FREDERICK

4pp., 4to. Bifolium. Very good, on aged paper. In a letter clearly written to dispel any suspicion of suicide, McSwiney begins: 'My dear Bower | I write to offer you mhy sincerest sympathy on the death of your brother Denis, which occurred through the accidental discharge of his revolver that he had taken up to unload prior to packing it up - he was to have started from Peshawar that very day to rejoin his regiment en route to England on a year's well earned furlo', which he had been looking forward to with so much delight. [last eleven words underlined] He like many other men on the N.W.

1p., 12mo. Good, on lightly-aged paper. He has been 'requested by Mr. L. Veneaux to desire you to return the Picture (Boulonaise) which was delivered at your Gallery at the last Winter Exhibition but being a French Picture was not Exhibited, but allowed to remain for the French one'. He has already made an application 'in Berners Street and Mr. Gambart said the proper place to apply to was at the Gallery.' Graves claims 'L. Veneaux' as a misprint for 'V. Vemaux' of 30 Piccadilly, who exhibited 'Souvenir of Eguihen, near Boulogne-sur-mer' at the Royal Academy in 1853.

The three items all cropped, but in good condition, on lightly aged and creased paper. ITEM ONE: Headed 'Extract from the Star of Thursday, 17th October, 1805. | Royal Westminster Volunteers.' 1p., 8vo. Printer's slug in bottom left-hand corner. Autograph note by Twining at foot: 'This was printed by the voluntary act of my honor'd friend Dr.

An interesting and scarce item. There are no copies of any issues of this magazine on either OCLC WorldCat or COPAC, and there is no record whatsoever of 'Group IV' itself. Now acknowledged as one of Britain's finest landscape painters, Keith Grant joined the Working Men's College on finishing his National Service with the RAF; he then enrolled at Willesden Art School, before joining the Royal College of Art, where he studied under Colin Hayes, John Minton and Kenneth Rowntree. 22pp., 4to.

1p., 4to. In fair condition, on aged and creased laid paper with watermark '1810'. The letter reads: 'The Duke of Marlborough is very sorry it will not be in his power to obey His Royal Highness the Prince Regent's commands on Thursday the 23d of April, which he should have been very happy to have done had it been possible for him. | Blenheim | April 19th.' The only 23 April falling on a Thursday during the Regency before the 4th Duke's death was in 1812.

2pp., foolscap 8vo. On two leaves stapled together. In good condition, on lightly aged and creased paper. This item is discussed in M. F. Snape's 'God and the British Soldier: Religion and the British Soldier in the First and Second World Wars' (London: Routledge, 2005). Montgomery described Hughes as 'the ideal of what an Army padre should be', and according to Snape: 'A major theme which seemed to emerge from the collaboration of Montgomery and Hughes in 1942 was the notion of the consecration of British arms to a higher purpose.

4pp., 4to. Fair, on lightly aged and creased paper, with a few closed tears. The letter begins: 'Dear Lynd: I have been very ill and after two months in bed and an introduction to what Marley called "the thick, sweet smell of chloroform" I have been sent down here to get better - with the word of specialist and doctor that when I am well again I shall be better than I have been for a long time. This I write because I have often thought of writing to tell you how much I relish your papers.

2pp., 12mo. Bifolium. Very good, on lightly-aged paper, with small hole through both leaves at top inner corner. The letter begins: 'As far as I can remember I keep the Copyright of my late drawings in the Pall Mall Budget'. He refers Brodhurst to the magazine's editors, and apologises for his alte response.

16pp., in illustrated wraps with the outer covers printed in green and brown, and three more pages of advertisements on insides and back cover. Bifoliate order form (4pp., 12mo) loosely inserted. The old stalwarts John Ruskin, Kate Greenaway, Walter Crane, Edward Lear, jumbled together with newer titles such as 'Gobbo-Bobo, The Two-Eyed Griffin', 'Prince Cheery-Heart' and 'The Bunkum Book. A Tale of Topsy Turvy Land'. Sadly no mention of Beatrix Potter ("Peter Rabbit" published 1902.). Scarce: no copy on OCLC WorldCat or COPAC.

Each of the thirty poems ends with the typed name 'Louis How'. The collection is in good condition, on lightly-aged paper, with each poem printed on one side of a 4to leaf. There is no record of any of the thirty being published. Six of the poems have minor manuscript emendations, and several include minor corrections in type. A prolific poet, in 1915 How was grouped with Amy Lowell and Ezra Pound in an article by Zoe Akins in Reedy's Mirror (published in his native St. Louis).

2pp., 12mo. In fair condition, on aged paper, with slight discoloration and wear to extremities. In English on one side and Burmese on the other. Both sides headed by the royal crest, with a banner beneath, reading in English 'BRITISH MILITARY ADMINISTRATION'. The English version of the document is signed in type: 'Sd: C. F. B. PEARCE | Maj. General | Chief Civil Affairs Officer (Burma)'. It is headed 'TO ALL BURMA GOVERNMENT SERVANTS', and begins: 'The Allies are now about to drive the Japanese from Burma.

2pp., 4to. 46 lines. Fair, on lightly-aged paper. He begins: 'Since you spoke in the Education Debate in the House of Lords on the 9th February I have been meaning to take up with you a controversial point to which I did not refer in reply since you were not in the House.' He quotes a passage in which Chorley 'dealt with University students', giving detailed reasons for contesting his 'figures about awards'.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. LETTER: 1p., 4to. Fair, on lightly-aged and creased paper. He begins: 'I am just trying to get away for a short holiday, so I have crafted your testimonial at once. [...] We should miss you badly if it should so happen that you left us, but that consideration need not stand in the way of my offering you the heartiest good wishes for your success.' TESTIMONIAL: 1p., foolscap 8vo.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

1p., 4to. Good, on lightly-aged paper. Addressed to 'dear Ernest'. Marked by Gye 'Ansd.' He is sending Gye 'a word of congratulations on the august appointment to Tangier'. He apologises that he cannot be 'part of the celebration on March 23'. He concludes: 'I hope you are pleased and that everything will prosper. | No answer required of course'.

1p., 4to. Fair, on aged paper. He offers Gye his 'very best wishes' on his 'new appointment', adding: 'of course do not trouble to answer for this deserves none'.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. The manuscript of Doxey's article is 'safe to hand' and Jewitt is 'much pleased [both words underlined twice] with the plates & coins. It is very nice indeed.' The article is too late for the next number, 'the difficulty being the engravings'. 'If you dont mind I think I should like to give your article the "place of honour" - ie the opening article - in the following number'.

Sent by Niven to his literary agent J. B. Pinker, whose date stamp is on the first of Secker's letters. All four items in fair condition, on aged and lightly-creased paper. Secker's first letter: 1p., 4to. He begins by praising 'Denny's display' [a window display of Niven's work in Denny's bookshop in the Strand]: 'I am wondering whether you managed to get the photograph into any of the papers. Shall I send it to the Bookman?' He continues: 'The sales [of Niven's novel The Porcelain Lady] up to date amount to 434 in England.

Both items good, on lightly-aged paper. Rosa Hood's sister Adelaide Fanny was the wife of Herbert F. Gye, and letter and reply are written informally. Hood's letter: 3pp., 12mo. She received Mrs Gye's letter that morning, 'and the Queen has read it' and is 'quite pleased with your reply'.

1p., landscape 12mo. Good, on aged paper. Garrison's name and address are typed in the top left-hand corner. Her signature is written boldly beneath the poem, which is eight lines long, in two stanzas. It reads 'Because I snatched a pebble from the way, | And thought it priceless till that day my eyes | Filled with a clearer light, and knew my prize | Was worthless, poorer than the common clay; | Because of this shall I go clamouring, | "Behold, there are no diamonds!" and say, | "Look as ye will, ye find but pebbles"? Nay!

Both letters fair, on aged paper. Letter One: 12mo, 4 pp. Discussing the possibility that McCamic might be able to 'stop-over in New Haven' on his journey to Smith. 'You might be interested to see the proofs of the Bibliography'. 'This has been a hard letter to write, and doesn't sound as cordial as I should wish, [...] I wish I could invite you to stay with me on the night of the 15, but I live in a small apartment and have no accomodations [sic] for guests'. Letter Two: 10pp., small 4to.

3pp., 12mo. Good, on lightly-aged paper. Blanchard and his wife 'very seldom go out of a Sunday but should the weather be at all favourable' they will 'make a vigorous effort to avail ourselves of the strong temptation you have so kindly thrown in our way'. They will be 'quite content with an afternoon ramble in your beautiful garden and a chat with dear Mrs. Keeley'. He is sending 'impromptu lines written by my father nearly a Century ago' (not present) that he believes ought to be in Burgess's possession 'as a double ancestral inheritance'.

1p., folio. Good, on lightly-aged paper, with slight staining to blank reverse. Fairly written out on a piece of Britannia laid paper. 'Lord Chamberlain's Office | 10th. November 1849. | The Lord Chamberlain thinks it right to draw the attention of the Manager of the Theatre Royal Covent Garden to The Queen's Proclamation of the 6th. Instant, in which Her Majesty, for the Reasons therein stated, earnestly exhorts that the Public Day of Thanksgiving, the 15th. Instant be reverently and devoutly observed'.

Totalling 5 pp, 4to. All texts clear and complete. Fair, on aged paper. He begins the first letter 'I am venturing to address you on the assumption that you are the son of the revered singer DAME EMMA ALBANI, and most sincerely trust that my letter may not come amiss.' Harvey is writing an article for Albani's centenary the following year 'for Sir Compton Mackenzie's magazine The Gramophone - for November, 1952' and is 'very anxious to obtain definite details of the two UNPUBLISHED Records which Madame ALBANI made for The Gramophone Company in 1904', of which he gives the details.

1 p, 4to. 20 lines. Text clear and complete. Fair, on aged and creased paper. In response to a letter from Gye states that he did not hear Albani sing 'until her last two Canadian tours when she was approaching 50', when he 'thought her best in her singing of Mozart, which revealed her rare vocal finesse'. Charlesworth was told by the 'late Edwin R. Parkhurst, a Toronto music critic, 30 years my senior who had heard her frequently in his younger days in London', that 'these appearances gave no adequate idea of how glorious her voice had been in the seventies'.

2 pp, 12mo. 18 lines. Text clear and complete. Very good, on lightly-aged paper. Addressed to 'My dear Ernest'. The news that Gye has been posted to Damascus is 'exciting', although 'it will be funny & deserted - like to come home & not find you at the seat of custom'. Gye had spoken of going abroad, so he was not surprised, '& Lady Armstrong said recently that you were about to seek another field'. Regarding Gye's painting, he 'will have lots of interesting things to limn (that's a good word)'.

8 pp, 12mo. In very good condition, on lightly-aged paper. Addressed to 'Dear Ernest'. He begins by congratulating Gye on his promotion and 'on going to Tangier - a delightful spot'. It is however 'very sad' that Gye's 'guiding hand over our destinies will no longer be there in the Office'. He thanks Gye for his 'kindness' and 'sympathy': 'My path has lain along uneventful ways and it has been an untold solace to feel you did not despise those who had mearly [sic] to 'stand & wait''.

Totalling 68 pp, comprising 50 pp, 12mo; 18 pp, 4to. In good condition, on lightly-aged paper. Two signed 'W. A. Smart' and the others 'WAS.' All addressed to 'My dear Ernest'. Written in a spirited, chatty, and (for a diplomat) surprisingly indiscreet style, of which the beginning of the second letter (Salonica; 19 August 1919), concerning the appointment of Victor Vincent Cusden (1893-1980), gives a good example: 'Were you not content with condemning me to physical and financial ruin in this death-trap? Why, to add to my afflictions, did you send me this pathetic shop-boy?

A total of 8 pp, 4to, all on Palace Court letterheads. Dent's notes both signed 'Jock Dent.', and the copies both signed 'James Agate'. Two important, energetic and vivid letters by Agate, totalling 6 pp, 4to, defending Coward's play and his position on 'the intellectual and the popular', against the 'pseudo-intelligentsia' of the barristers Shearman and 'Jack' St John Hutchinson (1884-1942).