with good firm signature, reads: ‘Louis B. Frewer Esq / Dear Sir / Autograph enclosed with much pleasure. To-day is the 49th. anniversary of my wedding. / Yours faithfully / Charles Coborn’. The letterhead has Coborn’s name printed in large type, and describes him as ‘Comedian, Vocalist, Story-teller, etc. and Walker’.

See his entry in the History of Parliament, which quotes a contemporary source describing him as ‘one of the oldest reformers in the House’, ‘in favour of the ballot and the immediate abolition of slavery’. 1p, 8vo. In good condition, lightly aged. Folded four times. Begins: ‘Colonel Gore Langton presents his Compliments to Messrs: Cox and Greenwood, and as the Oxfordshire Regiment of Militia are expected to return from Ireland about Christmas, he is very desirous of being informed whether any arrangement has been made respecting their Winter Quarters’.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded once. In a loose, untidy hand. He is ‘much obliged for the note of the 4th.’, and as she wishes has sent instructions to ‘Davy’, to whom he asks her to ‘send all communications’. He is ‘very sorry indeed’ to ‘loose [sic]’ her as a tenant.

2pp., 12mo. On leaf with mourning border. In good condition, lightly-aged, with neat repair to a short closed tear. He is returning a memorandum, 'which is quite correct & may be acted on', and has made a payment of £380 to his account with Drummonds Bank.

1p, 4to. In fair condition, lightly creased. Folded once. Reads: ‘Dear Peter, / Many thanks for your letter. It’s always pleasant to read nice things that people say about one’s work. / All my best wishes to you. / Sincerely, / Burton Lane’. Two-line typed biography of Lane at head of reverse.

See the entries for Jones and Chantry in the Oxford DNB. 3pp, 12mo. On bifolium. An interesting letter of 39 lines with text intact, in poor condition, aged and with closed tears, and discoloration from tape used in repair, and ink blot to first page. The surname of the recipient is not given, but the close friendship between the two men (Jones published a memoir of Chantrey in 1849) puts Chantrey’s identity beyond doubt.

An excellent letter, in which a serving Victorian ambassador discusses the nature of diplomacy, and gives a vivid assessment of his former superior Sir Hamilton Seymour, whom he jokingly characterizes ‘the great Elchee’. See both men’s entries in the Oxford DNB. 7pp, 4to. On two bifoliums. In good condition, lightly aged and with creases from folding into a packet. Minuted on reverse of last leaf. Addressed to ‘The Honble. George Elliot’ (he received his KCB in 1862) and headed ‘Private’.

Written while his brother Maximilian II was on the throne. (Following Maximilian’s death in 1864 Bavaria would be ruled by the celebrated ‘mad king’, Adalbert’s nephew Ludwig II.) The recipient is Lady Ann Cullum (1807-1875), widow of Rev. Sir Thomas Gery Cullum (1777-1855), 8th Baronet, of Hardwick House, Bury St Edmunds, who is referred to as ‘botanist and antiquary’ in his eponymous father’s entry in the Oxford DNB. 2pp, 4to. Thirty-six lines, neatly and closely written. On first leaf of bifolium. In good condition, lightly aged and creased. Folded twice.

See their entries in the Oxford DNB. Castle was a pioneer for woman in British politics and a champion of the welfare state; and Ashley, said to have been the first totally deaf democratic representative in the world, was a campaigner for the rights of the disabled.. Both items in good condition. The ANS is on a 16mo leaf of pink paper. On one side: ‘To Pip / who has lightened our load and brightened our lives for so many years. / Bless you! / Barbara Castle / 11. 7. 73.’ On the other: ‘To PIP THE POPular / With every good wish / Jack Ashley / P.S. And lots and lots of fun. / JA’.

A nice piece of ephemera, associated with a landmark concert in the history of British popular music. 1p, 8vo. Twenty-three-line typed circular, with perforated order slip for tickets at end. In fair condition, lightly aged. Signed ‘Donegall’ and with autograph address to ‘Dear Mac Queen Pope’ (i.e. the theatre historian W. P. MacQueen Pope). The circular begins: ‘I am writing to you because H. R. H.

See Napier’s entry, and that of his sister Maria’s husband John Gellibrand Hubbard (1805-1889), 1st Baron Addington, in the Oxford DNB. 3pp, 4to. In good condition, lightly aged and discoloured, with small closed tear to a crease. Part of letter torn away on opening, and now under small black wax seal (good impression of crest with letter N). Folded four times. Addressed, with three postmarks, on reverse of second leaf, to ‘The Rt Honble | The Lady Napier | Kew Green’. Minuted by Lady Napier: 'Cambridge Novr. 1838’. 64 lines of neatly-written text.

For further information see Bridges-Adams' entry in the Oxford DNB (which reminds us that 'On 6 March 1926 the Memorial Theatre was burnt down, greatly to the relief of G. B. Shaw.'). The five items of ephemera are in good condition, lightly aged; the Typed Note by Bridges-Adams (Item Six below) is in fair condition, aged and worn. ONE and TWO: Two versions of the same circular headed ?SHAKESPEARE MEMORIAL THEATRE / STRATFORD-UPON-AVON / ENDOWMENT FUND.?, both ?signed? by ?H C Lacey? (?Organising Secretary | H. C.

See the entries on author and recipient in the Oxford DNB. The subject of the letter Alan Dent, began his career as a prot?g? of James Agate. Although a somewhat histrionic figure, Wolfit's reputation rivalled that of Gielgud and Olivier, and his influence was acknowledged by both Harold Pinter and Peter O?Toole, and Ronald Harwood based his play and film ?The Dresser? on him. 1p, 4to. In fair condition, on lightly-aged and wrinkled paper, with slight nick to bottom-right, and evidence of paper clip. Folded once.

The tickets are all in fair condition, each on one side of a landscape slip of paper (all slips roughly 11 x 7 cm). All five with creases from folding. Each of the five signatures has been scored through in ink, indicating that the ticket was used. All read, ?T. R. D. L. / Admit Two Boxes | Henry R Bishop?, with date at bottom left.

See the entries for writer and recipient in the Oxford DNB. The three items in good condition, lightly aged, with the last carrying minor rusting from paperclip. ONE: 3pp, 8vo. She got his office number from ?Mrs. Popie?, ?but the line has been busy all the time?. She asks for ?a pass for darling Ivor?s [i.e. Ivor Novello?s] memorial service?. The previous week she was ?playing at the Regent Theatre, Hayes, & on the Monday night I was weighed down by a dreadful foreboding of disaster?.

See her entry and that of her husband Fred Terry (1863-1933), brother of Dame Ellen Terry, and of the recipient of these letters W. J. Macqueen-Pope (1888-1960), the foremost British theatre historian of the twentieth century, in the Oxford DNB. The seven items (Neilson?s five letters and carbon copies of two typed letters to her from Macqueen-Pope) are in good condition, lightly aged and creased. The first letter is signed ?Julia Neilson-Terry? and the other four ?Julia?. The first is addressed to ?Mr Macqueen Pope? and the others to ?Popie?. ONE: ALS, 1 March 1949. 3pp, landscape 12mo.

One page, obl. 12mo.Dear Sir, | I am sorry not to comply with your request but I do not like blank [underlined] signatures. See Image.

On 11 x 17.5 piece of shiny art paper, cut from a programme. The signature ?Paul Robeson? is written across Robeson?s front, beneath his smiling face in a black and white photograph. Beneath the photograph is the caption: ? ?A voice like his is worth waiting ten years to hear, and an art like his comes once in a generation.? / THE TORONTO EVENING TELEGRAM?. On the reverse are part of the lyrics from two songs, the second being ?Short?nin? bread?.

For more information on writer (one of West End theatre?s ?most dominant and successful landlords?) and recipient (the foremost British theatre historian of the twentieth century), see their entries in the Oxford DNB. The five items (the TNS is Item Three, the others are ALsS) are in good condition, lightly aged; Item Five with slight paperclip damage to a margin. Each folded once. All five signed ?Prince Littler? and addressed to ?Popie?, two at the Theatre Royal, Drury Lane, one at 9 Oakdale, London N14, and one at Coventry House, Coventry St, W1.

The letter is addressed to ?Monsieur Le marquis?, and the recipient is undoubtedly Barb?-Marbois. The letter presumably dates from 1829, the year of publication of Barb?-Marbois?s ?Histoire de la Louisiane?. The other work referred to, ?Le Complot d?Arnold et de Sir Henry Clinton contre les Etats-Unis?, was published in 1816.

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).

2pp, 12mo. On bifolium. Folded once. The first page is scored through in ink, with pencil annotations at head. The final page, with Saléza’s signature, is unmarked. He asks him for as many seats as possible for that evening. He would like ‘une bonne loge, deux Stalls et plusieurs petites places’. He will pass by the office to collection, and asks for them to be left in his name.

1p, 12mo. On bifolium. In fair condition, with two pencil notes at head, one in orange. Folded twice. He hopes he is not abusing the kindness of 'Monsieur Menager' (i.e. the house manager) by asking for two seats, for his wife and her friend, as they would like to go to the opera that night. After terminating the letter in the customary Gallic fashion, he adds a postscript asking for the reply to be left with the porter.

The present item is the producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with John, broadcast in the groundbreaking BBC series 'Face to Face' on 15 May 1960. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 3pp, foolscap 8vo, on three leaves stapled together.

Having made the first state visit to the United Kingdom by an American President, 26 to 28 December 1918, Wilson was in Europe at the opening of the Paris Peace Conference, which would result in the League of Nations and Treaty of Versailles. The present letter presents in forthright terms the Republican position on his activities in the aftermath of the First World War. 5pp, 12mo. On five leaves of letterheads of the Hotel Del Monte, California (‘Carl S. Stanley, Manager’). In postmarked envelope from the Hotel (stamps torn away), addressed to ‘Mr. P. A.

A curious artefact, indicating Garbo’s iconic status, and an early example of a journalistic trend which has gained ground since the late 1960s. Hayden-Guest, still active as a writer, is the son of the diplomat Peter Haden-Guest, 4th Baron Haden-Guest, and brother of the 5th Baron, Christopher, who is won fame as ‘Nigel’ in the film ‘Spinal Tap’.

Fragment of letter in Gladstone’s autograph, with his signature, on both sides of 10 x 6 cm rectangle. In good condition, with one vertical fold. Five lines on recto read: ‘<...> It was most kind of you to send me the delightful pearl studs - & to write so friendly a letter. Lady Paget gave me a set’. Recto reads: ‘<...> & preserve your kind thought | With many thanks to you & Mrs Robson | Always | W E Gladstone’. See image.

See his entry in the Oxford DNB. The valediction of a typed letter, on slip of paper, 8.5 x 3.5 cm. Somewhat creased, and with two thin printed slips ‘DIRECTOR | R. H. TAWNEY, B.A.’ and ‘London School of Economics’) laid down near the signature (‘R H Tawney’), above which is typed ‘Yours very sincerely,’.

See Procter’s entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition on lightly-aged paper. 85 lines of closely- and neatly-written text. He begins by thanking Sutton for ‘the welcome portrait of Sir Edward Lugden’. He gives an example of Lugden’s ‘happy election repartee’(a joke about ‘Lather’ and ‘the present price of “Soap”’), for which, if no other reason, he ‘deserves a niche in my tonsorial gallery’.