JOSEPH

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style Dimensions of print roughly 20 x 14.5 cm. On original grey paper windowpane mount (34 x 24 cm). Engraved label (5 x 19 cm) beneath the print. Worn and discoloured. An usual and attractive item, with a simple picture of a pear which transforms into a portrait of the royal couple, under drapes, when held up to the light.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

The caption ends '[...] a Soldier who desires to kill his General let him do it now. Here I am!' Dimensions of print roughly 13 x 17 cm. On original grey paper windowpane mount (22 x 27.5 cm). Engraved label (4 x 12.5 cm) beneath the print, with small remarque-style illustrations. Aged and spotted, with slight wear to the print. An unusual and attractive piece of Napoleonic iconography, a full-length image of the deposed Emperor of the French, characteristically attired, on a beach with his hand on a rock, looking out to a sunset at sea.

12mo: 1 p. Good, on aged and lightly-ruckled paper. Text clear and entire. Difficult hand. Asks the recipient to 'allow the Bearer to see the L<?> Papers laid on the Table yesterday'. Also asks that the papers 'be printed as soon as possible as I shall mention them in the house'.

4to: 4 pp. Unbound. Good. Half-page illustration on first page of 'The Emigrant's Farewell'. Small vignette on p.3 of 'Sancho Panza flogging himself, or the Landlords laying peculiar burthens on themselves!' Includes articles entitled 'Onward Still!', 'The Sugar Monopoly' and 'The Working Man his Own Capitalist'. Ends with 'A HINT. - Every newspaper containing debates on the corn laws, should be sent through the post from one hand to another while it will hold together.'

Printed on all four pages of a bifolium, with each leaf roughly 17.5 x 13.5 cm. Lightly creased, and with the outer pages a little grubby, but good overall. A self-consciously well-printed production, with each page encased in a black ruled border, and with an engraving of the sculpture on the front page, beneath which, 'A. C. CHISHOLM. DEL. J. DURHAM. NV.' Possibly complete in itself, but in view of the elaborate title probably a taster for a volume which, considering the fact that there is no record of this item on COPAC, was probably never printed.

4to: 2 pp. Eighteen lines of text. Very good on aged paper. Docketed. Written while a convict at the Bagne de Brest. Titled by Contrafatto in top left-hand corner 'Direction des affaires Criminelles et des grâces.' Begins with a Latin quotation on the subject of crime and innocence, to which he adds the comment 'Quel est celui qui, plus que moi, ait le droit d'invoquer ce principe tutélaire?' In a six-line paragraph attempts to flatter Barthe ('[...] l'ornement du Barreau avant d'être appelé dans le conseil du Roi.

8vo: 2 pp. Thirty lines of text. Very good, on lightly-aged laid paper. Distinctive use of diacritics. Informing the recipient of 'des bonnes nouvelles, ayant participé à la clémence Royale. Ma peine a été rémise a 8. ans, par consequence je ne' Suis plus condamné a perpetuité, et j'éspere en Dieu et les bontés du Roi qu'aprés la moitié de mon temps vénir vous embrasser.' Thanks all his wellwishers, particularly 'Monsieur Le Maire de notre commune'. Signs off 'Votre infortune fils jusqu'a la tombe'.

On a piece of paper roughly 8.5 x 19 cm. Heavily aged, creased and with wear to extremities. Signatures clear and entire. Some loss to bottom left-hand corner. Printed text (involving a transfer) with manuscript insertions. Two red wafers. Signed 'A Whitehall | Admiralty | Paymaster R.N.'; 'E. M. Primrose'; 'Henry Crane | 14 Broad St | Clerk'; 'Joseph Chamberlain'. Chamberlain left Southbourne in Edgbaston in 1880.

Good firm signature on slip of paper roughly 2.5 x 10 cm. Laid down on slightly larger rectangle of grey paper cut down from leaf of autograph album. A little ruckled, otherwise very good.

The first and second letters are both 12mo, 2 pp; the third is 12mo, 1 p. The first and third are good, on lightly aged paper; the second has some smoke staining to top and bottom outside corners. All text clear and entire. The letters concern Farquhar's efforts, as a 'friendly service' on Lockyer's behalf, to get a room in Harrogate. References to the Majestic and Prince of Wales hotels, and to 'Oliver' (perhaps J. A. W. Oliver?).

12mo bifolium: 1 p. 11 lines of text. Address and docketing on second leaf. Good, but with 1 cm hole in first leaf of bifolium, possibly caused by breaking open of blue wafer, which still adheres. Hole causing loss to two words, including latter part of signature. Asks the recipient 'de remettre a Mr. Pousin conducteur des ponts et chaussees, un double demi metre en Cuivre et un metre en cuivre avec quatre petites roulettes pointilles'. He will pay for the order in a few days time.

Varying in size from a few lines to a column nineteen inches in length, and on aged high-acidity paper. In good condition, though frail, and with a few closed tears. Texts clear and complete. In the remains of a stamped envelope (postmarked Philadelphia, 21 February 1912), addressed to E. H. Lauer of the Cadmus Book Company. Fewer than half the items are dated. The dated items include a long and interesting article on a forgotten English-born Philadelphian forger, headed 'A FORGER OF AUTOGRAPHS. | ROBERT SPRING'S SUCCESS IN BOLD LITERARY FRAUDS.

On wove paper, with watermark '179< >'. Dimensions roughly 22.5 x 39 cm. Very good on lightly aged paper. One small unobtrusive spot of foxing. The illustration is within an oval roughly 21.5 cm wide, enclosed in a decorative box of dimensions 18 x 27.5 cm. A couple of bishops with croziers and a mass of nobles in ermine look on in a vaulted castle hall while Henry II presents what looks like a pie to his bemused offspring, who is seated beneath a canopy.

12mo: 1 p. Good, with traces of previous mounting on blank reverse. He thanks her for her kind note, and is glad she enjoyed 'our little tour, in spite of wind and weather'. He has sent off her camera, 'carefully packed', and hopes 'it will arrive without injury. This is not promising weather for your cycling project!'

On piece of creased and lightly spotted paper roughly 11 x 11 cm. Reads '<...> for half a Century. | Believe that I remain | Dear Barry | Your's faithfully | [signed] Joseph Kay | Charles Barry Esqr. Kt. | &c &c &c'.

One page, 16mo. Good. Six lines. He may be 'giving some lectures in London shortly'. 'If I could make it worth my while to deliver them at some of the leading provincial towns, I might possibly arrange to do so. Therefore any information you could give me on the subject, I should be only too happy to have'.

Two pages, 16mo. Very good. Twenty-two lines, attractively written in purple ink beneath a letterhead printed in bright red. With postmarked envelope, addressed in autograph and carrying a penny stamp. He thanks her for sending him a copy of her book 'The Luck of John Seaton'. 'It reached me down in the country where, strange to say, I was already half way through it. I bought it at the railway station & had not arrived at the name of the author, when I received your letter. They ought to always put the name on the cover.' He enjoyed the story 'from beginning to end'.

One page, 12 x 9 cms. Rust stain from paperclip and strip of offset discolouration. In purple ink. A recent letter to Harmsworth was sent to the wrong address. He has 'another letter of Yates's [Edmund Yates (1831-1894), journalist and writer?], better than the one of which you had a copy'. Wonders whether Harmsworth wishes 'to make use of it'. Would also like to know whether 'shares in "Answers" [Harmsworth's magazine 'Answers to Correspondents']' can 'be got through a broker in the ordinary way'.

ITEM ONE (note, one page, 12mo, 3 December 1871, remains of grey paper mount adhering to verso of blank second leaf of bifolium): Apologises for sending a undated note: 'I daresay you can manage to fix at about what period it was written'. ITEM TWO (note, one page, 8vo, 12 December 1872, on creased, aged paper): Declining a dinner invitation. ITEM THREE (letter, one page, 8vo, 21 November 1873, on aged paper heavily chipped at head and foot): He has just described Draper's paper to Blanchard, who 'thinks it just the very thing they want. They like to have dates.

Two pages, quarto. On slightly stained, aged paper, with a few closed tears and some wear to extremities. Black wax seal adhering to second leaf of bifolium. Docketed 'March 1814 | Manchester | Revd. R. H. Whitelocke', but the signature appears to read 'Whitelock'.

Both items one page, octavo, and on aged and creased paper. Regarding Lucas's selection from Parker's works, 'Detached links; extracts from the Writings and Discourses of Joseph Parker' (Richard D. Dickinson, 1873). LETTER ONE: Thanks Lucas for his 'kind note', but does not 'see how the suggestion it conveys can be realized. I am afraid you would find it difficult to get a publisher.' Advises Lucas 'not to pursue the idea any further'. LETTER TWO: In a shaky hand explains that he is 'so poorly just now that I cannot give any phot[ographe]r. a sitting.

Dimensions roughly six inches by three and a half. Wormed (but only affecting two letters of text) on aged paper. One page, blank reverse. Wood cut at head, roughly one and a quarter inches square, illustrating a leather-bound book with clasps. Thirty-three lines of text, beginning 'At the Bible in Newgate-street, over against the Blue-Coat Hospital Gate.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.

Broadsheet. Twenty-two pages. On browned high-acidity paper, with slight wear and loss to extremities and along central horizontal fold. Attractive full-page illustration cover illustration by Clifford Webb. Articles include 'Telegraphy and telephony. From Morse apparatus to the teleprinter. World-wide conversation.' by Colonel Sir Thomas Purves, and 'Generation of Electricity. Supremacy of the steam turbine. Economy of space and fuel.' by Robert H. Parsons. Also 'The making of a natural philospher. Heredity and environment.

All items octavo. All in good condition, on aged paper, bound together in heavily-worn contemporary half-calf. Ownership inscription of the art dealer Faris C. Pitt on front free endpaper. The various issues of the 'Catalogue of Books' vary in length from eight pages to twenty-eight.

Editor (1857-1921) of the manuscript newspaper 'Congo Mirror', who 'drew attention to irregularities in Congo Free State, 1886; [...] and accused Congo officials of murders and atrocities; with help he carried on the agitation until the Congo Reform Association was formed; in a series of letters to the African Mail entitled the Lower Congo he pointed out the injustice of the French rule and the concessionnaire system in Congo Francais' (Who's Who). Three pages, 12mo. On grey paper. Very good. Docketed in pen and green pencil.

Publishers. Total five pages, 4to, one torn without loss of text, fold marks, creasing, otherwise good condition. (8 June) "I should be pleased to lend you the blocks from Mr. Pennell's 'Lithography', of which you left a list for a fee of 5/- each. The frontispiece of Mr. Pennell by Whistler is a lithograph, but I have a similar half tone block which I could lend you2. He has to charge. (11 June) They have ordered the blocks to go to Messrs Clowes from two firms. (13 July) One firm failed to send a block and they return money. They request return now they are finished with.

Novelist and playwright, author of the "flawed masterpiece" "Hunger and Love". Two pages, 8vo, fold marks but good condition, one ms. correction. A substantial letter dated 30 Oct. 1956, in which he reports on a letter from "Miss Black of Curtis Brown Ltd" (literary agents) in which she reports that Miss Farjeon does not want to sign a second agreement for "The Impossible Guest" (novel by Joseph Jefferson Farjeon published in 1949 which Britton presumably adapted for the stage).