THE

1p., 12mo. In fair condition, on aged and creased paper, unobtrusively repaired with archival tape. Signed 'S. Gibson | (Secretary)'. He explains that as the 'beginning of the Michaelmas Term is an unusually busy time' he has 'only been able just recently to find time to study your very interesting contribution to the history of the R-printer'. He is going to insert Aldrich's article 'in our copy of the Speculum Doctrinale'.

2pp., 12mo. On bifolium. In fair condition, on lightly-aged and worn paper. Wood writes: 'Dear Mr. Williams | Will you kindly borrow from Mr. Pheasant tonight the 3rd Trumpet part of Rimsky-Korsakoff Ballet Music "Mlada" as there is a Tromba Alta part which according to the Score & as far as I can judge you can play, please take it home and let me know the result of your studies | Faithfully | Henry J. Wood'. In pencil at the foot of the second page, presumably by Williams, are a couple of bars of musical notation.

4pp., 12mo. Bifolium. 61 lines, closely written in a crabbed, difficult hand. Good, on lightly-aged paper. He begins by thanking her for a book, before commenting: 'Things are in such a queer state in this country that it is hard to know what will happen. This Government is enough to drive one mad. They are afraid to do a thing until the Convention has come to some sort of compromise (which no party will accept). The Sin [sic] Feins will do their best to upset any recommendation the Convention may come to. You must remember there are the Ulster men (Royalists) Royalists [sic] from all parts.

32pp., 12mo. Full-page portrait of Swedenborg, from painting, on p.3. In brown printed wraps. In good condition, on aged paper, with corner of first leaf folded down, and slight spotting to front cover. Scarce: only three copies on COPAC, at the British Library, Oxford and the National Library of Wales; the first dated to 1934, and the other two to 1937.

1p., 4to. In fair condition, lightly aged and creased. He asks her whether she means by 'a favourite recipe' one 'which I know of that others are likely not to know of? Or just one that I like but might well be familiar?' He ends by suggesting that she try asking Alan Bates, 'who I think has a secret recipe'. He gives an address for the actor.

[1] + 7pp., foolscap 8vo. On eight leaves, stapled together in one corner. In fair condition, on aged and worn paper, with slight rust marking to title leaf. The title leaf reads: 'THE MAGDALEN STREET | PROJECT | Further information obtainable from: | THE CIVIC TRUST | 79 BUCKINGHAM PALACE ROAD | LONDON S.W.1. | TATe Gallery 0891'. The background to the experiment is explained in the first two paragraphs: 'This is the story of an experiment in civic design. It is also a story of civic co-operation in which self-help was seen to be synonymous with public spirit.

1p., landscape 12mo. In fair condition, on aged and dusty paper. The receipt, for £19 5s 4d, is printed, and completed in manuscript in another hand. Archer has signed over a red tax stamp: 'William Archer | 7/12/06'. Stamped, and numbered '2801' in blue pencil. In top right-hand corner, in the same hand as the receipt: 'C. B. 215'.

Letter One: 1p., 12mo. Signed '(Hon) Donough O'Brien'. Good, on aged paper, with a couple of short closed tears at head. Addressed to 'Elliott O'Connell Esqre of The Red House, Guilsborough, Northants.' He is sending him a copy of his 'Genealogical Table of the Princes of Ireland', 'in a cardboard-roll to see': 'The descents are from the Common Ancestor, Milesius, King of Spain and Ireland'. The price is two pounds, and he believes that 'it is the first time that the 23 lines have been set out on one Chart and in their appropriate places of Geniture, and over so distant a period of time'.

16pp., 12mo. Stitched. In fair condition, aged, worn and a little dusty. Elegantly printed. A descriptive list, preceded by a two-page introduction beginning: 'The Catalogue here submitted to the Public, of Record Works published under the authority of the Record Commissioners and of the Secretary of State, has been in some measure compiled from a Work printed for private circulation under the title "Notes of Materials for the History of Public Departments," by Mr.

16pp., foolscap 8vo. Stapled into white printed covers, with 'ransom note' design on front and facsimile on back of letter from the Warren Commission members to the President of the United States, 24 September 1964. Very good, on lightly-aged paper. The document ends, under the publication details on the last page: 'Meanwhile back at the peanut farm: A PRESIDENT FOR AMERICA | The difference between Gerald Ford and Jimmy Carter is one of style and personality. Theirs [sic] policies are remarkably similar. | The Economist Oct.

The two items are uniform in layout, on folio bifoliums, with the text covering the whole of the recto of the first leaf, and the details printed lengthwise on the reverse of the second. Both in good condition, and folded into the customary packets. An early example of nimbyism, rather rich coming from a banker. The petition begins: 'In the House of Lords.

1p., landscape 12mo. Good, on lightly aged and creased paper. The letter reads: 'Dear Mr. Shorter: | You were so good as to admire the Stevenson printed by Doubleday, Page & Co., which was my handiwork to a large extent, and so, I am sending you a copy of a little book written and made by me many years ago, which I hope may interest you for an idle quarter-hour, (if you ever have one at your disposal). | Wishing you all the compliments of the season. | Yours sincerely | Walter Gilliss'.

2pp., 12mo. 29 lines of neatly-written text. In very good condition, on lightly-aged paper. Addressing his letter to 'J: S: Buckingham Esqre.', Pollock writes that Buckingham's letter, 'enclosing the Rules &c. of the British and Foreign Institute', has been forwarded to him in Monmouth, where he is 'engaged on a long Circuit professionally, which comprehends all South Wales, and the West and South of England'. He is 'on the move continually', without 'time or opportunity to give sufficient consideration to the subject'.

1p., 12mo. 25 lines, neatly and tightly written. In good condition, lightly-aged, and with pin hole to one corner. Blashfield declares himself 'much disappointed' that Thomas will not be presiding 'at the joint meeting on the 17th. Nov.', stating that he has been urging 'from the beginning' that Thomas should 'so preside'.

42pp., 12mo. In yellow wraps printed in black and red, with 'Object' and 'Declaration of Principles' of the SPC inside the front cover, and advertisements for SPC publications on both sides of the back cover. Stapled. In fair condition, aged and worn, with pencil ownership inscriptions of 'Jean Thurlow'. The Preface begins: 'This pamphlet was first published in 1910 as the Manifesto of the Socialist Party of Canada. During the ten-year period ending in 1920, five editions, totalling more than 25,000 copies, were issued.

17 items, the collection in good condition, on aged paper. Item One: Autographs of sixteen individuals associated with the production, all signing to 'Sonia'. 2pp., 12mo. On bifolium removed from ruled notebook. The signatories are: Michael Bryant, Robert Hunter, Margaret Whiting, Hilda Braid, Vivian Matalon, Tony Church ('Sonia, our proletarian beauty | from hungry Hugo'), Jack MacGowran, Robert Adams, Prunella Scales ('Maggie'), Michael Balfour ('May you triumph over virtue'), Patrick Magee, Tony Robertson, Joby Blanshard, Anthony Jacobs, Lee Montagu and Ian Bannen.

2pp., 12mo. In good condition, on aged and worn paper. The letter reads: 'Dear Prof. Candy, | I think you would wish to see enclosed which please return after perusal. | If you hear of anything kindly let me know. It is the most pressing difficulty we have and we see no present way of surmounting it. | With renewed thanks, | always sincerely yours, | Mackenzie Bell'.

16pp., 4to, with additional yellow cover leaf carrying title, with 'Introduction' on reverse. In good condition, on aged and worn paper, with slight damage to the fore-edge of the cover leaf. Neat ownership inscription of John H. Shaw. According to the introduction 'Bert Bensen's account of his attempts to stay in Britain - and of the determination of two successive Home Secretaries that he shall not - reads like something out of Kafka. The Sense of unreality that permeates the Bensen affair should not be allowed to hide the serious questions it raises. Why was Mr.

79pp., 8vo. In stout, thumb-indexed diary for 1930. In fair condition, on aged paper, in heavily worn binding, lacking spine and bowed by the excess material it contains. Ownership inscription by Richardson on flyleaf: 'A E Richardson ARA | Avenue House, | Ampthill Beds. | St. Catherine's College Cambridge, | 1939-1940 | University College, London.' Richardson published a number of works on architectural matters, but nothing on the history of art.

The two documents were originally attached along a perforated line, and both bear the serial number 115476. Having been detached, they have been reattached by a strip of light brown paper. In good condition, on lightly-aged paper. Both are forms, printed in red and black, and both are filled in by Coulson, regarding a deposit by Kipling of '£500 (Five hundred pounds) Grand Trunk Pacific Branch Lines Co. First Mortgage Sterling Bonds' and '$2500 (Two thousand five hundred dollars) Northern New Brunswick & Seaboard Rly Co. 4% Gold Bonds'.

3pp., folio, paginated to 3. Bifolium. Disbound. In fair condition, on aged and lightly-creased paper; folded twice into the customary packet, with the title printed lengthwise as usual.

Each proof is on 29 x 23 cm paper, and each is laid down on a piece of 38 x 31.5 cm card. In good condition, on lightly-aged and spotted paper, with wear and bumping to mount. The first engraving The Spectator for 23 December 1848 carried an advertisement by Cundall for 'ILLUSTRATED WORKS BY LADY AMATEURS', at the head of which was 'THE BABES IN THE WOOD. Illustrated with Ten Original Designs, Etched on Steel. | Colombier 8vo. price 1l. 1s.; or Coloured after the Drawings, 2l. 2s.

On piece of 6 x 8.5 cm. laid paper, cut from a document, with discoloration and traces of glue from previous mounting. Sherbrooke's signature is large and firm, with the words 'Commander of the Forces' in another, contemporary hand, beneath it. A scarce signature.

16pp., 8vo. Stapled, unpaginated pamphlet with five blank versos. In good condition, on lightly aged and worn paper. Typed label laid down at head of reverse of first leaf: 'Issued by the Royal Society of St. George in W.W.W. London had been severely burned by incendiaries, the Guildhall and eight Wren churches destroyed. | Original contribution by Winston Churchill.' Circular reproduction of black and white engraving, somewhat in the style of a seventeenth-century emblem book, showing the trumpeter riding a carved lion on a globe overlooking a landscape.

On 28 February 1885 The Times announced the death of Eber, 'for many years our valued correspondent at Vienna'; and a hundred years later (24 September 1985) the same paper described Eber as 'the condottiere-journalist, General Ferdinand Eber, whose habit of engaging in wars as well as reporting them earned him the displeasure of his masters in Printing House Square'. Both items in good condition, on lightly-aged paper, with slight damage from previous mounting. Both addressed to 'My dear Wreford', and both written in a difficult hand. Letter One: 3pp., 12mo.

2pp., foolscap 8vo. On two leaves stapled together. In good condition, on lightly aged and creased paper. This item is discussed in M. F. Snape's 'God and the British Soldier: Religion and the British Soldier in the First and Second World Wars' (London: Routledge, 2005). Montgomery described Hughes as 'the ideal of what an Army padre should be', and according to Snape: 'A major theme which seemed to emerge from the collaboration of Montgomery and Hughes in 1942 was the notion of the consecration of British arms to a higher purpose.

2pp., 12mo. In very good condition, on lightly-aged paper, with pin holes to one corner. Addressed to 'The Edr. | St. James's Budget'. 'To the best of my recollection the drawings I made for the P. M. Budget, were sold to include copyright. If not stated - this was the understanding - and therefore my interest in them so far as Black and White is concerned has ceased. But should you think of adapting any of them to the purposes of coloured pictures - I think you would require my consent, which I should be at liberty to give or not as I thought proper.'

2pp., 12mo. In fair condition, on aged paper with light staining (affecting the signature). In a difficult hand. He is sending 'the addresses of the friends & relatives of the <?> Brownes, Bunny, & Cassidy', but 'cannot get those of <?> or Higginson'.

4pp., 12mo. In very good condition, on lightly-aged paper. The letter is addressed to 'My dear Father'. He begins by thanking him for his letter: 'I can picture the long-nailed Neb. sitting down to answer your request for an autograph. Strange, that you should have been hearing of Vaughan Williams just at that time!' He reports that he has been 'doing many poems for The British Weekly. The Editor saw something of mine & asked me to send whatever I liked. And his nonconformist readers do not seem to jib.

4pp., 12mo. Bifolium with mourning border. In fair condition, on lightly aged and worn paper. He begins: 'My dear Mrs. Roper - | I have been rather long in fulfilling my promise to write - but I must lay all the blame on this most attractive International from which I can hardly tear myself away! My journey was a very pleasant one on Tuesday with agreeable fellow-passengers, there was another Bouquet besides mine in the carriage - but tell dear Annie it would bear no comparison with mine!