LONDON

On 6 x 11 cm piece of paper, laid down on slightly larger piece of grey paper cut from an album. In good condition, lightly aged. The only writing, in a large firm hand, is 'Autograph | Quo Tai-chi'. At the head of the mount, in a contemporary hand: 'Quo-Tai-Chi (Dr) Chinese Ambassador in London'.

The full title reads: 'Harmsworth Trust Library | The Tenth Portion | Catalogue of the Collection of the Writings of the Revd. C. L. Dodgson ("Lewis Carroll") Forming part of the renowned Library of the late Sir R. Leicester Harmsworth, Bt., LL.D. (and now Sold by Order of the Trustees)'. 21pp, 8vo. With frontispiece, and plate with illustrations on both sides, as well as several facsimiles in text. (Front cover states: 'Illustrated Catalogue (2 Plates and 6 Line Reproductions)'. In yellow printed and stapled wraps, with last page of text printed on inside back cover.

1p, 8vo. In fair condition, creased and aged. The only piece of Waithman's autograph is his signature at the foot: 'R Waithman'. The rest of the document, apparently in Holste's hand, reads: 'Henry Holste of 22 Bush Lane Merchant, maketh Oath and saith, that he has been resident in London above Fourteen years, and that from the first day of January 1812 to the first day of September 1823. he has not been out of England for a single day | Henry Holste. | Sworn at the Mansion house this Twenty fifth day of August. One thousand eight hundred and Twenty five | R Waithman | Mayor'.

1p, 8vo. In fair condition, lightly aged and creased. The only piece of Waithman's autograph is his signature at the foot: 'R Waithman'. The rest of the document, apparently in Schmidt's hand, reads: 'John Schmidt Native of Hamburg residing at No 77 Westmoreland place City Road, Merchant maketh Oath & saith that he first arrived in London in the Year 1795. and has continued to reside here up to the present time with the exception of a few Months, but that he has not left England for a single day since the Year One thousand eight hundred and eight. - | J. Schmidt.

Two etchings in black ink, printed side by side on a 23.5 x 18 cm piece of wove paper, with a thin printed line dividing them. Possibly proofs of two plates on conjoined leaves in a book. In fair condition, lightly aged and creased, with a tiny nick at foot and dog-eared corners. Each of the sketches is full-length, and has a caption at foot, in a facsimile of D'Orsay's hand.

21pp, 12mo. In unpaginated stapled booklet of twelve leaves, in light-blue wraps. Printed on front cover: 'London Gliding Club | PROGRESS LOG BOOK', with space for the trainee's name and no. In fair condition, aged and worn, in worn covers, with one central horizontal fold. The trainee has written his name on the front cover, but this has been worn away, and it appears to read 'L Sennett' or 'L Bennett'. Printed on the first page is a list of twenty-four 'Flying Training Exercises'.

Two etchings in black ink, printed side by side on a 23.5 x 18 cm piece of wove paper, with a thin printed line dividing them. Possibly proofs of two plates on conjoined leaves in a book. In fair condition, lightly aged and creased, with a tiny nick at foot and dog-eared corners. Each of the sketches is full-length, and has a caption at foot, in a facsimile of D'Orsay's hand.

The text is on one side of a 13 x 16 cm piece of laid watermarked paper. The signature 'J. Kemble' is at bottom left, in slightly-darker ink than the fifteen lines of text. Lightly aged and with short closed tears at edges of two folds. Slight traces of brown-paper mount at top corners on reverse, which carries a capable ink drawing of 'the Caducean Trident' mentioned in the text: a dragon with two sets of wings, body stiff as a rod, encircled by two snakes.

A scarce item, and considering its perforation, fortunately found in its complete state. No copy on OCLC WorldCat, which does however have entries for copies of similar Liberty's 1910 ('SERIES XXXIII') and 1913 catalogues, the latter at the Museum of Fine Arts, Boston. 64pp, 8vo. Stitched into oat-coloured cloth soft covers, with decorative border and title printed on front cover. In fair internal condition: on lightly aged and spotted paper. In worn and stained wraps. The five pages of text and fifty-nine full-page illustrations are printed in brown on cream paper.

No information regarding 'Pam Chelsea' (female impersonator?) has been discovered, but the appearance of the document, and its presence in a batch of material relating to 1920s entertainment and broadcasting, date it to that period. 5pp, folio. 'No. of words. 1,063.' Written in a bold hand. In fair condition, on lightly aged and worn paper. The article was clearly accepted for publication, as '£1 11. 6 paid' is written at the top of the first page, and '5 line drop cap' at the start of the article.

Although ostensibly neutral, Denmark participated was participating in the Continental Blockade, and under heavy pressure from the French and their Russian allies to pledge its fleet to Napoleon. As a consequence a Royal Navy fleet, under Vice-Admiral James Saumarez, bombarded the Copenhagen for a period of days in August and September 1807. The controversial action succeeded in its aims: the Dano-Swedish fleet was seized, and the sea lanes of the Baltic and North Sea were secured for the use of the British merchant fleet.

For John George Jackson (c.1798-c.1851), architect of Leamington Priors, pupil of P. F. Robinson, see Lyndon F. Cave's 'Royal Leamington Spa' (1988). He erected Newbold Lodge on the site of Strawberry Cottage in the early 1830s. See the entry for the recipient William Hookham Carpenter (1792-1866), later Keeper of Prints and Drawings at the British Museum, in the Oxford DNB. At the time of the present letter Carpenter was working for his father the Old Bond Street bookseller James Carpenter (c.1768-1852). 2pp, 8vo. Bifolium.

For information on the campaign to save the Rokeby Venus for the nation, see Charles Saumarez Smith, 'The Battle for Venus', Spectator, 10 November 2003. 4pp, 16mo. Bifolium. In good condition, lightly aged. With one fold.

An interesting correspondence, casting light on the practicalities of early twentieth-century English portrait-painting. The recipient is Colonel Frederick Hugh Langston Oldham, D.S.O., D.L., of Overley Hall, near Wellington, Shropshire, eldest son of the Archdeacon of Ludlow, and the letter concerns Brock's portrait of Oldham's wife Christabel Josephine Oldham. The five letters in good condition, lightly aged. The four dated letters are dated between 25 February and 13 July 1920. The total 9pp (seven in 8vo and two in 12mo).

See the separate entries on the Gibsons in the Oxford DNB, which notes 'her eclectic salons, attended by diplomats, writers, politicians, and, after 1848, European exiles. Regular guests included Dickens, Thackeray, Hugo, Lady Morgan, the Disraelis, Cobden, and Louis Napoleon'. (Dickens wrote part of his last novel, 'The Mystery of Edwin Drood', at the Gibsons' London house.) The present item is from the papers of Arethusa's mother Lady Ann Cullum (1807-1875), wife of Rev. Sir Thomas Gery Cullum (1777-1855) of Hardwick House. 4pp, 12mo. Bifolium.

Scudamore's entry in the Oxford DNB does not refer to the financial difficulties which he describes in this interesting letter, surprising in the light of his royal patronage and success as an author. 3pp, 4to. Bifolium, addressed on reverse of second leaf, with postmark and seal in black wax, to 'The | Revd. Sir Thomas Cullum | Bart | Hardwick House | Bury St Edmunds'. Forwarded, in another hand, to 'Sir T G C | No 3 | Porto del Popolo | Rome'. In good condition, lightly aged, with minor trace of mount adhering. Folded four times.

The Biblewomen & Nurses Mission was founded as the London Bible and Domestic Female Mission in 1857, with the aim of bringing religious education to the poor. See the account of the founder Ellen Henrietta Ranyard (1810-1879) in the Oxford DNB. In 1868, Ranyard expanded the organisation to include the nursing of the sick poor in their own homes, in response to what the 'Biblewomen' saw of the sick, and three years later the Mission began to receive support from the Mercers Company. After Ranyard's death she was succeeded as Hon.

On 3.5 x 5 cm slip, laid down on slightly larger rectangle of paper, removed from an album. In fair condition, lightly aged and worn. A neat, firm signature, on a small slip of paper. Presumably cut from a letter, in response to a request for an autograph.

Tabeeb was a fêted 'exotic' visitor to England at the end of the Regency period. In March 1819 the Asiatic Journal reported his presence in London, and on 6 June (four days after the present letter) he breakfasted with the Irish poet Thomas Moore, who reported in his diary that he was 'to take a Diploma of Doctor at Oxford this month'. In April 1820 a fine engraving of Tabeeb, after a painting by John James Hall, was published.

4pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter, casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named, and the letter begins: 'Dear Sir, | I have not heard from Mr. Bussell of your Concert, but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st.

16pp, 8vo. Stapled pamphlet. In fair condition, lightly aged, covers dusty and spotted, staples slightly rusted. P.2 carries an announcement of the joint publication by 'Mr. Heinemann' and the Macmillan Company of New York 'of a new series of Greek and Latin texts with English translations on the opposite page and brief biographical prefaces. The series takes its name from Mr. James Loeb, originator of the idea, […]'. The page gives details of the plan, and p.15 carries a 'List of the First Twenty Volumes, 'Ready in September' and 'Ready in November'.

A marvellous slice of unexplored Edwardian social history, raising questions of morality, censorship, art and pornography, from the papers of William J. Taylor, Secretary of the London Female Preventive and Reformatory Institution. The 'Living Statuary' controversy arose over 'the propriety of the living statuary exhibitions in music-halls' (Daily Chronicle, 30 April 1907), and in particular the performances of the Australian artiste Pansy Montague (b.

Possibly the author's first book (see below), from the Christopher Fry papers (despite the ownership inscription). 54pp, 12mo. Stapled into green printed wraps (title and words '(ALL RIGHTS RESERVED)'). Tiny ownership signature in initials ('R. G.') in top right-hand corner of title-page. No details of publication or date, other than the printers' slug at bottom left of title-page.

From the Christopher Fry papers. PLAY: [1] + 47pp, 12mo. Stapled into buff wraps printed in red, including the statement that it is the 'Friends of Canterbury Cathedral Edition'. In fair condition, lightly aged, in worn wraps, with a trace of rust to staples. This edition of the play (the first?) is uncommon: the only copies on OCLC WorldCat at the British Library and University of British Columbia. COPY LETTER: 4pp, 12mo. In good condition, lightly aged. Written out in two hands, Recipient not named. With salutation 'Dear Sir,' and valediction 'I am | Yrs truly,'.

2pp, 16mo. Bifolium with mourning border. Heavily aged, worn and creased, with traces of paper from mount adhering to blank reverse of second leaf. There is no salutation. The letter begins: 'It is impossible to make the best selection, out of 11 vols which I gave Quaritch, £8. for, from the Bindon Blood Collection, and 3 thick vols, collected by the very well known Collector Chas. Kirkpatrick Sharpe of Edinbro'. I bought from Upham & Beet for £4. nett so many curious amongst the above vols.' He hopes some of these volumes will be useful to the recipient, 'now, and already before sent'.

Seven items from the Christopher Fry papers, relating to the film 'A Queen Is Crowned', which was a British box office hit in coronation year, and was nominated for an Academy Award and a Golden Globe. At the time of writing Fry was at the height of his popularity: around this time he had four plays running in the West End at once.

[16]pp, 16mo (11.5 x 7.5 cm). Stitched unpaginated pamphlet, tastefully printed with decorative headpiece to title, and the Press's celebrated device to the colophon. A frail survival, aged, worn and spotted, with one corner of last leaf dogeared. At foot of title-page: 'Any volume will be sent on receipt of Postal Order in advance.' Following the title-page are two pages with a history of 'The Chiswick Press. | Founded 1789.' Then a full-page advertisement for 'A Practical Treatise on the Art of Typography', with a full page containing 'Some Press Opinions'.

Evocative artefacts of the interesting connection between Powys and the man who supplied him with the books for his translation of Rabelais. On 24 September 1940, in 'Letters to Sea-Eagle', Powys gives a lengthy account of 'Our Jew Book-Pedlar' and the bombing by the Germans of his Russell Street address.

Carbon typescript. 4pp, 4to. Paginated 1-4. In fair condition, aged and worn, with chipping to edges. The text concerns George Moore and Bernard Shaw, but the introduction suggests that this is the start of a longer piece: 'I will give Mr. Mead, who has done such fine work and who has been so energetic in developing the work of the Associacion de Cultura Inglesa, the full particulars of the E. V. S. A., [i.e. English Verse Speaking Association] and I hope that you will all become Members.' | Mr.

Two years after arriving in England from Australia in 1913, Franklin White entered the Slade School. His studies were interrupted by the First World War, during which he worked as a draughtsman at the Admiralty. In 1919 he re-entered the Slade, and was soon invited by Tonks to join the teaching staff. On his retirement in 1957, he devoted his full energies to the Samuel Palmer School of Art, which he had run from his home in Shoreham since 1924, when he first held summer classes in landscape painting for his Slade students.